Posts Tagged ‘Inspiration’

Yesterday, I left Toastmasters. The send-off my friends gave me was so loving, so generous, so kind, so full of good cheer and heartfelt comments, I think I wept the whole time. Leaving was one of the hardest things I’ve ever done. But it was not a decision taken lightly. I had wrestled with it for more than a year. I knew I needed to put the hours I’d been putting into the club and my speeches into writing my stories and books.

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I knew I wasn’t achieving enough real B.I.C (butt-in-chair) hours to make the progress I wanted to make with my series, The Chronicles of Aden Weaver. That the boys still required the same amount of my input as teenagers as they had when they were little frustrated me. There weren’t enough hours in the day. Something had to give. To leave the club would seem obvious, and yet it wasn’t. A lot of self talk went on in my decision to quit Toastmasters. I love my friends there and the weekly get-togethers are fun.

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I joined a local club in June 2015, with the plan to stay for four months, hoping I would learn how to give a decent speech so I didn’t suck at my first ever book launch. September 15th arrived, and I launched my book and gave a speech my family were proud of. I knew the effort I had put into months of Toastmasters’ speeches to get to that point, and I felt proud of myself which was a lovely new feeling. The weekly meetings were stimulating and informative. I enjoyed my circle of inspirational, intelligent, interesting and funny friends. The book launch came and went, and I said, “I’ll just stay another month.”

I stayed another month for five years.

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With each year I learned more, I gained more strength; I discovered an unexpected facility for public speaking. And all in the company of some of the most wonderful folks I have ever met. In my parting speech yesterday, I said the people you meet in Toastmasters are the greatest people you’ll meet anywhere in the world. You make firm bonds with others in a speaker’s club. Through the fires of facing down knee-knocking, heart-pounding challenges together you forge friendships that can last a lifetime. You have been comrades, side-by-side, daring yourselves to compete in the many speech competitions the organisation runs each year, and you have shivered together before going on stage, daring each other to grow. It creates closeness between the members and real empathy for one another.

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It was during the last five years that both of my parents died, my mother passed away in her sleep within a few weeks of my joining the club, and my father died in hospital after a heart attack a few years later. Toastmasters proved a lifeline throughout my grief. I had the comfort of friends to care about me and a creative outlet in which to express my feelings. I was grateful for the gift of being able to speak in public because this empowered me to speak about my great love for my parents at both their funerals. Prior to Toastmasters, I would have been shaking in a corner, too paralyzed by fear to step up to the lectern and do them justice. Though I wobbled at the start giving Dad’s eulogy, I recovered using my training and delivered a tribute speech I still feel good about today.

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The older members sometimes say “the system works” and that’s because it does. The Toastmasters educational program is transformative. It is an honour to guide the terrified newbies who join the club and mentor them through their journey of self development, as they turn up and do the work and find their voices, and develop self confidence, new strengths, and open their wings.

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It was Dr. Ralph Smedley who founded the Toastmasters organisation on March 24, 1905. His brainchild, the idea was to foster potential in others by teaching interpersonal skills, to do with communication, management and leadership in the community, all by teaching the art of public speaking. From humble beginnings in a room at the YMCA, today it is an international speaking organisation with over 352,000 members in 141 countries. Why? Because the system works, it develops individuals into better versions of themselves. I’ll always be grateful to Toastmasters and sing its praises to anyone who will listen. You haven’t joined yet? Why not?

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Talk to you later.

Keep creating!

Yvette K. Carol

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“Whatever your grade or position, if you know how and when to speak, and when to remain silent, your chances of success are proportionately increased.” ~ Dr. Ralph C. Smedley

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It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world–or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. Our Twitter handle is @TheIWSG and hashtag is #IWSG. Let’s rock the neurotic writing world!

We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

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OPTIONAL IWSG Day Question: February 5 question – Has a single photo or work of art ever inspired a story? What was it and did you finish it?

In a word, no. However, as luck would have it, my friend, author Donatien Moisdon asked a question the other day in an email which I think would make an excellent question of the month.

Donatien: In your latest newsletter, I was very interested to read about your thoughts and those of your friends regarding the question: What makes a good novel?

For me, a writer of popular fiction, a good book entails the perfect marriage of a riveting story line and great characters. I have to feel a connection with the main character; I want to feel drawn to them and want to know what happens to them next.

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So when I’m writing a new story, I strive to know the characters first. I am a fan of the “story bible” or “book journal” which means I write the details of the characters, and setting, background, longhand in a special notebook. By this method, I develop my characters well before I ever start writing the story. The hope is to convey real characters who have depth.

I prefer a small cast. Donatien’s advice is to deal with only a limited number of characters and make sure that readers will recognize them easily.

I agree. I finished reading The Warlock by Michael Scott a few months ago. It boggled me for half the book, trying to remember the vast catalogue of players. For the second half of the book I had a handle on the enormous cast but I still got confused. Even the professional writers get it wrong.

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Donatien recommends keeping things clear in the reader’s mind especially in dialogue. It is very important for readers to know exactly who is saying what. Thus the importance of perfect punctuation.

So for a good book, you need a manageable number of characters. You need to hone good dialogue and pay attention to punctuation.

You also need a rivetting story line. I prefer adventure stories, and I have done since I first discovered the joy of reading as a young girl. And in writing popular or genre fiction for children, the goal is to take readers on a fabulous ride they won’t want to get off. In a story worth its salt the protagonist/s have to win fire (or the elixir) and bring it back to the tribe, but to get there, keep upping the pace, worsening the conflict for the protagonist and deepening the stakes.

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There is an infectious pace that kicks in on a brilliant story. You can’t stop turning the page. Donatien says, Rhythm is very important. Can each sentence be read in a loud voice for the first time by a newcomer without hesitation? If the reader stumbles, chances are the sentence needs work. To bring your writing alive in the reader’s mind, he suggests remembering to use all the senses. Place the reader at the very center of the action, but also at the center of the environment through the use of the five senses. Add a sixth sense: the sense of a dream.

For me, there’s also an X factor that marks a good book, that singular thing of being able to drift away with the words. It’s the fairy circle where you enter and the more you read the more you lose time. I like stories that take me away somewhere. My goal with every story I write is to return the reader to the shaded places of youth where they remember magic can happen, to inspire a sense of wonder. That is the holy grail.

How do you instill wonder? I’m always trying to figure it out! Do you know?

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Keep Writing!

Yvette K. Carol

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Storytelling is really one of the most wonderful things about human beings. And some of us get to be lucky enough to also be the storytellers. ~ Bryan Cranston

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*Please note this special request from Donatien: If you could find the time to read The Immortal Part, available on lirenligne.net, and let me know if I’ve managed to follow my own recipes, I’d be very grateful. On the lirenligne.net website, you have to click on Donatien Moisdon or The immortal Part, then “télécharger” (download) in the brown square. 

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I think I get addicted to editing on each project. I did a little thing with The Last Tree, that my family would call a “dad thing”–I kept count. I work as a “pantser,” I write a rough draft without a plan and then edit for a lifetime afterwards. I was curious about how many times I go through an entire 360 page manuscript editing this way. With the third book in The Chronicles of Aden Weaver trilogy I kept a notepad by my laptop and noted each time I edited the whole book from page one. The answer? Seventy. Yep. I know, I had the same reaction. I knew it would be a high number but that came as a surprise even to me.

Ever since I sent the manuscript for The Last Tree to a friend who does copy-editing I have had to ‘down tools.’ I didn’t feel it was fair to keep making changes while she was working.

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For a personality like me, it has been hard to let go. It sounds so easy, yet it’s hard to do. It was amazing how many errors I would find every time I looked at the story, so I kept editing and even after seventy edits of the same material, I could easily keep going. But I have to draw a line in the sand sometime. Even a perfectionist has to stop somewhere. Paul Gardner said, a painting is never finished–it simply stops in interesting places.

Giving the story to my friend had forced me to stop editing. It made the cut. I was without the work that had defined me the last two years. In the final stages of editing a book, you’re working on it night and day and the effort consumes everything. Then it’s finished and you’re set adrift.

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I keep looking back over my shoulder thinking there’s something important I should be doing. Then I remember the book is being looked at by a professional and there’s nothing for me to do anymore.

This is the breakup. It’s difficult while it’s wonderful to be free.

It’s a weird limbo. Who am I without my work? My youngest son said a profound thing the other day, something this wise young owl has been wont to do since he was a tot. He excels in science and has been talking about his interest in space for months. Then he said he’d been thinking about it, ‘we shouldn’t be looking at the planets we should study ourselves, we should find out all those answers first.’

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It was Blaise Pascal who said all of humanity’s problems stem from man’s inability to sit quietly in a room alone.

I knew it was time to take a deep breath and just stop and do nothing for a while. This helped me get back on track. I let myself enjoy life again. I stopped rushing, slowed my pace, and put the gardening tools away. I took myself out for a bit of retail therapy and started my Christmas shopping. I met with friends and talked. I went walking and got fresh air into my poor oxygen-starved lungs. I ventured outdoors in the sun instead of looking outside longingly from my writing desk. I took up meditating twice a day, the same way Oprah does. I crafted and decorated homemade gifts and made Christmas cards.

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I started reading a new book. I wrote letters and sent cards and gifts to far-flung family and friends who I knew would be lonely at this time of year. I made donations to worthy causes. I planned to get together with people to celebrate the season. I moved on in as positive a fashion as I could muster. I’m endeavouring to balance out the activity and time spent appreciating nature with regular periods of stillness, mindfulness or ‘studying myself first’ as my son would put it. I feel much better. My feet are on the ground again.

It’s also nice after the hours labouring over a computer to spend time with loved ones. I’ve had lots of wonderful conversations with my kids. The old tension around my book has gone from my system. I think it’s important as writers that we take care of ourselves and allow that sometimes finishing a book is a process.

It takes time to decompress to let go to breathe to unwind to reform our sense of ourselves and that’s okay.  

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“My greatest wealth is the deep stillness in which I strive and grow and win what the world cannot take from me with fire or sword.” ~ Johann Wolfgang Von Goethe

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I will call what happened “an intervention.” A close friend took me by the hand and gave me a kind little shake up, a gentle push in the right direction. When she heard my intention was to soft launch my next book, The Last Tree, on Amazon, she was aghast. ‘But if you do the same things, you’ll only sell to the same number of people.’ It’s a privilege when someone gets real with you, because it means they care about you enough to intervene.

She asked me, ‘What do you want?’

‘To inspire more readers.’

‘If you want to reach more readers, you must do more.’

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My friend introduced me via email to two people in the business. And over the last fortnight I have met with these two wonderful successful business women, one a traditionally published author of sixteen books and a publicist, and the other a well-connected and respected literary agent. Both women generously gave their time as mentors.

I thought I should share some insights I have gained through this enlightening process.

The first advice was to use my time more wisely.

‘You have too many toes in social media. These things are time wasters.’

I think I sucked in a horrified breath. I’ve spent the last ten years working extensively on my brand, by maintaining ten social media accounts: going around the sites, liking, sharing, commenting, and by making status updates, posting photos and quotes. I thought I was building a social network of contacts, which was important for Indies. It never occurred to me I was wasting my time. Admittedly, sometimes I ran myself ragged keeping up with it all.

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In life you learn and learn, then you course correct, then you learn and learn and change more. It’s a constant process, isn’t it? I remember hearing, ‘Margaret Mahy doesn’t have any social media accounts. She doesn’t even have a website.’ I remember being surprised by that. And I remember my writing buddy,James Preller, joking that he didn’t go near sites like Goodreads because they scared him. I had always felt I needed to be present in as many social media spheres as possible to build my brand as a writer. Yet, maybe that’s why Mahy published hundreds of titles and Preller is on his 85th and I’m on my third….

A week ago, I deleted half my social media accounts, reducing my activity to this blog and my Facebook Fan Page for writing. The monthly newsletter, Pinterest, and my personal Facebook page get to stick around for a while because I can’t bring myself to release them.

The next advice was to amalgamate my blog and website.  To do what I do online better, they suggested I study what the greats are doing with their Internet presence and do likewise.

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I circled the internet and noticed the bestsellers usually have one official site which has a blog and website combined along with a few pages to read: about the author, coming soon/what’s new and links/downloads, that sort of thing.

I did the same. I shut my old website down and amalgamated my blog and website, so it is now a journal blog plus a few pages about me and my work.

The next advice was to expand my author branding. I changed my title from ‘Children’s Writer’ to ‘Author’ as the former might become limiting in future if I want to branch into other genres.

The next advice was to get out of my comfort zone. I shall start submitting to publishers, however if I do self publish, then I’ll spend the money to bring a publicist and a distributor on board, to get the book into stores and libraries and get media attention.

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Admittedly, I shall have to summon all my courage to submit to publishers again. I had gotten to the stage where I was sick of the rejections, and that was one joy of going Indie was I didn’t have to worry.

However, I will send the query letters. I will go to the Publishers Association New Zealand website and look up the member directory for publishers and then follow the guidelines on how to submit.

The last advice they gave me was to be professional. They said ‘if you want to be taken seriously in this business, have your manuscript checked by a proofreader and a copy editor. Pay the money.’

The Last Tree is with a proof reader now.

I’m taking notes. You live and learn, boy. What about you, what have you discovered lately?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“Shoot for the moon. Even if you miss it, you will land among the stars.” ~ Les Brown

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If you’re like me, you may have gotten busier over the last few weeks. The chores stack up, things get overgrown. It’s the end of the year, jobs need resolution, deadlines loom and time pressure mounts. The thought of the impending festive season and adding even more items to the “to do” list strikes a note of panic into the heart. For some, the financial issues at this time of the year become overwhelming, and the thought of getting together with the family can be fraught. I have a friend who calls this ‘the suicide season.’ Add the fact that once stress sets in it can reduce the duration and quality of sleep, and you’ve got a disaster walking.

Without sleep, we cannot function properly. With the right amount of quality shuteye, then we get to enjoy the benefits as it helps prevent heart disease and weight problems, and boosts the immune system.

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Without sleep, you end up the walking dead, or ‘tired and wired’ as my friend put it when she saw me the other day.

I had been overdoing it in the last month or so working long hours to finish my book. About three weeks ago, I began to get abdominal discomfort which felt almost like a mild hernia or similar. I was having sleep broken by three hours of wakefulness a night.

It’s hard to be gracious when you don’t get enough sleep. I lost all sense of political correctness, courtesy, and I lost my sense of humour. It made me impatient with the kids. This created some inner turmoil and struggle over my feelings around myself as a mother. It gets complicated. However, I have come to know that I absolutely have to have adequate sleep to function as a parent and especially as a creative person.

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By the end of this week, I felt a deadly fatigue and yet so hyped internally I was running on pure adrenalin. I couldn’t slow down and felt I was close to burnout.

I went to see a friend yesterday morning who is a healer. We’ve known each other a few years. My friend asked how I was and we talked at length. Then she spoke about the wisdom of slowing down and attending to self care. ‘To nurture our families, we need to take care of ourselves first.’ She advised two meditations of a twenty-minute duration daily, morning and afternoon.

I’d only recently seen an experiment on the BBC show, Trust Me I’m A Doctor, on the benefits of meditation. They tested people before and after several weeks meditating daily. All participants showed improved health and an improvement in a sense of their overall well-being, and they were sleeping better.

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It is vital to our health to get enough sleep each night. The nine recognized benefits associated with getting a good night’s sleep are, lower risk of heart disease, lower inflammation, a stronger immune system, better productivity, greater social/emotional intelligence, lower weight gain risk, improved calorie regulation, better athletic performance, preventing depression.

For the last few years, I’ve been starting each day with a ten-minute meditation, and I had thought that was enough. But I was also willing to do anything to sleep well and for the pains to go away. I said I would meditate twice daily for twenty minutes. I’m only on my second day and I already feel significantly better, and last night, as promised, I slept like a baby. This has given me hope for the future. With adequate sleep under my belt each day I can conquer mountains.

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The average person needs seven to nine hours sleep a night to recover and repair the body. Kids need more, newborns need seventeen hours and kids need at least ten to twelve hours of shuteye a night. Usually, we need less sleep as we get older. But if you’re having difficulty sleeping, experiments have shown there are several things people can do to improve sleep quality: make sure you sleep in a dark bedroom, turn off devices and televisions, swap the caffeine or alcohol before bed for a warm milky drink, spend time in moving about each day, and reduce stress levels by exercise, therapy, or some other means.

If all else fails, why not try meditation? I have to say, I feel the best today that I have in a long time. Have you ever tried meditation?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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 “We are more powerful than we have been lead to believe. Walk tall in your power and never give it to an outside source. True authority comes from within.”- R. Cefalu

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Ten days ago I delivered the finished manuscript of my book, The Last Tree, to the printers and I told myself I would relax. I would finally take the foot off the pedal. That was the plan. It was Monday. Turns out taking the foot off the pedal isn’t as easy as it sounds. On Tuesday, I organized to meet with an old school friend who is a business whiz. She had suggested she might help get more visibility for my books.

It was the first time I’d ever seen her business side, which was very interesting. After chatting for a minute, we sat down and started to talk about my stories.

I thought her first question was brilliant. She said, “What do you want?”

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I said, “When I started out (at seventeen) it was world domination. But it’s not about that or the money anymore. People say when they read my books they’re inspired. I want to share my stories and inspire as many people as possible.”

She asked me, “Do you have an agent?”

“No.”

“Do you have a marketing plan?”

“No.”

“Do you a way of getting your book into bookstores and libraries?”

“No.”

I was feeling like a right duff by this stage! I think my friend was none too impressed. She said two things after that.

“Your problem is no one knows who the heck you are.”

“That’s true.”

And,

“You will have to up your game.”

“Oh.”

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Both these statements struck terror into my heart. Do I commit to this? I prefer low sales and no one knowing my name. I prefer gliding under the radar. I don’t want to get asked to attend ceremonies and speak at venues. I don’t want a full social agenda. I have more than enough to do every day. There is no downtime as it is and as a card-carrying introvert, spending more time with people scares me terribly.

Yet I get the shake up my friend is giving me. She’s saying ‘look what is it you really want?’ And then, naturally, ‘you will have to do more to make that happen.’ And she’s right. I know she is. But can I do it? Can I commit when I’m raising two boys on my own and have a home and a property to manage single-handed?

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Since then, my friend has introduced me to a successful author she knows. We’re meeting at a cafe up north on Monday morning. I’ll take my first two books, The Or’in of Tane Mahuta and The Sasori Empire. What I hope to find out is how to reach more readers, and whether I should submit my books to a publisher. My friend has also introduced me to an author and agent whom I’m meeting soon. I need to ask if she has access to the lucrative movie and gaming market, especially in the U.S. They should be fascinating meetings. The nerves are fraying already just thinking about them.

I have freely admitted in the past to being utterly slack at book marketing. In fact, the article I had included in the Insecure Writer’s Support Group book, The Insecure Writers Support Group Guide to Publishing and Beyond, The Melee of Modern Marketing, was about accepting our limits as Indies and not beating ourselves up when we do not achieve mega book marketing campaigns.

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Between the many responsibilities in my life, I am tired. I don’t know if I have the time or the drive needed to “up my game” with book marketing. It’s a serious concern. Although I respect my friend’s advice enough to take it, I do so with great trepidation.

All I can do is what my hero, Aden Weaver, did throughout The Chronicles of Aden Weaver series, to get through adventure after adventure. Whenever he felt scared, he would keep putting one foot before the other. This would be an apt time for the adage, ‘don’t think, do.’ Then trust the rest will follow. Whew!

Since sending my manuscript to the printers, I’ve done nothing but work. The overgrown garden needed a machete taken to it. I had a big speaking project at Toastmasters, which required a lot of prep. The meetings with these other authors will probably lead to even more work. Rather than taking the foot off the pedal, I’ve been burning rubber.

Relax? Fail. Please tell me how you relax. I need tips!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“We must always change, renew, rejuvenate ourselves; otherwise, we harden,” – Goethe

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There’s something about being a writer where, mostly your stories, your characters live only in your head. They’re yours and yours alone to shape and mould and develop as the story genesis dictates. You get to know the characters so well and yet they remain in your mind’s eye only. Then comes the day where you get to see an artist’s rendition of your creation, and all these beautiful ideas that came from your head suddenly take on a new dimension. They come to life and become available to other people. I remember the first time this happened for me, when my nephew, Si, delivered the image for the first cover in The Chronicles of Aden Weaver series, The Or’in of Tane Mahuta. Here was a character from my imaginary world and it was special and magical and everything I could have asked for. Here was the young hero I’d grown to know so well, Aden Weaver. I couldn’t take my eyes off him.

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I made the picture my screensaver, put it on my website, shared it here on my blog, Facebook, I shared it high and low I was so over the moon. My buddy, Aden, the kid who had grown up through the development and writing of this series over the last fourteen years, had a face! It was extraordinary. I didn’t have to imagine him anymore. I think I smiled the rest of that day. And technically, with the manuscript ready and the cover art in hand, the whole process of publication could begin. That was 2015.

When I saw the interpretation of the villain, Chief Wako, for the cover of the second book, The Sasori Empire, two years later, I was blown away. Somehow Wako had all the presence and the confounding combination of good looks and menace I’d imagined. There’s something very gratifying about having an artist take up your words and turn them into an illustration. You and the artist collaborate to create a third thing that neither of you could have created alone. It’s a rewarding experience.

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I found the artwork fed back into the story because the illustrations had formed the characters’ contours and this altered further dialogue and actions. That was 2017.

Since then, I’ve been working on the third and final book in the series, The Last Tree. During that time, I’ve communicated back and forth with Si about thoughts for the cover art. Now and then he would ask me a specific question. After that I had to leave it up to him. As I’ve slogged through the last few weeks of intense editing, I began to anticipate that the artwork would soon arrive. I couldn’t wait to see what he would come up with. I trust his instincts and have great respect for his talents. His art is visually arresting and expresses his considerable mana, and he has the artist’s eye for composition and scale.

The deadline of sending the material for The Last Tree to the printer by November 4th was looming large, and I still had seen nothing from Si. Then, two days ago, an email arrived from him with an attachment. The cover art had arrived! I took a deep breath and opened it.

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When I first laid eyes on the image, my heart stood still. I couldn’t take it all in. I found there were no words. I stared at it for a full five minutes, absorbing it. I had given Si a brief on the most dynamic female in the series, the enigmatic Number Three. To my surprise, he’d rendered her from the side, and yet he’d captured her in the most impactful way. And he’d given us a new view of Aden, with emotion in his face. Mid-fight, there is action, there is feeling. There are so many levels to the image I could look at it all day.

He had done it again. Through the cover art, my story, my characters, my world had taken on two dimensions. They had become something almost tangible. They had taken that step outside of my imagination and into the public domain. The whole package goes to the printers in the morning. Exciting times!

What do you think of the cover art? I’d love to hear from you!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Keep your face always toward the sunshine, and shadows will fall behind you. ~ Walt Whitman

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I was thinking today how cool it is being an Indie Publisher. I get to do the labour of the writing and I also get to design the finished product. For instance, with my upcoming release, The Last Tree, I’m in the final stages of preparation. After two years of writing, rewriting, and editing, now I get to put the whole package together.

I will do a few illustrations, organize the formatter, the printer, the ISBN’s, and think about the book launch—you know, the fun stuff. I’m communicating with my nephew, Si, the artist, about the cover art. And I’m dreaming of what it will look like and whether it will mesh well with the first two books in the series.

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I can’t wait to see it and the artwork could arrive at any moment!

This is when you can be as creative as you like. You don’t have to go the full Lemony Snicket, but you can let your imagination run wild in your own way about how your final masterpiece will look. I like the design side of book production. I would find it difficult to hand over the decisions to someone else. I had a picture book accepted once by a Wellington publisher, but they wanted to change the names of every character, so I declined the offer. These stories are my creations. As Martin Baynton said, ‘A book belongs to you. It’s your intellectual property.’

My stories are my intellectual property, and they will live long after I’m gone, therefore I want a true representation left in the world.

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I find the end stages of book production particularly pleasing. There are lots of little details to get done. It’s when the story morphs into something real I can hold in my hand. There are delicious treats to savour ahead like seeing the cover art, when Si will bring one of my characters to life. Then there is that singular moment when I get to see my book cover for the first time. Every published author can attest that there is no greater delight than laying eyes on one’s new novel! After the hours spent nose-to-the-grindstone editing the story, these are the glory days. These are the exciting things every author dreams about.

When I pictured how the finished books in The Chronicles of Aden Weaver series would look, I wanted eye-catching covers, which I created with Si, and the cover designer at BookPrint. And, I wanted a symbol to act as an emblem linking the books together visually on the shelf. So I designed the seal of the Order of the Order of Twenty-four and set that on the spine of the jacket.

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As a child reader, I always appreciated it when the author added their own artwork to their stories, which is why I also include my pen and ink illustrations inside. In last week’s post, I shared how to create a map. This week, I’m sharing how I created the first pen and ink illustration, which I finished on the weekend.

This is how I did it. I drew a rectangular frame within an A4 sheet of paper. Then I chose a scene from the book—a battle between two giants. Breaking away, Ike Lee collected a boulder with his free hand and tossed it. (chap. 63, pg 210)

I drew the scene in pencil within the frame. Once happy with the image, I went over the pencil lines with black ink pens.

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As with making my map, I used a variety of size nibs, and also black water colour paint to fill in the shadows.

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It is fun to fill in the outlines and ‘colour it in’ with ink. I like to experiment with different patterns and textures. I think it’s essential with pen and ink to have some decent areas of black and white, too, as it’s so effective in this medium, creating differentiation, drama, and maximum impact. Then imagination can let fly.

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I built up the layers, lines, dashes and dots. I spent the whole day adding more. I finished with a black key line to frame the image. It was lovely to doodle all day after the hard graft of getting the story written and edited. I always look forward to doing the illustrations as an author’s reward for making it to the final stages of production.

And here’s the finished picture. What do you think? I’d love to hear from you!

The seond illustration, 200 dpi

Talk to you later.

Keep on Creating!

Yvette K. Carol

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A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it. ~ Roald Dahl

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When I first started writing my third book, The Last Tree, I was able to refer to a simple map I’d made. I had sketched a quick idea of what I thought the Land of Fire and Ice looked like when I began writing the series. And I’ve used this as a reference over the last fourteen years I’ve been working on The Chronicles of Aden Weaver series. But a simple sketch would not be enough to accompany the final book in the trilogy. The challenge was to upgrade my rough sketch to something I could put in my book. Last weekend, I turned that rough draft into a map to go inside the front cover.

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This is how I did it. The place I started with this job was probably the first most important stop the author should make, and that is to sit down and read the entire story making sure your map is as accurate as possible. Once I had checked the placement of every element and what each area looked like, I felt confident to go ahead.

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The next step was to take an A4 piece of art paper and draw a rectangular frame in the middle of the page with a ruler.

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Then I transferred the details of the landscape from my sketch onto the art paper as if I were closer and on a lower angle, rather than the flat bird’s-eye view. I added a few more details just to make it interesting, like showing the site where the group first landed and the site of the shrine they visited in Book Two. I added a compass in the top right hand corner, giving the cardinal directions.

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In each book of the chronicles trilogy, I’ve included two of my pen and ink illustrations. The ink pen is a favourite medium of mine. And it’s a traditional medium for illustrations in children’s chapter books, too, which is rather fortunate.

Once you are satisfied with the way the map looks in pencil and that the features are in the right place, you can use ink. This is the truly fun part of creating your own map. Think of all these adult colouring in books you can get these days. I can attest it is way more fun to make your own. And it’s easy.

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Go over your pencil landmarks and features with a selection of black ink pens in varying nib sizes, (available at any art store) to fill in the lines. It really is fun and I take my time to enjoy the process.

To finish the picture, every map needs a sturdy border. I gave my map a thick border as if it was a painting in a frame. I filled the framework in with a leafy motif made more dramatic by silhouetting the leaves with black ink.

The map took me the whole day. And it was a day well spent.

What do you think? It’s simple to create your own map to go with your story. You can do it too, so let me know if you do. I’d love to hear about it!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“Shoot for the moon. Even if you miss it you will land among the stars.” ~ Les Brown

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It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

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OPTIONAL IWSG Day Question: If you could pick one place in the world to sit and write your next story, where would it be and why?

If I could pick one place in the world to sit and write my next story, it would be the top of the mountain behind my parents’ house, in the Coromandel Peninsula of New Zealand. My connection with the mountain goes way back to my earliest memories. My parents bought the property in 1964, for ‘the equivalent of a whole year’s wages, $900,’ as dad used to say. We went there every school holidays and long weekend from then on. I have fond memories of trekking up the mountain on the old dirt track and racing my brother and sisters down the other side on flattened boxes.

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Every time we arrived at our land for a holiday, our family would play “the 100 stem game” – something mum and dad had concocted – we would start at the bottom of the section and the whole family would work our way up the property in a long line, pulling stems of bracken until we reached a hundred. It was only when we’d pulled out a hundred bracken, we were allowed to run off and explore the forest. We tamed the section of land and the land helped us go a little wild. The countryside was full of wild life, as well as many colourful species of birds: tui, fantail, finches, swifts, wax eyes, kingfishers, pheasants, quail, wood pigeons, hawks, moreporks, kiwi, oyster catchers, sand pipers, herons, and many more. Our holidays there were carefree, swimming, fishing, and exploring the forest and the enigmatic mountain. The 360 degree view of the surrounding area from the top was breathtakingly beautiful.

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Later on, when my parents retired to live on the property permanently, I lived with them on occasion. If I wasn’t living there, I was visiting on a regular basis. Each day, I would walk up the mountain for exercise. I learned to always take a small notebook and a pen in my pocket, because so often, the simple act of walking through the forest, up the sacred way through the trees, would feel like a meditation. This caused lots of ideas to fizz and pop, so I would often have to sit on different boulders here and there along the track, to catch the thoughts in my notebook. Sitting in the shaded stretch of forest, the ideas felt endless.

I’ve told this story many times before, however it’s a precious memory of a really special time in my life. While my parents were still newly retired, they still felt strong and capable and used to do a lot of travelling. I would housesit and pet-sit for them whenever they were away.

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One of the times my parents were away travelling on a five week tour of Australia, I happened to be in the “genesis period” of working on my next book – in other words, I was just starting a new novel. It was astonishing. I found all I needed to do was walk up the mountain each day, then return to my computer and start to write, and the words would flow like a river. I didn’t have to apply any effort to the story at all. It got so that the characters took on a life of their own and for those five weeks, it was as if they hovered somewhere above me, among the exposed wooden beams of the ceiling, as they narrated the story. It was one of the most satisfying creative experiences of my life.

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From that time on, I thought of my parents’ land and their mountain as my ‘creative wellspring.’ That’s the best way I have of describing it. Inspiration fills me every visit, and the mountain gives her blessing. I’m currently nearly finished writing my trilogy, The Chronicles of Aden Weaver. It means it’s nearly time to make the pilgrimage to the family mountain. I need to breathe the fresh air and humbly walk through the forest for another story.

What about you, where would you choose to write your next story, or to create your next work of art?

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Keep Writing!

Yvette K. Carol

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A person is a fool to become a writer. His only compensation is absolute freedom. ~ Roald Dahl

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