Archive for the ‘Self-promotion’ Category

I’m in a general state of panic at the moment. And it’s not to do with Covid, although maybe it should be. I gathered with my sister and nieces for a walk on the beach last week, and they asked me how things are going with my books. I’m in the last stages of putting out my middle-grade trilogy, The Chronicles of Aden Weaver. I replied, “I’m freaking out!” And then I said, “My good friend should never have asked me, ‘what do you really want with your books?’” because I answered that I want more people to read them.
The problem with asking for more is you have to be more.

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My friend seemed to think I needed a gentle push with my writing career. When we talked about it I said I was happy tootling along with no one reading my work because some of us writers are terrible introverts and suffer self-doubt. She said, “If you want to sell more, you will have to up your game.”
I felt conflicted. I don’t want to push my books on everyone and start marketing big time and trying to sell, sell, sell. Every time a writing “friend” I’ve gained on social media turns around and asks me to vote for them in an online contest or “like” something for more media exposure, my heart drops.

I know self-marketing on social media is a necessary evil these days, but I can’t stand that stuff.


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Still, I couldn’t ignore the fact the gauntlet was down. Also, my friend offered to connect me with two successful women for advice. The literary agent and the publicist I spoke to were wonderful and let me ask them 200 questions about the business.
Top of the list of recommendations from both women was to get a publicist. I took the leap of faith and hired one. Last week my new publicist sent me the press release she’d put together for the trilogy, and that was when the nerves really kicked in.

The words, ‘Yvette is available for interview. Contact her publicist.’ Stood out in bold type. Am I really doing this?
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My sister and nieces have encouraged me to keep going, despite my fear. So I have restrained myself from cancelling the whole PR thing and fleeing for the hills.
Today an email arrived from the company, showing the literary publications and bloggers who have requested copies of my books for review. In my career I have stayed so far under the radar that I have never had a review. This is a strange confession to make because I write book reviews, but I’ve never been on the receiving end. The thought of all these reputable outfits (like Magpies magazine, for goodness sakes) critiquing my books is absolutely terrifying. I am convinced they will throw my stories in the rubbish.

Old, buried feelings of not being good enough resurface. I’m freaking out.

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In times of need, I turn to mentors. I read some of my favourite quotes from the kick-ass “WanaMama,” Kristen Lamb. She said, “If we never fail, we never learn. Show me a person who never fails and I’ll show you someone who’s done nothing interesting. Publishing involves… humans. Humans who screw up, make mistakes, etc. Even better? Now that we’re in the digital age? Humans can screw up much FASTER and INSTANTLY. Successful people don’t avoid stress, they learn to manage it… often the hard way. Yay!” *my bold type
A few years ago, worried about putting my story out there, I mentioned my fear to Kristen. She sent me this brilliant poem by Edmund Vance Cooke, How Did You Die? The stirring call to courage included this great passage:

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You are beaten to earth? Well, well, what’s that?
Come up with a smiling face.
It’s nothing against you to fall down flat,
But to lie there — that’s disgrace.
The harder you’re thrown, why the higher you bounce;
Be proud of your blackened eye!
It isn’t the fact that you’re licked that counts,
It’s how did you fight — and why?

I needed that. Thanks, Edmund! Thanks, Kristen.

I re-read the letter from my publicist, listing all the literary types asking for copies of my books to review. My youngest son asked me what I was going to do. I was reminded of Anne Lamott’s words in Plan B, about her teenage son, But most of all he needs me to be alive in a way that makes him feel he will be able to bear adulthood. I turned to my youngest and said, “I’m going to be brave.” And I will.

What about you? Have you had to up your game recently? How did you survive?

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Talk to you later.
Keep creating!
Yvette K. Carol
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It takes courage to grow up and become who you really are. ~ E. E. Cummings

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Ten days ago I delivered the finished manuscript of my book, The Last Tree, to the printers and I told myself I would relax. I would finally take the foot off the pedal. That was the plan. It was Monday. Turns out taking the foot off the pedal isn’t as easy as it sounds. On Tuesday, I organized to meet with an old school friend who is a business whiz. She had suggested she might help get more visibility for my books.

It was the first time I’d ever seen her business side, which was very interesting. After chatting for a minute, we sat down and started to talk about my stories.

I thought her first question was brilliant. She said, “What do you want?”

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I said, “When I started out (at seventeen) it was world domination. But it’s not about that or the money anymore. People say when they read my books they’re inspired. I want to share my stories and inspire as many people as possible.”

She asked me, “Do you have an agent?”

“No.”

“Do you have a marketing plan?”

“No.”

“Do you a way of getting your book into bookstores and libraries?”

“No.”

I was feeling like a right duff by this stage! I think my friend was none too impressed. She said two things after that.

“Your problem is no one knows who the heck you are.”

“That’s true.”

And,

“You will have to up your game.”

“Oh.”

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Both these statements struck terror into my heart. Do I commit to this? I prefer low sales and no one knowing my name. I prefer gliding under the radar. I don’t want to get asked to attend ceremonies and speak at venues. I don’t want a full social agenda. I have more than enough to do every day. There is no downtime as it is and as a card-carrying introvert, spending more time with people scares me terribly.

Yet I get the shake up my friend is giving me. She’s saying ‘look what is it you really want?’ And then, naturally, ‘you will have to do more to make that happen.’ And she’s right. I know she is. But can I do it? Can I commit when I’m raising two boys on my own and have a home and a property to manage single-handed?

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Since then, my friend has introduced me to a successful author she knows. We’re meeting at a cafe up north on Monday morning. I’ll take my first two books, The Or’in of Tane Mahuta and The Sasori Empire. What I hope to find out is how to reach more readers, and whether I should submit my books to a publisher. My friend has also introduced me to an author and agent whom I’m meeting soon. I need to ask if she has access to the lucrative movie and gaming market, especially in the U.S. They should be fascinating meetings. The nerves are fraying already just thinking about them.

I have freely admitted in the past to being utterly slack at book marketing. In fact, the article I had included in the Insecure Writer’s Support Group book, The Insecure Writers Support Group Guide to Publishing and Beyond, The Melee of Modern Marketing, was about accepting our limits as Indies and not beating ourselves up when we do not achieve mega book marketing campaigns.

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Between the many responsibilities in my life, I am tired. I don’t know if I have the time or the drive needed to “up my game” with book marketing. It’s a serious concern. Although I respect my friend’s advice enough to take it, I do so with great trepidation.

All I can do is what my hero, Aden Weaver, did throughout The Chronicles of Aden Weaver series, to get through adventure after adventure. Whenever he felt scared, he would keep putting one foot before the other. This would be an apt time for the adage, ‘don’t think, do.’ Then trust the rest will follow. Whew!

Since sending my manuscript to the printers, I’ve done nothing but work. The overgrown garden needed a machete taken to it. I had a big speaking project at Toastmasters, which required a lot of prep. The meetings with these other authors will probably lead to even more work. Rather than taking the foot off the pedal, I’ve been burning rubber.

Relax? Fail. Please tell me how you relax. I need tips!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“We must always change, renew, rejuvenate ourselves; otherwise, we harden,” – Goethe

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Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

For me, the truly hardest part of being a modern author is the marketing.

How do you cover your bases as an Indie with limited time and budget?

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For a start, you must do every job you can do, yourself. You hear seasoned authors warn debut novelists, ‘the effort is only just beginning.’ For good reason. Be prepared to dig deep.

On September 20th of this year, I self published, The Sasori Empire. I’ve poured hours into the marketing. Yet, there’s a seemingly endless list of more to be done. I feel the constant pressure like hot breath on my neck, the inner voice reminding me of the countless avenues of marketing which I have yet to employ. There are the latest marketing books to read, and videos to watch on YouTube, social media sites to join, bloggers to visit and palms to grease.

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Paul Rand, president of a major marketing firm in Chicago, said, “Word of mouth is the fastest growing sector in all of advertising.”

How does the stay-at-home mum and Indie author harness the power of “word of mouth” advertising?

There is no sure-fire way of generating “word of mouth” advertising other than doing your part to create a large enough digital footprint and amp up your EP (or digital Extended Presence).

Build a website. Start a blog. Create profiles in the usual places: Goodreads, Twitter, Facebook, LinkedIn, Snapchat, Instagram, Pinterest, YouTube and Slideshare.

Do the usual rounds of guest blog posts, school visits, author talks, YouTube videos, book reviews, tweets, and book trailers. Additionally, marketing can involve speaking at conferences, book tours and running workshops. You can start a critique group, join a book club, write a newspaper or magazine column, contribute to community blogs or groups (like those over on Wanatribe), join writers organisations, or participate in interviews.

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Some Indie writers have found fame by tapping into the market for short fiction, and releasing their work in serial form, drip feeding a chapter at a time on their blog or website. This week, a local Kiwi writer sold the movie rights to her debut novel, after gaining popularity through the serial fiction platform Wattpad.

It’s necessary to build a community of friends online, email lists, and connections. It can be worthwhile networking by haunting the chat forums on LinkedIn and Google circles.

Primarily it’s vital to tinker with the SEO of your book, check and double check the marketing copy that goes with your book. Make sure it’s doing the job. Test and tweak how everything is performing by monitoring your status as some experts do, by keeping tabs on your conversion rates on Amazon.chrismcmullen

How does the Indie author do it all?

An Indie author wears all the hats, and the stress of promoting your work is white noise in the background which never fully goes away.

While life goes on: the next book needs to be written, the children raised, the work done, the garden/property maintained and at least a little reading is necessary.

What I do is compromise. I set aside time to write, time to promote, and I also let myself have time to play on Pinterest or Facebook. Everyone needs to goof off now and again in order to keep working. Also, if you can, delegate jobs where possible.

It’s a balancing act every day.

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How does the Indie stay sane?

This week, my critique partner, Maria Cisneros-Toth said adding her YouTube videos to her website had attracted more traffic. I thought, I’ll add videos to mine. Another friend said he was adding a “Facebook shop” to his author page. I thought, I’d better set up an author page too. There is always more graft to be done when feeding the maw of book marketing.

But, you know what, it’s doable. I’ve learned I can live with watching less television during the week in order to tick more jobs off my list. I make more meals at home. I can do at least one thing a day to promote my book.

The other day, friend, author and artist, Teresa Robeson, sagely said, ‘Just rest assured that no matter what you decide, it’s okay. It’s not a matter of life and death. It will all work out either way.’

True. Sometimes you need a reminder from a friend to chill.

Equilibrium is the right attitude to cultivate. A calm mindset is paramount. It’s vital to get the work done while also remembering to savour the in-between! Work is work. Yet, it’s the lulls between the waves, the quiet moments, the soft silence in the sun of an afternoon, these are what make the business of life worth living.

How do you handle marketing your work? Any tips?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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But, you are marketing by word of mouth every time someone reads your post. You’ve got about 5 seconds (or 140 characters) to capture attention. Make sure each message you send builds your credibility. ~ Gina Burgess, Author’s Community

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For he does his work alone and if he is a good enough writer he must face eternity, or the lack of it, each day. ~ Ernest Hemmingway

When you are “post book,” you exist in this strange no-man’s land where you’re not sure what should happen next, but in your secret heart-of-hearts, you’re hoping for applause in some form, hopefully financial.

What nobody can really prepare you for, when you start out as an author is the great echoing silence of self publishing.

A novel requires burning the midnight oil writing the story, and questioning every word, every sentence. After having put “bum-in-chair” for days upon weeks, after suffering the agonies of self-publishing, and the indignities of self marketing, to cross the finish line and release your fiction upon the world, it’s natural to expect reward. It’s natural to want to hear some noise in response.

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There are more books being published every day now than at any other time in our history.

To gain traction, many motivated Indies will ask their “street teams” and friends to share about their release, to write reviews, to generate buzz in various ways. If you don’t dance up a storm, your books don’t sell, you might not be paid. Apart from that self-generated sound, however, there is nothing.

When I put out my first book in 2015, there were some lovely messages on social media from friends and well wishers. Apart from that there was…s i l e n c e. A great white-washed, sound proofed wall of nothingness.

Silence is something we’re not used to these days. In our hyper-connected present, we expect reactions to our every move. We wait with our self worth balanced on likes, loves and comments and shares. We’re conditioned to feedback.

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As yoga-teacher and author, Claudia Altucher said, I find that ultimately there is a little side of me that still clings to the idea of being “chosen” (by a publishing house).

Any writer can relate. With the first book, there’s this great hope of being “discovered.”

“How are things going with your book?” asked well-meaning friends. “Have you sold many?” The mythology goes, all you need do is release work in order to get paid, to get recognition. The truth is the majority of self-published authors will sell less than a hundred copies.

Few authors write a second novel and even fewer a third once the fiscal realities become apparent. After an author visit to an Elementary School in the States, author, Ellen Warach Leventhal, said her favorite response from a fourth grader was, ‘You work hard, you don’t know if you’ll ever get paid for it, and you aren’t rich? Man, not sure I want to do that.’

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The first book is like a trial by fire. If you walk through that flaming doorway without getting burnt, then you carry on writing but as a cleansed, reduced version of oneself with revised expectation.

Nick Ripatrazone’s sage advice to the author is, Share your work, but don’t wait for likes and retweets and mentions. Get off your phone. Get back to your desk.

I read somewhere, the traditional reaction to a book being published at any other time in history has typically been little to none. Authors wrote and released books and went on with their writing. They didn’t expect a parade.

In our digital present, it is easy to forget that silence has always been the most common response to literature and art. ~ Nick Ripatrazone

After I published my debut novel, ‘The Or’in of Tane Mahuta,’ (http://amzn.com/B015K1KF0I), I started developing the next story in the Chronicles of Aden Weaver. The narrative unfolded and it drew me into another world, where I got lost in the creativity. The firestorm was therapeutic. I remembered the most important thing was the art itself.

I understand now why authors advise to get on with writing the next book.

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I published ‘The Sasori Empire,’ (http://amzn.com/B075PMTN2H) last week. This time round, I experienced it differently, with more realism. I didn’t expect mega stardom or even a conversation.

I was ready for the normal silence that surrounds any newly-released work.

I discovered it takes a certain amount of surrender. And, faith, that I can survive the fall. I was prepared for the sudden drop-off of adrenalin and commitment that follows on the heels of each book birth. I’d already bought the chocolate bars. I pampered myself with treats.

My process seems to have settled into a pattern of write-edit-publish-rest-repeat. I relaxed for two days after the book launch. I listened to music, weeded the garden, and I did some baking. For a minute, I thought, I’m free!

Now, I’m writing book three, the final book in the series, ‘The Last Tree.’

How do you handle the silence post-book?

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Keep on Creating!

Yvette K. Carol

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Cherish yourself and wall off an interior room where you’re allowed to forget your published life as a writer. ~ Lan Samantha Chang

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The Or’in of Tane Mahuta

Book One, the Chronicles of Aden Weaver http://amzn.com/B015K1KF0I

The Sasori Empire

Book Two, the Chronicles of Aden Weaver http://amzn.com/B075PMTN2

Launching your first book is like delivering your first baby. There is great cause for much celebration and rightly so, as no one knows other than other authors and publishers, the extent of effort, money and concentration it takes to deliver a fully-formed book into the world. You cross that finish line as a debut author and you throw a party with catered food, fancy decorating and elephants, and you dance till dawn.

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The second book, like the second baby, tends to be a quieter affair. You’re more tired this time round. Your hands are fuller. You take fewer pictures. You have two novels to be responsible for and yet, there is also the third story to write.

At the same time there are the same rounds of media sites which need updating, interviews, and online conversations to be had and bells to ring in order to publicise your new creation to the world. The dreaded self-marketing engine that the Indie author needs to kick into overdrive must work overtime now on promoting that book to the world.

And, sometimes, this conflict of interests can call for new solutions. Enter, the mini-launch. I don’t know if this is a “thing” already, but if not, I’m making it one.

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For the celebration of The Sasori Empire (http://amzn.com/B075PMTN2H), the second novel in my upper middle grade series, the Chronicles of Aden Weaver, I wanted to commemorate the moment and have a party.

The trouble was, I had expended so much time and energy on producing the little dickens that I had nothing left to give. All I wanted to do was recline on a beach in Fiji and sip a cocktail, there was no way I was going to rev up the engines for a massive party as well. So, I hatched the idea of the “mini-launch,” essentially the smallest version of a book party you can have.

~ Here’s how ~

Venue: The first thing is where and when. I simply requested to add the launch of book two into the mix of a get-together I already go to each week, in this case, my local Toastmaster’s meeting. Cost: $0. (Apart from the annual fee, which I would pay anyway).

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Invite list: That way, I didn’t have to worry about people turning up. I knew the crowd of people would be there and they were my friends. You could do the same with your book club or critique group. I also invited one or two other people as guests.

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Catering: I paid a friend who is a baker to make two dozen mini cupcakes. Cost: $20. I bought a bottle of bubbles and a bottle of freshly-squeezed orange juice. Cost: $24.

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Decoration: VistaPrint helped me create two personalized signs. They have the same legend on both sides and plastic stands and only cost $50. A friend donated the dragonfly tablecloth.

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Agenda: When you make your book launch part of an established club meeting, you don’t have to worry about figuring out an agenda or writing the script. All I needed to focus on was writing and learning my speech. At the end of the meeting, the Toastmaster announced that I would be signing books and we broke open the bubbly at that point. I signed and sold my first box of books, and had interesting conversations with would-be authors.

 

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Photos/video: I took along my own camera and tripod. I shoulder-tapped a friend on the day and asked if she would press the record button when I started speaking. And I did the same with the camera after the meeting, getting various folks to take photos. I got a very serviceable video of my speech and some nice pictures of the occasion. The whole thing took an hour and a half. It cost under $100. Whereas my first book launch cost me three times that amount and took double the time.

I’m here to say the mini book launch works. It announces a worthwhile achievement. It sets the book off on its own course in the world with minimum fuss or cost, which is not to say that next time I won’t throw a huge party, it is to say, sometimes when means are limited, there are other ways of commemorating the moment that won’t break the bank.

If you do try your own mini launch, let me know how you go. I want photos!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“It does not matter how slowly you go as long as you do not stop.” ~ Confucius

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

 

There is something you find interesting, for a reason hard to explain. –Annie Dillard

Book shelf real estate is tiny. It pays to remember that our book will only occupy a small amount of territory on that prized book or library shelf (if it gets there at all!) so we need to stand out. A number of years ago, I read a magazine article about small business start-ups creating their own symbolism, just the same way big companies choose logos. I wondered, why shouldn’t Indie writers also utilise this tool and create their own logos?

*Reason One: Our brains remember images before facts.

It’s a well-known fact that symbols work on our subconscious, and we humans respond to visual clues. There’s a reason all the major brands always build their businesses around a symbol. Once they establish a logo, the emblem then becomes synonymous with their name.

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*Reason Two: A symbol is a reminder. Logos help readers remember you.

The same way our ancestors carved runes into rocks or hieroglyphs into stone, we can use symbols, as a bridge, an illustrative shorthand, in order to convey our message to the world. An image can say so much more than a word. ‘If you let go of your idea of what you are looking at in the symbol, it will reveal itself as information in the form of knowledge that cannot be read in books. It is a direct knowledge,’ said Gurudev Hamsah Nandatha, in his book, In the Presence of Truth. ‘It is because the symbol, it could be a painting or a spiritual symbol, has an impact on your mind. It’s a reminder.’

*Reason Three: Logos help readers to quickly “recognize you” on the book shelf. They give you visibility.

As an Indie writer, I’m seeking two things: to create good content and to build myself as a brand a reader can trust to deliver a good read. A symbol helps readers young and old remember the story and who delivered it.

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*How to Create Your Symbol

One: Find a relevant form.

When I went Indie to publish my first book, The Or’in of Tane Mahuta (http://amzn.com/B015K1KF0I), I wanted to start using my own logo. The Chronicles of Aden Weaver series is about shape shifters who morph from insect to human. I studied insects and looked at dragonfly wings. Then, I sketched and painted three possible options for a symbol to suit.

*Two: Enlist your readers in helping you choose.

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Others see things differently and can provide a valuable resource for feedback. I started a competition for the people on my mailing list. In the newsletter, I gave readers three options to choose from. I asked them to vote on the best. Each vote was counted as an entry, with the winner getting a free signed copy of the book.

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*Next Step: Stake your claim. Make the symbol your own, by stamping it on your books, your cards, your website, and your blog.

The winner by a majority was this one. I finally had a suitable symbol for my brand.

*Hot Tip: Make sure your logo goes on the spine of your book, where it will be seen.

You can see when I line my novel up with others, the way the publishing houses logos establish turf. At a glance, we know who they are. This is the same connectivity you want to happen in the reader’s brain with your brand when they see your masterpiece.

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I’m publishing my second book through CreateSpace. On the first proof for ‘The Sasori Empire,’ I discovered my logo was missing from the spine. Although I had originally submitted the symbol with the file, it’s possible I may have sent it to the wrong place. When you go through an online publishing service, you must read every instruction minutely, because if your work is not submitted to the company’s specific guidelines, it’s not “received” at all. Therefore, the error lies with you. And, every editing change you make will cost money.

I re-submitted the image via the correct channel and made sure my logo is featured in the correct spot on the cover. I’m saying to the world through my symbol, “I’m here.” This puts a smile on my face.

As an Indie, it’s vital to be happy with how your book is going to look sitting on the shelf, as well as how it reads inside. That way the whole package becomes authentic to you.

Are you smiling about the final look of your book? Ever thought of designing your own logo? 

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Talk to you later.

Keep Writing!

Yvette K. Carol

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There is something you find interesting, for a reason hard to explain. –Annie Dillard

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

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Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

April IWSG Day Question: Have you taken advantage of the annual A to Z Challenge in terms of marketing, networking, publicity for your book? What were the results?

Answer: No.

Truth is, I suck at marketing. I remember scoffing a few years back over a writer’s comment on LinkedIn, when he said he wouldn’t be doing any of his own marketing, he was ‘the talent.’ But, since then, I’ve barely done any marketing myself, so who am I to talk? It’s a big failing so I am outing myself, right here.

The reality for all of us as writers in today’s world is that more people are writing and publishing books than ever before in history, and fewer people are reading them. This from John Sargent, CEO of Macmillan: “There are fewer and fewer newspapers out there, and their audiences are shrinking. Discovery is an ever-growing problem. Big titles get bigger, and everything else gets harder and harder to find and sells fewer and fewer copies.”

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Every writer, actor, model, artist, dancer, and musician in the current environment has to sell themselves through social media. We understand how it works and we do our bit to tweet things and share for our friends. Yet, I still have a visceral reaction when someone I’ve been talking to on sm for a while turns around and asks me to buy their book. Just this week, a friend I’ve been talking to and liking posts with, etc, for a year sent me a private message on Facebook asking me to buy her book, and help her book get off the ground by participating in a thunderclap campaign. There’s a part of me that wants to help her as a good person should, and there’s a part of me that’s pissed off with her now. It’s like; she’s betrayed my trust, so I won’t view her connection with me the same way again. I can’t quite get over that feeling of betrayal, and I don’t want to do it to other people.

It’s not that I haven’t tried to tackle marketing.

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Five years ago, I read books on how to market myself as a new author. I started the blog. Tick. I set up my own website. Tick. I joined a bunch of social media sites and started chatting. Tick. I started compiling an email list and writing a regular newsletter. Tick. I made friends with everyone I met and traded details. Tick.

Yet, when my first book, ‘The Or’in of Tane Mahuta’ came out in 2015, not only did I not ask my friends to buy my book, I actually bought sixty copies and gave the books away. I posted packages to the really special friends I’d made on the net, all around the world. I thought I’m not going to make a penny out of this. And, I didn’t.

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*This is not something I would advocate for those writers starting out, who are hoping to make a living out of their work, by the way.

This trait means I can’t quite seem to get over the hump between me as the writer and the speed bump of selling my book to my friends. Lucky for me, profit is not as high on my list of priorities. I go by the adage, when you realize you have enough there’s always plenty. I run a tight ship and I have enough so I don’t need more. I like to measure my success by my personal growth and the good friendships I have made along the way. The online writers community is amazing. My friends are so sustaining and caring. Right now, that’s more important.

I love this life of being a writer, and creating books. I’m editing my second book, ‘The Sasori Empire,’ and the message that comes through towards the end is how important his friendships are becoming to the hero, Aden. Interesting how life and one’s fiction often parallels, isn’t it?

How about you, what marketing do you do?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“If you don’t make mistakes you won’t make anything.” ~ Anon

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When creating your own brand, my advice is to keep your brand consistent. For instance, my brand is Kristen Lamb. ~ We Are Not Alone.

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At some point, each new writer must make a decision about which name is going to appear on the front cover of their books and stories.

These days, once you commit to a name, this becomes synonymous with your brand. Every little digital step we take these days gets linked to and adds incrementally to our brand. This is why we need to choose wisely where our writer’s names are concerned.

We don’t want to have to do the spadework all over again to build a new brand if we have to change name somewhere along the way.

For many years, I couldn’t decide which moniker I was going to use as a writer. Luckily, I was on Facebook, and I stumbled across Kristen Lamb. She had written a book in 2010 on social media for writers, We Are Not Alone, ‘The Writer’s Guide to Social Media.’ This book is no longer available in the original format, as it needed updating. I believe the updated version Rise of the Machines—Human Authors in a Digital World  is available now.

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It was 2011. I was new to the net. I was simply a full time mother who wrote part time. I was everyone’s poor cousin. Unpublished, at the time, I had neither a blog, nor a newsletter, website, or any of the must-haves for the modern writer. I was just starting out into the jungle of the strange and mysterious world of social media, and the whole thing seemed rather intimidating and scary.

After purchasing a copy of We Are Not Alone, Lamb’s short yet impactful book, I read it in one gulp. I must admit, I went rather “Shelton” and adhered to Lamb’s principles to the letter.

With regards the subject of author names, pen names, and author brand, Lamb advocated thinking in a broad fashion across one’s social media platforms, and seeing for oneself the value in having one name, one brand, across all platforms. ‘Just because Twitter allows you to have multiple identities doesn’t mean it is a good idea, especially if you are unpublished.’

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This felt like a wise decision and the simplest, to choose a writer’s name that I would use across every social media platform.

I considered the idea of letting go of my surname and using Yvette Carol, my first and middle names. I remembered a conversation I had had about this subject with my grandmother about a decade before. At the time, I had asked Nan for her opinion on which pseudonym I should choose.

Nan said, “While I would love to see the family name on the spine of a book, up on the shelf, I think ‘Yvette Carol’ sounds more like an author.”

I felt the same way. It fitted the criteria in Lamb’s book, and most importantly, it felt like me.

I changed my name by deed poll and committed to it across all genres and all areas of my life. It really felt like taking control. Being bold. And making a statement on the internet, as in, ‘This is my name. This is my claim.’

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When it comes to choosing your writer’s name, what criteria can you use?

Make sure the words are punchy and memorable. Usually, you want to test how it sounds by saying it aloud a few times to find out how it flows.

As Lamb said, ‘In order to maximise sales, your goal is to become a brand. Brand=Big Sales.’ You want to think catchy. However, shorter isn’t necessarily better. Just ask Arnold Schwarzenegger! He stayed true to his name.’

Kristen Lamb put it perfectly, when she said, ‘The internet has valuable real estate that you will want to command. How you claim that digital real estate is by using your name.’

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Lamb’s second key bit of advice re choosing the name to go by for an author was to consider what product or genre or style they wanted their name to be associated with. Then, you market yourself that way from then on. Hence, the reason my blog and website are titled, Yvette Carol, Children’s Writer.

Thank you, Kristen for the great advice!

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In a nutshell, your writer’s name is designed to be pithy and memorable

It’s designed to reflect you and your brand.

It’s designed to be flexible, so you can ‘be consistent across all platforms’

It’s designed to be classic, to last forever.

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How did you find your writer’s name or do you use your given birth name?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Now here, you see, it takes all the running you can do, to keep in the same place. If you want to get somewhere else, you must run at least twice as fast as that. ~ Lewis Carroll

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

insecurewriterssupportgroup

When the upper-ups at IWSG headquarters decided to bring in the Question of the Month, earlier this year, I admit to not exactly clapping my hands with glee. I opted out at first.

You see, I like to write every post from the point of view of sharing either what’s been going on for me, or what I’ve been thinking, or doing creatively, or experiencing through my kids and my family. As ‘the Question’ was only a suggestion, not a given, I decided to make my own choice as to this blog’s content.

I wanted to remain true to my ideals. Yet, as the year went on, I noticed other #IWSG bloggers I visited always answered the Question. I began to feel like the only kid on the playground, while all the other kids are jostling for elbow-room in the sandpit.

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Long story, short, last month I answered the Question. It was fun. I imagined myself one of the big gun authors being asked a question about my writing career by a newspaper reporter.

December 7, the IWSG Question of the month – In terms of your writing career, where do you see yourself five years from now, and what’s your plan to get there?

Great question!

I see myself with the series, The Chronicles of Aden Weaver, finished and published. I see spin-offs from the series, evolving naturally. I can see the books being made into some sort of local production, either theatre or movie, or maybe artwork springing from it, or the series being made into some sort of video game.

I see myself blissful at work on the next book/s.

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Have you heard of making a “vision board?” I saw the idea on an Oprah show back in the day. You create a pictorial poster of what you hope to achieve. I preferred writing down my dreams. I call mine a “wish list.” Each year, on my birthday (which was the day before yesterday) I update my wish list for future dreams and goals. For more than ten years now, at the bottom of each list, I’ve written the same line. “Peter Jackson turns my books into movies.” That’s a big dream, however if we’re talking about what I really want to achieve in five years, then!

My plan to get there is to keep on writing. Write. Write and learn. Learn and write.

I shall also keep on networking, which is a necessity these days, to be active on social media and create an active digital footprint. I’ll carry on blogging, tweeting, putting content on my YouTube channel, and pinning on Pinterest. I’ll keep on building my email list for my *Newsletter and putting out quality content.

(*For Newsletter, e me at yvettecarol@hotmail.com put “Subscribe” in subject line, you will automatically be added to the family!)

I think it’s important now that I have overcome my fear of public speaking to keep up the public speaking to improve my self-confidence levels.

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Then, we come to the most important thing I intend to keep on doing. Those who have known me on the ether for a while will have heard this story before, however, I always find its worth repeating. Back when I was into multi-level marketing, our very wealthy, mega-successful, charismatic leader took me aside one time, to pass on a gem of her wisdom. I remember we were standing in the car-park, after an evening meeting.

She said, she was going to pass on the single most important thing I had to do.

‘I don’t mean just in business, I mean in life. Forget about the money, building a business is not about that. You must think one way and one way only. There is only one thing you need to do. And that is, Spread the Love. Everything you do, everything you say, every action every day, you Spread the Love. That’s all you need to do.’

I really took the message to heart. I went away from that night and I have applied that principle to everything I’ve done since. It works for me.

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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‘New Zealanders by nature of our isolation just go ahead and do things our own way. That’s the New Zealand spirit.’ ~ Peter Jackson

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

It’s Wednesday and time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

InsecureWritersSupportGroup

What am I feeling insecure about? Speaking in public. Yes, that’s right. I’m a Toastmaster who’s terrified of giving speeches.

A week ago, I was asked to speak to a group of people about my books. My first reaction? To think, ‘I can’t do that!’ Yesterday, I was asked to give a speech at a public venue this coming weekend, and my reaction was to feel, I can’t!

I know it’s just fear. And, I also know it comes from being an introverted writer. Talk about a double whammy! I know there must be other introverted writers out there, and most definitely there are many of the poor, frustrated people who live with them, who want to wrap their head around it a bit more. Here’s my take.

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To be a writer these days, you need to be able to speak in public. For that reason, I started going to Toastmasters nearly a year ago, and yet, I’m still terrified every time I take the stage.

The thing for the introvert is this. We can do everything within our power to overcome this fear of public speaking, yet, the natural inclination is to solitude. We still gain our energy from retreat.

Coming forward takes all my courage. It makes the stage fright seem doubly worse. There’s giving the talk itself and, then, there’s also the overwhelming prospect of a room full of strangers. It feels a little bit like swimming uphill.

‘Introverts are more concerned with the inner world of the mind. They often avoid social situations because being around people drains their energy. This is true even if they have good social skills. After being with people for any length of time, such as at a party, they need time alone to “recharge.” ~ By Carol Bainbridge, Gifted Children Expert

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At Toastmasters last week, my “adopted grandfather” Bruce brought along a friend, Bob, who also lives at the same retirement village.

Bob expressed interest in my book. He was one of those sweet old gentlemen you warm to right away: twinkly-eyed, white-haired, white-bearded, who are extremely enthusiastic about literature and authors in general. He said, “It always makes such a difference if you can say you’ve met the author.”

‘What sort of books do you write?’ he asked.

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I tried to explain the genre, (fantasy fiction) and that it was aimed at the 9-12-year-old reading level. But, even as the words of description were leaving my mouth, I regretted them, and wished I’d said something else.

Lesson learned: an introverted writer should have a blurb rehearsed beforehand, a standard phrase that can be repeated in the time it takes to ride an elevator, in other words, have an “elevator pitch” ready. In a public situation, we don’t adlib very well.

In a starry-eyed fashion, Bob suggested I could get Bruce to organize a luncheon at their village, for me to come and talk about my book!

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Despite shrinking inside, I said, “Yes, that’s a good idea.”

“Oh, you’d draw quite a crowd, we love hearing about that sort of thing down at the village,” Bob said, beaming all the while.

Crowds – my least favourite thing. I used to think that I had a phobia of crowds but it’s not that I am rattled by being among a large group of people; it’s that being there depletes my energy. This is how it is being an introvert.

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‘When introverts want to be alone, it is not a sign of depression. It means that they either need to regain their energy from being around people or they simply want the time to be with their own thoughts. Being with people, even people they like and are comfortable with can prevent them from their desire to be quietly introspective.’

I am fighting the good fight. I’m doing the work. I’m attending the weekly Toastmasters meetings and I’m somehow inexplicably surviving each speech I give. Yet, the thought of speaking in public this weekend is giving me palpitations!

Are you an introvert writer? How do you handle the stage fright? I need tips!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“The world today does not understand, in either man or woman, the need to be alone. What a commentary on our civilization, when being alone is considered suspect; when one has to apologize for it, make excuses, hide the fact that one practices it–like a secret vice!The artist knows he must be alone to create: the writer, to work out his thoughts; the musician, to compose; the saint, to pray.’ Anne Morrow Lindberg

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com