Archive for the ‘Fiction’ Category

For me, the truly hardest part of being a modern author is the marketing.

How do you cover your bases as an Indie with limited time and budget?

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For a start, you must do every job you can do, yourself. You hear seasoned authors warn debut novelists, ‘the effort is only just beginning.’ For good reason. Be prepared to dig deep.

On September 20th of this year, I self published, The Sasori Empire. I’ve poured hours into the marketing. Yet, there’s a seemingly endless list of more to be done. I feel the constant pressure like hot breath on my neck, the inner voice reminding me of the countless avenues of marketing which I have yet to employ. There are the latest marketing books to read, and videos to watch on YouTube, social media sites to join, bloggers to visit and palms to grease.

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Paul Rand, president of a major marketing firm in Chicago, said, “Word of mouth is the fastest growing sector in all of advertising.”

How does the stay-at-home mum and Indie author harness the power of “word of mouth” advertising?

There is no sure-fire way of generating “word of mouth” advertising other than doing your part to create a large enough digital footprint and amp up your EP (or digital Extended Presence).

Build a website. Start a blog. Create profiles in the usual places: Goodreads, Twitter, Facebook, LinkedIn, Snapchat, Instagram, Pinterest, YouTube and Slideshare.

Do the usual rounds of guest blog posts, school visits, author talks, YouTube videos, book reviews, tweets, and book trailers. Additionally, marketing can involve speaking at conferences, book tours and running workshops. You can start a critique group, join a book club, write a newspaper or magazine column, contribute to community blogs or groups (like those over on Wanatribe), join writers organisations, or participate in interviews.

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Some Indie writers have found fame by tapping into the market for short fiction, and releasing their work in serial form, drip feeding a chapter at a time on their blog or website. This week, a local Kiwi writer sold the movie rights to her debut novel, after gaining popularity through the serial fiction platform Wattpad.

It’s necessary to build a community of friends online, email lists, and connections. It can be worthwhile networking by haunting the chat forums on LinkedIn and Google circles.

Primarily it’s vital to tinker with the SEO of your book, check and double check the marketing copy that goes with your book. Make sure it’s doing the job. Test and tweak how everything is performing by monitoring your status as some experts do, by keeping tabs on your conversion rates on Amazon.chrismcmullen

How does the Indie author do it all?

An Indie author wears all the hats, and the stress of promoting your work is white noise in the background which never fully goes away.

While life goes on: the next book needs to be written, the children raised, the work done, the garden/property maintained and at least a little reading is necessary.

What I do is compromise. I set aside time to write, time to promote, and I also let myself have time to play on Pinterest or Facebook. Everyone needs to goof off now and again in order to keep working. Also, if you can, delegate jobs where possible.

It’s a balancing act every day.

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How does the Indie stay sane?

This week, my critique partner, Maria Cisneros-Toth said adding her YouTube videos to her website had attracted more traffic. I thought, I’ll add videos to mine. Another friend said he was adding a “Facebook shop” to his author page. I thought, I’d better set up an author page too. There is always more graft to be done when feeding the maw of book marketing.

But, you know what, it’s doable. I’ve learned I can live with watching less television during the week in order to tick more jobs off my list. I make more meals at home. I can do at least one thing a day to promote my book.

The other day, friend, author and artist, Teresa Robeson, sagely said, ‘Just rest assured that no matter what you decide, it’s okay. It’s not a matter of life and death. It will all work out either way.’

True. Sometimes you need a reminder from a friend to chill.

Equilibrium is the right attitude to cultivate. A calm mindset is paramount. It’s vital to get the work done while also remembering to savour the in-between! Work is work. Yet, it’s the lulls between the waves, the quiet moments, the soft silence in the sun of an afternoon, these are what make the business of life worth living.

How do you handle marketing your work? Any tips?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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But, you are marketing by word of mouth every time someone reads your post. You’ve got about 5 seconds (or 140 characters) to capture attention. Make sure each message you send builds your credibility. ~ Gina Burgess, Author’s Community

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For he does his work alone and if he is a good enough writer he must face eternity, or the lack of it, each day. ~ Ernest Hemmingway

When you are “post book,” you exist in this strange no-man’s land where you’re not sure what should happen next, but in your secret heart-of-hearts, you’re hoping for applause in some form, hopefully financial.

What nobody can really prepare you for, when you start out as an author is the great echoing silence of self publishing.

A novel requires burning the midnight oil writing the story, and questioning every word, every sentence. After having put “bum-in-chair” for days upon weeks, after suffering the agonies of self-publishing, and the indignities of self marketing, to cross the finish line and release your fiction upon the world, it’s natural to expect reward. It’s natural to want to hear some noise in response.

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There are more books being published every day now than at any other time in our history.

To gain traction, many motivated Indies will ask their “street teams” and friends to share about their release, to write reviews, to generate buzz in various ways. If you don’t dance up a storm, your books don’t sell, you might not be paid. Apart from that self-generated sound, however, there is nothing.

When I put out my first book in 2015, there were some lovely messages on social media from friends and well wishers. Apart from that there was…s i l e n c e. A great white-washed, sound proofed wall of nothingness.

Silence is something we’re not used to these days. In our hyper-connected present, we expect reactions to our every move. We wait with our self worth balanced on likes, loves and comments and shares. We’re conditioned to feedback.

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As yoga-teacher and author, Claudia Altucher said, I find that ultimately there is a little side of me that still clings to the idea of being “chosen” (by a publishing house).

Any writer can relate. With the first book, there’s this great hope of being “discovered.”

“How are things going with your book?” asked well-meaning friends. “Have you sold many?” The mythology goes, all you need do is release work in order to get paid, to get recognition. The truth is the majority of self-published authors will sell less than a hundred copies.

Few authors write a second novel and even fewer a third once the fiscal realities become apparent. After an author visit to an Elementary School in the States, author, Ellen Warach Leventhal, said her favorite response from a fourth grader was, ‘You work hard, you don’t know if you’ll ever get paid for it, and you aren’t rich? Man, not sure I want to do that.’

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The first book is like a trial by fire. If you walk through that flaming doorway without getting burnt, then you carry on writing but as a cleansed, reduced version of oneself with revised expectation.

Nick Ripatrazone’s sage advice to the author is, Share your work, but don’t wait for likes and retweets and mentions. Get off your phone. Get back to your desk.

I read somewhere, the traditional reaction to a book being published at any other time in history has typically been little to none. Authors wrote and released books and went on with their writing. They didn’t expect a parade.

In our digital present, it is easy to forget that silence has always been the most common response to literature and art. ~ Nick Ripatrazone

After I published my debut novel, ‘The Or’in of Tane Mahuta,’ (http://amzn.com/B015K1KF0I), I started developing the next story in the Chronicles of Aden Weaver. The narrative unfolded and it drew me into another world, where I got lost in the creativity. The firestorm was therapeutic. I remembered the most important thing was the art itself.

I understand now why authors advise to get on with writing the next book.

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I published ‘The Sasori Empire,’ (http://amzn.com/B075PMTN2H) last week. This time round, I experienced it differently, with more realism. I didn’t expect mega stardom or even a conversation.

I was ready for the normal silence that surrounds any newly-released work.

I discovered it takes a certain amount of surrender. And, faith, that I can survive the fall. I was prepared for the sudden drop-off of adrenalin and commitment that follows on the heels of each book birth. I’d already bought the chocolate bars. I pampered myself with treats.

My process seems to have settled into a pattern of write-edit-publish-rest-repeat. I relaxed for two days after the book launch. I listened to music, weeded the garden, and I did some baking. For a minute, I thought, I’m free!

Now, I’m writing book three, the final book in the series, ‘The Last Tree.’

How do you handle the silence post-book?

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Keep on Creating!

Yvette K. Carol

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Cherish yourself and wall off an interior room where you’re allowed to forget your published life as a writer. ~ Lan Samantha Chang

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The Or’in of Tane Mahuta

Book One, the Chronicles of Aden Weaver http://amzn.com/B015K1KF0I

The Sasori Empire

Book Two, the Chronicles of Aden Weaver http://amzn.com/B075PMTN2

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

insecurewriterssupportgroup

Question: Have you ever surprised yourself with your writing? (For example, by trying a new genre you didn’t think you’d be comfortable in?)

I have a frightening tale to tell…

For many years, I’ve thought about trying my hand at short fiction. Joe Bunting inspired me on his terrific blog, The Write Practice, when he was blogging about making the shift from novel writing to short stories. But, unlike the youthful abandon with which Joe leaped, I held back, feeling daunted by the concept. I felt afraid at the thought of having to minimise word count while at the same time freighting every word – much in the same way as poets do – as truth to tell, that just wasn’t me. I’ve always been the talker in the family. My books always make a good thick doorstop.

I felt challenged by the discipline needed for penning short stories and, I was too green at the time. I’m not a much better writer now, but I’m more willing to give things a go and fall flat on my face than I used to be when I was young. I’m more willing to get things wrong.

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Last year, I signed up for a writing workshop with Daniel Jose Older, on writing short fiction. Daniel Jose Older was as informative and inspiring as expected. I felt electrified.

When he set us loose to write a short story, I had no preconceived agenda, no thought in my mind as to subject. We were given as broad a set of parameters as you could imagine, in that we could write about any subject.

I write for children and persons who are young at heart. I have always done so, since the day I began writing my first children’s story at the age of seventeen. That was my automatic go-to. As I moved the pen across the page, I was writing for children. And yet, the story which came to me on the ether was different, bustling and rustling. It wrapped me up and rushed me headlong on its dark wind. I particularly love when it’s like that, when the muse is speaking loud and strong and the ride is the most beautiful exceptional rush of creativity.

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Imagine my surprise! I looked up later and found that instead of the usual adventure/quest type stories I like to write, I had written my first ever spooky tale! I’m still not sure how that happened, or where I veered off the path.

Birdy is  set in a modern Kiwi suburb. It’s a story about an old Maori woman, who the neighbourhood kids believe is a legendary water demon, and the creepy way that Birdy preys upon the weaknesses of her neighbour’s child. The story takes place over one hour in the victim’s life, with the clock ticking.

This story is dark, macabre, tense, unlike anything I’ve written before.

Horror is a genre I tend to shy away from in all its forms. I far prefer fantasy that is uplifting. Even so, I had surrendered to the process and this chilling tale was the result.

The horrible thing is, I’m not sure if the story is any good. I have no idea. In fact, I sincerely doubt it is. While I might be unsure if I will ever go that way again, you can be sure my hands are clammy. I’m looking at every granny sideways, and hearing twigs creak in the night, and shadows slide out of the corner of my eye!

How about you, have you ever surprised yourself with your writing?

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Talk to you later…

Keep Writing!

Yvette K. Carol

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‘I’d rather sing one wild song and burst my heart with it, than live a thousand years watching my digestion and being afraid of the wet.’ ~ Jack London

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

insecurewriterssupportgroup

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!! 

July’s Question: What is one valuable lesson you’ve learned since you started writing?

The most valuable so far came from the award-winning author, Alexandria laFaye, http://www.alafaye.com, during 2014, when we were both in the same critique group. I had submitted a chapter from ‘The Or’in of Tane Mahuta’ (my first book in the Chronicles of Aden Weaver series: http://amzn.com/B015K1KF0I ) to our online critique group, The Creative Collective.

I got various responses from the group noting grammar and word usage and so forth. However, there was one answer in particular, which revolutionized me.

Alexandria wrote back, ‘The writing is good; however there is far too much exposition.’

I was afraid to admit I didn’t know what exposition was.

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Luckily Alexandria also teaches writing and so, she went on to offer examples showing that exposition is another word for explanation. In other words, exposition is when the author is telling the reader everything.

Alexandria said, our task as the writer is to give the reader an experience, as if the readers themselves are experiencing and seeing what’s taking place.

This is how you get the reader immersed. Exposition holds the reader at arm’s length.

It was amazing. A whole new world I hadn’t thought about that until that moment opened up. That one piece of advice helped my writing evolve. I was grateful to Alexandria for her wisdom.

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I’ve worked on this ever since. These days, I find it helps me to think about it this way: instead of being behind a camera observing the action, I think of myself as behind my character’s eyes looking at and experiencing what happens. Then I can inhabit the scene. I have to use all the senses, act out scenes (holler, @TiffanyLawson-Inman!) and speak the dialogue out loud. I have to tease out some scenes and tighten others and think, what does this feel like, what would be going on in the background? I have to look around the whole room and put myself in my hero’s shoes.

This approach makes it a more 3-D experience in the writing process as well.

Then, earlier this year, adding to the concept of reader immersion, my writing pal, James Preller, offered another nugget of advice. He talked about the need for the reader to empathise with the protagonist.

James PrellerJames said, ‘Most importantly, I think you need to hone tight into Aden and his thoughts, feelings, perceptions. I think you could go deeper, bring us closer.’

I went back to my rewriting. I gave my hero, Aden, more time and attention in this second book and even I, as the author, felt I drew closer to him.

Good advice. Thanks, Jimmy, you’re a pal. If there’s one thing the generosity of the author’s community has taught me, it’s that it’s nice to share. So it has been a pleasure to pass these gems on for other writers.

Good ‘question of the month,’ IWSG!

One of my favourite quotes at the moment is “The wisdom acquired with the passage of time is a useless gift unless you share it!” by E. Williams. Try these techniques for yourself and why not share them with others.

How about you, what is the most valuable lesson you’ve learned in recent times?

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Talk to you later…

Keep Writing!

Yvette K. Carol

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If you have done well, it’s your duty to send the elevator back down. ~ Kevin Spacey

 

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

Go Indie, they said, you’ll make a mint, they said.

Are you familiar with the fact Johnny Depp uses Laurel & Hardy type fall-down-on-your-butt humour to bring the funny to the Pirates of the Caribbean movies? Depp’s a confirmed lover of slapstick. I feel like I’m doing a slapstick comedy routine of my own at the moment, trying to bring my second book into print. Talk about learning by default. Today I began to laugh about it which I guess is a good sign. Either that, or I’m going mad.

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My slapstick movie goes like this: I went Indie in 2015, publishing my first book, ‘The Or’in of Tane Mahuta,’ ( http://amzn.com/B015K1KF0I ) through a local company, BookPrint. They did all the layout and formatting and cover design. This time round, for the second book in the Chronicles of Aden Weaver series, ‘The Sasori Empire,’ I thought I would use Createspace services, the self-publishing arm of Amazon.

Misstep number one

The first thing I didn’t know was how long it would take to go from submitting to being ready to print. I’d estimated about 6-8 weeks based on the initial conversation with the Createspace “publishing consultant.” In hindsight, I realize the six weeks I’d been quoted was based on an ideal world where the book is perfect and no changes need to be made and it sails straight from submission through the different levels of production.

In the real world, errors are found through looking at digital proofs. Changes need to be made and each round of editing changes takes a week to put into effect. In underestimating the time factor, I stumbled and fell over two attempts at book launches. *face plant

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Misstep number two

In The Or’in of Tane Mahuta, BookPrint made a fleur-de-lis for me to border the pages, using some of my imagery. Unable to copy their fleur-de-lis though for the second book, I drew it myself in pen & ink. I uploaded the image to Createspace. I requested the vertical image to feature opposite “some” chapters (as they’d been sprinkled throughout the first book). The first proof arrived with the fleur-de-lis opposite the start of every chapter and there are SIXTY-THREE chapters.

I asked to have the vertical images removed. The digital proof returned and in the place of every fleur-de-lis there were blank pages, in other words, SIXTY-THREE blank pages. *head desk

Images opposite start of chapters

Misstep number three

I paid more money.

The novel was checked by my proof reader and me. It was with great wonder and delight that I finally pushed the “approve” button I’d wanted to hit for so long.

The printed proof arrived in all its newfound glory. I gazed upon my creation and thought I’d gone to heaven.

Then, to my horror, within the pretty cover lay a ghastly sight – chopped up sentences everywhere – to fit the lines on the page the computer had hyphenated words like mo-ther, go-ing, to-gether. There were three to four to a page. I went to my friends who have self published using Createspace services. They said they’d had to typeset their own stories before they sent them in! Aha. *belly laugh

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And so, through this comedy of errors, I made a lot of rookie mistakes. I took cream pie to the face. I stepped on a few rakes. I subjected myself to what Laurel and Hardy would call “cartoon violence.”

On the plus side, I have learned a lot about self publishing my own book. I’m also closer to publishing this novel than I was before I started. And I’ve been able to share what I’ve learned with others.

Huzzah!

I remind myself to take heart from the stirring poem Kristen Lamb put me onto a couple of weeks ago, How Did You Die? By Edmund Vance Cooke:

‘The harder you’re thrown, why the higher you bounce; Be proud of your blackened eye! It isn’t the fact that you’re licked that counts, It’s how did you fight — and why?’

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I was sitting in a pub with old friends the other night, and we were talking about our careers. I tried to explain my strange predicament. I said, “once, I had the comfort of not being published. Now that I have spit on my hand and joined the ring, it’s terrifying. I feel like I’m out of my element, and I’m making mistakes in public.”

But if I don’t put my stories out now, then when?

With book two, there is still some work to be done. That’s okay. I’ve learned something new. I’ve tasted the finish line, so now I must pull my boots up and get crackerlackin’. After all, that’s what Laurel and Hardy, or Jack Sparrow would do!

As Kristen said in her response to my ‘Quit or Stay’ post, ‘Life knocks us down, but that’s just life. The getting up? All on us.’

You have to have skin in the game. And you have to be cool when you get popped in the nose.

It’s not easy to do. What about you, how do you handle the knock backs?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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There are so many reasons most writers don’t make it and very little of it has to do with the writing. This is a mental battle first and foremost. Mastering emotion and will and getting up over and over and over and over. ~ Kristen Lamb

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Wonder Woman has inspired many conversations recently about strength and stereotypes and gender roles, about societal conventions and morality and violence, about relationships and responsibility and identity. ~ Jami Gold

When I was starting out as a writer, the prevailing wisdom was to avoid writing a female lead. In fact I can remember being told, “Boys don’t want to read about girls.” So I’ve only ever written about male heroes with female sidekicks thrown in for good measure.

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When I published my first book in 2015, my niece read it and her beef with me was that I’d written the female sidekick as “less than the hero.” She pulled me up on the fact that the boys were made to seem as all powerful while the girl character came across as a bit feeble. She said, “What sort of message do you think you’re putting out there for young girls today?”

Until she said those words, I’d never thought about it like that. I was born in the 60’s and the mindset of those times, that women were subordinate to men, had somehow become a part of me and filtered into my work without my even being aware of it. I thought, wow, she’s right. I have a responsibility to the young female reader.

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And then, the new Wonder Woman movie came out. I went to see it and emerged from the cinema feeling revolutionized. For the first time, I’d seen a female lead portrayed on screen who was at once, heroine and human. She could hold her own as a warrior, which she must, and also, even more importantly, lead with her strength of character. As Jami Gold said, ‘… show elements of emotional strength, like compassion for someone in need, fighting for what’s right or being determined to survive, being resourceful and brave, and just being an all-around interesting and cool person.’

You need to see all of that humanity in a hero these days. The world was ready for this Wonder Woman. With all respect to the goddess, Lynda Carter, whom I worship and adore, Gal Gadot is sensational in the part, eclipsing even beautiful Lynda’s performance. Gal’s version has a depth of humanity and compassion the world needs at the moment.

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I loved it. I always say, a sign of a good movie is if you come out really thinking about the world in a new way afterwards. And I walked out thinking, I’ve been tooling away at my children’s stories for over thirty years and yet, I’ve never written a heroine protagonist? I’ve let myself be limited in literary scope by thinking about the market first. Never do that. The whole thing is a creativity killer. Besides, what’s wrong with writing for girls?

When I was growing up, I read Heidi, Pippy Longstockings, Little House on the Prairie, Anne of Green Gables, Nancy Drew, and Little Women. Pippy was a wild girl like I was inside so I could relate. Those books were important to me. I was inspired by those books, by those feisty, headstrong, smart girls. I thought about the young girls who might go to see Wonder Woman and how they would perhaps feel about themselves afterwards as young women in the world. I thought I want to be part of that.

Wonder Woman

Writing female characters who kick ass doesn’t mean the male sidekicks need to be weaker, either. Another really nice, refreshing thing about the new WW movie was that the male love interest, Steve Trevor, played by Chris Pine, was also allowed to shine. As one of Gold’s responders commented, ‘I love that you mentioned how Steve Trevor is portrayed as a hero in his own right. I’ve long said that truly strong men are not threatened by truly strong women.’

I thought, yes, what a great way forward, to write potent female characters without belittling the men. How about writing stories in which the power is more evenly redistributed between the sexes? How about writing for boys and girls, showing the power balanced between the two…now there’s a thought… The future is bright!

Thanks, Wonder Woman, for inspiring me. You’re my heroine!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“It’s total wish-fulfillment. I, as a woman, want Wonder Woman to be hot as hell, fight badass, and look great at the same time – the same way men want Superman to have huge pecs and an impractically big body. That makes them feel like the hero they want to be. And my hero, in my head, has really long legs.” – Director, Patty Jenkins

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

insecurewriterssupportgroup

June Question: Did you ever say “I quit”? If so, what happened to make you come back to writing?

I’d say the closest I’ve ever come to quitting happened in the last week.

I began working with Createspace to produce Book Two in the Chronicles of Aden Weaver series in April. As ‘The Sasori Empire’ had been through three rounds of critique, professional editing and had subsequently been vetted by a professional proof-reader, I knew the copy was clean and ready to format. Yet even so, a few minor errors were found in the process of designing the interior of the book. That’s par-for-the-course.

However, I wasn’t prepared for how long each editing change would take to effect. I had to organize, postpone and reorganize the book launch two times. I came close to the point of quitting because the long delays meant a huge amount of extra work for me. When I realized last weekend, that the books were not going to be here in time for the second attempt at a launch, I felt gutted. I didn’t know where I’d get the energy from to start the engine a third time.

PSA re Book Two

This called a great many things into question in my mind. It was just one of those moments in a writer’s life where you question, is it all worth it? All the sacrifice, all the money and time poured in so liberally when time for everything else is so squeezed and for a short while, I wondered if writing was worth the blood of my life.

I don’t usually ever question it. I’ve always had a facility for story ever since I was a small child, and I enjoy writing, however, I wondered for the first time, maybe my path is not writing books? Maybe I was purely put here to be a mother to three children.

I questioned, is fiction where I should be aiming my efforts? I felt, it’s taking me a long time to master this craft! Maybe I’ll never get there. And so the doubts went on.

Then I saw Kristen Lamb, who is such a warrior writer, was going through publishing woes of her own, and she was taking them in stride.

I read her blog post, Reality vs. Expectations—Remaining Calm When it ALL Goes Pear-Shaped (http://authorkristenlamb.com/2017/06/reality-vs-expectations-remaining-calm-when-it-all-goes-pear-shaped/) and was inspired. Kristen said, “If we never fail, we never learn. Show me a person who never fails and I’ll show you someone who’s never done anything interesting.”

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Why does trying to publish our books cause so much anguish?

“Publishing involves…humans,” said Kristen. “Humans who screw up, make mistakes, etc. Even better? Now that we’re in the digital age? Humans can screw up much FASTER and INSTANTLY.”

Yes. This is the thing, these days, every step you take and every stumble is public property.

“If we allow ourselves to be at the mercy of circumstances? We’re going to be miserable and we’ll never finish the blog or the book. We’ll give up, tap out and take every carb in the house down with us,” she wrote. “One thing we must learn to be successful in this profession (or any other) is to forbid outside circumstances to own, control or derail us.”

I took heart. I began to feel the love of writing fiction return. I felt that I was not alone (!) and it didn’t hurt that Kristen finished the post with this kick ass Teddy Roosevelt quote, “It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming.”

Yeah!

It’s good to be back! Have you ever quit something and returned stronger?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“Loss is hard and we must grieve but then we must write a new story, with better ending.”  © 2017 LEAH WHITEHORSE  

 

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There is something you find interesting, for a reason hard to explain. –Annie Dillard

Book shelf real estate is tiny. It pays to remember that our book will only occupy a small amount of territory on that prized book or library shelf (if it gets there at all!) so we need to stand out. A number of years ago, I read a magazine article about small business start-ups creating their own symbolism, just the same way big companies choose logos. I wondered, why shouldn’t Indie writers also utilise this tool and create their own logos?

*Reason One: Our brains remember images before facts.

It’s a well-known fact that symbols work on our subconscious, and we humans respond to visual clues. There’s a reason all the major brands always build their businesses around a symbol. Once they establish a logo, the emblem then becomes synonymous with their name.

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*Reason Two: A symbol is a reminder. Logos help readers remember you.

The same way our ancestors carved runes into rocks or hieroglyphs into stone, we can use symbols, as a bridge, an illustrative shorthand, in order to convey our message to the world. An image can say so much more than a word. ‘If you let go of your idea of what you are looking at in the symbol, it will reveal itself as information in the form of knowledge that cannot be read in books. It is a direct knowledge,’ said Gurudev Hamsah Nandatha, in his book, In the Presence of Truth. ‘It is because the symbol, it could be a painting or a spiritual symbol, has an impact on your mind. It’s a reminder.’

*Reason Three: Logos help readers to quickly “recognize you” on the book shelf. They give you visibility.

As an Indie writer, I’m seeking two things: to create good content and to build myself as a brand a reader can trust to deliver a good read. A symbol helps readers young and old remember the story and who delivered it.

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*How to Create Your Symbol

One: Find a relevant form.

When I went Indie to publish my first book, The Or’in of Tane Mahuta (http://amzn.com/B015K1KF0I), I wanted to start using my own logo. The Chronicles of Aden Weaver series is about shape shifters who morph from insect to human. I studied insects and looked at dragonfly wings. Then, I sketched and painted three possible options for a symbol to suit.

*Two: Enlist your readers in helping you choose.

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Others see things differently and can provide a valuable resource for feedback. I started a competition for the people on my mailing list. In the newsletter, I gave readers three options to choose from. I asked them to vote on the best. Each vote was counted as an entry, with the winner getting a free signed copy of the book.

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*Next Step: Stake your claim. Make the symbol your own, by stamping it on your books, your cards, your website, and your blog.

The winner by a majority was this one. I finally had a suitable symbol for my brand.

*Hot Tip: Make sure your logo goes on the spine of your book, where it will be seen.

You can see when I line my novel up with others, the way the publishing houses logos establish turf. At a glance, we know who they are. This is the same connectivity you want to happen in the reader’s brain with your brand when they see your masterpiece.

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I’m publishing my second book through CreateSpace. On the first proof for ‘The Sasori Empire,’ I discovered my logo was missing from the spine. Although I had originally submitted the symbol with the file, it’s possible I may have sent it to the wrong place. When you go through an online publishing service, you must read every instruction minutely, because if your work is not submitted to the company’s specific guidelines, it’s not “received” at all. Therefore, the error lies with you. And, every editing change you make will cost money.

I re-submitted the image via the correct channel and made sure my logo is featured in the correct spot on the cover. I’m saying to the world through my symbol, “I’m here.” This puts a smile on my face.

As an Indie, it’s vital to be happy with how your book is going to look sitting on the shelf, as well as how it reads inside. That way the whole package becomes authentic to you.

Are you smiling about the final look of your book? Ever thought of designing your own logo? 

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Talk to you later.

Keep Writing!

Yvette K. Carol

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There is something you find interesting, for a reason hard to explain. –Annie Dillard

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

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Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

May Question: What is the weirdest/coolest thing you ever had to research for your story?

A colleague from Toastmasters referred to the series I’m writing as “magical realism” the other day, which I thought was a good description. I like to write of other worlds which are nevertheless based on Earth. For the upper middle grade series I’m writing currently, the Chronicles of Aden Weaver, the characters are shape shifting insects. For this, I did research on the insect world, read up on some Maori and Japanese myths, and I read about Albatrosses, and I loved every minute of it.

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When I first started out as a young writer, I used to be embarrassed of my “talking animals stories” because most people, especially publishers at the time, disregarded them. However, the popularity of fantasies about animals can be traced back to Aesop’s fables and beyond. Our fascination with them goes through Greek literature and can be seen echoed in fables from other cultures such as India, through the “beasts as spokespeople” of medieval writers, to Lewis Carroll’s Alice in Wonderland, to The Jungle Book and The Wind in the Willows. It’s a “live” sub-genre of fantasy.

“As a critical term, ‘fantasy’ has been applied rather indiscriminately to any literature which does not give priority to realistic representation: myths, legends, folk and fairy tales, utopian allegories, dream visions, surrealist texts, science fiction horror stories…” ~ Rosemary Jackson, Fantasy, The Literature of Subversion

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As they say in The Ultimate Encyclopaedia of Fantasy, “One of the problems in any discussion of fantasy is to decide just where ‘realistic’ ends and fantasy begins.” In the “variously fashionable sub-type” of magical realism, which is the strange grayish area of literature I inhabit, the realistic aspect of the story is balanced by the fantastical.

English comedian and writer, David Walliams said, “The only limits in a children’s book are your imagination.” This is exactly what I love about writing for children and the magical realism genre; they’re both about that freedom of spirit. I feel the sky’s the limit and that’s the way I want to feel when I write.

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To achieve “realism,” I always do a bit of research for every book. So for this story about insect shape shifters, I read books, articles, watched documentaries about insects. My dragonfly characters have six legs and four wings. I feel that being able to include the facts gives credibility to the world we’re creating for our readers. Realism adds depth and complexity. It locks the reader in so that they can fly with us on our leaps of imagination. They feels safe with us to explore further.

Once your reader knows the facts, you can then build on that basis to amp up the tension when the norm breaks down.

For instance, there are albatross in this series. The albatross is a sea bird and I discovered it nests right on the coast when it comes ashore at all. Armed with this information, I was able to use this one simple fact to anchor and skew part of the story.

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Because I write for children, who may not be aware of certain things, I needed to drop in a line of dialogue or two prior to this scene, to clue the young reader in to the way things should be, e.g. “Albatross should never nest far from the sea.” Then, by placing the enemy chief’s colony of albatross deep inland, far from water, this one simple anomaly gave the enemy compound an eerie, other-worldly, slightly “off-kilter” ambience that permeates the reader’s perception of the place from then on.

Without a doubt, the coolest thing about research so far has been the research itself, learning new things and supplying good sturdy foundations to the fantasy stories I write. It’s part of the work of being a writer and it’s fun!

How about you, what is your favourite part of what you do?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Fantasy is the fiction of the heart’s desire. ~ Unknown

 

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Or, Editing Woes Noone Warned you About ~

The word “edit” in the dictionary means “to prepare for publication.”

For the author in the last stages of editing their book, the sheer hours spent bum-in-chair can become numbing at both ends of the spectrum.

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You see, no one tells you the truth about the writer’s life, either at school or in the way it’s rendered via popular media. As a kind of public service announcement, I’m happy to give you a “heads up” about the possible woes that lie ahead, if you’re thinking of turning that story in the bottom drawer into a viable commodity.

Here’s what to expect:

Editing Woes #1: Temporary Blindness

Stephen King once said, “Write with the door closed, rewrite with the door open.” There’s a good reason for keeping that office door open. Besides getting other people’s eyes upon your fiction, you need ventilation. You can succumb to writer’s fatigue. After sitting in a room on your own, staring at those dark marching ants across the screen for hours, you stop seeing the words.

Cure: Get some oxygen, head outdoors, look at nature.

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Editing Woes #2: Temporary Book Hate

“The first draft of everything is shit,” so said Ernest Hemmingway. However, given enough exposure to your own work, every other draft of your own precious story will start to annoy you, too. This is a temporary phase.

Top tip: Try not to throw the entire file in the rubbish bin.

Cure: Keep going. Do not give up!

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Editing Woes #3: Temporary Loss of Will to Live

There comes a moment, when you’ve just finished your hundredth edit of your story, and you realize you’re going to have to go back to the beginning and start again, that the apple begins to slide off the cherry.

I had a deadline to reach this weekend, my book needed to be submitted to createspace by April 15th. The material had been worked over so many times, but it still wasn’t done. When I found myself at 6.30 in the evening yesterday, and it wasn’t finished and I still I had to keep editing, I felt weak with stress.

The last yards to publication when you’re an Indie are soul destroying. Every time you think you’ve carved off the last word and discovered the last ill-placed comma, you find yet another error.

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On the fifth “final edit” I just wanted to put down the laptop lid, walk away and pretend none of it ever happened. I felt I could not read those words again.

Top Tip: This is normal. You will want to give up. You will want to curl in the fetal position. Don’t worry; it happens to all of us. It’s like childbirth or passing a kidney stone, it doesn’t matter how bad it becomes, you will get through it.

Cure: Eat treats. I took “feijoa breaks.”

Editing Woes #4: Temporarily Losing Touch with Reality

Yes, this is a common problem they don’t warn you about in writing class. When those sixth and seventh “final edits” take place, usually late at night, and you’re keeping yourself going by drinking coffee and eating sweets, the hours start to blend. One friend said, “it’s like a black hole that sucks time into it.”

This is true. The further you dive into your nitty-gritty polishes, the more hours disappear. When I finally lifted my head last night, I looked around and it was dark outside. The whole day had vanished. I was blinking like a mole, saying, where is everyone?

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Cure: Go be with human people. Exercise. Eat. Drink. Sleep.

The reward is that this really is the last hurdle.

Top Tip: just as with childbirth, it’s all worth it in the end. When the proud author gets to see their story presented in book form for the first time, it makes all the pain of editing worthwhile. The secret is to keep going through the gnarly last part!

At midnight, I had the manuscript, the cover art, a professional headshot, the back cover blurb and three great peer reviews ready to go, and I submitted the whole package to Createspace. I felt immediate relief and joy. Now, I await the first “proof” which is exciting.

But here’s the thing, no work of art is ever truly finished.

As Oscar Wilde said, “Books are never finished, they are merely abandoned.”

I had to choose the point at which to let go. When do you let go? When do you say enough’s enough?

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Talk to you later.

Keep Writing!

Yvette K. Carol

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“This morning I took out a comma, and this afternoon I put it back again.” ~ Oscar Wilde

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