Archive for the ‘Story’ Category

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

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Question: Have you ever surprised yourself with your writing? (For example, by trying a new genre you didn’t think you’d be comfortable in?)

I have a frightening tale to tell…

For many years, I’ve thought about trying my hand at short fiction. Joe Bunting inspired me on his terrific blog, The Write Practice, when he was blogging about making the shift from novel writing to short stories. But, unlike the youthful abandon with which Joe leaped, I held back, feeling daunted by the concept. I felt afraid at the thought of having to minimise word count while at the same time freighting every word – much in the same way as poets do – as truth to tell, that just wasn’t me. I’ve always been the talker in the family. My books always make a good thick doorstop.

I felt challenged by the discipline needed for penning short stories and, I was too green at the time. I’m not a much better writer now, but I’m more willing to give things a go and fall flat on my face than I used to be when I was young. I’m more willing to get things wrong.

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Last year, I signed up for a writing workshop with Daniel Jose Older, on writing short fiction. Daniel Jose Older was as informative and inspiring as expected. I felt electrified.

When he set us loose to write a short story, I had no preconceived agenda, no thought in my mind as to subject. We were given as broad a set of parameters as you could imagine, in that we could write about any subject.

I write for children and persons who are young at heart. I have always done so, since the day I began writing my first children’s story at the age of seventeen. That was my automatic go-to. As I moved the pen across the page, I was writing for children. And yet, the story which came to me on the ether was different, bustling and rustling. It wrapped me up and rushed me headlong on its dark wind. I particularly love when it’s like that, when the muse is speaking loud and strong and the ride is the most beautiful exceptional rush of creativity.

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Imagine my surprise! I looked up later and found that instead of the usual adventure/quest type stories I like to write, I had written my first ever spooky tale! I’m still not sure how that happened, or where I veered off the path.

Birdy is  set in a modern Kiwi suburb. It’s a story about an old Maori woman, who the neighbourhood kids believe is a legendary water demon, and the creepy way that Birdy preys upon the weaknesses of her neighbour’s child. The story takes place over one hour in the victim’s life, with the clock ticking.

This story is dark, macabre, tense, unlike anything I’ve written before.

Horror is a genre I tend to shy away from in all its forms. I far prefer fantasy that is uplifting. Even so, I had surrendered to the process and this chilling tale was the result.

The horrible thing is, I’m not sure if the story is any good. I have no idea. In fact, I sincerely doubt it is. While I might be unsure if I will ever go that way again, you can be sure my hands are clammy. I’m looking at every granny sideways, and hearing twigs creak in the night, and shadows slide out of the corner of my eye!

How about you, have you ever surprised yourself with your writing?

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Talk to you later…

Keep Writing!

Yvette K. Carol

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‘I’d rather sing one wild song and burst my heart with it, than live a thousand years watching my digestion and being afraid of the wet.’ ~ Jack London

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

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It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

insecurewriterssupportgroup

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!! 

July’s Question: What is one valuable lesson you’ve learned since you started writing?

The most valuable so far came from the award-winning author, Alexandria laFaye, http://www.alafaye.com, during 2014, when we were both in the same critique group. I had submitted a chapter from ‘The Or’in of Tane Mahuta’ (my first book in the Chronicles of Aden Weaver series: http://amzn.com/B015K1KF0I ) to our online critique group, The Creative Collective.

I got various responses from the group noting grammar and word usage and so forth. However, there was one answer in particular, which revolutionized me.

Alexandria wrote back, ‘The writing is good; however there is far too much exposition.’

I was afraid to admit I didn’t know what exposition was.

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Luckily Alexandria also teaches writing and so, she went on to offer examples showing that exposition is another word for explanation. In other words, exposition is when the author is telling the reader everything.

Alexandria said, our task as the writer is to give the reader an experience, as if the readers themselves are experiencing and seeing what’s taking place.

This is how you get the reader immersed. Exposition holds the reader at arm’s length.

It was amazing. A whole new world I hadn’t thought about that until that moment opened up. That one piece of advice helped my writing evolve. I was grateful to Alexandria for her wisdom.

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I’ve worked on this ever since. These days, I find it helps me to think about it this way: instead of being behind a camera observing the action, I think of myself as behind my character’s eyes looking at and experiencing what happens. Then I can inhabit the scene. I have to use all the senses, act out scenes (holler, @TiffanyLawson-Inman!) and speak the dialogue out loud. I have to tease out some scenes and tighten others and think, what does this feel like, what would be going on in the background? I have to look around the whole room and put myself in my hero’s shoes.

This approach makes it a more 3-D experience in the writing process as well.

Then, earlier this year, adding to the concept of reader immersion, my writing pal, James Preller, offered another nugget of advice. He talked about the need for the reader to empathise with the protagonist.

James PrellerJames said, ‘Most importantly, I think you need to hone tight into Aden and his thoughts, feelings, perceptions. I think you could go deeper, bring us closer.’

I went back to my rewriting. I gave my hero, Aden, more time and attention in this second book and even I, as the author, felt I drew closer to him.

Good advice. Thanks, Jimmy, you’re a pal. If there’s one thing the generosity of the author’s community has taught me, it’s that it’s nice to share. So it has been a pleasure to pass these gems on for other writers.

Good ‘question of the month,’ IWSG!

One of my favourite quotes at the moment is “The wisdom acquired with the passage of time is a useless gift unless you share it!” by E. Williams. Try these techniques for yourself and why not share them with others.

How about you, what is the most valuable lesson you’ve learned in recent times?

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Talk to you later…

Keep Writing!

Yvette K. Carol

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If you have done well, it’s your duty to send the elevator back down. ~ Kevin Spacey

 

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

Wonder Woman has inspired many conversations recently about strength and stereotypes and gender roles, about societal conventions and morality and violence, about relationships and responsibility and identity. ~ Jami Gold

When I was starting out as a writer, the prevailing wisdom was to avoid writing a female lead. In fact I can remember being told, “Boys don’t want to read about girls.” So I’ve only ever written about male heroes with female sidekicks thrown in for good measure.

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When I published my first book in 2015, my niece read it and her beef with me was that I’d written the female sidekick as “less than the hero.” She pulled me up on the fact that the boys were made to seem as all powerful while the girl character came across as a bit feeble. She said, “What sort of message do you think you’re putting out there for young girls today?”

Until she said those words, I’d never thought about it like that. I was born in the 60’s and the mindset of those times, that women were subordinate to men, had somehow become a part of me and filtered into my work without my even being aware of it. I thought, wow, she’s right. I have a responsibility to the young female reader.

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And then, the new Wonder Woman movie came out. I went to see it and emerged from the cinema feeling revolutionized. For the first time, I’d seen a female lead portrayed on screen who was at once, heroine and human. She could hold her own as a warrior, which she must, and also, even more importantly, lead with her strength of character. As Jami Gold said, ‘… show elements of emotional strength, like compassion for someone in need, fighting for what’s right or being determined to survive, being resourceful and brave, and just being an all-around interesting and cool person.’

You need to see all of that humanity in a hero these days. The world was ready for this Wonder Woman. With all respect to the goddess, Lynda Carter, whom I worship and adore, Gal Gadot is sensational in the part, eclipsing even beautiful Lynda’s performance. Gal’s version has a depth of humanity and compassion the world needs at the moment.

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I loved it. I always say, a sign of a good movie is if you come out really thinking about the world in a new way afterwards. And I walked out thinking, I’ve been tooling away at my children’s stories for over thirty years and yet, I’ve never written a heroine protagonist? I’ve let myself be limited in literary scope by thinking about the market first. Never do that. The whole thing is a creativity killer. Besides, what’s wrong with writing for girls?

When I was growing up, I read Heidi, Pippy Longstockings, Little House on the Prairie, Anne of Green Gables, Nancy Drew, and Little Women. Pippy was a wild girl like I was inside so I could relate. Those books were important to me. I was inspired by those books, by those feisty, headstrong, smart girls. I thought about the young girls who might go to see Wonder Woman and how they would perhaps feel about themselves afterwards as young women in the world. I thought I want to be part of that.

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Writing female characters who kick ass doesn’t mean the male sidekicks need to be weaker, either. Another really nice, refreshing thing about the new WW movie was that the male love interest, Steve Trevor, played by Chris Pine, was also allowed to shine. As one of Gold’s responders commented, ‘I love that you mentioned how Steve Trevor is portrayed as a hero in his own right. I’ve long said that truly strong men are not threatened by truly strong women.’

I thought, yes, what a great way forward, to write potent female characters without belittling the men. How about writing stories in which the power is more evenly redistributed between the sexes? How about writing for boys and girls, showing the power balanced between the two…now there’s a thought… The future is bright!

Thanks, Wonder Woman, for inspiring me. You’re my heroine!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“It’s total wish-fulfillment. I, as a woman, want Wonder Woman to be hot as hell, fight badass, and look great at the same time – the same way men want Superman to have huge pecs and an impractically big body. That makes them feel like the hero they want to be. And my hero, in my head, has really long legs.” – Director, Patty Jenkins

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Or, Editing Woes Noone Warned you About ~

The word “edit” in the dictionary means “to prepare for publication.”

For the author in the last stages of editing their book, the sheer hours spent bum-in-chair can become numbing at both ends of the spectrum.

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You see, no one tells you the truth about the writer’s life, either at school or in the way it’s rendered via popular media. As a kind of public service announcement, I’m happy to give you a “heads up” about the possible woes that lie ahead, if you’re thinking of turning that story in the bottom drawer into a viable commodity.

Here’s what to expect:

Editing Woes #1: Temporary Blindness

Stephen King once said, “Write with the door closed, rewrite with the door open.” There’s a good reason for keeping that office door open. Besides getting other people’s eyes upon your fiction, you need ventilation. You can succumb to writer’s fatigue. After sitting in a room on your own, staring at those dark marching ants across the screen for hours, you stop seeing the words.

Cure: Get some oxygen, head outdoors, look at nature.

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Editing Woes #2: Temporary Book Hate

“The first draft of everything is shit,” so said Ernest Hemmingway. However, given enough exposure to your own work, every other draft of your own precious story will start to annoy you, too. This is a temporary phase.

Top tip: Try not to throw the entire file in the rubbish bin.

Cure: Keep going. Do not give up!

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Editing Woes #3: Temporary Loss of Will to Live

There comes a moment, when you’ve just finished your hundredth edit of your story, and you realize you’re going to have to go back to the beginning and start again, that the apple begins to slide off the cherry.

I had a deadline to reach this weekend, my book needed to be submitted to createspace by April 15th. The material had been worked over so many times, but it still wasn’t done. When I found myself at 6.30 in the evening yesterday, and it wasn’t finished and I still I had to keep editing, I felt weak with stress.

The last yards to publication when you’re an Indie are soul destroying. Every time you think you’ve carved off the last word and discovered the last ill-placed comma, you find yet another error.

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On the fifth “final edit” I just wanted to put down the laptop lid, walk away and pretend none of it ever happened. I felt I could not read those words again.

Top Tip: This is normal. You will want to give up. You will want to curl in the fetal position. Don’t worry; it happens to all of us. It’s like childbirth or passing a kidney stone, it doesn’t matter how bad it becomes, you will get through it.

Cure: Eat treats. I took “feijoa breaks.”

Editing Woes #4: Temporarily Losing Touch with Reality

Yes, this is a common problem they don’t warn you about in writing class. When those sixth and seventh “final edits” take place, usually late at night, and you’re keeping yourself going by drinking coffee and eating sweets, the hours start to blend. One friend said, “it’s like a black hole that sucks time into it.”

This is true. The further you dive into your nitty-gritty polishes, the more hours disappear. When I finally lifted my head last night, I looked around and it was dark outside. The whole day had vanished. I was blinking like a mole, saying, where is everyone?

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Cure: Go be with human people. Exercise. Eat. Drink. Sleep.

The reward is that this really is the last hurdle.

Top Tip: just as with childbirth, it’s all worth it in the end. When the proud author gets to see their story presented in book form for the first time, it makes all the pain of editing worthwhile. The secret is to keep going through the gnarly last part!

At midnight, I had the manuscript, the cover art, a professional headshot, the back cover blurb and three great peer reviews ready to go, and I submitted the whole package to Createspace. I felt immediate relief and joy. Now, I await the first “proof” which is exciting.

But here’s the thing, no work of art is ever truly finished.

As Oscar Wilde said, “Books are never finished, they are merely abandoned.”

I had to choose the point at which to let go. When do you let go? When do you say enough’s enough?

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Talk to you later.

Keep Writing!

Yvette K. Carol

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“This morning I took out a comma, and this afternoon I put it back again.” ~ Oscar Wilde

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

I saw a picture on Facebook the other day of Neil Gaiman. After a Nick Cave concert, the author was sitting in his chair scribbling in a notebook. And, the image really captured my imagination.

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The accompanying article was about creating healthy limits in order to get the writing done, Embrace Your Boundaries

http://writerunboxed.com/2017/02/24/embrace-your-boundaries/

Author Dan Blank, says, ‘I want to share what I have experienced recently in allowing boundaries to be a part of my own creative work. How boundaries have helped the work, instead of hindering it.’

That’s exactly where my thoughts have been. As a writer, I simply wasn’t producing enough copy. In these times of distraction, we have to carve out our own cave.

Towards the end of January, after blogging non-stop for a few years, I took a writer’s hiatus. It really worked for me. I took a break from my blog, Newsletter, and every form of social media (except for a tiny bit of stalking Facebook). I was immediately productive, at least doubling, if not tripling my former output. On the very first weekend I stopped social media, I completely finished an exhaustive edit. I then finished transcribing the edits of my editor and critique partner, Maria Cisneros-Toth.

In fact, it was so successful, I’ve decided to experiment from now on with blogging and putting out the Newsletter less often. I’ll try blogging fortnightly and putting out the Newsletter monthly. We’ll see how that goes.

Maria said at this stage with her books, she always reads them in different media, on her phone, her ipad and so on. Then, she prints out a copy and reads it on paper.

She said, “You’ll pick up lots of errors you hadn’t seen that way.” The funny thing is, in my thirty five years of writing, I’ve never allowed myself luxuries like spending $20 on a copy of a book just to edit it one time. So, this was a complete novelty to me.

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Do you know what? Printing it out was a time saver. It brought many inconsistencies to the surface. That one edit on paper probably saved me three edits on the computer.

It seems everything becomes clear when you read a story on paper. It’s as if the brain processes the material in a different way. I easily noticed repeated words, favoured ways of saying things and errors in sequence of logic.

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Reading aloud is another effective tool in the editing kit.

With my first book, ‘The Or’in of Tane Mahuta,’ (http://amzn.com/B015K1KF0I) I recorded myself reading to camera. I knew that listening to the prose was a step not to be missed.

For this story, I used a hand-held Sony IC recorder. I read the entire book over three days.

What an incredible tool for editing! It really shows you what’s working and what’s not.

For instance, with dialogue tags, the general rule-of-thumb is you can use ‘said, asked, whispered,’ and, sometimes, ‘added.’ In a number of places in my second book, ‘The Sasori Empire,’ my young hero, Aden ‘added’ something to a conversation. It looked fine on paper, but what a tongue-twister to read! So, if you haven’t read your story aloud yet, you must do so.

When you think about it, this is the litmus test of a story, if you can’t read a story to someone, you’ve failed out of the starting gate.

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At this point, I’d edited the book eight times, Maria, once. Yet, after going through the wringer of printing out and reading aloud, the pages of my paper manuscript were covered in red pen. I was floored by how many changes needed to be made.

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Next job was to sit at the computer and transcribe the changes into Word.

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I had the stack of 227 pages of my corrections as well as a rather wonderful list, ‘things to watch for’ about general issues raised. It helped me ensure I had introduced certain characters properly and had events happening in the right order.

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It requires attention to detail and many hours of dedication to create a book!

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Meanwhile, I’d sounded out my sister, Jag, about being my first beta reader. She agreed, and bless her, two days later the manuscript was returned. This weekend, my job is to transcribe Jag’s edits into the book.

After that, I get to send it to the second beta reader. And so, the process goes on.

I’m more productive by creating social media limits. How about you? Any experiences or advice to share?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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‘Don’t worry about genius and don’t worry about not being clever. Trust rather to hard work, perseverance, and determination.’ ~ Sir Frederick Treves, 1903

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

insecurewriterssupportgroup

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!

The January 4 Question: What writing rule do you wish you’d never heard?

I have a love/hate relationship with the writing rules.

I was jagged up by the rule “show don’t tell” for years. I see this as a great cautionary tale for up-and-coming writers. Don’t let the rules limit you. As they say, learn the rules then forget them or else the writing can become stilted.

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The great writer, Ursula Le Guin said, ‘Thanks to “show don’t tell,” I find writers in my workshops who think exposition is wicked. They’re afraid to describe the world they’ve invented.’

When I was coming up as a writer, I took on board every rule I heard until my writing had turned into literary cardboard.

Other control freaks will understand. We take the rules to heart. I followed the rules to the extent that all creative spark in me became squashed. I didn’t have any fresh material for stories. I felt blocked. I wasn’t enjoying the creative process anymore.

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One critique partner at the time said my sentences had no flow and were the rhythmic equivalent of ‘riding over cobblestones on a horse.’

I had a very kind old Indian writer patiently explain that ‘a story is like a room in need of decoration.’ He said, “While your stories are good there isn’t enough furniture.’

Part of my coming up and finding my feet as a writer came from letting go of the rules or at least holding them at a decent arm’s length. I had to give myself permission to experiment again, in order to free up again and feel the inspired feelings take over.

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My writing hero, Kate de Goldi, has said the reason she writes is to chase her lost childhood Eden.

Exactly.

Childhood is eternally enshrined in my mind as the time in my life when I was the most wild and free. It is to that state I seek to return through my writing, and to help the reader see, feel and experience. It is that place I sought to go in the books I read as a child. It is to those ‘special shaded places’ I return to in the books I read as an adult.

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Can I find the secret shaded places through the window of the rules? No. Though it’s helpful to know what’s what when it comes to editing! I think this is what Stephen King meant when he said, “Write with the door closed, rewrite with the door open.” For me, my initial writing process, or what Joy Cowley calls ‘the genesis project,’ happens best when I shut out what the world has to say, via rules or otherwise, and surrender to wherever the muse wants to go.

If I have writing resolutions for 2017, it is to get my second book finished! And, to let myself be even more free with my writing this year, to be more wild. I want to feel I can explore, unfettered, the unique way of writing fiction which works best for me. And, I love that this particular process is an ever-unfolding road. It will never be finished. I’ll never reach the end of learning how to write.

The goal is ever to find my stories in my way, on my own terms.

What is your New Year’s Writing Resolution?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Why, sometimes I’ve believed as many as six impossible things before breakfast. ~ Lewis Carroll, Through the Looking Glass

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

 

insecurewriterssupportgroup

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

November’s Question: What is your favorite aspect of being a writer?

Everything!

But mainly, this thing of nourishing oneself and others through the medium of the written art.

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Recently, our famous movie director, kiwi icon Peter Jackson, announced his next project which will be based on the Philip Reeve debut, Mortal Engines.

This week, I got hold of a copy of Reeve’s book.

First published in 2001, it received rave reviews. The Daily Telegraph said, ‘Philip Reeve’s debut novel, Mortal Engines, seems to have leapt fully formed from a startling imagination…a gripping yarn.’

Let me tell you, Engines lives up to the hype. The pace gallops along. You don’t have time to stop and think. You don’t have time to question. You don’t know what the heck is going on or what’s going to happen next, you’re in for the ride. From the first page, there was never any question of putting the book down without finishing it. This is the sort of book you read by flashlight after you’re supposed to be asleep, because you need to know what happens next. It’s almost a visceral experience, it’s that good. An instant lesson in effortless style and storytelling heft, it’s a wonder to behold.

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A young writer is an explorer. She knows she wants to get somewhere, but she doesn’t even know if the somewhere even exists yet. It is there to be created. In the process of creating it we find out how varied and complex we are.’ ~ Colum McCann

Being a writer means constantly learning, or as Ernest Hemmingway put it so eloquently, ‘For a true writer each book should be a new beginning where he tries again for something that is beyond attainment.’

Mortal Engines takes your mind out to a new universe where you find yourself looking back upon humanity and our modern world with a different view.

The delight of reading a story is an individual experience. Unlike seeing a movie, or something on TV, where the imagery is offered to you, and you adopt someone else’s vision, the singular action between the written word and the brain when you read a book, stirs up the imagination, and you conjure your own unique and beautiful or terrible worlds.

A book can change your world view.

Reading fiction serves to break you out of your box of living, and remind you of the greater truth and vision. What a wonderful, freeing, fabulous thing, to be freed of the oppression of our minds for a while.

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Why do I love to write? There is intense joy in heeding the call of the muse and following the dappled trails of my daydreaming.

To recapture the ‘lost Eden of childhood,’  is the way my writing teacher and hero, Kate de Goldi  described it in her oft-repeated speech, given at the Spinning Gold, children’s writers and illustrators conference, of 2009.

‘I believe the compulsion to write comes from a deeper place,’ said Kate, ‘I don’t write about or for children, but I write for the once and always child in myself. When I’m writing for children, I’m chasing down a lost Eden, that hopeful springtime, to approximate the pleasure I had in those shaded, imaginative places. The lost Eden of my childhood.’

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With effective fiction, a happy cycle gets instigated between writer and reader. I believe the restorative power of the writer’s bliss goes around and translates to the reader and everyone benefits.

I am captivated by the delightfully dark Mortal Engines so far, and have decided to start reading it to the boys. The story is so powerful maybe it has the juju to jumpstart my youngest son’s reluctance to read for pleasure.

What greater fortune could there be than this, to be employed in seeking my own lost Eden on a daily basis? Then, through the alchemy of capturing it in words, I can share stories and hopefully inspire others with their own giddy escapes from this insane and toxic world. It really is a blessing in so many ways.

Therefore, in summary, my favourite aspect of being a writer is everything!

How about you, what is your favourite part of what you do?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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‘When you’re a writer, you’re never quite like other people — you’re doing a job that other people don’t know you’re doing and you can’t talk about it, really, and you’re just always finding your way in the secret world and then you’re doing something else in the “normal” world.’ ~ Alice Munro

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You just have to accept that it takes a phenomenal amount of perseverance. —J. K. Rowling

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*Feel Resistance

Back in 2015, I projected I’d have the second book in my Chronicles of Aden Weaver series, out by Christmas, 2016.

By mid-September of this year, I began to worry. ‘The Sasori Empire’ would not be ready for Christmas. I knew I hadn’t sweated over the story enough, yet. It hadn’t caused me to lose a few pounds in sheer, gruelling, nose-to-the-grindstone, all-hours-of-the-day-and-night hardship, yet.

The story still had a long way to go.

‘The Sasori Empire’ needed to continue to battle through the torture chamber of editing at my kitchen table, and to undergo at least one or two more journeys through “the grinder” of critique.

At first, I felt intense resistance to the thought of admitting defeat, if I delayed publication. Essentially, it meant I’d have to admit I was wrong. The ego resists being diminished like the dickens.

*Step Back, Breathe

Looking back, I realize, my head must have gotten a bit swelled over self-publishing my first book, ‘The Or’in of Tane Mahuta.’ After thirty years of writing fiction and ten years creating this series, it’s not so surprising. In my enthusiasm at becoming a published writer, I imagined my pace of production would somehow magically increase. I’d be pumping out the novels at the rate of one a year, like the greats. But, no.

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http://amzn.com/B015K1KF0I

 I had to eat a dose of humble pie and admit that the sequel would not be out in time for Christmas. Using the initial artwork supplied by my nephew, Si, I made up a poster to announce the delayed date for publication, on social media.

*The Theory of Randomness

Recently, a friend drew my attention to quotes from The Drunkard’s Walk, a book by Leonard Mlodinow. The wonderful quotes reminded me to look at the bigger picture.

‘There exists a vast gulf of randomness and uncertainty between the creation of a great novel and the presence of huge stacks of that novel at the front of thousands of retail outlets (paraphrased). A lot of what happens to us – success in our careers, in our investments, and in our life decisions both major and minor – is as much the result of random factors as the result of skill, preparedness, and hard work.’

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https://www.goodreads.com/work/quotes/2278900

This theory reminded me that there is no need to rush anywhere with my writing and my stories. Hard work alone, will not influence the outcome. I should savour the scenery along the way. It helped me to take the foot off the accelerator.

*Release

Once I decided to let go of this year’s publication date, I felt better. It was like a weight lifted off my shoulders. I knew that in terms of well-being, it was the best thing I could have done. I was ‘back on track’ with my own timing again. Whew.

I settled back into more reasonable writing hours. I began to sleep better. I was “nice mama” again, and able to be pleasant to other shoppers at the supermarket.

It was as simple as giving myself permission to quit pursuing an unrealistic goal. Despite my initial resistance, I embraced a new goal. I can do the work that needs to be done, on my own terms, in my own timing, while enjoying life along the way. Imagine that!

cover artist, Simon Kingi

(Me, with cover artist, SK)

*The “Mission Statement”

One of my writing mentors, Jill Mitchell, is a big fan of “mission statements” for staying on track with our goals.

This is mine:

I always strive to create story in some form. I flow with life as much as possible – therefore, I can change, my goals can change. However, I’m essentially always moving forward with my evolution, learning my craft, becoming a better writer, delivering a better story experience, and as long as I stay true to the creative muse flowing through my fingertips, I’m on track. I am successful.

*Persist!

My goal of putting out the second book in the series will happen, when the time is right. The goal is still there, it’s just farther in the distance. That’s okay.

Leonard Mlodinow posits that random factors act in our lives. ‘That’s why successful people are almost universally members of a certain set – the set of people who don’t give up.’

This adds weight to the wisdom in the idea of persistence.

I persist. What a great mantra – I’m adding that to the list.

When your goal’s a moving target, the best thing you can do is stay the course! 

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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To write simply is as difficult as to be good. – W. Somerset Maugham

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“Where There Is No Vision, the People Perish” ~ the Bible, Book of Proverbs

Last night, I went along to a speech contest, one of four which take place each year within Toastmasters. The Humorous and Table Topics Contest this year had within it a most thought-provoking question. The chair asked each contestant, “Is art essential to daily life?”

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Wow, what a great question. I thought about it all the way home.

When you think the earliest examples of the cave art of our ancestors began to appear around 30,000 years ago, it makes you realize how deep this question really is. From that artistic moment in man’s history, we sought to express strong feelings through imagery. This proved a great intellectual breakthrough for our species.

In effect, man could ‘freeze’ part of his environment long enough for his powerful intelligence to think about it, to manipulate it, to understand it fully. ~ Readers Digest, The First Two Million Years.

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Art can show us who we are and who we want to be, and it can give us the metaphors and thematic connections that let us understand our world in a bigger, weirder, more resonant way. ~ Chuck Wendig

When you think that our primitive art led to teaching aids, toys and tools, you realize that art has played a quintessential part of our evolution. Therefore, the answer to the question could be, art is not only essential to life but life as we know it today would not have been possible without it.

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This morning, there was a new post out by Wendig, entitled, It Is Art That Will Help Us Survive http://terribleminds.com/ramble/2016/09/21/it-is-art-that-will-help-us-survive/

Wendig gave verdant life to some deep concerns people have these days about the future of everything. Yet, he leavens the doom and despair of “reality” with the message, ‘Spoiler warning: it’s art that will save us.’ In other words, he’s doing through his blog what art does for the observer.

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He likens the positive effect to being healthy for us: ‘The act of art as a probiotic boost to our emotional and spiritual immune systems. Art as rebellion, revelation, renewal.’ I like the idea of that, art as antioxidant! Thanks, Chuck. You, the man.

I’ve been an artist all my life, whether through art or the written word. About a year ago, a talented, creative friend asked, Does being able to draw have a purpose these days…it doesn’t seem to have any artistic or financial merit.

I replied: “My oil paintings will outlive me. I kind of like that. However, leaving legacies aside, a world without art and artists of all kinds I would not want to live in. Our purpose may not be expressed in the same clearly linear format of hours done/recompense given/living earned sort of thing as other people get to do. The arts are about much more than that. They’re about spiritual, emotional, mental, physical expression and transmutation and magical processes.

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‘The arts provide the rest of mankind with those most important of elusive experiences: hope, and inspiration, and aspiration and joy. They’re about the alchemy of being reminded to look up and remember the bigger picture.’

And as Wendig reminded us, ‘We learn who other people are through art — it’s not just our stories we need reflected, but everyone’s. Art maybe won’t create empathy out of whole cloth, but it can stir it, it can stoke it, like breath blown against cooling embers.’

Empathy is a vital asset in these explosive, uncertain times. Therefore art provides a vehicle for understanding one another.

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This is why in times gone by, the Ancient Maori, for instance, would greet a group from another tribe by stating who they were, who their kin were, and then by sitting and sharing stories (the “mihi”). In this way, they would create common ground with those they needed to ally with and trade with or whatever. Art greases the wheels of reciprocity and peace.

Therefore, you could say, art is essential to future life.

It was the wonderful writer, Terry Pratchett, who said, Before you can change the world, you have to be able to form a picture of the world being other than it appears. I think this is the essence of the argument right here. Yes, as Wendig says, art provides an escape, and this opens us to envision, to build new worlds, better, greater, more sustainable worlds.

Imagination, said Pratchett, not intelligence, made us human. It’s art, said Wendig, that will save us. It’s art, said Carol, that will preserve our species and our world.

Yes. Art is essential to life!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Humans, in order to live effectively and happily, need a goal—a vision—to pursue. ~ Paul Rosenberg

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15 September, 2002

The worst night yet for aches, pains, difficulty turning over and lack of sleep. I woke at 4.22 a.m. with the conviction the Braxton Hicks (false labour pains) had changed nature and were stronger. Fortunately, I remembered to breathe.

Some people dismiss keeping journals, however when you’re looking back at one of the major events of your life, after a period of fourteen years has elapsed, and you think, I’ll look that one up, you realize the wisdom in keeping a record of every day.

You have notes on the milestones in your life. This forms a precious record of your thoughts and words at that moment in time. Not sanitised by the mind, not romanticised by distance, but the fresh, raw “moment” captured.

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At this particular point in my life, 14 years ago, I was newly married to my second husband, expecting my second child. My first born child had been delivered when I was a teenager, under crisis circumstances. I’d always had the dream of getting to experience a planned pregnancy, in a family situation.

15 September, 2002

It was great to have my husband here, because I felt like a ‘space cadet.’ My head was spacey, my belly felt firm like a melon, my whole body seemed to be vibrating, the cells skittering. Throughout the day, the contractions fluctuated in time and intensity, sometimes bearable, sometimes unbearable. I didn’t feel afraid. Rather, I felt joy; at the “second chance” I’d been given.

Whew. This excerpt takes me back so clearly to this day.

After a long, difficult and traumatic birth, I remember, I climbed from the birthing pool into bed, at last. My husband and I waited for the baby to be cleaned up and examined.

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I wrote in my journal, Instead of our emotions rushing into euphoria, we both felt there was something wrong with the look of his face. Our midwife said she had to tell us, she thought our baby might have Down Syndrome and our emotions rushed into shock and fear instead. We held him and looked at him. He was born at 1.26 a.m.

My own words bring it all back so clearly.

I sit here shedding a few fresh tears at the memory of how devastated we were at the time.

The day followed in a blur of visitors, texting, breastfeeding, and talking, and at the end of the day everyone left.

16 September, 2002

After dinner, I wrapped Sam in blankets and lay him on the bed in front of me, so I could sit with my legs stretched out on either side of him.

Watching my baby and stroking him, I began to truly connect for the first time and feel my heart start to break free of its bonds to stretch towards him.

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At 9 pounds 11 ounces, and long-bodied with it, he was a lovely plump size. And his nature was beautiful, compared to the other babies I could hear wailing and crying, Sam never cried at all, he radiated a gentle sweetness.

From that moment on, Sam and I began our mother-son bond, a connection that has steadily built with every day.

It has been a long and interesting road these last fourteen years with my middle child, my special boy.

We went from the grief and devastation of the early days, to the dawning realisation we’d been graced with a little Buddha in our midst.

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This masterful character who has a heart as pure as driven snow, a spirit as unbreakable as steel, and a wisdom that is as earthy and real and grounded as you’re ever going to meet, has changed us and our lives for the better, forever. None of us in Samuel’s immediate family or even range of influence altogether will ever be the same again.

Little did we know, in our “green” state back in 2002, the miracle that had taken place on that day.

On the 16th September, at 1.26 a.m an angel was born to us. And, we had been forever blessed.

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16 September, 2016

I woke this morning and my first thought was of my middle child, my wonderful son, Samuel, who turns fourteen today.

Happy Birthday, my darling son

You are perfect in every way

You teach me every day how to slow down, how to listen and be happy

Thank you

I love you!

Mama xxx

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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The hero’s redemption (and ultimate victory) hinges on their transcending their self-concern. And it rarely happens unless the writer brings the hero to the point of despair. ~ PJ Reece

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