Archive for the ‘Story’ Category

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. I usually start my posts apologizing for being a day late. This month, I apologize for being a week late. Sorry! I’m putting it down to the holidaze.

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: What are your favorite and least favorite questions people ask you about your writing?

Oh, this is a good one. Believe it or not, I’m most often asked about my income. I don’t know why, but people seem to think its okay to ask writers about their pay rates when it’s not a question normally asked of other professions. I guess people are fascinated by the idea of writing books. I’ve heard many authors say, that in making school visits, the question they get asked the most often is, ‘How much money do you make?’

I think of Jack Nicholson’s famous movie rant, “You can’t handle the truth!”

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People imagine they will be the next J.K. Rowling or Stephanie Meyers. People see the blinding success stories of people who write a book and sell millions and become famous. Whereas the truth is those elite writers who make the most money are in the top 5%. The rest of us need to keep our day jobs.

Whenever I talk about authors and making money on social media, I drag out a beloved quote by one of my fellow authors on the children’s collaboration, Kissed By An Angel. Ellen Warach Leventhal said her favourite response from a fourth grader was, “You work hard, you don’t know if you’ll ever get paid for it, and you aren’t rich? Man, not sure I want to do that.”

That’s right. The reality is not very romantic.

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In essence, that’s why millions of people try their hand at penning their first novel every year and why only a small percentage of them will ever attempt a second. They quickly realize the truth all long time writers know; there is no money in it. Think of an author as like being a musician or an artist, or an actor. You do the work for the love of it, because you can’t NOT do it, despite the fact the recompense is uncertain. You supplement your income with other things. You find ingenious ways to save your pennies, you grow your own fruit and vegetables, you shop at thrift stores, you recycle things, and you make life work.

You don’t do this job for the money.

When people ask what my yearly income looks like, I go pink. I can’t answer the question in any way that comes off making me look good. I can’t say, ‘I don’t make very much money from my books, and yet, I keep publishing them,’ or I’d look like a prize idiot. It’s hard to reply to this question in social settings. It’s a lose-lose situation, folks, so please don’t ask authors this question.

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My discomfort with this stinker is swiftly followed in second place by those who ask, ‘How many books have you sold?’

Now, come on people, do I ask you how much product you moved today? Do I ask you, how many lives you’ve changed? Or anything remotely in that vicinity. This question always makes me feel like being grilled on a hot plate. Just back away, now.

However, if we’re talking about my favourite questions to be asked, they would definitely be, ‘What inspired you to write your book?’ with ‘What’s your book about?’ Because then I’m being asked about my inner process and the creative life, which is my passion and my bliss. I can soar away into these higher thoughts and let my imaginative life come to the fore.

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Chasing the muse is always exhilarating to think about. I feel this sort of information is far more valuable to share, and is of greater service, because those who are truly called to write will take positive juice from it and use that to fuel their own writing endeavours. Then, one feels one is being of service. I would far rather speak to that than the money, because the only answer I have is, ‘I write for the love of it and make income in other ways.’ Hardly motivating.

What about you? What are your favourite and least favourite questions?

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Keep Writing!

Yvette K. Carol

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There is no other feeling like that.
you will be alone with the gods
and the nights will flame with
fire. Charles Bukowski

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

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It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: What are five objects we’d find in your writing space?

Optional IWSG Day Answer: A laptop, a pad of paper and a pen, a Penguin Pocket Thesaurus, and a small lamp.

A laptop

I used to say, back in the day, that I’d never write a story on a keyboard. I was a purist about the old fashioned way of writing on paper, as it had a feeling to it, and there was less interruption between my brain and the page. But, then, I finished writing a 300,000 word story longhand, and there were a heck of a lot of words to be transcribed into digital form.

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In fact, the job exhausted me, my sister, my friend’s daughter and my sister-in-law as well, before we finally got the behemoth manuscript typed out. And, after that experience, I swore I’d never write the old-fashioned way again. Far better, to just get over myself and put thoughts straight into digital form – to get over all the clanking technology between me and the words and simply concentrate on putting them on the page.

A pen and a pad of paper

That doesn’t mean, however, that I’ve given up on my beloved pen  and paper. It’s just they’ve taken second place in the hierarchy of things. I still work out all my plot steps and character niggles on a pad of paper with a pen, as well as my shopping lists and to-do lists. I don’t like gadgets too much. I distrust them somehow. I don’t do apps or smartphones, and I just don’t want to spend my life staring at my phone. I keep things simple as possible. And that’s where I function best.

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When I’m writing, I hop up every now and then to consult my pen and paper, as to what I intend to get done that day. As I go through the edits submitted by my critique buddies, I’ll jot down any comments made about overall story issues on another pad. These sorts of notes I keep close by the computer, and I’ll refer to them as I’m editing.

A Penguin Pocket Thesaurus

Again, I prefer the paper over the digital versions. Over the years, I’ve bought myself many different kinds of Thesaurus, as other writers will attest. These days, you can buy versions for writing every genre and even for all the emotions as well. I’ve bought myself some whopping Thesaurus/Dictionary tomes too, thinking ‘the more words the better.’ Yet, it never seemed to matter how much money I spent or how big and glossy the books were, I’d always end up reaching for the Penguin. I guess it comes down to being creatures of habit, and this works best for me.

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My Penguin Pocket Thesaurus is getting pretty yellowed and we’ll ‘thumbed’ now. And no matter how often I think ‘it’s probably not worth looking for a better verb,’ every time I look it up in the Thesaurus, I’ll always find a better choice. It helps keep my language lively and interesting, less repetitive.

A small lamp

I thought I was smart getting the latest LED lights put in throughout our old ’60’s style house. Very attractive and modern, I thought. Then, a few months ago, I read a scientific article put up on social media, by a very well respected friend of mine, that LED lighting is actually bad for your health in a number of ways.

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It instantly reminded me of my grandmother, who said, ‘they’re always saying something new gives you cancer. I say all things in moderation.’ Well, that’s as maybe, but I still don’t want to sit under an LED light the entire weekend that I’m working on my book. So, I bought a $10 lamp at the local shop which takes an incandescent light bulb, and I use that at the weekends instead.

Those are five things that are in my writing space.

What about you? What are your five objects?

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Keep Writing!

Yvette K. Carol

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We need to embody our inner awareness. To walk them out into the world. Express them through our choices and through our actions. – Terri Morehu

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: How has your creativity in life evolved since you began writing?

I was seventeen when I began writing. Fresh out of school, I was a teenage mum with a newborn baby to care for. My boyfriend and I had moved out of home, away from our families into the city. In the early eighties, the days before personal cell phones and computers, this meant being totally isolated. It’s hard to imagine, now, isn’t it. But, we were on our own in the big, bad world. I studied for my bursary year by correspondence, while washing forty nappies every day by hand in the bathtub. As my boyfriend was in his first year as an apprentice photolithographer, he only made $96 a week and that was all we had. I bought bulk packs of macaroni and different powdered flavouring and made macaroni cheese with a different flavour added each night. We had one car, and we lived in a dingy apartment building. Our flat was infested with cockroaches, and at the front and back of the building it was nothing but tarmac, there was no view, no garden or green area of our own.

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That scenario was the perfect breeding ground for the artist to come forth. I had to escape somehow. The cheapest, simplest way to escape my life circumstances was to pick up a pen and write.

When my son was sleeping, I wrote children’s stories and let my imagination go wild. I didn’t ‘know how to write’ and the stories were pretty bad, looking back. I remember a well-known writer saying once, ‘Every writer has those first manuscripts lying in a bottom drawer that should never see the light of day.’ The writing was crap, and yet, I was trapped in a poor, isolated and uninspiring life, and writing stories gave me the hope I needed. It was like self therapy. Every day, I expressed myself creatively through the written word and by doing so experienced that new, more inspiring reality. This became my outlet, my sunlit garden, and the saving of me.

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Every day, whenever I got the chance, I’d pick up the story and write a little more. I’d climb through the green window into the meadow beyond, and there I’d be free.

As my son grew up, our life circumstances began to improve and have their own flowering.

My writing changed too. With each writing workshop, course, conference and lecture I attended, my understanding of the craft developed. My work gained more structure, more form and substance.

My first born son became an adult, and suddenly, I became more independent, I had more freedom. By the nineties, I had a job. I had money, and I was still writing in my spare time. There was the beautiful fruit of my stories developing into purer forms.

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Every day, whenever I got the chance, I’d pick up the story and write a little more. I was still drawing and painting my characters in tandem with writing the prose.

I remarried and had two more sons. We had a home with a lovely garden. As my life circumstances and finances settled, I didn’t have a desperate desire to escape my world anymore. In order to continue to work at a steady pace on my stories, I had to learn discipline. Just as I had to attend to the grown-up business of marriage, house maintenance and child-rearing, I also had to learn B.I.C. Butt In Chair is hard to do as it takes immense concentration. I accepted the challenge.

Every day, I’d sit and write a little more. I decided to stop drawing my own illustrations, and I focussed on the words.

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I gravitated to writing middle grade fiction twelve years ago, and it felt like I’d found my niche.

Writing has become an integral part of my life. I have come to love every step of the novel writing process. I don’t have an agent or a publisher. I’m my own boss and in the last three years, I’ve self published two books and had two short works included in two others.

My creativity in life has definitely evolved since I started writing? How about you, has yours?

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Keep Writing!

Yvette K. Carol

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“Tell me, what is it you plan to do / with your one wild and precious life?” Mary Oliver

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

Beware the dreaded terror that is the read-aloud edit! Everything they say about it being a back-breaking labour is true. These days, you often hear the advice to read your own work aloud. This is primarily because, no matter how obvious it seems, the fact remains that stories were made to be told, to be heard by the reader’s inner ear, and to be shared with others. If a piece of prose can’t pass the read-aloud test, it’s dead in the water. And yet, reading aloud your own story, especially if it’s a full length novel, will crush your soul beneath its heel.

I’m currently three quarters of the way through a read-aloud edit of my next middle grade novel, and I cannot tell you how many times I’ve wanted to give up. Labours of Hercules, on steroids.

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You see, three weeks ago, after having edited my work-in-progress, The Last Tree, a gazillion times, I decided it was time to do the dreaded read aloud edit. By the end of the first hour of recording myself, I was drained of all energy and, by the end of the first day, the will to live.

Each weekend, that I’ve gotten to work on it again, I’ve been surprised afresh by how it makes me want to claw my own hair out by the roots. It’s tedious, arduous and gruelling. No part of reading aloud 67,634 words comes easy. In fact, I have discovered a whole new appreciation for voice artists and especially those who do the audio novels. It takes power and endurance and patience. You read page after page until you think you’re going to go mad. And, then you find you’ve only read one chapter and there are still fifty more ahead.

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The reason you keep going through this undeniable hard slog, is that there’s such a big payoff. You get this incredible transformation that starts to come over the work that no other editing technique can touch.

The reason you keep going despite the mental and physical anguish is that when you read aloud, you hear your story anew. When you listen to the recording to edit the story, you hear the prose in a new way again. This effectively brings to light every flaw. It is quite special and unique in its singular transparency.

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The reason you keep going is because you discover where the story doesn’t flow as well as it should, and you swiftly knock a lot of the bumps out.

The eleven rewards I’ve identified so far in reading aloud your own work:

  1. You notice extraneous words, when sentences are too long
  2. You hear the repetitions, the favoured ways of saying things, favoured words or ‘tics’
  3. You hear where the dialogue is popping and where it falls flat
  4. You hear where you need to name who is doing what to prevent the reader getting lost37536386_10155480627157212_1260027620918034432_n
  5. It shows up flaws in rhythm, words that when spoken in sequence trip up the tongue
  6. You become aware of leaps in states of consciousness, where you as the writer have made assumptions things are clear, yet you have failed to fill in the gaps. You see the spots where there are not enough words to paint the scene
  7. It brings out patterns in actions (like ‘nodded’ and ‘shook their head’ or ‘rolled their eyes’)
  8. You see where some parts of the story have heft, they’re meatier, while other parts are weaker and the material too thin
  9. You discover where you’ve put the cart before the horse and you have things out of sequence, so you have stated the decision first and the options and problem solving second40661154_1781118765330897_3490029191380860928_n
  10. You’ll hear where too many words have been used in a sentence. You’ll discover sentences so long and convoluted you can’t breathe, and they’ll make you hate your own writing with a passion
  11. You can feel the drag where some parts of the story are boring, or could be worded better, and sometimes, you can even hear where punctuation is missing

As you can see, it is well worth the sweat, blood and toil, as well as the inevitable midnight oil. Despite the fact it has been a painful, torturous process, so far, reading my book aloud has also been the most effective editing I’ve done. I might even be tempted to do it again, even though I quail at the thought!

Am I crazy? Yes, possibly.

What about you, have you ever tried the dreaded read aloud edit? Did you live to tell the tale?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“May your dreams be larger than mountains and may you have the courage to scale their summits.” -Harley King

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: What publishing path are you considering/did you take, and why?

I’m going to answer both parts of that question. When I put out The Last Tree, the third book of the Chronicles of Aden Weaver, in 2019, I aim to self publish. But, that’s not to say going Indie is an easy option. I self published The Or’in of Tane Mahuta in 2015 and The Sasori Empire in 2017, and both journeys were equally back breaking.

Going Indie is a bit like having babies: the agony and hardship and gruelling aspect of self publishing your stories is epic. As you sweat your way through the nightmare of endless editing hell and the 101 jobs that need doing, you swear with a fist raised to the sky that once you’ve got this book out, that’s it, you’re done with going Indie.

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In more sober moments, you tell friends that the next time you publish a book you’ll get someone else to do the donkey work. You’re totally willing to go out on the streets to knock on the doors and basically stalk the gatekeepers again, submitting your manuscripts to editor after editor. You’re convinced you’d rather trudge the rounds of submission forever, than tackle self publishing again.

Then, your beautiful baby is born. You have the party, you hold your novel in your hands, sniff it, and you look at it adoringly. Sometime later, after the glow has worn off and a bit more time has gone past, you realize you want to do it all over again.

You dive back into being an Indie with your next work because:

 

  1. Despite the backbreaking hours of hard work, it’s really rewarding.
  2. Every single decision is in your hands which is overwhelming, yet you have control over the look of the whole package, which is exhilarating (hee hee, ha ha!)
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  4. Every single cent ever made goes to you.
  5. I once turned down a publishing offer because they wanted to change the name of the characters! As an Indie, you get to be the boss, and say how the story goes and no one else.
  6. Because you have to do the book launches and marketing yourself, it drives you to learn new skills and expand your repertoire.
  7. You have more to offer in terms of advice and knowhow when young authors come asking. I’ve been surprised in the last ten years how many up and coming writers have asked me questions. It’s helpful in those situations to have a clue.
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  9. For me, one of the big reasons for self publishing is no one wanted to publish my stories the way I wanted to read them. So, in order for me to put out my anthropomorphic fantasy adventure fiction for the upper middle grade market (9-13-year-olds), I had to do it myself. Sometimes, when the slice of the market you’re aiming at is so small, it just isn’t economically viable for a traditional publishing house to invest in a niche with such low returns. So, in order to stay true to the material, I had to produce it myself.

For me, this is vitally important, because my entire life is a quest for truth, for honesty, the essence of things. I aim to cleave to the material the muse gives me.

For me, the gut feeling is this: that my only job as the author is to produce the copy, buff and polish it with editing, and do my utmost not to wreck the original inspiration.

If the gatekeepers can’t get behind my vision or this particular creation, then so be it. I get to say, no matter, I’m publishing it anyway. And, I love that!

8. Ultimately, it feels good because it feels like investing in myself.

What about you, what publishing path will you take?

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Keep Writing!

Yvette K. Carol

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Nothing great was ever achieved without enthusiasm. ~ Ralph Waldo Emerson

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

I’m not on the bestseller list. Yet, as a friend and I were saying in a podcast the other day, it’s not ultimately about having to “sell” our artworks, it’s about having a form of creative expression and how vital it is to our health and well being to express ourselves in creative ways. The crazier the world gets, the more we need to ground ourselves through creative expression, whether that be through art, writing, dance, drama, cooking, music, gardening, or whatever form it takes. It’s a way to be happy and build happy memories which helps us to be healthy.

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I’ve been lucky enough to pursue art and writing throughout my adult life. These things have given me a release valve for the stress and have given me great joy. At the same time, my creative hobbies have given me a solid base in life and a means of transforming energy into something new. Art keeps me on an even keel, and, telling stories is satisfying on a deep level.

Did you know that storytelling is the second oldest profession in the world? ‘Storytelling has a shape. It dominates the way all stories are told and can be traced back not just to the Renaissance, but to the very beginning of the recorded word,’ wrote John Yorke. And, so it does.

John Yorke

Humankind has always sought to communicate what has yet to be expressed. Since we first developed ways of communicating 150,000 years ago, artistic expression has separated us from the animal kingdom. As author, Terry Pratchett said, ‘Lots of animals are bright, but as far as we can tell they’ve never come up with any ideas about who makes the thunder.’

Our creative pursuits, since earliest times, have defined and refined humanity.

‘Before you can change the world you have to be able to form a picture of the world being other than it appears.’ Humankind’s development comes down to having used our imaginations and creating new things that had never been seen or done before. Our very survival as a species may depend on inventions yet to exist.

Thomas M Madsen, visual artist

Thomas M Madsen, visual artist

I believe for this and many other reasons, it’s necessary to foster the arts. It’s vital we encourage ourselves and one another and our children and grandchildren to express themselves. I say this not only in favour of humankind’s continued evolution, but also, because I came so close to stifling my own child’s creativity.

For about three years, I had resisted the youngest son’s desire to play drums. I made him take piano. At the start of last year, I said to the youngest son, “Shall we sign you up for piano lessons, again?”

He said, “Okay…I will, but only because music lessons make you smarter. What I really want to learn is drums.”

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For the first time, I really heard him, and I realized I have to let him do this. No matter how uncomfortable it may be for us, no matter how big the potential financial input needed, I have to let him have a go at learning drums.

I gave him one term of lessons to see if he liked it. He was a natural and took to it like a duck to water. Within six months of weekly half hour lessons, my son took his first drum exam and passed it ‘with distinction.’ Now, in 2018, he’s just passed second grade, again ‘with distinction.’ He tells me the exhilaration he feels when a piece becomes natural is unlike any other. What a blessing.

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It surprises me, looking back. I saw that even someone like myself, who truly values the arts in every way, had still come close to stifling my son’s artistic outlet, simply because I was on auto-pilot around what I thought he “should” be doing. The only difference – the key that turned it around – was that I listened to him. I think that’s the best thing we can do for our children and young people, is to really listen when they speak.  When I saw what I was doing, I took the youngest out of the piano lessons, started him with drum lessons, invested in a nice drum kit, and he was away.

In the mid-year report, his teacher wrote: ‘His natural talent is showing through, he seems to have an aptitude for picking up drum pieces very quickly, by using his ear, and reading at the same time.’

Of course he does! And last month, he joined the school band for the first time. I’m so glad I opened my ears.

What about you, what is your creative outlet?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Our ability to create other worlds made us humans. ~ Terry Pratchett

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

 

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: What pitfalls would you warn other writers to avoid on their publication journey?

Interesting question. The first thing that comes to mind is not to fall into the trap of spending all your time marketing your first book. Yes, marketing for an Indie is an absolute essential. Yes, there’s a lot that needs to be done, but it also can get mesmerising in itself, becoming about chasing the dollar and readers and the dream of being a household name.

Anne R Allen

Writer and blogger, Anne R. Allen said, ‘We writers tend to be a delusional lot. Most of us know the average writer doesn’t make a bunch of money, but we secretly believe our own efforts will bring us fabulous fame and fortune. Or at least pay the rent. When we start out, we’re certain our books will leapfrog over all the usual obstacles, and in record time, we will land on the NYT  bestseller list and the cover of Time. Don’t be embarrassed. The delusions are necessary.’

It’s so easy when we start out to imagine if we just try a bit harder we’ll crack that ceiling. It’s perfectly fine to dream. We just need to know when to put the marketer’s hat aside and go back to the page.

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Jane Yolen once said, “When I finish something, I always promise myself to play for a while–see a movie, go to dinner with friends, go for a walk outside with my field glasses. But since something is always percolating, the only person I’m fooling is myself. My friends and family get it. My mind is often off going walkabout in the next book.”

And so it should be, this is who we are – writers – we should be jumping into the next story, the next book, the next world.

They say that it’s usually by the third or fourth book that an author starts to get into their stride. We need to keep producing new material to hit that mark.

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To me, there is nothing more important than the work itself. It’s the reason for my being here, apart from my children, of course. Writing is what I’ve done since the age of five, and it’s what I love the most. Upon releasing each of my books, I’ve covered every marketing base I needed to as an Indie, I watched all the YouTube videos and read the blog posts and articles and did what I needed to do. Then, I cut it back to the basic ongoing marketing for each book, and returned to my writing desk.

And, take care of your own voice. I’d say that it gets easy for the new writer to feel overwhelmed these days, because there’s simply so much advice. Every blogger’s an expert, and a glaze comes over the eyes as we hit overload trying to take it all in.

When I was starting out with critique groups years ago, I was trying to please everyone. I took on board everyone’s criticism, and I amended my work whether I agreed with the changes or not. I ended up with work that was inauthentic to me. I had butchered my sentences up to such a degree that a later critique partner commented my story sounded like a horse clip clopping over cobblestones. It had lost its mojo.

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I had to learn to only use critique I agree will improve the story and not change what is actually integral to the piece. There is a real discernment required of a new writer. It’s about staying true to your inner core and guidance system because then our prose comes from that which is intrinsically real and ‘us.’

As Cecelia Ahern said, the most important thing for new writers to do is ‘find your voice. Don’t emulate other writers because it’s your own unique and distinctive voice that your reader will like.’ Exactly.

What would you say were the main pitfalls for writers to watch out for? It gets you thinking doesn’t it?

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Keep Writing!

Yvette K. Carol

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Whether the readers remember me is not important, but if they remember the story, I am graven in stone. ~ Jane Yolen

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

 

I totally missed this month’s group posting with the Insecure Writer’s Support Group! I temporarily was without a phone service for one very frustrating week. No phone, no WordPress password, no blog post. However, I thought the “Question of the Month” for June was particularly interesting so I’m going to post my answer anyway.

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: What’s harder for you to come up with, book titles or character names? 

I find both equally as hard. I would say the only time in the last thirty-five years that a book title came easily was The Sasori Empire. It’s Book Two in The Chronicles of Aden Weaver series I’m currently working on. How did I come up with it? Sasori is Japanese for scorpion. The baddie of the series is a scorpion shapeshifter, and the title for his association needed an epic name. This led me in a very organic way to the Sasori Empire for the bad guys. Straight away, I knew it would make a great book title, too. Still, to this day, it is the favourite of all my story titles.

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The character name which came the most easily was Sun, the child slave who enters the story in Book Two. Her name was just ‘there,’ fully formed straight away. I didn’t have to effort or chase, or change it five times in writing the prose. “Sun” is like a haiku. It’s short and quintessentially her. It’s one of my favourite character names for its simplicity.

To me, naming your pieces is important. It’s part of the ritual, of drawing inspiration out of the ether and giving it form.

And it’s a significant step in writing the true story which wants to be written. If the name of a character or a story does not ring true for me as the reader, I’m turned away. And the same happens for me as the writer. I can’t get to know and understand my characters, and therefore do them justice, without their real names.

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My current series evolved out of picture books I wrote and illustrated twenty years ago. Names which were appropriate for pre-schoolers were not appropriate for upper middle grade readers, so they needed to be changed.

It took me a year to get them right. I changed the side-kick’s name three times and yet, I still wasn’t happy. Then, I heard my sister-in-law say, that she’d always thought if she had a baby girl she’d call her Te Maia. I loved the name immediately. When I paired it with the surname I already had, Te Maia Wilde, a feisty sidekick was born.

I find the protagonist’s name much harder to choose, because there’s so much riding on it. A main character’s name has to hit it out of the ball park. It has to be easy to say and easy to remember. It has to paint a picture in as few words as possible. Can you imagine Star Wars without Luke Skywalker? Or The Hobbit without Bilbo Baggins? Or The Hunger Games without Katniss Everdeen? These are solid names to hang a heart on.

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With my current protagonist, I couldn’t get anything to fit. He needed a strong, stable name with potential hero in it. I tried Franklin, Benjamin, Sage, and many more monikers. Nothing ‘felt’ like the kid I knew so well in my head. He needed depiction through his name, but no matter how I chased, it remained elusive. Like the white stag in the distance, I could glimpse the form but never catch up.

It required patience. Staying the course.

Four years after starting the rewrite, I happened to read a blog about the success of the Harry Potter series. One of the important factors in the success, so the journalist proposed, was the fact that the hero’s name was ‘relatable.’ The name Potter is taken from those who used to make their humble living in days gone by sculpting clay, and people responded to that sense of familiarity, so he surmised.

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I thought about this, and considered the different professions which were common to most societies and times, and the name “Weaver” popped into my head. I had the surname.

The first name came much later, from a project my youngest was involved in at school, and one of the boys listed in his class was called Aden. I paired this with Weaver in my head. And, I finally had my protagonist. We could sail!

These days, I keep notebooks and jot down great words and names so I have plenty on file. It’s still torture though.

How about you?

How do you figure out your names and titles?

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Keep Writing!

Yvette K. Carol

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“If you don’t ask, you don’t get.”~ Stevie Wonder

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The All is Lost moment is powerful because it is primal ~ Cory Milles

Loss in the course of life is inevitable, yet we eventually become enriched and deepened by pain. We learn and grow from experiences of difficulty.

As writers, we can employ obstacles, failures and friction in a similar way, to force our characters to evolve.

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In his book, The Prophet, poet, Kahlil Gibran, writes of love, ‘He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant.’ This gives an apt metaphor for human life. In our short spans on this planet, we suffer and win and are made anew. ‘That you may know the secrets of your heart, and in that knowledge become a fragment of Life’s heart.’

This is exactly which happens in life and what we seek to get right with writing fiction. It’s why people read, too.

As my teacher Kate de Goldi said, ‘We remember the readings that acted like transformations.’

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Author, PJ Reece wrote, ‘We’re not attracted to stories without conflict simply because we can’t learn anything from them. They are empty of the seeds that might nurture our own growth, in whatever direction that might be. Of course we love to read happy stuff in books too, but only after the hero has travelled his or her difficult path of personal growth and finally reached the reward for their journey.’

This is precisely why we like books with a solid definable problem.

Think Harry Potter vs Lord Voldemort, or Katniss vs the tyranny of the Capitol. We know who we’re cheering for and that there’s the promise of a good fight.

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All stories, since the first tales told around the campfire, capture the same essence, that of our collective struggle through life.

The stories we remember are those about characters who strive and fail. We love those who transcend their lower natures to become something more, because we relate to that battle. The triumph of our tiny hero, Bilbo Baggins, in The Lord of the Rings, when he throws the ring in the fiery pit is universal and the jubilation at the return of the king is the sort of life-affirming, inspiring fodder we will read for generations. They’re the stories about the human condition, our common travail, and they’ll never age.

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In the Warrior Writer’s course I took with tutor, Bob Mayer, he taught us that conflict is the fuel of a story. He also taught that the goals of the protagonist and antagonist must be opposed, although their goals don’t need to be the same thing.

Whether your antagonist is the ocean, a person, or an idea, in order for the core conflict to work, it must bring them against the protagonist in direct dispute. For one to achieve what they want, the other can’t achieve their goal. Therefore they become locked in a dilemma which needs to be resolved.

The questions which this tussle generates keep the readers glued.

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If your story is low key and quiet, then force the protagonist through inner fires. ‘The best stories — and the most lifelike — are ones that follow/force the protagonist through a series of disillusionments.’ Wrote author PJ Reece. ‘I see all protagonists as bumbling their way into the dark, otherwise they never leave their valley, the Valley of the Happy Nice People, and who wants to read about that? No one.’

In other words, if you want your story to be remembered, get the problem nailed down because a sturdy conflict can turn a mediocre story into a bestseller.

With a believable force opposing our hero, the characters are forced to make choices, and we ask which choices they will make and what will be the result. Result: reader engagement.

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Some stories have a background antagonist, who presents no immediate threat, in which case most of the conflict will come from friends, family, team members and “threshold guardians.” Yet, whether there’s a direct or indirect antagonist, each external mini-battle must expose more of the root of the character’s internal conflict.

Each test slowly grinds them to whiteness, teaching them a life lesson or giving them the option to change and grow.

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Within each story there are both internal and external sources of conflict. The internal relates to the character’s inner flaws which need to change. The external refers to the physical forces opposing him creating tension.

In every scene the ideal is to have both an external and internal conflict.

The transformation at the end of the book comes only after the protagonist confronts their limitations and defeats both them and the antagonist. Hopefully, there is a glorious resolution of storyline. There is a positive change in the central character arc, a blooming of the protagonist’s full potential, and a reward, a boon, “the gift of fire” to bring back home for the tribe.

Or as writer, David Farland said, ‘At the end of your novel, there are only three rules: Payoff! Payoff! Payoff!’

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Talk to you later.

Keep Creating!

Yvette K. Carol

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‘Life is trouble. When everything goes wrong, what a joy it is to test your soul.’ ~ Nikos Kazantzakis

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Our fifteen-year-old Sam-the-man has the face of a flower and the temperament to match. People love him. ‘He has something special,’ said a friend, ‘he’s open.’ At the same time, the fact he has Down’s syndrome means he is five years younger mentally than his actual age. So, while his physical self might be fifteen, his mental self is 9-10-years-old. And just as when you have a small child, when he leaves to spend the weekend with his father, the first thing that needs to be done to restore the house to sanity is to clean up.

Having a child with special needs is like raising a perpetual child. There are joys and there is continuous work to be done.

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As the parent to a special needs child, there is only the unknown instead of a finish line in sight. I use the metaphor of ‘the child who can never grow up’ to try and share my understanding thus far.

Sam’s our Peter Pan. God love him, he does a chore when I ask but, as the eternal child, he simply also creates a mess wherever he goes.

There’s always a sea of crumbs extending out from where he’s been sitting and sometimes funny smells, I find old bits of food, sticky patches on tabletops, writing on the wall, or the furniture, and globs of unmentionable things. The bathroom always needs a good clean.

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Sam has no concept of keeping track of things or the consequences of his behaviours. Sometimes, I find a random object has been broken, or – as I did yesterday, I literally walk into a sea of orange juice and discover that Sam had spilt his drink. He’d put the cup away carefully in the kitchen and then moved to a room where there was no sticky juice spilt all over the floor and started playing happily there. He would have been completely oblivious to the possibilities that could follow leaving a sea of liquid on the floor. Luckily, I was barefoot and ran away for a mop and bucket.

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I looked into Sam’s guilt-free, innocent eyes afterwards, and I marvelled at him anew. His motivations are never vindictive, his motivations are always pure. He doesn’t have a mean bone in his body. He’d never hurt someone on purpose. His mind doesn’t work that way. It’s not preoccupied.

Sam doesn’t worry about things, he doesn’t anticipate harm. He’s always right here now in the present moment.

A year ago, it took me six weeks; from the moment the first bruise appeared on his legs, to realise someone was harming him. I discovered the boy called James next to him in the taxi, was a serial abuser, who had a reputation for hurting other kids. Sam had suffered this boy’s advances, an hour each way, to school and back every day, and never said a word, never showed any change in the way he felt about going to school or coming home.

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And he’s intelligent, Sam is smart. He can read, write, use a computer, he can use any device after watching someone use it once. He’s not dumb. Although he can’t speak clearly, he can get his message across. No. It wasn’t about being unable to communicate the fact he was being bullied every day. Rather, it was his ability to take anything in stride and to be in the moment. The bullying didn’t exist the instant he left the van or prior to getting back into it, simply because it wasn’t happening before of after.

Yes, Sam teaches me every day.

Anything that happens in his life, he’s able to take it in stride. It’s like living with a mini guru.

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I remember when Sam was born and we found out all the facts like one baby in 600 is born with Downs’ syndrome, they still don’t know why. We found out the official name is Trisomy 21 which stands for the extra chromosome.

Being classed as a “severe disability,” the embryos can be aborted right up till birth.

His father and I had no idea then, the amazingly transformative journey which lay ahead of us, raising Sam: through all the trials and the tribulations, through the years of watching him struggle, taking one step forward three steps back, to achieve every little milestone other children take for granted.

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It took Sam a year to be able to sit by himself, four years to learn to walk; it took him till the age of ten to be able to walk down a flight of stairs, and thirteen years to become fully toilet trained. Everything he’s learned has been hard-won. Yet, that has made every goal achieved much more satisfying. To watch Sam today wash himself in the bath, dress himself, shave his own stubble, and walk confidently to the taxi in the morning, I brim with pride, because I know how far we’ve come. And I also know how far we have yet to go.

It’s not easy but it’s a real privilege to raise a child with Downs’ syndrome.

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Talk to you later.

Keep Creating!

Yvette K. Carol

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What’s so dreadful about Downs’ syndrome? ~ Sally Phillips

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com