Archive for the ‘children’s writing’ Category

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: Whose perspective do you like to write from best, the hero (protagonist) or the villain (antagonist)? And why?

When I started writing my present series, The Chronicles of Aden Weaver, prior to 2008, I had only penned the protagonist’s story. Then, I took a writing course with New Zealand writer, Lindsey Dawson. I stayed behind after class one day. Lindsey drew a diagram of a single vertical line. “This is the main thread of your story, the protagonist’s point of view.” Then, she drew a number of other lines snaking up around the vertical line, spiralling around it and crossing back and forth. “These are your antagonistic forces. Sometimes they cross and create havoc. You need all these elements to write a story.”

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I had never thought about writing the antagonist’s story before then. Lindsey’s words opened my eyes. The more I looked at rogues in fiction and in film, the more I realized how vital it is to portray them convincingly. In fact, you could go so far as to argue, that crafting a credible, powerful enough villain is the most important part of crafting a narrative.

Alfred Hitchcock once said, “The more successful the villain, the more successful the picture.”

The idea of fleshing out the antagonist gave me licence to explore what was going on in the bad guys’ camp. And, when I finally did put out the first book in the chronicles, The Or’in of Tane Mahuta, it was presented from both Aden’s and Chief Wako’s point of view, and sometimes with Wako’s henchmen taking over the bad guys’ point of view.

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Which did I enjoy writing more? Writing Aden’s story was fun, however writing about the bad guys was much more fun. Why? I think it’s because Wako could do and say whatever the hell he liked, pardon my French. Antagonists do not have to tiptoe around the “P.C. brigade,” by definition they don’t care whether they’ve said the wrong thing or offended anyone. Antagonists don’t need to think of the repercussions. They can act first think later because they don’t care about the consequences of their actions. They’re rebels, they don’t need to play by the rules.

It reminds me of actors/actresses saying they like the bad guy roles best because they get to really go wild. Similarly, in writing the antagonistic elements of my story, I could let my imagination run rampant, conjuring Chief Wako and his evil minions, imagining what over-the-top thing he was going to say or do next.

It was a liberating feeling. Whenever I wrote the bad guys parts, I felt so free. So energized. Antagonists are famous for not following the norms of society or adhering to the moral codes that bind the rest of us. It was nice to take a break from the sanctioned code of conduct and ride along with a character who makes up his own rules.

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Bad guys are typically self-serving. We’re taught from a very young age to share, and that being selfish is the worst thing you can do. When I write the baddies, I can be as selfish as the little kid in me always wanted to be! Whoopee. That’s satisfying, let me tell you.

Although my rogue was a nasty guy at times, I grew to love him, because he was bold and brave, and an iconoclast. In fact, it was so much fun writing Chief Wako’s part that I had to tone it down at times for fear he would outshine the hero.

For the subsequent books, I followed the advice of my critique group and changed the books to a single point of view. I stopped writing the bad guys because I was advised that young readers find head hopping very hard to follow.

I missed writing the bad guys so much that I think in the next story I write, I’ll revert to multiple points of view again. I miss the villain too much.

Which do you prefer to write, hero or villain?

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Keep Writing!

Yvette K. Carol

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‘Nothing that happens to a writer – however happy, however tragic – is ever wasted.’ ~ PD James

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

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It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. I usually start my posts apologizing for being a day late. This month, I apologize for being a week late. Sorry! I’m putting it down to the holidaze.

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: What are your favorite and least favorite questions people ask you about your writing?

Oh, this is a good one. Believe it or not, I’m most often asked about my income. I don’t know why, but people seem to think its okay to ask writers about their pay rates when it’s not a question normally asked of other professions. I guess people are fascinated by the idea of writing books. I’ve heard many authors say, that in making school visits, the question they get asked the most often is, ‘How much money do you make?’

I think of Jack Nicholson’s famous movie rant, “You can’t handle the truth!”

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People imagine they will be the next J.K. Rowling or Stephanie Meyers. People see the blinding success stories of people who write a book and sell millions and become famous. Whereas the truth is those elite writers who make the most money are in the top 5%. The rest of us need to keep our day jobs.

Whenever I talk about authors and making money on social media, I drag out a beloved quote by one of my fellow authors on the children’s collaboration, Kissed By An Angel. Ellen Warach Leventhal said her favourite response from a fourth grader was, “You work hard, you don’t know if you’ll ever get paid for it, and you aren’t rich? Man, not sure I want to do that.”

That’s right. The reality is not very romantic.

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In essence, that’s why millions of people try their hand at penning their first novel every year and why only a small percentage of them will ever attempt a second. They quickly realize the truth all long time writers know; there is no money in it. Think of an author as like being a musician or an artist, or an actor. You do the work for the love of it, because you can’t NOT do it, despite the fact the recompense is uncertain. You supplement your income with other things. You find ingenious ways to save your pennies, you grow your own fruit and vegetables, you shop at thrift stores, you recycle things, and you make life work.

You don’t do this job for the money.

When people ask what my yearly income looks like, I go pink. I can’t answer the question in any way that comes off making me look good. I can’t say, ‘I don’t make very much money from my books, and yet, I keep publishing them,’ or I’d look like a prize idiot. It’s hard to reply to this question in social settings. It’s a lose-lose situation, folks, so please don’t ask authors this question.

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My discomfort with this stinker is swiftly followed in second place by those who ask, ‘How many books have you sold?’

Now, come on people, do I ask you how much product you moved today? Do I ask you, how many lives you’ve changed? Or anything remotely in that vicinity. This question always makes me feel like being grilled on a hot plate. Just back away, now.

However, if we’re talking about my favourite questions to be asked, they would definitely be, ‘What inspired you to write your book?’ with ‘What’s your book about?’ Because then I’m being asked about my inner process and the creative life, which is my passion and my bliss. I can soar away into these higher thoughts and let my imaginative life come to the fore.

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Chasing the muse is always exhilarating to think about. I feel this sort of information is far more valuable to share, and is of greater service, because those who are truly called to write will take positive juice from it and use that to fuel their own writing endeavours. Then, one feels one is being of service. I would far rather speak to that than the money, because the only answer I have is, ‘I write for the love of it and make income in other ways.’ Hardly motivating.

What about you? What are your favourite and least favourite questions?

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Keep Writing!

Yvette K. Carol

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There is no other feeling like that.
you will be alone with the gods
and the nights will flame with
fire. Charles Bukowski

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

‘If the ending sucks, the book sucks.’ ~ Larry Brooks

As I neared writing the end of my third book in the trilogy, The Chronicles of Aden Weaver, I began to feel distinctly nervous. Yes, it’s great to write a series, and they’re especially popular in my genre, fantasy for young people, however after going on this gargantuan journey, how do you resolve it successfully? How do you bring the ending to a satisfying conclusion?

It’s difficult.

‘While there are plenty of structural criteria available to take us to the sequence of scenes that comprise the ending of a story, there is no paradigm or format for the ending itself’ wrote Larry Brooks.

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With every story I’ve written in the last thirty-five plus years, it’s the endings I’ve sweated over the most. There’s a laundry list of things to be ticked off and rounded up and you also have to make the ending count.

In writing a book, you have to answer the questions raised as well as the overall story question, you have to tie up the loose ends and bring everything to a resolution that has soul.

It’s what Larry calls, ‘the golden ring of moments.’

In writing a series, there are more story threads to be pulled together and an overarching plot to be completed. The ending needs to have even more impact when you’re resolving multiple books and rewarding real reader commitment.

There is so much pressure to get the ending perfect. But never fear, help is here.

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Here are some of the beats to help you get that all important closure in your ending:

*The hero enters the last act with the aim of vanquishing the bad guy, of overcoming their demons, to win the reward, to return home or in some other way reap the results and conclude their journey.

*The ending is more than just words, it has to deliver a sense of ‘satisfaction,’ that soothes the emotional needs of the reader as well as mental. Having built the readers empathetic bond with your characters, your duty as author is to take care of them to the last word.

*At the climax, in the worst moments, when the hardest choices are made, the hero must use the knowledge they have gained along the way, which has been tested and proved true.

*You also have to deliver that “punch to the gut” – whether good or bad – to the reader’s sense of experience, world view and hope. Some secret comes out, some revelation made, some information released, change, ultimate metamorphosis results.

*The hero is able to win against the force of opposition, and overcome their personal flaws.

*By doing this, they integrate into a new, improved person. They have mastered their own fate. They become complete.

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It’s no small feat, in other words. And, I usually approach my books’ conclusions with great trepidation.

Poet and children’s author, Helen Dunmore said, ‘Reread, rewrite, reread, rewrite. If it still doesn’t work, throw it away. It’s a nice feeling, and you don’t want to be cluttered with the corpses of poems and stories which have everything in them except the life they need.’

To inject life and to get the ending right for the third book in my series, I literally walked the halls of my house last weekend. I paced around, reading the last two chapters aloud and editing then reading over and over. I must have rewritten the last paragraph eight times. In the end, I got it written.

To write endings that count, there can be no extra words, no loose ends left flapping, every moment must be part of the story’s resolution.

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Of those final paragraphs, Larry Brooks, urges writers to, ‘Deliver a moment when the reader feels as if you are writing about them. A moment when you’ve reached out through the pages and touched their heart and mind, and their soul. A moment that reminds the reader why they love to read.’

No pressure, right?

With my book, The Last Tree, every question had been answered; I wanted to do the series justice, to make the ride through three books worthwhile. I wanted to strike the right note, to really make it feel like our hero, Aden, had transcended who he was before and become a radiant new being. I wanted to give closure and yet, the feeling of hope. Has it worked? Only time and the readers will tell.

How about you? How do you finish your stories and hone your endings? Do you find them hard to write?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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‘Finish what you’re writing. Whatever you have to do to finish it, finish it. ~ Neil Gaiman
Repeat.Authors are crazy.

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: How has your creativity in life evolved since you began writing?

I was seventeen when I began writing. Fresh out of school, I was a teenage mum with a newborn baby to care for. My boyfriend and I had moved out of home, away from our families into the city. In the early eighties, the days before personal cell phones and computers, this meant being totally isolated. It’s hard to imagine, now, isn’t it. But, we were on our own in the big, bad world. I studied for my bursary year by correspondence, while washing forty nappies every day by hand in the bathtub. As my boyfriend was in his first year as an apprentice photolithographer, he only made $96 a week and that was all we had. I bought bulk packs of macaroni and different powdered flavouring and made macaroni cheese with a different flavour added each night. We had one car, and we lived in a dingy apartment building. Our flat was infested with cockroaches, and at the front and back of the building it was nothing but tarmac, there was no view, no garden or green area of our own.

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That scenario was the perfect breeding ground for the artist to come forth. I had to escape somehow. The cheapest, simplest way to escape my life circumstances was to pick up a pen and write.

When my son was sleeping, I wrote children’s stories and let my imagination go wild. I didn’t ‘know how to write’ and the stories were pretty bad, looking back. I remember a well-known writer saying once, ‘Every writer has those first manuscripts lying in a bottom drawer that should never see the light of day.’ The writing was crap, and yet, I was trapped in a poor, isolated and uninspiring life, and writing stories gave me the hope I needed. It was like self therapy. Every day, I expressed myself creatively through the written word and by doing so experienced that new, more inspiring reality. This became my outlet, my sunlit garden, and the saving of me.

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Every day, whenever I got the chance, I’d pick up the story and write a little more. I’d climb through the green window into the meadow beyond, and there I’d be free.

As my son grew up, our life circumstances began to improve and have their own flowering.

My writing changed too. With each writing workshop, course, conference and lecture I attended, my understanding of the craft developed. My work gained more structure, more form and substance.

My first born son became an adult, and suddenly, I became more independent, I had more freedom. By the nineties, I had a job. I had money, and I was still writing in my spare time. There was the beautiful fruit of my stories developing into purer forms.

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Every day, whenever I got the chance, I’d pick up the story and write a little more. I was still drawing and painting my characters in tandem with writing the prose.

I remarried and had two more sons. We had a home with a lovely garden. As my life circumstances and finances settled, I didn’t have a desperate desire to escape my world anymore. In order to continue to work at a steady pace on my stories, I had to learn discipline. Just as I had to attend to the grown-up business of marriage, house maintenance and child-rearing, I also had to learn B.I.C. Butt In Chair is hard to do as it takes immense concentration. I accepted the challenge.

Every day, I’d sit and write a little more. I decided to stop drawing my own illustrations, and I focussed on the words.

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I gravitated to writing middle grade fiction twelve years ago, and it felt like I’d found my niche.

Writing has become an integral part of my life. I have come to love every step of the novel writing process. I don’t have an agent or a publisher. I’m my own boss and in the last three years, I’ve self published two books and had two short works included in two others.

My creativity in life has definitely evolved since I started writing? How about you, has yours?

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Keep Writing!

Yvette K. Carol

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“Tell me, what is it you plan to do / with your one wild and precious life?” Mary Oliver

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit st a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

This month’s co-hosts:  Dolorah @ Book Lover, Christopher D. Votey, Tanya Miranda, andChemist Ken!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: How do major life events affect your writing? Has writing ever helped you through something?

There was a time, not too long ago, when I wasn’t drawn to the idea of the optional IWSG Day Question. I preferred to write what I wanted to write instead. Then, one day I was stuck for ideas, so I turned to the question offered. And, I’ve been a convert ever since. I’ve only missed one month and that was because I couldn’t come up with an answer! But, apart from that, I’ve come to relish the Question – even looking forward to it – to see what the clever upper-ups at IWSG Headquarters have come up with next.

I love the October Question!

 

11717197_10152841846311744_1745896926_nWriting has helped me through every hard time and helped me to get through every trial I’ve experienced. There have been times, after the losses of family members, when I’ve stopped writing altogether. Dried up and couldn’t write, at the same time I didn’t want to be near anything about the online world, at all. There have been times when I’ve needed to retreat in silence and stillness and be with the grief.

After hard times, writing was my way back into the world of people, and into the fray via the internet. Sometimes, I would resist for longer than others. But, eventually, every time I suffered a blow and was devastated, I returned to my normal life by sitting and translating what I had been through into words. Writing blog posts, writing for my monthly newsletter, writing fiction.

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Writing always provided the catalyst for my positive evolution, through the sadness and out onto the other side, of having grown through the experience.

In that place, I could contribute again and be of service through writing my stories, and other stuff, along the way.

My father died in February of this year. Within about three hours of getting the news he had passed, I was off the grid. I’d sorted out what needed to be done for the household to run and for the world to excuse the boys and I for a week. Then, we were on the road for my parents’ seaside town. I stayed off line and away from my cell phone, feeling  I needed all my energy and attention on the unfolding events as we laid dad to rest.

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We returned home, and I was a different person. I could feel it, I knew it. You are so changed when you lose someone important in your life. I’d always suspected losing dad would be the most painful, and so it was. I couldn’t face writing or any sort of social media. I remained in this “other” space for weeks. I’d cried so much over the week of sitting with his body and then burying him that I was completely dry of tears. I had wept until I couldn’t shed anymore. So, I did my daily exercises and tended to the kids, ran the household, and went to Toastmasters, gave speeches, without really being there.

I was on automatic without being fully engaged in my life.

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One of my fellow Toastmasters said I had lost weight that she could see it in my face, and she expressed worry about me, which really touched my heart.

One day, I opened my computer and I made myself open my work-in-progress. I sat in front of my laptop, and I started editing and rewriting and the energy started to flow again. I felt myself literally coming to life, through the passion I have for my stories. My writing ushered me up from the void into the land of the living again. I was once again able to engage with my children and others in my life fully and I was working on my book.

I felt such deep gratitude!

Has writing ever helped you?

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Keep Writing!

Yvette K. Carol

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I put things down on sheets of paper and stuff them in my pockets. When I have enough, I have a book. ~ John Lennon

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

Beware the dreaded terror that is the read-aloud edit! Everything they say about it being a back-breaking labour is true. These days, you often hear the advice to read your own work aloud. This is primarily because, no matter how obvious it seems, the fact remains that stories were made to be told, to be heard by the reader’s inner ear, and to be shared with others. If a piece of prose can’t pass the read-aloud test, it’s dead in the water. And yet, reading aloud your own story, especially if it’s a full length novel, will crush your soul beneath its heel.

I’m currently three quarters of the way through a read-aloud edit of my next middle grade novel, and I cannot tell you how many times I’ve wanted to give up. Labours of Hercules, on steroids.

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You see, three weeks ago, after having edited my work-in-progress, The Last Tree, a gazillion times, I decided it was time to do the dreaded read aloud edit. By the end of the first hour of recording myself, I was drained of all energy and, by the end of the first day, the will to live.

Each weekend, that I’ve gotten to work on it again, I’ve been surprised afresh by how it makes me want to claw my own hair out by the roots. It’s tedious, arduous and gruelling. No part of reading aloud 67,634 words comes easy. In fact, I have discovered a whole new appreciation for voice artists and especially those who do the audio novels. It takes power and endurance and patience. You read page after page until you think you’re going to go mad. And, then you find you’ve only read one chapter and there are still fifty more ahead.

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The reason you keep going through this undeniable hard slog, is that there’s such a big payoff. You get this incredible transformation that starts to come over the work that no other editing technique can touch.

The reason you keep going despite the mental and physical anguish is that when you read aloud, you hear your story anew. When you listen to the recording to edit the story, you hear the prose in a new way again. This effectively brings to light every flaw. It is quite special and unique in its singular transparency.

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The reason you keep going is because you discover where the story doesn’t flow as well as it should, and you swiftly knock a lot of the bumps out.

The eleven rewards I’ve identified so far in reading aloud your own work:

  1. You notice extraneous words, when sentences are too long
  2. You hear the repetitions, the favoured ways of saying things, favoured words or ‘tics’
  3. You hear where the dialogue is popping and where it falls flat
  4. You hear where you need to name who is doing what to prevent the reader getting lost37536386_10155480627157212_1260027620918034432_n
  5. It shows up flaws in rhythm, words that when spoken in sequence trip up the tongue
  6. You become aware of leaps in states of consciousness, where you as the writer have made assumptions things are clear, yet you have failed to fill in the gaps. You see the spots where there are not enough words to paint the scene
  7. It brings out patterns in actions (like ‘nodded’ and ‘shook their head’ or ‘rolled their eyes’)
  8. You see where some parts of the story have heft, they’re meatier, while other parts are weaker and the material too thin
  9. You discover where you’ve put the cart before the horse and you have things out of sequence, so you have stated the decision first and the options and problem solving second40661154_1781118765330897_3490029191380860928_n
  10. You’ll hear where too many words have been used in a sentence. You’ll discover sentences so long and convoluted you can’t breathe, and they’ll make you hate your own writing with a passion
  11. You can feel the drag where some parts of the story are boring, or could be worded better, and sometimes, you can even hear where punctuation is missing

As you can see, it is well worth the sweat, blood and toil, as well as the inevitable midnight oil. Despite the fact it has been a painful, torturous process, so far, reading my book aloud has also been the most effective editing I’ve done. I might even be tempted to do it again, even though I quail at the thought!

Am I crazy? Yes, possibly.

What about you, have you ever tried the dreaded read aloud edit? Did you live to tell the tale?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“May your dreams be larger than mountains and may you have the courage to scale their summits.” -Harley King

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: What publishing path are you considering/did you take, and why?

I’m going to answer both parts of that question. When I put out The Last Tree, the third book of the Chronicles of Aden Weaver, in 2019, I aim to self publish. But, that’s not to say going Indie is an easy option. I self published The Or’in of Tane Mahuta in 2015 and The Sasori Empire in 2017, and both journeys were equally back breaking.

Going Indie is a bit like having babies: the agony and hardship and gruelling aspect of self publishing your stories is epic. As you sweat your way through the nightmare of endless editing hell and the 101 jobs that need doing, you swear with a fist raised to the sky that once you’ve got this book out, that’s it, you’re done with going Indie.

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In more sober moments, you tell friends that the next time you publish a book you’ll get someone else to do the donkey work. You’re totally willing to go out on the streets to knock on the doors and basically stalk the gatekeepers again, submitting your manuscripts to editor after editor. You’re convinced you’d rather trudge the rounds of submission forever, than tackle self publishing again.

Then, your beautiful baby is born. You have the party, you hold your novel in your hands, sniff it, and you look at it adoringly. Sometime later, after the glow has worn off and a bit more time has gone past, you realize you want to do it all over again.

You dive back into being an Indie with your next work because:

 

  1. Despite the backbreaking hours of hard work, it’s really rewarding.
  2. Every single decision is in your hands which is overwhelming, yet you have control over the look of the whole package, which is exhilarating (hee hee, ha ha!)
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  4. Every single cent ever made goes to you.
  5. I once turned down a publishing offer because they wanted to change the name of the characters! As an Indie, you get to be the boss, and say how the story goes and no one else.
  6. Because you have to do the book launches and marketing yourself, it drives you to learn new skills and expand your repertoire.
  7. You have more to offer in terms of advice and knowhow when young authors come asking. I’ve been surprised in the last ten years how many up and coming writers have asked me questions. It’s helpful in those situations to have a clue.
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  9. For me, one of the big reasons for self publishing is no one wanted to publish my stories the way I wanted to read them. So, in order for me to put out my anthropomorphic fantasy adventure fiction for the upper middle grade market (9-13-year-olds), I had to do it myself. Sometimes, when the slice of the market you’re aiming at is so small, it just isn’t economically viable for a traditional publishing house to invest in a niche with such low returns. So, in order to stay true to the material, I had to produce it myself.

For me, this is vitally important, because my entire life is a quest for truth, for honesty, the essence of things. I aim to cleave to the material the muse gives me.

For me, the gut feeling is this: that my only job as the author is to produce the copy, buff and polish it with editing, and do my utmost not to wreck the original inspiration.

If the gatekeepers can’t get behind my vision or this particular creation, then so be it. I get to say, no matter, I’m publishing it anyway. And, I love that!

8. Ultimately, it feels good because it feels like investing in myself.

What about you, what publishing path will you take?

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Keep Writing!

Yvette K. Carol

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Nothing great was ever achieved without enthusiasm. ~ Ralph Waldo Emerson

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I’ve been working on book three, The Last Tree, in my series, The Chronicles of Aden Weaver, for ten months. In the last two weeks, I have made some huge strides forward, which have entailed two joyous editing experiences, one weekend after another. It put me in mind of the fact that a lot of times, we writers hear about mistakes and pitfalls to avoid. I thought I’d like to share two of the delights of editing a novel.

I like to keep record of how many times I’ve done something—it’s the dad in me, what can I say?—so that’s how I know, I was on the twenty-ninth edit of The Last Tree, when I experienced that holy of holies, the ‘change of mind.’

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This mythical creature, the change of mind, or change of heart, is what happens when you disengage from your normal way of looking at your writing, and you get what is akin to a third-person perspective. It’s the moment when, if you’re lucky, as the writer you get to see and experience your work as if you were the reader. I had been editing for ten months and had done twenty-nine rounds of the material before I had my lightning strike and was able to read the copy in a whole new way.

Jimmy Braun, photo

Jimmy Braun, photo

That was two weeks ago. I really did feel lucky. I was changing swathes of the story from the second half to the end. I had been steadily bringing the word count down all year, from the overblown 90,845 I started with, to a neater 67,000 words. But that weekend, I was scything out pages of text, losing two whole chapters between Friday and Sunday. Then, at the same time, I couldn’t help myself adding new words, as I saw gaps that needed closing, so the copy ballooned again to over 68,000. And overarching it all was this brilliant feeling of being able to see clearly to the heart of the story, and really see what needed to be changed. The whole weekend was infused with creative imagination.

Then a week ago, when I went back to editing The Last Tree, the experience was completely different.

Last weekend, I’d hoped to taste that particular joy again, that elusive ethereal moment of magic. Every writer or artist knows this; it’s been called being touched by ‘the muse.’ There is an element to it of ‘otherness,’ when you’re immersed in your craft, of these magic moments, of being suspended from earth, of being delivered the ideas and words, of being able to weave worlds.

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But, last weekend it wasn’t to be. I could feel the difference as soon as I started working. This wasn’t about inspiration it was about the building blocks. The second half of The Last Tree had bothered me all year, yet, I just couldn’t seem to get my head around it. I knew something needed fixing. I had tried a few solutions: chopping the prose up a few times, rearranging the order, I took out scenes and added new ones, however a niggling feeling – “the little writer’s voice” – kept nagging me it still wasn’t right.

Last weekend, it was about getting the structure of these final scenes figured out, nailing down the nuts and bolts of the climactic scenes and the resolution of all the story threads. On the Friday night, I sat with a list of the marks I needed to hit, with regards structure, on one side of my computer, and a list of the general editing changes I needed to make, on the other side of my computer.

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By Sunday night, I had re-engineered the final acts of the story. I had welded and hammered them into a new shape. I had rebuilt it better than before. It was a thing of beauty. And, I knew that it was right this time, because of how I felt in my gut and the fact that the little writer’s voice had been silenced.

Only in the nick of time too, as my critique group, The Gang of Four, were nipping at my heels. The girls and I have been swapping chapters since February. Little did they know, I’d been sweating it all year because I knew the end scenes weren’t finalised. So I’m doubly glad to have had a couple of weekends like these, where the flow picked me up and carried me to the finish.

Yeeha! The old adage of B.I.C (Butt In Chair) really works.

Have you had any joyous writing experiences you want to share?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Haruki Murakami says, ‘The good thing about writing books is that you can dream while you are awake.’

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It’s time for this month’s group posting with the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. your words might be the encouragement someone needs.

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OPTIONAL IWSG Day Question: What are your ultimate writing goals, and how have they changed over time (if at all)?

That’s a brilliant question because it really made me sit back and think. My goals have changed a lot. When I started penning kids’ fiction as a seventeen-year-old, I was far removed from the reality of being an author.

Believe it or not, when I started out, personal computers were not yet a thing. Although some people had them, no one I knew owned one. And the internet was just a twinkle in the eye of a brainiac, somewhere. I spent the first decade writing the good old fashioned way, with a pen and paper. I was a teenager, starting out in the 1980’s, just following the thread of what interested me in terms of subject matter and genre.

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I worked a string of other jobs and often second jobs as well. Writing stories was what I did in my spare time, and it still is.

When I started out at seventeen, I wasn’t thinking of publication. I was impelled to share my creativity through children’s stories, so I followed it. It took me another ten years to start submitting to publishers. My ultimate writing goal at the age of twenty-seven was simple, to get published and make money.

I have an old book of ‘Intentions,’ which I write up each year like resolutions. I discovered that by the age of thirty my ultimate writing goal had morphed into: “I want my books to be a huge success like Harry Potter.”

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Wow, I sure didn’t aim low in those days. I was quite surprised by the audacity of my intention.

I admit I’ve reduced my ultimate writing goals as I’ve gone along. Which I think boils down to figuring out what you really want to do with your time. As you grow older, time becomes more precious. The entry for 2017 reads: I raise people’s awareness and bring joy, inspire and make people feel better through the power of story.

And with age, you get more realistic. I might not be the next J. K. Rowling.

These days, I’m a stay-at-home mum and caregiver to my thirteen-year-old and my middle son who has Downs’ syndrome. I write part-time. I have two stories published and two books which I self published. My wish list these days tends to focus on more meaningful things like wanting joy, and a sense of fulfilment.

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These days my ultimate writing goal is to write more of what I love.  However, the series I’m writing is anthropomorphic fantasy fiction about insects. It gets some strange reactions at times.

I’ll never forget the response of one assessor to my book,  The Or’in of Tane Mahuta. She said, “Great story, but lose the insects!” I couldn’t lose the insects, they were an integral part of the machine of the story.

One day, I will move on to new fields in fiction. For now, I want to see this series out and do the best I possibly can.

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One of the authors I like is Lee Child, author of the Jack Reacher novels. He’s a real storyteller. Asked to give a tip recently for writers, he said, “Ignore all the tips. It’s got to be 100% your own product. As soon as you start thinking about what you should do, there’s a compromise and the spark goes. You’ve got to do what you want to do.”

Child really gets it. He’s talking about listening to the gut and the heart of the story. I love it. I’m ignoring all the tips. It’s 100% my anthropomorphic fantasy fiction about insects. If I want little critters creeping and flying and turning into human hybrids, I must write them. You’ve got to do what you want to do, right?

I wonder what my intention for 2019 will be? I think it’s going to be something along the lines of ‘I just want to be myself and enjoy the process!’

What about you? What are your Ultimate Writing Goals for 2018? Have you met them yet?

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Keep Writing!

Yvette K. Carol

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In a totally sane society, madness is the only freedom. ~ J. G. Ballard

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I totally missed this month’s group posting with the Insecure Writer’s Support Group! I temporarily was without a phone service for one very frustrating week. No phone, no WordPress password, no blog post. However, I thought the “Question of the Month” for June was particularly interesting so I’m going to post my answer anyway.

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OPTIONAL IWSG Day Question: What’s harder for you to come up with, book titles or character names? 

I find both equally as hard. I would say the only time in the last thirty-five years that a book title came easily was The Sasori Empire. It’s Book Two in The Chronicles of Aden Weaver series I’m currently working on. How did I come up with it? Sasori is Japanese for scorpion. The baddie of the series is a scorpion shapeshifter, and the title for his association needed an epic name. This led me in a very organic way to the Sasori Empire for the bad guys. Straight away, I knew it would make a great book title, too. Still, to this day, it is the favourite of all my story titles.

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The character name which came the most easily was Sun, the child slave who enters the story in Book Two. Her name was just ‘there,’ fully formed straight away. I didn’t have to effort or chase, or change it five times in writing the prose. “Sun” is like a haiku. It’s short and quintessentially her. It’s one of my favourite character names for its simplicity.

To me, naming your pieces is important. It’s part of the ritual, of drawing inspiration out of the ether and giving it form.

And it’s a significant step in writing the true story which wants to be written. If the name of a character or a story does not ring true for me as the reader, I’m turned away. And the same happens for me as the writer. I can’t get to know and understand my characters, and therefore do them justice, without their real names.

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My current series evolved out of picture books I wrote and illustrated twenty years ago. Names which were appropriate for pre-schoolers were not appropriate for upper middle grade readers, so they needed to be changed.

It took me a year to get them right. I changed the side-kick’s name three times and yet, I still wasn’t happy. Then, I heard my sister-in-law say, that she’d always thought if she had a baby girl she’d call her Te Maia. I loved the name immediately. When I paired it with the surname I already had, Te Maia Wilde, a feisty sidekick was born.

I find the protagonist’s name much harder to choose, because there’s so much riding on it. A main character’s name has to hit it out of the ball park. It has to be easy to say and easy to remember. It has to paint a picture in as few words as possible. Can you imagine Star Wars without Luke Skywalker? Or The Hobbit without Bilbo Baggins? Or The Hunger Games without Katniss Everdeen? These are solid names to hang a heart on.

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With my current protagonist, I couldn’t get anything to fit. He needed a strong, stable name with potential hero in it. I tried Franklin, Benjamin, Sage, and many more monikers. Nothing ‘felt’ like the kid I knew so well in my head. He needed depiction through his name, but no matter how I chased, it remained elusive. Like the white stag in the distance, I could glimpse the form but never catch up.

It required patience. Staying the course.

Four years after starting the rewrite, I happened to read a blog about the success of the Harry Potter series. One of the important factors in the success, so the journalist proposed, was the fact that the hero’s name was ‘relatable.’ The name Potter is taken from those who used to make their humble living in days gone by sculpting clay, and people responded to that sense of familiarity, so he surmised.

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I thought about this, and considered the different professions which were common to most societies and times, and the name “Weaver” popped into my head. I had the surname.

The first name came much later, from a project my youngest was involved in at school, and one of the boys listed in his class was called Aden. I paired this with Weaver in my head. And, I finally had my protagonist. We could sail!

These days, I keep notebooks and jot down great words and names so I have plenty on file. It’s still torture though.

How about you?

How do you figure out your names and titles?

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Keep Writing!

Yvette K. Carol

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“If you don’t ask, you don’t get.”~ Stevie Wonder

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