Archive for the ‘Writing’ Category

It’s time for this month’s group posting with the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. your words might be the encouragement someone needs.

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: What are your ultimate writing goals, and how have they changed over time (if at all)?

That’s a brilliant question because it really made me sit back and think. My goals have changed a lot. When I started penning kids’ fiction as a seventeen-year-old, I was far removed from the reality of being an author.

Believe it or not, when I started out, personal computers were not yet a thing. Although some people had them, no one I knew owned one. And the internet was just a twinkle in the eye of a brainiac, somewhere. I spent the first decade writing the good old fashioned way, with a pen and paper. I was a teenager, starting out in the 1980’s, just following the thread of what interested me in terms of subject matter and genre.

img001

I worked a string of other jobs and often second jobs as well. Writing stories was what I did in my spare time, and it still is.

When I started out at seventeen, I wasn’t thinking of publication. I was impelled to share my creativity through children’s stories, so I followed it. It took me another ten years to start submitting to publishers. My ultimate writing goal at the age of twenty-seven was simple, to get published and make money.

I have an old book of ‘Intentions,’ which I write up each year like resolutions. I discovered that by the age of thirty my ultimate writing goal had morphed into: “I want my books to be a huge success like Harry Potter.”

1343196557

Wow, I sure didn’t aim low in those days. I was quite surprised by the audacity of my intention.

I admit I’ve reduced my ultimate writing goals as I’ve gone along. Which I think boils down to figuring out what you really want to do with your time. As you grow older, time becomes more precious. The entry for 2017 reads: I raise people’s awareness and bring joy, inspire and make people feel better through the power of story.

And with age, you get more realistic. I might not be the next J. K. Rowling.

These days, I’m a stay-at-home mum and caregiver to my thirteen-year-old and my middle son who has Downs’ syndrome. I write part-time. I have two stories published and two books which I self published. My wish list these days tends to focus on more meaningful things like wanting joy, and a sense of fulfilment.

IMG_20180624_150306554_BURST001

These days my ultimate writing goal is to write more of what I love.  However, the series I’m writing is anthropomorphic fantasy fiction about insects. It gets some strange reactions at times.

I’ll never forget the response of one assessor to my book,  The Or’in of Tane Mahuta. She said, “Great story, but lose the insects!” I couldn’t lose the insects, they were an integral part of the machine of the story.

One day, I will move on to new fields in fiction. For now, I want to see this series out and do the best I possibly can.

220px-Lee_Child,_Bouchercon_2010

One of the authors I like is Lee Child, author of the Jack Reacher novels. He’s a real storyteller. Asked to give a tip recently for writers, he said, “Ignore all the tips. It’s got to be 100% your own product. As soon as you start thinking about what you should do, there’s a compromise and the spark goes. You’ve got to do what you want to do.”

Child really gets it. He’s talking about listening to the gut and the heart of the story. I love it. I’m ignoring all the tips. It’s 100% my anthropomorphic fantasy fiction about insects. If I want little critters creeping and flying and turning into human hybrids, I must write them. You’ve got to do what you want to do, right?

I wonder what my intention for 2019 will be? I think it’s going to be something along the lines of ‘I just want to be myself and enjoy the process!’

What about you? What are your Ultimate Writing Goals for 2018? Have you met them yet?

IMG_2655

Keep Writing!

Yvette K. Carol

*

In a totally sane society, madness is the only freedom. ~ J. G. Ballard

*

Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

Advertisements

I totally missed this month’s group posting with the Insecure Writer’s Support Group! I temporarily was without a phone service for one very frustrating week. No phone, no WordPress password, no blog post. However, I thought the “Question of the Month” for June was particularly interesting so I’m going to post my answer anyway.

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: What’s harder for you to come up with, book titles or character names? 

I find both equally as hard. I would say the only time in the last thirty-five years that a book title came easily was The Sasori Empire. It’s Book Two in The Chronicles of Aden Weaver series I’m currently working on. How did I come up with it? Sasori is Japanese for scorpion. The baddie of the series is a scorpion shapeshifter, and the title for his association needed an epic name. This led me in a very organic way to the Sasori Empire for the bad guys. Straight away, I knew it would make a great book title, too. Still, to this day, it is the favourite of all my story titles.

63570450_Kindle Ready Front Cover JPEG_7092916

The character name which came the most easily was Sun, the child slave who enters the story in Book Two. Her name was just ‘there,’ fully formed straight away. I didn’t have to effort or chase, or change it five times in writing the prose. “Sun” is like a haiku. It’s short and quintessentially her. It’s one of my favourite character names for its simplicity.

To me, naming your pieces is important. It’s part of the ritual, of drawing inspiration out of the ether and giving it form.

And it’s a significant step in writing the true story which wants to be written. If the name of a character or a story does not ring true for me as the reader, I’m turned away. And the same happens for me as the writer. I can’t get to know and understand my characters, and therefore do them justice, without their real names.

3595065_orig

My current series evolved out of picture books I wrote and illustrated twenty years ago. Names which were appropriate for pre-schoolers were not appropriate for upper middle grade readers, so they needed to be changed.

It took me a year to get them right. I changed the side-kick’s name three times and yet, I still wasn’t happy. Then, I heard my sister-in-law say, that she’d always thought if she had a baby girl she’d call her Te Maia. I loved the name immediately. When I paired it with the surname I already had, Te Maia Wilde, a feisty sidekick was born.

I find the protagonist’s name much harder to choose, because there’s so much riding on it. A main character’s name has to hit it out of the ball park. It has to be easy to say and easy to remember. It has to paint a picture in as few words as possible. Can you imagine Star Wars without Luke Skywalker? Or The Hobbit without Bilbo Baggins? Or The Hunger Games without Katniss Everdeen? These are solid names to hang a heart on.

HungerGamesPoster

With my current protagonist, I couldn’t get anything to fit. He needed a strong, stable name with potential hero in it. I tried Franklin, Benjamin, Sage, and many more monikers. Nothing ‘felt’ like the kid I knew so well in my head. He needed depiction through his name, but no matter how I chased, it remained elusive. Like the white stag in the distance, I could glimpse the form but never catch up.

It required patience. Staying the course.

Four years after starting the rewrite, I happened to read a blog about the success of the Harry Potter series. One of the important factors in the success, so the journalist proposed, was the fact that the hero’s name was ‘relatable.’ The name Potter is taken from those who used to make their humble living in days gone by sculpting clay, and people responded to that sense of familiarity, so he surmised.

220px-Harry_Potter_character_poster

I thought about this, and considered the different professions which were common to most societies and times, and the name “Weaver” popped into my head. I had the surname.

The first name came much later, from a project my youngest was involved in at school, and one of the boys listed in his class was called Aden. I paired this with Weaver in my head. And, I finally had my protagonist. We could sail!

These days, I keep notebooks and jot down great words and names so I have plenty on file. It’s still torture though.

How about you?

How do you figure out your names and titles?

016 (3)

Keep Writing!

Yvette K. Carol

*

“If you don’t ask, you don’t get.”~ Stevie Wonder

*

Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

I’m reminding myself the “IWSG Day Question” is optional. This week I wanted to write about something which has been on my mind lately re my writing. And that is, the transformational power of a good critique group.

It was writer John_Yeoman who said, ‘There are no great writers, only great editors.’ Everyone writes a rough first draft. Our work has to be edited until we’re blind. And then we need a second pair of eyes to look at it, and to look at other people’s stories as well, to refresh the mental palate. I remember when I first joined kiwiwrite4kidz, in 2004. One of the organisers and authors, Maria Gill, said, the best advice she could give me was that I should join a critique group.

1343724062

I ran scared from that advice, in truth, for years. I had been tinkering on children’s stories in my spare time. I’d been quietly attending workshops and conferences, stalking the literary scene. I preferred being on the outside looking in. An introvert and a loner, I also didn’t feel ready to share my work. I was scared it wasn’t good enough.

Who was I to say I was a writer, and could bump shoulders with other literati?

It was an intimidating process, at first. It took me a long time to get past the initial stage of paralysis. Years later, I tried an in-person critique group. I was so awkward and self conscious and uncomfortable in those social situations, that I felt it simply wasn’t for me.

11108752_10152880647497637_4484678003315666912_n

I started the online group ‘Writing for Children’ in 2014, on the awesome Kristen Lamb’s Wanatribe site. I met other writers there, and quite naturally, I began swapping chapters with one of the writers, the wonderful Maria Cisneros-Toth, for critique. It was the first time I had shown the upper middle grade story I’d been working on, The Or’in of Tane Mahuta, to anyone.

It was my first real experience of a ‘critique group’ situation, where you’re submitting your chapters each week and getting feedback to work on, and simultaneously reading another person’s chapters and giving feedback on them. It revolutionised my work.

My book began its transformational journey from seed to plant.

Screen Shot 2015-09-11 at 4.13.09 pm

After that, I joined the group, The Magnificent Five, and The Creative Collective, and last year formed another ‘group of two,’ The Two Amigos.

Through that time, I finished and published the Or’in of Tane Mahuta, and edited and published the second volume, The Sasori Empire.

63570450_Kindle Ready Front Cover JPEG_7092916

This year, I’m working on my third book, The Last Tree, with a group I call ‘The Gang of Four,’ (because I like the band!). Four is an effective working number to my mind, because you get a broad range of feedback and yet, there’s still a manageable work load. With two kids still at home, I have to be careful how I manage my time.

It does take energy and commitment, yet it’s worth every minute because critique stimulates and prospers the work and the authors. You get instant insight as to whether an idea has worked, whether your story is making sense and where more or less is needed.

Critique groups provide a fertile laboratory for testing our creativity.

038

Sometimes you’re too close to the story to recognize the issues for yourself. One of the things that never fails to amaze me, is that I can see clearly the things which need changing in someone else’s work far more easily than I can in my own. Why is that?

I don’t know.

This give-and-take process of feedback creates a positive force that generates evolution in the work.

We may not love our stories when we first write them, but it’s how we feel about them at the end that counts. And a good critique circle can facilitate great work.

What about you? Have you found yourself a writing critique group, yet?

The Two Amigos

 

Keep Writing!

Yvette K. Carol

*

 “Write with the door closed, rewrite with the door open.” ~ Stephen King

*

Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line.

The All is Lost moment is powerful because it is primal ~ Cory Milles

Loss in the course of life is inevitable, yet we eventually become enriched and deepened by pain. We learn and grow from experiences of difficulty.

As writers, we can employ obstacles, failures and friction in a similar way, to force our characters to evolve.

220px-The_Prophet_(Gibran)

In his book, The Prophet, poet, Kahlil Gibran, writes of love, ‘He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant.’ This gives an apt metaphor for human life. In our short spans on this planet, we suffer and win and are made anew. ‘That you may know the secrets of your heart, and in that knowledge become a fragment of Life’s heart.’

This is exactly which happens in life and what we seek to get right with writing fiction. It’s why people read, too.

As my teacher Kate de Goldi said, ‘We remember the readings that acted like transformations.’

photo

Author, PJ Reece wrote, ‘We’re not attracted to stories without conflict simply because we can’t learn anything from them. They are empty of the seeds that might nurture our own growth, in whatever direction that might be. Of course we love to read happy stuff in books too, but only after the hero has travelled his or her difficult path of personal growth and finally reached the reward for their journey.’

This is precisely why we like books with a solid definable problem.

Think Harry Potter vs Lord Voldemort, or Katniss vs the tyranny of the Capitol. We know who we’re cheering for and that there’s the promise of a good fight.

HungerGamesPoster

All stories, since the first tales told around the campfire, capture the same essence, that of our collective struggle through life.

The stories we remember are those about characters who strive and fail. We love those who transcend their lower natures to become something more, because we relate to that battle. The triumph of our tiny hero, Bilbo Baggins, in The Lord of the Rings, when he throws the ring in the fiery pit is universal and the jubilation at the return of the king is the sort of life-affirming, inspiring fodder we will read for generations. They’re the stories about the human condition, our common travail, and they’ll never age.

220px-First_Single_Volume_Edition_of_The_Lord_of_the_Rings

In the Warrior Writer’s course I took with tutor, Bob Mayer, he taught us that conflict is the fuel of a story. He also taught that the goals of the protagonist and antagonist must be opposed, although their goals don’t need to be the same thing.

Whether your antagonist is the ocean, a person, or an idea, in order for the core conflict to work, it must bring them against the protagonist in direct dispute. For one to achieve what they want, the other can’t achieve their goal. Therefore they become locked in a dilemma which needs to be resolved.

The questions which this tussle generates keep the readers glued.

220px-Lordvoldemort

If your story is low key and quiet, then force the protagonist through inner fires. ‘The best stories — and the most lifelike — are ones that follow/force the protagonist through a series of disillusionments.’ Wrote author PJ Reece. ‘I see all protagonists as bumbling their way into the dark, otherwise they never leave their valley, the Valley of the Happy Nice People, and who wants to read about that? No one.’

In other words, if you want your story to be remembered, get the problem nailed down because a sturdy conflict can turn a mediocre story into a bestseller.

With a believable force opposing our hero, the characters are forced to make choices, and we ask which choices they will make and what will be the result. Result: reader engagement.

220px-Harry_Potter_character_poster

Some stories have a background antagonist, who presents no immediate threat, in which case most of the conflict will come from friends, family, team members and “threshold guardians.” Yet, whether there’s a direct or indirect antagonist, each external mini-battle must expose more of the root of the character’s internal conflict.

Each test slowly grinds them to whiteness, teaching them a life lesson or giving them the option to change and grow.

220px-Finding_Nemo

Within each story there are both internal and external sources of conflict. The internal relates to the character’s inner flaws which need to change. The external refers to the physical forces opposing him creating tension.

In every scene the ideal is to have both an external and internal conflict.

The transformation at the end of the book comes only after the protagonist confronts their limitations and defeats both them and the antagonist. Hopefully, there is a glorious resolution of storyline. There is a positive change in the central character arc, a blooming of the protagonist’s full potential, and a reward, a boon, “the gift of fire” to bring back home for the tribe.

Or as writer, David Farland said, ‘At the end of your novel, there are only three rules: Payoff! Payoff! Payoff!’

Mockingjay_Part_2_Poster

Talk to you later.

Keep Creating!

Yvette K. Carol

*

‘Life is trouble. When everything goes wrong, what a joy it is to test your soul.’ ~ Nikos Kazantzakis

*

If you liked this post then sign up to receive posts by email.

Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: When your writing life is a bit cloudy or filled with rain, what do you do to dig down and keep on writing?

As a matter of fact my life has been cloudy lately and there have been a few deluges as my beloved father died in February, following my mother, who had died two years before. I would say that the process of writing itself really helped me come to terms with things.

I’ve always found it cathartic to write.

I learned to read and write at the age of seven. I enjoyed to write stories. As a teenager, I was still writing stories, and I started to keep a personal journal as a way of releasing my fears and worries and doubts. Writing has been an essential lifeline throughout my life. It helps me make sense of things to see the thoughts take form into words.

063 (3)

Writing blog posts about the passing of both my parents was therapeutic and helped ease the pain. I was able to share with people through my blog and my newsletter about what had happened.

Going back to my work-in-progress was a bit trickier. At times of great emotion, I tend to put down my book and walk away for a while, sometimes for long periods.

Top Tip: Set a time limit.

I’ve learned that it works when I say to myself, you can grieve, be with family, however you have to be back at work by ‘such-and-such’ date.

Top Tip: Stick to your deadline.

It’s a bit of structure imposed upon the chaos. Once, there’s a set deadline to return to my writing desk, I try to stick to it.

003 (2)

Top Tip: to get writing again, sit down at my computer, open the document and start.

Every time, before I know it, the magic starts to take over.

Right away, there is engagement with the work.

It’s like feeling you’re exactly where you should be and there’s nothing you’d rather be doing.

Once back in the zone, writing, editing, working on my WIP, I feel my balance return and sense of equilibrium become restored.

034 (4)

As the poet, Sage Cohen, said so eloquently, ‘for me, writing has always been alchemy: from resistance to acceptance, from pain to beauty.’ Yes.

The world in creation begins to shine. The right words come. But what it takes is showing up.

The really successful authors are those who treat it like a job. They stick their butts in their office chairs and write from nine to five.

In reality, they’ll put in far more hours than a forty hour week. It’s a time intensive profession. The reward always comes in the fiction itself. We do the work. We show up.

Charles_Bukowski_smoking

Then, we open ourselves to ‘being alone with the gods’ as Charles Bukowski put it and that’s where the transcendent joy takes over. When we’re lucky, sometimes we catch the lightning and write it down perfectly. Or as Cohen said, ‘transcend the events of our lives, finding a resonance of grace simply by writing something just right.’

Before you know it, skies are blue and the sun is shining again, and you’re scampering around capturing words like butterflies.

For the magic to happen though, the only way is to keep on writing, to put B.I.C butt in chair.

What’s that old saying, the harder I work, the luckier I get? That sure is true for me.

How about you. What keeps you writing?

025 (6)

Keep Writing!

Yvette K. Carol

*

There is no other feeling like that, you will be alone with the gods and the nights will flame with fire. ~ Charles Bukowski

*

Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: How do you celebrate when you achieve a writing goal/ finish a story?

I start by congratulating myself. Towards the end, when you’re in the last home straits before publication, you’re working so hard, you’re burning the candle at both ends and in between. I’ve worked harder publishing my two books than I have done on any other jobs at any other time in my life.

When the editing and the proof reading needs to be done and redone, until you can’t see straight, you begin to wonder in the last weeks, whether publication is possible. Crossing that finish line is a Herculean feat.

034

Achieving the miracles of two books in print, I was so proud of myself I treated myself to some well-earned goodies. Chocolate, wine, and cake.

After I’d patted myself on the back heartily a few more times for finishing the book, then I did what all card-carrying introverts must do. I shut down the writing folders, closed the computer and went on hiatus. Left town basically.

After each book I published, I put away my computer for a while and had a complete break from the blue screen and typing and people.

22089240_1896120907368580_3310395891111722258_n

I’m the sort who needs to retreat, relax and recharge the batteries by being in nature. We have been very fortunate in our family because my parents retired to a beautiful seaside town, where we have been able to escape from city life for a while. I would escape to the coast and my parents and walk barefoot on the beach, go for swims, and hang out with the family or with my kids or on my own.

It’s important to spend time off the grid, I find it grounding to walk on grass barefoot.

I need to do something definitive like that to signal that to myself that I’ve crossed the finish line.

IMG_0767

I’m only realizing how lucky we have been. It’s only now that both my parents are gone; I become keenly aware of our blessings. What is that thing they say? You don’t realize a good thing until it’s gone.

We’ll still go to the old family homestead sometimes, as some members of the family will be running it as an Air b’n’b. My parents’ little log cabin by the sea still has the most breathtaking scenery; however, as my son put it so perfectly, “It just won’t be the same without grandma and grandpa there.”

IMG_2062

So I’m not sure where I shall escape to for my writer’s retreats the rest of the year. I’m sure I’ll figure something out as I go along.

For me, the final stage of celebrating completing a book is to arrange and run a book launch and party and give it the send off it deserves. That’s the icing on the cake. You take a moment to acknowledge formally the effort you’ve put in, to hopefully sell and sign lots of books, and gather email addresses for your mailing list, as the nature of the business for the Indie, is to always be thinking of marketing.

It’s only after I’ve had a decent break, that I finally feel ready to focus on a new project. Then, I can start the next book with a fresh, new energy.

How about you. How do you celebrate?

IMG_0964

Keep Writing!

Yvette K. Carol

*

 

Wealth is the ability to fully experience life. ~ Henry David Thoreau

*

 

Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

I remember how sad it was when mum died in 2015, but, now, with dad’s passing, it’s a whole other thing. I feel as if my world has turned upside down, and nothing will ever be the same again.

While I still had one parent alive, there was still that level of compassionate protection against the barbs of the world. There was still that parental feeling of someone being there who truly cares about you more than any other person. There was still that wise older person to turn to for advice.

11701079_10152833245846744_2361036295935157329_n

But, with both of my parents gone, the feeling of support has been severed completely. It’s like going into free fall. I don’t know where earth is.

The only remedy for me in the last two weeks has been working in the garden. I’ve spent the weeks, weeding and digging, and planting trees and flowers. I have needed to walk on the grass barefoot and get my feet back on the ground and plant new things, to remind myself of life on-going and eternal.

Yesterday, I asked my friend about this strange feeling I have of being at sea, disconnected and discombobulated, and she said she still feels the same way about the loss of her parents seven years later. I get the sense this might be something you learn to live with. “But with the years, it hurts less,” said my friend.

28059204_10213785894033345_674288740494601125_n

I’m glad to hear that.

Losing the second parent is a broad type of grief that is multi-fold. There is a real loss, an empty feeling. There is a feeling of absence in the upper tier of our family. There is a sense of connections lost with the past. There is no longer a shoulder to cry on.

There is no one to sit and tell the family stories. That’s a hard one. I console myself I’ll have to start telling the family stories for my own children and grandchildren.

Now, I’m the parent. I have to answer my own and my children’s questions.

28167034_10155083246061744_6137280921517359315_n

So, there is this feeling of roles having changed, and the season of all our lives has irrevocably moved on. One world has sloughed away and a new world has taken its place.

And, it’s a strange and sober world without my mother and father.

I hadn’t realized that they buffered me while alive; they stood between me and heaven. With dad gone now, too, heaven draws a little closer. It’s my turn to stand on the top rung. It’s my turn to walk the walk of the kamatua, the “elder” level of this family. It’s my turn to start the walk of the grandmother, the crone.

Xmas 2009 017

My parents got to live long healthy lives into their eighties. With both of them gone, I’m reminded of my own mortality. As the priest Father Tony Delsink, said in his sermon at dad’s Committal Service, “When someone close to us dies, it’s a wakeup call.”

I keep trying to explain it to friends, but nothing ever quite nails the way I’m feeling: I miss dad, I have new responsibilities, and I’m suddenly old. At the same time, I’m truly deeply appreciating every moment, loving my kids and nature and life, because I have this fresh new awareness of how short life is. How precious.

As a writer, I seek to write and see the feelings transform into words that bloom. That is part of the process of grieving for me. This is my third blog post in as many weeks on the subject of the death of my parents. I think about them and our history together, the times we shared, and the implications of this new loss to our family.

IMG_1958

The changes that are taking place in our family are really profound. There’s a seriousness that has entered my life with my second parent passing away.

My siblings and I get to make big decisions about what to do with my father’s estate, his belongings, the bills, and so on. There are heart rending jobs to do, like washing my dad’s clothes, selling his car, and dismantling some of his beloved, well-overstuffed, cobwebby garage workshop, the inevitable cleaning out of his drawers and cupboards. I’m sure there’ll be other poignant moments too, as we gather to work on dad’s property in the months ahead. The gradual, loving dismantling of a well-lived life.

Then once the work is done, we’ll each get down to the real work, of going on with our lives without him.

Xmas 2009 045

Talk to you later,

Yvette K. Carol

*

600 BC, Lao Tzu ~ “The muddiest water is cleared as it is stilled.”

 

If you liked this post then give it a “thumbs up” and sign up to receive posts by email.

Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: What do you love about the genre you write in most often?

Writing fantasy for children is a not exactly a hot genre. It’s difficult to do well, and as Terry Pratchett once said, there’s always been this ‘cloud of disapproval around the fantasy genre,’ as if it’s somehow the second cousin of more serious or entertaining popular fiction.

‘But some of the reasons are easy to see. The sheer torrent of the stuff for one thing. The telling and retelling. All those new worlds and eternal heroes.’ Yeah, I get it, too. Even for me, fantasy can get annoying, and yet, I can’t deny the draw. It’s what I loved to read as a child, and it’s what I love to write now.

Who cares about being cool or trendy?

For most of my thirty-five years writing for children, I’ve been writing “fantasy animal tales’ and they’re even less of a hot topic than pure fantasy. Yet, the roots of fantastic tales about animals, especially talking animals, go back to our very first oral traditions of storytelling, as far back as 600 B.C. and the time of Aesop.

img001

Why does this particular niche appeal to me? Kate de Goldi said once ‘writers always have their story, their palette, driven by something they find interesting that they can’t explain.’

I feel the answers lie in childhood.

I look back at my past, and I think I was a total nerd. Oh, the joy I used to get from reading a new book. To visit the library and get new books for free seemed such a delicious and exciting power to have. What to read? The choices were endless.

As a young child, I recall the impact of unexpected bliss I felt on the day I opened Finn Family Moomintroll, by Tove Jansson, and read ‘Chapter 1. In which Moomintroll, Snufkin and Snif find the Hobgoblin’s hat; how five small clouds unexpectedly appear, and how the Hemulen finds himself a new hobby.’ It was a profound moment.

230px-Finn_Family

I was immediately transported somewhere else. I flew away to a far more fascinating place than my powerless world, as a small child growing up in the urban landscape and a working class family.

Pure fantasy seems to deal in the fulfilment of desire, the yearning of the human heart for a kinder world, a better self, a wholer experience, a sense of truly belonging, wrote David Pringle.

Through these fantasies I read: the Moomintroll series, and the Chronicles of Narnia, the ghost stories, myths and legends, I escaped through their portal, to lands far away, where exciting magical things happened that matched the limitlessness of my imagination.

These books made my childhood more wonderful and alive.

When I first approached writing fiction for children, it was natural to reach for the subject matter which intrigued me as a young person, the genre of animal fantasy. That’s where the heart lay. It was as simple as that.

Boomer

I think it was Thoreau who coined the famous advice for writers ‘know your own bone.’

It was writer/teacher, Kate de Goldi, who said, ‘Your idiosyncratic fascination is why you were made and set here.’

In other words, in order to be true to who we are as writers, we have to find the courage to follow what truly moves us, to write what our hearts sing to read and what lights us up inside. That takes undeniable courage, to dig down to the core and come up with one’s raw innermost truths, and then own them.

I used to be ashamed of my genre. I did a lot of writing but not a lot of submitting. When I did submit, I got responses like, “no one’s buying fantasy,” or “no one’s interested in reading about talking animals.” So, I submitted less often until I stopped altogether.

That’s where self publishing is king for authors like me, who write in less than popular genres. We don’t need a nod from the gatekeepers anymore to see our books in print. We nerds can say, “I’ll publish fantasy animal tales if I want to.” And, “Nerds rule!”

What do you love about the genre you write in?

017-2

Talk to you later…

Keep Writing!

Yvette K. Carol

*

When she is most lucky, the poet sees things as if for the first time, in their original radiance or darkness: a child does this too, for he has no choice. Edwin Muir

*

Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

 

Angelou_at_Clinton_inauguration

Any book that helps a child to form the habit of reading, to make reading one of his deep and continuing needs, is good for him. ~ Maya Angelou

When I was small, our father used to read us a bedtime story every night. My brother and I would lie in our beds after all the bedtime rituals had been done. We’d yell, “Ready!” and dad would come down to sit in our room and read us the next precious pages in whatever book we were reading. He read us the classics, Wind in the Willows, The Water Babies, The Jungle Book, Treasure Island, and Robinson Crusoe. We grew up with a love for stories.

sage-cohen-6-560x372

It is as writer, Sage Cohen said, that we ‘come into this world hard-wired for the repetition of sound, rhythm and pattern in language. Before we can even speak, we delight in recognizing our own experience and learning about those unlike ours through the stories we are told.’ There is a primordial response of satisfaction to hear a good story, and for the writer it is the same joy to write one.

When you start out as a book lover who turns into a children’s writer you are deeply connected to the meaning and purpose of fiction. Michael Morpurgo said, ‘It’s not about testing and reading schemes, but about loving stories and passing on that passion to our children.’ We write because that love still lives and resonates inside us. Writers'_Week_Kate_de_Goldi_Adelaide_Festival_medium

We can still remember the special hushed feeling, like we had entered a cathedral, which we had as a young person every time we opened a book and stepped inside another world. We can still remember some of the tales and how we felt.

As author, Kate de Goldi once said, ‘We still remember readings that acted like transformations’.

I took a couple of writing for children courses with Kate de Goldi. I was struck when she said that she ‘never writes about or for children. I write for the once and always child in myself.’

1342982795

I related to that idea and I let rip, writing what the wild little girl inside wanted to say.

The danger for me, as an introvert, is that I can go far into my own world and lose contact with people. It’s easy to become distanced from the reading audience.

Yesterday, I was pried out of my bunker by well-meaning friends and forced to go to a Christmas party. I trooped along with an eye on the clock. Yet, the most extraordinary thing happened. I had the experience of meeting my first “fan.” Blake is the 8-year-old grandson of a friend. He happens to be a voracious reader, bless his soul, who ‘devours books’ as his grandmother put it.

IMG_1411

Blake had read my first book, The Or’in of Tane Mahuta, and had been waiting for the sequel. When I gave him The Sasori Empire, he carried it with both hands, staring all the while at the cover. He walked straight to a chair, sat down and started reading. When I left the party two hours later, Blake was still reading.

I could have wept. This experience was revelatory for me. I saw with my own eyes, a child who loves to read, diving headfirst into my world. A child who was engrossed in my story.

This simple situation took me out of my “shoes” as the author and put me into the shoes of the “reader.” I felt the responsibility to do justice to the world I’ve created, and to honour the needs of the reader, to deliver the best story I can.

IMG_1412

It had the singular effect of realigning me with my writer’s oath. I was reminded that once one has taken the reader on a journey, the responsible author ushers them safely home to a satisfactory conclusion. I recalled the pinkie swear to resolve all the questions and storylines raised.

Seeing that precious beautiful young reader deep into his book, (my book!), reminded me that my pen is a direct conduit to young readers’ hearts and minds. I have a duty to him and to all young readers to do the best I can. These years of reading literature will be some of the best and most exhilarating of their lives. I have to raise my game to be worthy of the challenge.

What a gift. And, just in time for Christmas.

That’s the New Year’s resolution sorted! Have you ever had a situation which made you remember your reader?

spinning gold (11)

Talk to you later.

Happy Holidays!

Yvette K. Carol

*

‘The poet’s, the writer’s, duty is to write about these things. It is his privilege to help man endure by lifting his heart.’ ~ E.B.White

*

 

Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

Writers'_Week_Kate_de_Goldi_Adelaide_Festival_medium

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup.jpg

OPTIONAL IWSG Day Question: As you look back on 2017, with all its successes and failures, if you could backtrack, what would you do differently?

What a great question! This is the perfect time of year for reflection. Yet, I’ve been so busy, I haven’t had time to look back at all or get any perspective. November was a rush from start to finish, and so I’m going to post the December question early  and get a head start. I appreciate the prompt to pause, take a minute and think about it.

Things lately have been great, but the start of the year was rocky and hard going. I went through a self-publisher’s nightmare.

I went Indie in 2015, publishing my first book, ‘The Or’in of Tane Mahuta.’ The first volume in the Chronicles of Aden Weaver series was relatively painless, using the services of a local company, BookPrint. They did all the layout and formatting and cover design for me and being local, it was easy to work together.

amazon-435-cs013113-300x183

At the beginning of this year, for the second volume in the Chronicles of Aden Weaver series, ‘The Sasori Empire,’ I decided to try a new route and use Createspace services. Everyone had spoken highly of them, and I thought they would be a viable alternative, as well as being more cost effective.

It ended up turning into a six month comedy of errors. It ended up costing me double when I had to withdraw my book from Createspace and get BookPrint to finish the job. It ended up making me ill with stress and worry.

I wrote a blog past during that time, ‘Quit or Stay’ post, and Kristen Lamb responded, ‘Life knocks us down, but that’s just life. The getting up? All on us.’

It encouraged me to hear from my idol. I remember I took great heart from the stirring poem Kristen put me onto in her response, How Did You Die? By Edmund Vance Cooke:

11108752_10152880647497637_4484678003315666912_n

The harder you’re thrown, why the higher you bounce;

Be proud of your blackened eye!

It isn’t the fact that you’re licked that counts, its how did you fight — and why?

Death comes with a crawl, or comes with a pounce,

And whether he’s slow or spry,

It isn’t the fact that you’re dead that counts,

But only how did you die?

The warrior girl in me cried, HUZZAH!

I knew Kristen was right. You have to have skin in the game. And you have to be cool when you get popped in the nose. Emboldened, I fought on. I finally triumphed, and five months later than scheduled, in collaboration with BookPrint, I produced a truly beautiful tome.

Sasori Empire - 3D

Looking back, what I would done differently in 2017 is listen to my gut. Early on in the piece, I began to get the feeling that this was hopeless. Early on, I had feelings of dread. I didn’t listen to them.

Looking back, what I would done differently in 2017 is listen to the little inner voice, which was saying, ‘don’t spend anymore.’ I didn’t listen. I told myself I’d already committed to online publishing and there was nothing I could do, which was ridiculous, because in the end it cost me twice as much as book one.

Looking back, I think, If only I had listened to myself and honoured those instincts at the start, I could have saved myself a lot of grief.

Once I took the project to BookPrint, everything began to take off from there. The book launch was a success. We celebrated and toasted ‘The Sasori Empire’ and I really did feel triumphant. I guess there’s always that. A victory hard won is all the sweeter.

Looking forward to 2018, I intend to honour my instincts a lot more. I intend to listen to my little inner voice. I intend to pay heed to my gut. That’s the New Year’s Resolutions sorted!

What would you have done differently looking back on 2017?

IMG_0704

Talk to you later…

Keep Writing!

Yvette K. Carol

*

 Oh, a trouble’s a ton, or a trouble’s an ounce, Or a trouble is what you make it, And it isn’t the fact that you’re hurt that counts, But only how did you take it? ~ Edmund Vance Cooke

 

*

Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com