Archive for the ‘Middle Grade’ Category

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post on the first Wednesday of every month. Every month, the organizers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!! Let’s rock the neurotic writing world! Our Twitter handle is @TheIWSG, and the hashtag is #IWSG.

July 6 question – If you could live in any book world, which one would you choose?
I always try to answer these questions as honestly as possible by going with the first thought that comes to mind. My dad used to say that the gut reaction was always right. My gut feeling when I read this question? I would live in the books I’m writing. It sounds like a self-congratulatory thing to say. But every time I get precious hours to pour into my new story, I dive into this imaginary world and love spending time there. My writing has always been my way of escape and still is.
If you’d asked me this question a few years ago, when I was working on editing my middle-grade series, The Chronicles of Aden Weaver, I would have wanted to go there. The trilogy took me a decade to write. I became so familiar with the environment I had created that I knew every nook and cranny like my own home and garden. The world, and the characters, were like family, a part of my daily reality.

When I started work on my present children’s series, it was a thrill to build a new world and unfurl my wings over unique and unknown landscapes. This year I have had a ball developing the story bible for this series, figuring out the setting, and beginning to picture it clearly in my mind.
They say that writers write for themselves. That is certainly true for me. Often, in my life, and especially in the last two years, I write the sort of world that makes my heart sing. I can’t tell you any more about that world right now, not until the stories are close to finished. Time has taught me not to speak about my stories while they’re in the nascent stages, for fear the muse will exit stage left and leave me cold. Besides, this is the genesis stage and requires nurturing and sustained silence.

When I started writing fiction for children, I was a teenage mum stuck at home with a baby. All my friends were off traveling the planet, having the times of their lives. My only way to escape the humdrum of nappies and housework was to climb out that golden window of my imagination into a better place. Creative writing was my saving grace. Literally.
Neil Gaiman once famously said, ‘I’d like to say a few words on escapism. I hear the term bandied about as if it’s a bad thing. As if “escapist” fiction is a cheap opiate used by the muddled and the foolish and the deluded, and the only fiction that is worthy, for adults or children, is mimetic fiction, mirroring the worst of the world the reader finds themself in.’

Like Neil, I’ve never understood why people look down their noses at escapism through literature. There are far worse things in the world. And considering the state of affairs on the planet at the moment, frankly, we need all the escapism we can get. It’s benign, nourishing, affordable therapy. And it works. As J.R.R. Tolkien reminded us, the only people who warn against escape are the jailers.
I want to provide that escape route for my readers. And I seek the same haven, too. There’s no place in the multiverse I would rather be than living inside my own story worlds. So, yes, please, sign me up.
A close second would be the world of Moomintroll.
Which book world would you escape to and why?

Keep Writing!
Yvette Carol
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‘Fiction can show you a different world. It can take you somewhere you’ve never been.’ ~ Neil Gaiman

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I have finished reading my eleventh novel for 2022, The Gypsy Crown, by Kate Forsyth. It is the first book in the six-book series, The Chain of Charms, published in 2006. Kate followed this with The Silver Horse, The Herb of Grace, The Cat’s Eye Shell, The Lightning Bolt, and The Butterfly in Amber. Recommended for grades 5-9.
Set during the time of Oliver Cromwell (1658), Emilia and her cousin, Luka, are Romany gypsies (the Rom). The story starts with two gypsy clans coming together for the marriage of two young members. They make a wedding agreement. 13-year-old Emilia, Luka, and other family members travel to the nearest village to sing and dance to help raise the dowry. But singing and dancing are considered the work of the devil. The gypsies are captured and imprisoned, then threatened with hanging. Only Emilia and Luka escape, with Emilia’s horse, Alida, a pet dancing bear named Sweetheart, a trained monkey called Zizi, and a faithful dog, Rollo.

After a hair-raising journey, Emilia, Luka, and their animals make it back to the matriarch of their clan, the Queen of the Gypsies, Maggie Finch. The matriarch tells them the legend of the chain of charms. Long ago, a gypsy matriarch had broken her chain of charms, giving one charm to each of her five children, and ever since then, the luck of the Rom had turned foul. Maggie Finch gave Emilia the gypsy crown, her first charm from the chain. She tells the children if they can gather the charms from the other gypsy families, it would help bring their family freedom and turn the tide of fortune to favour the Rom.
The Chain of Charms series follows the adventures of Emilia and Luka as they seek to find each of the families that hold the charms on their quest to reunite the legendary chain. The first book, The Gypsy Crown, sets the stage for the five books to follow and establishes the high stakes involved. Emilia and Luka have a deadline. They must free the imprisoned members of their families facing the gallows. Whew!

I love historical fiction, and I picked up this slim volume purely because it takes place in England at the time of Cromwell’s rebellion. Historical fiction can be hard to write convincingly, and I always read with curiosity to see if the author has managed to live up to the challenge. It didn’t take long to feel reassured she had. As well as adventure, there is historical value in a book like this. The reader will learn about life in the 1600s. I learned something new because prior to reading this, I was unaware they persecuted gypsies. Across Europe, punishments included flogging, torture, branding, mutilation, hanging, and shooting. These details put the reader firmly on the side of the Rom. Who doesn’t love a good underdog tale?
Once Emilia and Luka get into trouble and are on the run, the action becomes high octane, and I was on the edge of my seat. At first, I was annoyed that they took the bear, Sweetheart, with them. How do you run for your life with a bear in tow? It seemed an insurmountable problem. But what it does very successfully is to pile on the tension. Brownie points to Kate Forsyth.

Who is Kate Forsyth? I was curious to know, as the book surprised me (in a good way). Kate writes with assurance, yet I’d never heard of the author before. It surprised me to read her biography. Kate has a doctorate in fairytale studies, a master of Creative Writing, a Bachelor of Arts in Literature, and is an accredited master storyteller. The girl is over-qualified! She writes Historical Fiction, Children’s Books, and Fantasy. Born in Australia, Kate is now the internationally bestselling author of 40 books. She lives in Sydney with her husband and three children.
My only beef with The Gypsy Crown is that it was too brief. The subject was so meaty and could have included a lot more historical details, but I inhaled it in two sittings, leaving me feeling short-changed. I wanted to get to know the characters more, too. However, since the idea is to entice the reader into the next book, it succeeds on that level. And since I assume the story length would be ideal for child readers, it is an easy-to-read, engaging story that all children would enjoy.
My rating: Two and three-quarter stars

Talk to you later.
Keep reading!
Yvette Carol
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‘They can imprison us and beat us, but they cannot stop our hearts from feeling and our minds from thinking and our tongues from speaking, can they?’ The man heaved a great sigh, and then repeated, very low, ‘Can they?’ ~ The Gypsy Crown


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I have finished reading my eighth novel for 2022, When Did You See Her Last? The second book in the All the Wrong Questions series by Lemony Snicket. The premise of this series has the author writing himself as a kid detective, up against the baddie, Hangfire, both seeking a strange statue, the Bombinating Beast. Throw in a missing father and a missing girl, and you have the basic storyline of When Did you See Her Last?

A girl has gone missing, the Ink Inc. heiress and genius chemist Chloe Knight. Apprentice detective Lemony Snicket, and his incompetent chaperone S. Theodora Markson take on the case. The tale is set in a town that flourished because of ink, aptly named Stain’d-by-the-Sea. The town is becoming deserted because it has run out of squid. It is rumoured Chloe Knight has created a new type of ink that would reverse the fortunes of the dying town. Snicket has to find out more about a strange group called The Inhumane Society. He must piece together the clues surrounding Chloe’s disappearance and hopefully rescue the girl with a lot of hijinks along the way.
Snicket stories tend to cruise along the edge of the ridiculous, bringing to mind other such stars of the genre, like David Walliams and Anthony Horowitz. As always, in When Did you See Her Last? Snicket likes to have fun with words. “A laugh is harder to swallow whole than a honeydew melon. Her mouth twisted every which way, and her eyes flitted madly as she looked everywhere but at me…We waited until it was safe to open up the laugh, and then we shared it.”

It takes guts to do that.
I liked it when the author wove into the story references to classic books the Lemony Snicket character had read without giving us the actual title. However, this device relied on the reader having read all those children’s books. As an adult, I thought it was clever, but it occurred to me that all these finger-on-the-nose references would go over the head of the modern child reader.
Personally, I’m not a fan of the author speaking directly to the reader, yet, it’s a device Snicket uses a lot. The ‘breaking down of the fourth wall’ is a technique some people love. I read an interview with Neil Gaiman last week, in which Neil said the books he had read as a child wherein the author spoke directly to the reader made him feel all warm and cozy inside. So when he started writing his books, he used the same technique.

I find the author’s voice an intrusion. It breaks the spell holding me, which I find jarring. It does not add any warmth but provides a reminder of the puppeteer pulling the ropes.
“No matter how many slow and complicated mysteries I encounter in my life, I still hope that one day a slow and complicated mystery will be solved quickly and simply. An associate of mine calls this feeling “the triumph of hope over experience”, which simply means that it’s never going to happen, and that is what happened then.” ~ When Did you See Her Last?
I guess author intrusion comes down to a matter of personal taste. Snicket is a popular author so it obviously works for him.
Lemony Snicket is the pen name of American novelist Daniel Handler (February 28, 1970). The author of several children’s books, including A Series of Unfortunate Events. This series has sold over 60 million copies and was made into a film and TV series. Lemony Snicket serves as both the fictional narrator and a character in A Series of Unfortunate Events, as well as the main character in its prequel, the four-part book series titled All the Wrong Questions.

Ever wondered how Daniel chose that pen name? It originally came from research for Handler’s first book The Basic Eight. Handler told NPR that “the character of Lemony Snicket, this man who speaks directly to the reader and is tangentially involved in the stories that he’s telling is more of a character. We just thought it would be fun to publish the books under the name of this character.”
Essentially it works. Book sales speak volumes. I think the concept is cool, and the pen name is different. The panache is there. The idea of the pessimistic protagonist is an excellent twist. Snicket knows how to spin a web and layer in the questions, whether wrong or not, to keep the reader guessing the answers until the end.

Purely from the point of view of personal taste, When Did you See Her Last? is not my favourite kids’ book. But then it’s not my least. Farcical noir is not a genre I would seek to read for pleasure.

My rating: Two stars

Talk to you later.
Keep reading!
Yvette Carol
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“Being curious is the most important part of being a journalist. It might be the most important part of being anything.” ― Lemony Snicket, When Did You See Her Last?


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Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post on the first Wednesday of every month. Every month, the organizers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!! Let’s rock the neurotic writing world! Our Twitter handle is @TheIWSG, and the hashtag is #IWSG.

May 4 question – It’s the best of times; it’s the worst of times. What are your writer highs (the good times)? And what are your writer lows (the crappy times)?
Writer highs for me are writing the rough draft. Man, it’s fun. Starting a new middle-grade series has been a total joyride. It has refreshed my awareness of where the true nectar is in this business for me. Prior to that, I had spent ten years editing when I was working on The Chronicles of Aden Weaver. And I had lost touch with the heights of giddy joy attainable when you’re writing a new copy. Truth be told, after ten sallow years of editing I was so sick of the process, I even considered giving up this writing gig altogether. Who would do this s..t? Seriously.

But six months later, once I had recovered from publishing my trilogy and regained the will to live, I sat down with a pen and paper to see if I could still summon something from the ether.
I did a lot of looking at that %$#@ piece of paper. The words did not spring from my pen straight away. I remember thinking at the time maybe my ability to write was like a giant rusted machine with all the parts seized up, in need of an oil and maybe a jumpstart. The only way through it was to do it. I made myself sit and write for ten minutes every morning.

Slowly, the cogs started moving, the wheels turning again. I was off.

To write freely again I felt like a child riding a bike down a hill, with the wind rushing through my hair. The muse was back and we were away and flying over hills and valleys far below, the horizon endless and beckoning with adventure. Riding with the muse in full effect with a book underway is intoxicating and it feels like summer all year round. The problem is the actual writing of the story is only the first and shortest part of the process, swiftly followed by the grueling marathon that is editing.

Suddenly, as you start to read your inspired thoughts and creative witterings, you come face to face with the fact that this really is the “rough” draft. Your brilliance is in need of some elbow grease. An utterly daunting, Everest-sized, a towering mountain of work.

You buckle up your pants and wade into the uncountable writer’s low of editing. The sort of fine focus an author must now bring to bear on the words is akin to the intensity of a laser beam. Each word needs to be examined and proven worthy. Sounds easy. Believe me, it is not. This focus needs to be maintained all day every day. It takes energy and strength of character.

Me, I’m asleep by the third paragraph. The only way to keep myself editing is to put matchsticks under my eyes and prod myself with a stick. Talk about sheer agony. Jumping up to walk outside in the garden, taking refreshment breaks, all sorts of tricks must be employed to edit hour after hour, day after day, week after week, month after month, year after year.
Just thinking about the editing process to come makes my nerves go taut.
I bargain with myself. I kid myself. Maybe I won’t polish this new series. I’ll just finish it, leave it in a mess on the floor and carry on writing the next thing. Yeah, right.

Such is a writer’s life. Yet, I wouldn’t give it up for the world.

What about you. What are your writer highs? And what are your writer lows? Let’s compare notes.

Keep Writing!
Yvette Carol
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The first step in writing a novel is to accept that you have to get it wrong before you get it right. ~ Jarred McGinnis


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In March, I finished writing the draft for book seven in my new series for Middle-Grade readers. I couldn’t believe it. I had started the series in January 2021. In other words, it took me about two and a half months to write the first drafts of each volume. These books are a lot shorter than my Chronicles of Aden Weaver trilogy, which averaged 250-300 pages each. The new series will likely end up being around 100 pages each. They’re compact stories aimed at the slightly younger Middle-Grade audience.
After finishing book seven, my initial reaction to completing the series was grief. I missed the daily pages terribly. It was so strange. For 14 months, my stories had been my anchor through lockdowns and all the disruptions brought on by the pandemic. Without the discipline of writing fresh copy every day, I was cut off and drifting.

Two weeks of procrastination passed, and still, I had not started editing. I realized there was real resistance to getting underway. It felt like admitting to myself that the writing stage was over. Finally, in the third week, I decided I would simply read the whole series without any heavy editing. I opened the file for book one and began reading. Over the hump, I took a walk through the content, reading the story in three days. The expectation was that I would be jumping for joy at what I read. Nope. I was not jumping for joy. The best description for my reaction would be an utter disappointment.
By the time I wrote book seven, I was familiar with the characters, the terrain, and the world-building rules. It all came naturally. To go back to book one and read it was a shock. The characters are there but not fully themselves. The setting is there but not fully fleshed out. The plot is there, the world is awesome, but the story idea is somehow cold. I was expecting more because it’s a great story. Yet, I kept feeling deflated reading it because I hadn’t captured the essence enough to satisfy my inner child reader. The story has so much promise. The problem is it needs more details, and more blood in the bones. It brought to mind the Jane Yolen quote that writers need to write every day. ‘Writers are like dancers, like athletes. Without that exercise, the muscles seize up.’ Yeah, they do, Jane. You’re right on the money.

I had spent so many years editing that my fiction writing muscles had seized up. Thank goodness I decided to write this whole new series first and then start editing from book one because, by the time you reach the end of writing the final tome, you get a feel for what needs to be addressed and introduced from the beginning. The bonus of the long-form perspective is familiarity with the storied terrain and the characters enough to see the gaps at a glance.
What was the solution?
Book one needed rewriting. That much was clear. Was I upset? No. Try skipping about in delight. It was a relief to avoid the hard graft of editing a while longer. The first chance I had, I began the day with my pad and pen in hand and wrote half a page. Ah! Bliss. My days are bookended once more with writing in the a.m and typing notes in the p.m. This time around, I know the plot of the story, the characters, and the setting. All I have to do is rewrite book one from memory and embellish it in all the places I felt needed work.

Whoopee! Far from seeing this detour as a burden, I feel uplifted by it, inspired, even. In the past, I have stuck to the genesis material as being untouchable and have edited the copy endlessly. This time around, I am experimenting with the idea of rewriting the story altogether. Revamping from the ground up. It’s freeing to let go of how I thought the storywriting would be and allow for another interpretation.
Thank you to the writer who left a comment on my blog recently, suggesting I try a second, even third, time writing new content. Already the opening chapters are more nuanced. It works.
Have you ever had a creative project take an unexpected detour? What did you do?

Talk to you later.
Keep creating!
Yvette Carol
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“A childhood without books—that would be no childhood. That would be like being shut out from the enchanted place where you can go and find the rarest kind of joy.” —ASTRID LINDGREN

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In 2020, I released my fantasy trilogy, The Chronicles of Aden Weaver. Burned out, I took a writing hiatus that summer to recover. In January of 2021, I started writing another fantasy adventure series for middle-grade readers. For me, the rough draft has to be pen and paper. I sit and write fresh copy in the morning. And, it is a rule that I must type up each day’s copy in the evening. It was a lesson I learned the hard way. When I wrote the original manuscript for all three books in The Chronicles, I elected to leave the typing until the end and gave myself the job of typing out 300,000 words of my tiny handwriting. It was as bad as it sounds, and I made it a rule from then on to type new notes for my stories the same day I write them.

Since the beginning of last year, I have added to the copy for the stories every day and transcribed the notes each evening, including Christmas Day. It has been soothing to my creative soul to write genesis draft material again. I thought the exhaustive editing of The Chronicles for the last few years might have drained my joy in the process. But it hasn’t, thank goodness. Throughout the rollercoaster of the past year, I have cruised through each day, escaping via my writing portal. I have taken daily flights of the imagination and returned from each trip refreshed. These new stories have given me upliftment, comfort, and joy.
Creative outlets are good for us. My firm belief is that every adult needs one.

My father used to tinker away every afternoon building things in the garage. My mother used to knit or crochet her blankets. Throughout every trial and tribulation of our childhood, Ma’s needles would click and whirr most reassuringly. A sort of soft background track to our lives.
My outlet is my writing and new stories are the best. They are my happy place. Coming up with the material is the easy part, and I have loved every minute, enjoying the wild ride of “inspired thoughts,” as my grandmother used to call them. What could be more fun than writing each day to discover where your story is going next? But I write now, in the same way the dog days of summer turn into fall, with a tinge of sadness, knowing the changes to come. The picnic of penning the rough draft is nearly over. That means the unrelenting focus of the editing is about to kick in. Summer ends. Autumn begins. And so will the editing. Soon.

I can’t think about that yet. Right now, the hard graft of editing does not exist. It is just me, the pen and the empty pad of paper, out gamboling through the rosy fields of imagination, reveling in every moment.
*Good news* Drum roll. I am happy to report that my nephew and I are already conjuring up the cover art for the first book. Si was the artistic genius behind the covers for my trilogy. As a busy young working father of two, he needs a year’s grace to work on his art pieces. I told him, take as long as you need. I believe in his artistic ability and will always champion his work. Cover art from Si Kingi is worth the wait.

As a hobby illustrator myself, I have several pieces of artwork for most of the books. Some of them feature on the side panel of this blog. I have enough to put one original illustration into each book but still need to draw a second illustration for each volume. The one character I have not drawn yet is the young 8-year-old protagonist, Emily. I told Si, I look forward to seeing her!
The wait to see Si’s work is full of anticipation.
Vincent Willem van Gogh once said, “…and then, I have nature and art and poetry, and if that is not enough, what is enough?” Exactly. We must have all these things in times such as these to give us the strength to carry on and get through. Nature, art, and poetry are important because they bring us joy. They uplift our spirits. For me, penning new stories is bliss and to be part of the arts coming out now is exciting!
What about you. What are your creative outlets? Or are you yet to discover the right creative outlet for you?

(A pencil test piece Si created with his four-year-old daughter, my grand-niece)
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Talk to you later.
Keep creating!
Yvette Carol
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Writing is an important avenue for healing because it gives you the opportunity to define your own reality. – Ellen Bass


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Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post on the first Wednesday of every month. Every month, the organizers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!! Let’s rock the neurotic writing world! Our Twitter handle is @TheIWSG, and the hashtag is #IWSG.

March 2 question – Have you ever been conflicted about writing a story or adding a scene to a story? How did you decide to write it or not?
Yes, the example that stands out in my mind concerns the first book in my Chronicles of Aden Weaver series. In the first book, The Or’in of Tane, Aden Weaver lives with his grandparents, Nana Jeen and Papa Joe. One night, two assassins attack Aden in the vegetable garden of his grandparents’ house. A big fight ensues between Aden and the two assassins. Nana Jeen and Papa Joe arrive, and the fighting is ferocious. In the first draft of my story, both grandparents are killed in the fight.
My then critique partner, the wonderful author and YouTube queen, Maria Cisneros-Toth, took exception to this version of the book. She cited good reasons: it was too much for child readers to lose both beloved characters so early in the story, it was unnecessary, gratuitous to kill both of them, etc. But what it boiled down to, Maria admitted, was that she did not like the idea of losing both the grandparent characters. Maria pleaded with me to keep them alive and change the storyline.

In the world of writers, there are plotters and there are pantsers. Plotters map out a story in detail first. Think of JK Rowling’s grid pattern story plans which detailed every significant development and turn in the seven-book series. Whereas Pantsers write stories as they come, flying by the seat of their pants. Then they edit for years afterward. I’m a Pantser, and I write all my copy as stream-of-consciousness material coming straight from the muse onto the page. I had set down the content for The Or’in of Tane as faithfully as it came to me. In other words, I felt wedded to the content. That’s one of the things I find most valuable about joining critique groups when I’m working on new material. They offer the dispassionate third-person perspective. They can reflect things the author can’t see. When it comes to editing I can delete an adverb and correct punctuation. But, I find it difficult to question the big things. And this was one of those times. Maria was able to reflect that it was too much to kill the grandparents so early in the series. And, I could hear the truth.

When I thought about it, I felt excited at the thought of them surviving the fight. I couldn’t wait to get started on the changes. And that told me I was going in the right direction. I went back to rewrite. In the new version, Nana Jeen and Papa Joe get badly injured in the fight. It changed many things about the way the rest of the story played out. It was the right thing to do. Furthermore, having the grandparents there in the final scenes of the trilogy, to witness their grandson on his triumphant return, gave an emotional resonance to those end scenes. I never once regretted saving the grandparents and rewriting that scene. I was just glad there was a seasoned eye on hand to guide me on the story development at the right time. Thank you Maria for the advice.

I had written the grandparent characters into the narrative for a reason. As the daughter of immigrants to New Zealand, our little nuclear family grew up without the benefit of extended family. My only experience of grandparents was through letters and those grandparents I saw in the movies or read about in books. My grandmother moved out to New Zealand when she was 79. We had some sweet years getting to know each other before she passed away ten years later.

My siblings and I grew up without grandparents, and for that reason, I revere the elderly and always have to add a grandparent or two into my fiction. I didn’t want to kill off Nana Jeen and Papa Joe. But, I struggle with questioning the muse. Maria more or less gave me permission to throw out something I didn’t feel worked and to replace it with something lighter. The story immediately improved.
Some edits are too scary to make on your own.

Sometimes you need a friend to hold your hand and say, it is okay. You can do this.

Sometimes you need friends.
What about you. Have you joined a critique group? Have you ever been conflicted about writing a story or adding a scene to a story?

Keep Writing!
Yvette Carol
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“You must do the thing you think you cannot do.” – Eleanor Roosevelt


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Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line to yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post on the first Wednesday of every month. Every month, the organizers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!! Let’s rock the neurotic writing world! Our Twitter handle is @TheIWSG, and the hashtag is #IWSG.

January 5 question – What’s the one thing about your writing career you regret the most? Were you able to overcome it?
I guess I regret turning down two offers from publishers. When I was first starting out and was submitting my children’s manuscripts to editors in New Zealand regularly, there were two yes replies. However, I turned them both down. One said they would publish my picture book, Free Wally, but they wanted to change all the characters’ names. What can I say? I was young and green. My creative soul felt they were going to tamper with my “artistic integrity” by changing the details. Therefore, I said no thank you and imagined I would easily find another acceptance for the story. Yet, I never did. It was the one and only offer I received for that book.
In the 90s a different publisher said they would release my middle-grade fantasy, The Scrifs and Stirrits, but they would only pay me a 5% royalty fee. In those days the going rate for royalties was 10%, and I was miffed. Why were they offering me less? I turned down the offer, thinking I wanted to be paid the same as everyone else. But I never found another publisher for that story so never got the chance.

Looking back at those decisions now, it’s easy to laugh at the folly of youth. What did it matter if they changed the names or paid me less royalty rate? I would still have had two books released by traditional publishing houses behind my name to help me stake a claim to this writer’s life. Instead, I hang in the wind of self-publishing and take the financial/emotional/mental hit of being Indie for every book. As a wide-eyed beginner, I did not know that getting any acceptance at all was fantastic. It took many more years of submitting my work to realize that acceptances are few and far between. And these days there are even fewer publishers accepting unsolicited work.
When I released my trilogy in 2020, I did a bit of research to see how many traditional publishers there were left in New Zealand. If I had wanted to submit my stories for consideration, there was only a handful of children’s publishers still accepting unsolicited manuscripts and after reading the t’s and c’s, my stories would only have been suitable for two of them. Two options? Pitiful. The current situation is very different from what it was when I was young and sending my stories to editors all over the country. I had no idea then how good I had it. But hey, hindsight is 20/20.

Therefore, if I could go back and change one thing about the past, maybe it would be rejecting the publishers’ offers. Or maybe it wouldn’t. Because I did overcome that obstacle. Early on, I made that mistake. Yet, I learned a lot through the years of “failing” that followed. They say if you change one thing about the past it alters the course of history. Would I want to mess around with the perfect plan for my life? Probably not. Maybe I was supposed to go it alone. Becoming an Indie is diabolically hard but it does have its rewards. I made all my own choices about covers, style, and everything for The Chronicles of Aden Weaver, which was satisfying. I’m proud of my trilogy. For the cover art, I collaborated with my nephew, Si, who is a consummate artist. We had such fun in the creative process, brainstorming and tooling around with options. I didn’t have to compromise his vision or question my choices. We had no interference which is a blessing only bestowed upon the self-published.

Looking back now, I have the satisfaction of knowing I did it my way, and there’s something pure in that. I cherish the books I’ve put out into the world so far. Would I have been able to say that if I was under the wing of a publisher? Or would the end result be something mutant and divorced from the original vision? With my name on the cover. No. The more I think about it, the more glad I am that I turned down those offers back in the day. I set myself on course for putting out books that authentically belong to me, and my creative intelligence is my service to the world. It will live on long after I’m gone. No, I’m convinced now I did the right thing when I was young.
So in a roundabout way, I have come back to the first question. What’s the one thing about your writing career you regret the most? Nothing. Absolutely nothing.
What about you, what do you regret most about your writing?

Keep Writing!
Yvette Carol
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Every story I create creates me. I write to create myself. ~ Octavia E. Butler


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I confess. I like reading children’s literature. For years I’ve said, I have to read middle-grade fantasy fiction because I’m “reading within my genre.” Yes, if I want to have an idea of what’s going on in the world of children’s literature, then I have to read what my contemporaries are doing. If I want to add to the body of that literature, I need to read everything in my genre. Most writers know that. But the truth is the last 35+ years I have learned I prefer reading middle-grade fantasy fiction to adult fiction. Uh-huh.

Now and then someone forces me to read adult fiction and I always regret it. The only adult fiction I enjoy is the classic mysteries like those by Agatha Christie. I would say my taste is eclectic. My sister usually buys me adult literary fiction for gifts. Some of the nonfiction books she has bought me over the years have been a hit. But I confess I am not a fan of literary fiction. There has been more than one occasion where I have opened one of these books, then closed the cover, and never looked at them again. Sorry fans of the art. I just can’t.

As I turn into the crone my interest in middle-grade fantasy fiction is far from dimming. On the contrary. It has grown. Here write my favourite authors of all time, Brian Jacques, Beverly Cleary, C.S. Lewis, Tove Jansson, Neil Gaiman, Diana Wynne Jones, Philip Pullman, Maggie Stiefvater, Philip Reeve, and J.K Rowling. What I love about these stories, apart from the comforting point of view of innocence, is the way the stories move forward and then something special or magical or unusual happens. As the reader, it’s like lifting off into outer space. You are transported somewhere different. In children’s literature, it is a smooth transition, there is no strain or effort. Children are there already, living in the Twilight zone. They accept what happens in cartoons and animations.

It feels to me with this style of fiction as if ‘anything can happen’ and I like the creative freedom that affords me as a writer and a reader. It’s like happy juice.

It transports me to childhood. As one of my favourite teachers, Kiwi, Kate de Goldi, once put it, she ‘wrote children’s fiction to recreate the shaded places of childhood.’ I’ve thought about my writing that way ever since. Reading middle-grade literature is about childhood and it helps me to reconnect with that innocent wide-eyed part of myself, which I cherish. It helps me to connect with my target audience and better understand my readers. The benefits, I tell you, are multifold.


At least, that’s what I tell myself.


What do you like to read and why?

Talk to you later.
Keep creating!
Yvette Carol
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Reading is dreaming with your eyes open. ~ Unknown


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It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post on the first Wednesday of every month. Every month, the organizers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!! Let’s rock the neurotic writing world! Our Twitter handle is @TheIWSG, and the hashtag is #IWSG.

This month’s optional question: In your writing, what stresses you the most? What delights you?
The most stress I’ve been under in my entire life was the six months I spent last year doing the final edits on all three books in my trilogy, The Chronicles of Aden Weaver. I believed they were ready to go. At that point, the books had gone through their paces. I’d polished all three with the help of my critique group (twice). I put them through my online editing suite with prowritingaid.com, then paid a professional proofreader and a copy editor. But, a funny thing happens when the actual deadline for publication stares you in the eye. Suddenly all the remaining issues that escaped detection up to that point gained a spotlight.
When I read again from book one, line by line, word by word, I found so many tiny errors that it became alarming. That’s the thing with checking copy, the intensity of focus required to question each word in an 80,000-word manuscript is almost a superhuman feat. Times that by three (volumes), and you start to get some idea of the Herculean task. It seemed like every time I made it to the end of a manuscript, thinking, right that one’s done, I’d re-read and find more errors. I began to fear I was losing my mind.

Electrified by pure panic, I stretched the working hours of the day longer and longer. I had freaking deadlines to meet. I got up earlier, went to bed later. I stopped doing the less essential things, like housework, gardening, exercise, and eating. To publish a novel as an Indie, the layout, cover design, printing, and PR, need to be booked months in advance of the launch date. The printing, likewise. My designer is particularly busy, and if I wanted any hope of releasing the book on the date advertised, I knew the date we would have to start working on it. That was my deadline.
My youngest son asked me, “When is this going to be over?” I gave him the death stare. He said, “You’re no fun anymore.” And he was right. Knowing the kids were suffering added stress, but I was knee-deep in the quagmire, and the clock was ticking. I had to slog on night and day until I thought I would combust.
Six painful, exhausting months later, in September 2020, I released my trilogy.

Party. Celebrate.
A collapse in relief.
A few days later, my brother said, “I know you’re not going to want to hear this, but I’m halfway through reading The Last Tree (3rd book in the series), and I’ve found an error.” No, I did not want to hear that. I was so beyond repair, so frazzled and burned out, I walked away from my laptop for six months and did no creative writing at all.
The youngest son asked with trepidation, “Are you going to put out another book?” Just between you and me, I am still undecided. I told myself I’d write my stories and keep them all in the bottom drawer where stories go to retire. I already have a plastic box in my room full of manuscripts from the last 40 years of penning fiction for children. I may just keep adding to that and die happy.

That was March. I took a pen and paper and sat down to write a new story. And that’s where the delight part kicked in. Like a soothing balm to my weary soul, the sheer joy of creative writing began to fill in the cracks and heal the tears. The bliss of writing a new copy is unequaled. To gambol about in the meadows of my unfettered imagination without the specter of publication hanging over me is akin to stepping back to the giddy glee of childhood. No restraints. No rules. No pressure. Just the daily outpouring of my collaborations with the muse in the heady blooming fields of my mind.
Realigned with my purpose and the delight is effortless. Inspiration needs no electric current. No data. No technological interference. Just a pure connection with life. Just daylight and fresh air. Just time to dawdle.

Give me time to daydream.

Nine months later, I am part way through writing a new children’s series. I’m in the zone. The genesis draft of any story is always the ecstatic part for me. The thought of publishing the result makes my knees knock, so necessarily, there is still no plan to publish the result. At least not yet. I might feel burned out as an Indie, but I have learned in this life “never to say never.” A faint maybe will have to suffice. I’m writing. That’s the main thing and always will be the main thing.


What stresses you most about writing? What delights you?

Keep Writing!
Yvette Carol
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You only fail if you stop writing. ~ Ray Bradbury


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