Archive for the ‘Writing’ Category

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world–or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. Our Twitter handle is @TheIWSG and hashtag is #IWSG. Let’s rock the neurotic writing world!

We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

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OPTIONAL IWSG Day Question: February 5 question – Has a single photo or work of art ever inspired a story? What was it and did you finish it?

In a word, no. However, as luck would have it, my friend, author Donatien Moisdon asked a question the other day in an email which I think would make an excellent question of the month.

Donatien: In your latest newsletter, I was very interested to read about your thoughts and those of your friends regarding the question: What makes a good novel?

For me, a writer of popular fiction, a good book entails the perfect marriage of a riveting story line and great characters. I have to feel a connection with the main character; I want to feel drawn to them and want to know what happens to them next.

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So when I’m writing a new story, I strive to know the characters first. I am a fan of the “story bible” or “book journal” which means I write the details of the characters, and setting, background, longhand in a special notebook. By this method, I develop my characters well before I ever start writing the story. The hope is to convey real characters who have depth.

I prefer a small cast. Donatien’s advice is to deal with only a limited number of characters and make sure that readers will recognize them easily.

I agree. I finished reading The Warlock by Michael Scott a few months ago. It boggled me for half the book, trying to remember the vast catalogue of players. For the second half of the book I had a handle on the enormous cast but I still got confused. Even the professional writers get it wrong.

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Donatien recommends keeping things clear in the reader’s mind especially in dialogue. It is very important for readers to know exactly who is saying what. Thus the importance of perfect punctuation.

So for a good book, you need a manageable number of characters. You need to hone good dialogue and pay attention to punctuation.

You also need a rivetting story line. I prefer adventure stories, and I have done since I first discovered the joy of reading as a young girl. And in writing popular or genre fiction for children, the goal is to take readers on a fabulous ride they won’t want to get off. In a story worth its salt the protagonist/s have to win fire (or the elixir) and bring it back to the tribe, but to get there, keep upping the pace, worsening the conflict for the protagonist and deepening the stakes.

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There is an infectious pace that kicks in on a brilliant story. You can’t stop turning the page. Donatien says, Rhythm is very important. Can each sentence be read in a loud voice for the first time by a newcomer without hesitation? If the reader stumbles, chances are the sentence needs work. To bring your writing alive in the reader’s mind, he suggests remembering to use all the senses. Place the reader at the very center of the action, but also at the center of the environment through the use of the five senses. Add a sixth sense: the sense of a dream.

For me, there’s also an X factor that marks a good book, that singular thing of being able to drift away with the words. It’s the fairy circle where you enter and the more you read the more you lose time. I like stories that take me away somewhere. My goal with every story I write is to return the reader to the shaded places of youth where they remember magic can happen, to inspire a sense of wonder. That is the holy grail.

How do you instill wonder? I’m always trying to figure it out! Do you know?

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Keep Writing!

Yvette K. Carol

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Storytelling is really one of the most wonderful things about human beings. And some of us get to be lucky enough to also be the storytellers. ~ Bryan Cranston

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*Please note this special request from Donatien: If you could find the time to read The Immortal Part, available on lirenligne.net, and let me know if I’ve managed to follow my own recipes, I’d be very grateful. On the lirenligne.net website, you have to click on Donatien Moisdon or The immortal Part, then “télécharger” (download) in the brown square. 

*Please remember to write a review. Thank you! 

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world–or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

OPTIONAL January 8 question – What started you on your writing journey? Was it a particular book, movie, story, or series? Did you just “know” suddenly you wanted to write?

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Thinking about this question was like going back in time in my mind.

I thought it started when I wrote my first children’s story at seventeen. Why? It was the perfect escape from my life as a teen mum, living in a squalid upstairs flat, washing twenty dirty nappies in the bathtub every day, and making macaroni cheese with a different flavouring every night for dinner.

Then I thought no, it started further back than that. It started when I was seven and had first learned how to read and write. At school, I was a natural-born leader and could organize all the other crying kids into happy games of ring-a-roses and so on. However, I couldn’t do math, I struggled to learn to tell the time for years; I found every subject difficult apart from English because that was when invariably they would ask us to write a story. I can even remember one of the story prompts from when I was seven, ‘I was so scared when…’

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Every time the teacher asked the class to write a story, I would pick up my pencil and let fly with my imagination. There was ever a story to hand, I was never without one, and they tripped easily off the end of my pencil with ‘gay abandon’ as they used to say in the 60s. Suddenly I felt empowered suddenly I felt alive and suddenly I felt I could do anything!  I knew I could write a story. It felt wonderful to be sure of myself and to get good marks and encouragement for my work.

I loved expressing myself in the written word even then.

But the more I thought about it the more I thought no, it started further back than that. It began back when I used to tell my little brother spontaneous stories in our “curtain game” which we used to do when I was four and he was two.

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We had picture curtains displaying bright images of toys, dolls, trucks, and pets, and the game we used to play was to pick a picture and tell a story. My brother’s stories were a few words long while my stories could stretch on for fifteen minutes. I found story telling came to me easily, the ideas, the characters, the scenes tumbled out effortlessly, and the process gave me great joy.

Writing the stories down on paper began at seven, so I guess you could say my “writing journey” started properly then.

Into my twenties and thirties, I still wrote with pen and paper. I would spout off about how I liked the tactile aspect and that the thoughts seemed to flow more easily from brain via pen to real paper, and so on and so forth. But when I faced typing up the first draft of The Chronicles of Aden Weaver, in 2010, I had the unenviable task of typing up a 300,000 word handwritten manuscript. I chopped the story into three sections and I still had a huge job before me. I roped in a few people to take a few thousand words each, to make it less daunting. And it helped.

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However, when I finished that task, I felt burned. I never wrote another story with pen and paper. And you know what? I can write stories perfectly well on a computer, I’ve discovered the story writing is the same and you have the benefit of not having to transcribe your own tiny handwriting afterwards! Win-win. I published the first book in The Chronicles of Aden Weaver series, The Or’in of Tane Mahuta in 2015, the follow-up, The Sasori Empire in 2017, and the third book in the trilogy, The Last Tree is due out this year. It’s been a thrilling journey so far. I love writing stories no matter the medium, and I can’t wait to see where I go in the decade ahead.

I love writing fiction! Do you?

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Keep Writing!

Yvette K. Carol

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“Whatever you think you can do or believe you can do, begin it. Action has magic, grace and power in it.” ~ Goethe

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Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

I think I get addicted to editing on each project. I did a little thing with The Last Tree, that my family would call a “dad thing”–I kept count. I work as a “pantser,” I write a rough draft without a plan and then edit for a lifetime afterwards. I was curious about how many times I go through an entire 360 page manuscript editing this way. With the third book in The Chronicles of Aden Weaver trilogy I kept a notepad by my laptop and noted each time I edited the whole book from page one. The answer? Seventy. Yep. I know, I had the same reaction. I knew it would be a high number but that came as a surprise even to me.

Ever since I sent the manuscript for The Last Tree to a friend who does copy-editing I have had to ‘down tools.’ I didn’t feel it was fair to keep making changes while she was working.

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For a personality like me, it has been hard to let go. It sounds so easy, yet it’s hard to do. It was amazing how many errors I would find every time I looked at the story, so I kept editing and even after seventy edits of the same material, I could easily keep going. But I have to draw a line in the sand sometime. Even a perfectionist has to stop somewhere. Paul Gardner said, a painting is never finished–it simply stops in interesting places.

Giving the story to my friend had forced me to stop editing. It made the cut. I was without the work that had defined me the last two years. In the final stages of editing a book, you’re working on it night and day and the effort consumes everything. Then it’s finished and you’re set adrift.

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I keep looking back over my shoulder thinking there’s something important I should be doing. Then I remember the book is being looked at by a professional and there’s nothing for me to do anymore.

This is the breakup. It’s difficult while it’s wonderful to be free.

It’s a weird limbo. Who am I without my work? My youngest son said a profound thing the other day, something this wise young owl has been wont to do since he was a tot. He excels in science and has been talking about his interest in space for months. Then he said he’d been thinking about it, ‘we shouldn’t be looking at the planets we should study ourselves, we should find out all those answers first.’

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It was Blaise Pascal who said all of humanity’s problems stem from man’s inability to sit quietly in a room alone.

I knew it was time to take a deep breath and just stop and do nothing for a while. This helped me get back on track. I let myself enjoy life again. I stopped rushing, slowed my pace, and put the gardening tools away. I took myself out for a bit of retail therapy and started my Christmas shopping. I met with friends and talked. I went walking and got fresh air into my poor oxygen-starved lungs. I ventured outdoors in the sun instead of looking outside longingly from my writing desk. I took up meditating twice a day, the same way Oprah does. I crafted and decorated homemade gifts and made Christmas cards.

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I started reading a new book. I wrote letters and sent cards and gifts to far-flung family and friends who I knew would be lonely at this time of year. I made donations to worthy causes. I planned to get together with people to celebrate the season. I moved on in as positive a fashion as I could muster. I’m endeavouring to balance out the activity and time spent appreciating nature with regular periods of stillness, mindfulness or ‘studying myself first’ as my son would put it. I feel much better. My feet are on the ground again.

It’s also nice after the hours labouring over a computer to spend time with loved ones. I’ve had lots of wonderful conversations with my kids. The old tension around my book has gone from my system. I think it’s important as writers that we take care of ourselves and allow that sometimes finishing a book is a process.

It takes time to decompress to let go to breathe to unwind to reform our sense of ourselves and that’s okay.  

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“My greatest wealth is the deep stillness in which I strive and grow and win what the world cannot take from me with fire or sword.” ~ Johann Wolfgang Von Goethe

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Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

I will call what happened “an intervention.” A close friend took me by the hand and gave me a kind little shake up, a gentle push in the right direction. When she heard my intention was to soft launch my next book, The Last Tree, on Amazon, she was aghast. ‘But if you do the same things, you’ll only sell to the same number of people.’ It’s a privilege when someone gets real with you, because it means they care about you enough to intervene.

She asked me, ‘What do you want?’

‘To inspire more readers.’

‘If you want to reach more readers, you must do more.’

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My friend introduced me via email to two people in the business. And over the last fortnight I have met with these two wonderful successful business women, one a traditionally published author of sixteen books and a publicist, and the other a well-connected and respected literary agent. Both women generously gave their time as mentors.

I thought I should share some insights I have gained through this enlightening process.

The first advice was to use my time more wisely.

‘You have too many toes in social media. These things are time wasters.’

I think I sucked in a horrified breath. I’ve spent the last ten years working extensively on my brand, by maintaining ten social media accounts: going around the sites, liking, sharing, commenting, and by making status updates, posting photos and quotes. I thought I was building a social network of contacts, which was important for Indies. It never occurred to me I was wasting my time. Admittedly, sometimes I ran myself ragged keeping up with it all.

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In life you learn and learn, then you course correct, then you learn and learn and change more. It’s a constant process, isn’t it? I remember hearing, ‘Margaret Mahy doesn’t have any social media accounts. She doesn’t even have a website.’ I remember being surprised by that. And I remember my writing buddy,James Preller, joking that he didn’t go near sites like Goodreads because they scared him. I had always felt I needed to be present in as many social media spheres as possible to build my brand as a writer. Yet, maybe that’s why Mahy published hundreds of titles and Preller is on his 85th and I’m on my third….

A week ago, I deleted half my social media accounts, reducing my activity to this blog and my Facebook Fan Page for writing. The monthly newsletter, Pinterest, and my personal Facebook page get to stick around for a while because I can’t bring myself to release them.

The next advice was to amalgamate my blog and website.  To do what I do online better, they suggested I study what the greats are doing with their Internet presence and do likewise.

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I circled the internet and noticed the bestsellers usually have one official site which has a blog and website combined along with a few pages to read: about the author, coming soon/what’s new and links/downloads, that sort of thing.

I did the same. I shut my old website down and amalgamated my blog and website, so it is now a journal blog plus a few pages about me and my work.

The next advice was to expand my author branding. I changed my title from ‘Children’s Writer’ to ‘Author’ as the former might become limiting in future if I want to branch into other genres.

The next advice was to get out of my comfort zone. I shall start submitting to publishers, however if I do self publish, then I’ll spend the money to bring a publicist and a distributor on board, to get the book into stores and libraries and get media attention.

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Admittedly, I shall have to summon all my courage to submit to publishers again. I had gotten to the stage where I was sick of the rejections, and that was one joy of going Indie was I didn’t have to worry.

However, I will send the query letters. I will go to the Publishers Association New Zealand website and look up the member directory for publishers and then follow the guidelines on how to submit.

The last advice they gave me was to be professional. They said ‘if you want to be taken seriously in this business, have your manuscript checked by a proofreader and a copy editor. Pay the money.’

The Last Tree is with a proof reader now.

I’m taking notes. You live and learn, boy. What about you, what have you discovered lately?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“Shoot for the moon. Even if you miss it, you will land among the stars.” ~ Les Brown

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Ten days ago I delivered the finished manuscript of my book, The Last Tree, to the printers and I told myself I would relax. I would finally take the foot off the pedal. That was the plan. It was Monday. Turns out taking the foot off the pedal isn’t as easy as it sounds. On Tuesday, I organized to meet with an old school friend who is a business whiz. She had suggested she might help get more visibility for my books.

It was the first time I’d ever seen her business side, which was very interesting. After chatting for a minute, we sat down and started to talk about my stories.

I thought her first question was brilliant. She said, “What do you want?”

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I said, “When I started out (at seventeen) it was world domination. But it’s not about that or the money anymore. People say when they read my books they’re inspired. I want to share my stories and inspire as many people as possible.”

She asked me, “Do you have an agent?”

“No.”

“Do you have a marketing plan?”

“No.”

“Do you a way of getting your book into bookstores and libraries?”

“No.”

I was feeling like a right duff by this stage! I think my friend was none too impressed. She said two things after that.

“Your problem is no one knows who the heck you are.”

“That’s true.”

And,

“You will have to up your game.”

“Oh.”

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Both these statements struck terror into my heart. Do I commit to this? I prefer low sales and no one knowing my name. I prefer gliding under the radar. I don’t want to get asked to attend ceremonies and speak at venues. I don’t want a full social agenda. I have more than enough to do every day. There is no downtime as it is and as a card-carrying introvert, spending more time with people scares me terribly.

Yet I get the shake up my friend is giving me. She’s saying ‘look what is it you really want?’ And then, naturally, ‘you will have to do more to make that happen.’ And she’s right. I know she is. But can I do it? Can I commit when I’m raising two boys on my own and have a home and a property to manage single-handed?

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Since then, my friend has introduced me to a successful author she knows. We’re meeting at a cafe up north on Monday morning. I’ll take my first two books, The Or’in of Tane Mahuta and The Sasori Empire. What I hope to find out is how to reach more readers, and whether I should submit my books to a publisher. My friend has also introduced me to an author and agent whom I’m meeting soon. I need to ask if she has access to the lucrative movie and gaming market, especially in the U.S. They should be fascinating meetings. The nerves are fraying already just thinking about them.

I have freely admitted in the past to being utterly slack at book marketing. In fact, the article I had included in the Insecure Writer’s Support Group book, The Insecure Writers Support Group Guide to Publishing and Beyond, The Melee of Modern Marketing, was about accepting our limits as Indies and not beating ourselves up when we do not achieve mega book marketing campaigns.

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Between the many responsibilities in my life, I am tired. I don’t know if I have the time or the drive needed to “up my game” with book marketing. It’s a serious concern. Although I respect my friend’s advice enough to take it, I do so with great trepidation.

All I can do is what my hero, Aden Weaver, did throughout The Chronicles of Aden Weaver series, to get through adventure after adventure. Whenever he felt scared, he would keep putting one foot before the other. This would be an apt time for the adage, ‘don’t think, do.’ Then trust the rest will follow. Whew!

Since sending my manuscript to the printers, I’ve done nothing but work. The overgrown garden needed a machete taken to it. I had a big speaking project at Toastmasters, which required a lot of prep. The meetings with these other authors will probably lead to even more work. Rather than taking the foot off the pedal, I’ve been burning rubber.

Relax? Fail. Please tell me how you relax. I need tips!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“We must always change, renew, rejuvenate ourselves; otherwise, we harden,” – Goethe

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Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

*I took the option of not answering the ‘optional question of the month’.

InsecureWritersSupportGroup

I exist in that strange, no-man’s-land, the limbo on the other side of having finished a book. I only just surfaced from the gruelling, nitty-gritty hard yards of getting The Last Tree to a publishable standard at the weekend. Any Indie will sympathise. Those few weeks and days were late nights and early starts, and staring at the words on the screen, word by word, until I could barely see anymore. Then, I delivered the novel into professional hands and went into free fall.

Slowly I can feel my extremities again. I am relieved and pleased all at once.

I tried an experiment with this book. The first two books in The Chronicles of Aden Weaver trilogy cost me upwards of $5000 each to produce. To bring the price of publishing my stories down to a reasonable level, I cut out the proofreader and the copy editor, which saved $3200 and instead paid $70 for a year’s subscription to ProWritingAid.

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I worked with the online editing program and my blood, sweat and tears.

Last weekend, after developing this book for two years, the deadline for delivery to the book designer was Monday. It locked me in a deadly embrace with time. I can’t stand deadlines. However, they work to prod you into gargantuan herculean efforts of which not even you thought possible. Sunday night I was still at my computer editing hard at eleven, and on Monday morning, I was up at five to start again.

I cross my fingers and toes that by doing it all myself; I have done enough. I really hope so.

The Monday deadline also meant I needed to get the second pen and ink illustration done, because I had only completed one. The weekend of editing was so intense, I gave myself “art breaks” and during those allotted times I doodled and inked in the second picture. It was so much fun! I think I like the resulting illustration the most out of them all.

The First illustration, 600 dpi

I blogged last week about the cover art arriving. After the long haul of editing, when you reach the finish line, it’s like time speeds up and everything happens at once. These vital pieces fell into place. On Thursday night, the cover art brought the world to life. I finished the second pen and ink illustration. I prepared the accompanying copy for the back cover and the end pages. I liaised with the book designers and set up the printers.

Monday eleven o’clock, I reached the words The End and realized I had finished the editing. It was an emotional moment. At lunchtime, I emailed the whole package to BookPrint. Then I drove over and sat with the designer for an hour and a half. The great thing about going to BookPrint again is they have the files of my last two books so it should be a relatively seamless job to produce the third book in the same style as the others.

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For the actual printing of the books, I compared the costs of printing at local firms and took $400 off the price by giving the job to another local company, 3A Signs. Altogether, I have halved the price of production, bringing it to $2500. But have I done enough as the proofreader and copy editor to make the savings worthwhile? I don’t know.

I have an author friend who recommended the online editing program, and she has successfully used it for her last three books. Will it work as well for me? I don’t know.

I wait to see the cover and the layout. I’m looking forward to getting the proof copy. I want to sit and read The Last Tree as a reader would. I did the very best I could, and now, the test, does it hang together as a great story that was worth telling? I hope so.

I hope this book makes the mark, however; I don’t know, hence my insecurity at present. I linger in book limbo. Help! Thanks IWSG, for the chance to rant!

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Keep Writing!

Yvette K. Carol

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The future belongs to those who believe in the beauty of their dreams.
– Eleanor Roosevelt

I was thinking today how cool it is being an Indie Publisher. I get to do the labour of the writing and I also get to design the finished product. For instance, with my upcoming release, The Last Tree, I’m in the final stages of preparation. After two years of writing, rewriting, and editing, now I get to put the whole package together.

I will do a few illustrations, organize the formatter, the printer, the ISBN’s, and think about the book launch—you know, the fun stuff. I’m communicating with my nephew, Si, the artist, about the cover art. And I’m dreaming of what it will look like and whether it will mesh well with the first two books in the series.

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I can’t wait to see it and the artwork could arrive at any moment!

This is when you can be as creative as you like. You don’t have to go the full Lemony Snicket, but you can let your imagination run wild in your own way about how your final masterpiece will look. I like the design side of book production. I would find it difficult to hand over the decisions to someone else. I had a picture book accepted once by a Wellington publisher, but they wanted to change the names of every character, so I declined the offer. These stories are my creations. As Martin Baynton said, ‘A book belongs to you. It’s your intellectual property.’

My stories are my intellectual property, and they will live long after I’m gone, therefore I want a true representation left in the world.

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I find the end stages of book production particularly pleasing. There are lots of little details to get done. It’s when the story morphs into something real I can hold in my hand. There are delicious treats to savour ahead like seeing the cover art, when Si will bring one of my characters to life. Then there is that singular moment when I get to see my book cover for the first time. Every published author can attest that there is no greater delight than laying eyes on one’s new novel! After the hours spent nose-to-the-grindstone editing the story, these are the glory days. These are the exciting things every author dreams about.

When I pictured how the finished books in The Chronicles of Aden Weaver series would look, I wanted eye-catching covers, which I created with Si, and the cover designer at BookPrint. And, I wanted a symbol to act as an emblem linking the books together visually on the shelf. So I designed the seal of the Order of the Order of Twenty-four and set that on the spine of the jacket.

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As a child reader, I always appreciated it when the author added their own artwork to their stories, which is why I also include my pen and ink illustrations inside. In last week’s post, I shared how to create a map. This week, I’m sharing how I created the first pen and ink illustration, which I finished on the weekend.

This is how I did it. I drew a rectangular frame within an A4 sheet of paper. Then I chose a scene from the book—a battle between two giants. Breaking away, Ike Lee collected a boulder with his free hand and tossed it. (chap. 63, pg 210)

I drew the scene in pencil within the frame. Once happy with the image, I went over the pencil lines with black ink pens.

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As with making my map, I used a variety of size nibs, and also black water colour paint to fill in the shadows.

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It is fun to fill in the outlines and ‘colour it in’ with ink. I like to experiment with different patterns and textures. I think it’s essential with pen and ink to have some decent areas of black and white, too, as it’s so effective in this medium, creating differentiation, drama, and maximum impact. Then imagination can let fly.

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I built up the layers, lines, dashes and dots. I spent the whole day adding more. I finished with a black key line to frame the image. It was lovely to doodle all day after the hard graft of getting the story written and edited. I always look forward to doing the illustrations as an author’s reward for making it to the final stages of production.

And here’s the finished picture. What do you think? I’d love to hear from you!

The seond illustration, 200 dpi

Talk to you later.

Keep on Creating!

Yvette K. Carol

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A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it. ~ Roald Dahl

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Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world–or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: October reflective question: It’s been said that the benefits of becoming a writer who does not read is that all your ideas are new and original. Everything you do is an extension of yourself, instead of a mixture of you and another author. On the other hand how can you expect other people to want to read your writing if you don’t enjoy reading yourself? What are your thoughts?

While parenthood and other strains have sometimes prevented me from reading nevertheless books have always played a major part in my life. From listening to mum and dad reading us stories from babyhood, to being given my first book of legends, my first book of poems, fairy stories, and so on, as a special Christmas gift each year, I grew up surrounded and encouraged by literature. There were lots of books in our house. My parents sometimes even allowed me to borrow from my sisters’ library, which was considered a special treat.

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We grew up with a nightly ritual of our father reading us bedtime stories. From the time we were babies right through to young adolescents, in reward for getting ready for bed dad would come and read a few pages to us. He read slowly in his deep voice and it was wondrous to hear all the classics, Treasure Island, Robinson Crusoe, The Swiss Family Robinson, and so on.

You’ve heard the saying, you are what you eat. I believe it’s also true to say; you are what you read.

The wonderful Kate De Goldi put it best when she said, ‘I’m someone who’s been constructed by books, my sense of self, how to think about other people, how to understand other people’s realities is largely down to reading.’

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Having been an avid bookworm since the age of seven, I feel I’ve been steeped in the cultures and stories of every novel I’d ever dragged home from the library and pored through every night.

I am not sure how you would separate me from the stories I’ve heard and told and read.

So I must accept that there’s no getting away from the literature I’ve imbibed. Those books are part of my DNA. I’m re-reading the Redwall series from the beginning. I got a shock the other day, when I read a character refer to death/the afterlife as being ‘the dark gates’ because in my Chronicles of Aden Weaver series, I called death ‘the black gates.’ I must have subconsciously recalled the phrase from those wonderful books by Brian Jacques and made it my own. I’d completely forgotten the term until I read it recently.

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Do the best you can to be as scrupulous as possible, but sometimes these things happen. Does it mean I should stop reading to avoid such clashes? No.

Every writer has heard that they should read to write. The theory being if you don’t read the best in your genre, how do you know what those readers are interested in reading? It’s vital research to every author worth their salt, to know their genre.

When I was a younger writer I used to exist in a bubble of solitude. It was the 80’s before the internet and personal computers. I was a young mother at home and I did not understand what the marketing of books was about in those days.

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I hadn’t read in my genre (of children’s fiction) since I had been a child. I wrote about whatever I liked. The resulting epic, The Scrifs and the Stirrits, was fantasy adventure for 6- 9–year-old readers with a tale of furry little critters on a quest.

In the 80’s absolutely no one was publishing anthropomorphic, off-world fantasy adventures for 6- 9–year-old readers. They weren’t popular, but I had no way of knowing as I was not reading in my genre. There wasn’t a single publisher in New Zealand who would look at my manuscript. Those were the days before self publishing when the traditional gatekeepers really did stand between the writer and the goal of publication. It was a tough lesson.

Point taken: you have to read to write. What do you think?

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Keep Writing!

Yvette K. Carol

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 “A reader lives a thousand lives before he dies,” said Jojen. “The man who never reads lives only one.” ~ George R. R. Martin. A Dance with Dragons

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Subscribe to my Newsletter at www.yvettecarol.com

Yesterday, after a slog of four doctor/hospital appointments in one day between my two younger boys, I received some horrible news. I had finally made it to sit down at my laptop and zone out with a stroll through my feed on Facebook. It was there I read the sad update of a friend’s son, to say that Robyn Campbell, beloved mother of seven, and highly regarded member of the writing community, had passed away in her sleep.

I left two stumbling messages on the post and immediately shut down my computer. I went about the rest of my evening, thinking about Robyn. She was such a great editor and writer, and a real firecracker. She and I formed a critique group of two a few years ago, called ‘The Two Amigos,’ and we spent a year or more working on our middle grade novels together.

The Two Amigos

Robyn was sweet, and she ended every email with “SMOOCHES! Xxx”

I admired her endlessly positive attitude and spirit. She let nothing get her down.

Robyn was one of the original members of my online group, ‘Writing for Children’ over on Wanatribe International. That’s where we first met. She was so vivacious and fun. Her son was going through serious health issues, then their barn burnt down full of gear, and in the last couple of years, she fell down a hill when running away from a bear and hurt herself badly. Yet, her buoyant spirit never wavered. She was always positive. I used to marvel at her strength and willingness to get back up again and keep striving.

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One of her children, Christopher, was born with Sturge-Weber syndrome, characterized by the port-wine staining of the skin and various health issues. People with Sturge-Weber have a higher risk for seizures, glaucoma, stroke, blood clots, blindness, and paralysis. It was on Writing for Children we hatched a book, compiling an anthology of stories together. We wanted to help Christopher and other children like him. We formed the idea to donate all the proceeds of the book to the Sturge-Weber Foundation which is doing research on the rare condition.

Robyn’s story took us, that when Christopher was little and had asked about the staining on his skin, she would always say, “That’s where an angel kissed you.” We thought it was beautiful. With that in mind, the title, Kissed By An Angel was born. We went over to Facebook with it, creating a page for the book where we invited middle grade authors we knew to join and take part.

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We ended up with eleven authors in all. Our theme was angelic, supernatural, or somehow not of this world. 

I wrote a story, illustrated my story and the cover. We edited the book by sending our stories to the whole group and critiquing back and forth. Then another member did the formatting and so on.

We were proud of the resulting anthology, Kissed By An Angel . After publication, we sent one copy around the world to every contributing author to sign, and Robyn gave it to her son. In the foreword, Robyn wrote that the authors of the anthology ‘volunteered time to work on their stories and the publication of this book. They’re more valuable than the finest jewels–more cherished and appreciated than mere words could ever say.’

Robyn was the best.

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In her moving story, which starts the anthology, Kissed By An Angel Robyn wrote the story from Christopher’s point of view. She retells when he says he’s sorry for having seizures and making her cry. “This is nothing you’ve done. It isn’t your fault.” Momma smooths the sheet. “…I want you to know I would never, ever need a break from caring for you.”

Robyn was a truly wonderful mother.

I remember when one writer’s mom became ill. Robyn organised a big group of writers to write a funny story by each adding a snippet and send it to her to cheer her up.

Robyn was a truly good friend.

What a giant hole she has left in her family and in everyone’s lives. I’m so sad, I could hardly sleep last night…

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And then I started to think about how much Robyn has inspired me.

She was a warrior mother, a home-schooler and a hard worker on the farm. Her nature was one of giving, and there’s a lot to learn from that. She never let things get her down and always looked to the positive.

Robyn was truly a role model.

She showed by example how to have the right attitude in life. That’s what I aspire to do, too, hopefully half as well as my amigo. 

Love you buddy, smooches! Xxx

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Choose happiness. It’s the ultimate act of rebellion. ~ Piper Bayard

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Subscribe to my newsletter, email me on yvettecarol@hotmail.com

For the last two years, I’ve been working on my third book, The Last Tree, and I’ve finally gotten it to the point where I would normally go to a professional editor and then a proof-reader. But this time, I thought I would try an online editing service as the price difference was more than three thousand dollars. A friend, who is also an Indie author, recommended a particular service, and I signed up, paying $70 for a year’s worth of “premium service.” After two weeks of fruitless attempts trying to upload my manuscript to their documents file, and many emails back and forth, I am still unable to upload my story and unable to use their editing services.

I think of myself as reasonably intelligent, however I admit to being hopeless with technology. I find dealing with all the in’s and out’s and nooks and crannies of online services mind-boggling. Nothing is ever as straight forward as you’d like it to be. Everything requires a learning manual to figure out how to use the site: ‘Just watch these ten videos to show you how to use all the different aspects of our service.’

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I may have to go back to the original plan of paying a small fortune for professional editors to do the job. I think one of the things about being an Indie writer is that these sorts of delays, the technological misadventures that happen along the way to publishing a book, are things you would normally talk about with other people, but as an Indie, the buck stops with you. The job can feel a little lonely, sometimes, because it doesn’t matter how big the problem is no one else is going to fix it.

When my grandmother was alive, she lived five minutes’ walk up the road from me. I used to visit her every Thursday, and she would have cooked for us the most amazing full three course cooked lunch. We would sit and talk for hours. And she would tell me the family stories. Every time I hugged her and turned to leave, gran would say some special saying to take away, to think about on my walk home. She’d say, “Remember to always look for the silver lining, and you’ll find it” or “Reach for a star and you’ll go far.” So, these days, many years after her death, I hear her wise words and remember them. She would know that any hitch in the proceedings was fine, and all was in order with nothing out of place.

Gran and I

I emailed the online editing service, and said, if we don’t get the issue sorted out this time I’ll get a refund and move on. In the meantime, I’m very happy to have another go at editing the material. You can never edit enough, that’s for sure. So I’ll happily run through The Last Tree two or three times more while I wait.

As I near these final stages of working on this novel, I have to figure out the cover, the illustrations, and the whole presentation. I have included a couple of my own pen and ink illustrations in each volume, so I knew I wanted to do a couple for The Last Tree as well. I hadn’t had a chance to look at them while I was still deeply immersed in the editing. You get onto a track of momentum when you’re editing and you want to see it to the end. I had to complete the polishing edits before I could contemplate art.

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The last two weekends, I’ve spent hours at a time waiting as I tried to get documents to upload to the online editing service, and I spent that time wisely. I picked up my pencil and dusted off my art pad. It felt so liberating to leave the laptop. I sat down and started to draw the illustrations for the third book of the trilogy, The Chronicles of Aden Weaver.

By the end of the weekend, I had a template for two illustrations: one of the hero making a deal with the bird demons, and the other of two giants fighting. I see my given deadline of spring release for The Last Tree slip, slip sliding away. Yet, now, I have some illustrations I can work on during any further delays in production. I think they call that the silver lining. It helps to stay positive, no matter what.

“Remember to always look for the silver lining, and you’ll find it.”

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Staying positive doesn’t mean everything will turn out ok. Rather, it is knowing you will be ok no matter how things turn out. – Unknown

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com


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