Posts Tagged ‘art’

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

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OPTIONAL IWSG Day Question: If you could use a wish to help you write just one scene/chapter of your book, which one would it be?

If I had a wish to help me write just one chapter of my book, it would be the opening chapter. For me, as a reader, everything hinges on that first experience. If I’m not hooked by the time I get to chapter two, there is zero chance I will keep reading.

I remember clearly to this day when I first fell in love with books, and that was when – as a nine-year-old – I opened the first page of Tove Jansson’s classic tale, Finn Family Moomintroll and I read, Dear child!!!! When I first heard that the whole Finn Family Moomintroll was going abroad, I went to Moominpapa and asked if I should pack the usual things we carry with us on our wanderings around.

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I was enchanted! I had to know what happened next. And, my love affair with reading really began.

That’s the sort of reaction I’d like to elicit in the people who read my stories. I remember when J.K. Rowling was really getting big – and there was a huge kafuffle around the release of each new Harry Potter book – the thing I admired the most about her meteoric rise was that she had gotten kids reading again.

J.K. Rowling drew the kids away from their devices, and not only that, she’d reached that Holy Grail of getting the boys reading. 

Wow. I loved that. I don’t dream of the sort of massive success Rowling had – I think it’d be hideous to have the world’s attention on you 24/7 – I dream of turning non-readers into readers. How cool!

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I did a children’s writing workshop with Kiwi author, Joy Cowley, in 2010. Joy said the opening sentence ‘has to have huge energy. It’s the bait on the hook to catch the reader.’

Perhaps I could use my wish to ask for help with the first line? My good friend, author, Cat Clayton, posted on Facebook this week, ‘How many times can you edit the same sentence? Countless.’ And, it’s true. I can’t fathom how many times I edit and rewrite the opening lines of my books. With my work-in-progress, The Last Tree, I may have rewritten upwards of forty times.

The way Larry Brooks puts it, Somewhere in the first 30 to 50 pages your reader needs to realize they are as intrigued by the characters – often both the protagonist and the bad guy, though the latter may not have shown up yet – as they are by the conceptual “what if?’ hook you’ve sunk into their skull.’

So, no pressure.

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I always remember friend and successful Kiwi author, Donna Blaber, telling me to edit the heck out of the first ten to twenty pages of each book. She said she always spent more time on those crucial pages than any other part of her story. I’ve followed Donna’s advice ever since. And, with the first sentence, especially, I can’t rest until I feel I have it right.

I spend agonizingly long periods in front of my computer until I go nearly cross-eyed. I examine each word carefully. Put it this way, if I did get my wish granted, to have help with the first chapter of my book, it would free up a lot more of my time!

Do you over-edit your first page, first chapter? Do you choose your books to read by the back cover blurb or by reading the opening lines?

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Keep Writing!

Yvette K. Carol

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‘Remember, if you sit at your desk for 15 years or 20 years, every day, not counting weekends, it changes you. It just does. It may not improve your temper, but it fixes something else. It makes you more free.’ ~ Anne Enright

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Subscribe to my Newsletter by emailing me with “Neetter Subscription” in the subject line to: yvettecarol@hotmail.com

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The benefits of reading for the writer are multi-fold. I knew that. Yet, there were a lot of years in the middle of my life where I wasn’t reading modern fiction.

I discovered the joy of reading, as a little kid. A trip to the library each week was a part of our pre-school and early school life. I can remember eagerly choosing books and taking them home to savour. Then somewhere along the way I lost the habit. I felt guilty. I was embarrassed that I wasn’t reading.

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Anyone who follows this blog will have heard me talk about the wonderful writer, Kate de Goldi, our award winning kiwi writer. I admire her work and she is a great teacher, too. When I did Kate’s Writing for Children workshop, in 2005, she was emphatic about how important it was for us to read. In the very first lecture she gave, Kate said, ‘Read the genre constantly, get immersed in the form.’ She finished the lecture with the exhortation to, ‘Read, read, read. Write, write, write. Read, read, read. Write, write, write.’

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At the time, my two youngest boys were one and three, and I was trying to work on my stories, and be a good wife and run the household, and I was busy. I was too busy and exhausted to read. Then, I became complacent.

Last Christmas, however, I decided enough was enough.

At the start of this year, I made a private resolution that I was going to start reading again.

So far, it has been incredible. Every time I find myself at a second hand bookstore, or a book fair, I buy every middle grade book I see that looks interesting. I have built quite a library. And, I’ve started happily working my way through my collection.

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I’ve read all sorts of novels: Margaret Mahy’s Raging Robots & Unruly Uncles, Jane Bloomfield’s excellent Lily Max, Satin, Scissors, Frock, Joy Cowley’s The Wild West Gang, and Emily Rodda’s The City of Rats, averaging one book a week.

It has been more than entertaining; it has more than reminded me why I love to read. It’s been an education.

I understand now why Kate specified reading in one’s genre. You begin to realize what’s out there, and how people are writing to “tweens” these days, you start to see more modern structure to the stories. I’ve been inspired and encouraged to refresh my own approach to fiction. Becoming ‘immersed in the form’ helps me better understand how to emulate it. Reading is teaching me how to write.

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I cannot tell you how greatly I’ve felt revolutionized by reading again. Reading, as a writer, is entertaining and informative. Blogger, Laura Thomas, said, “When you read, you experience the power of writing. You learn what words work together and how they can be used to convey emotions.” You see which techniques and approaches to writing modern fiction are the most effective, what sort of storylines are drawing people back for more. Most of the articles I’ve read on the subject of ‘reading to improve writing skills’ recommend reading traditionally published, successful authors in your genre.

You can study good writing by reading the most popular books.

 

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According to a report on the benefits of reading in the Health Fitness Revolution blog, reading ‘sharpens writing skills.’ They attribute this improvement to the ‘expansion of your vocabulary.’ “Exposure to published, well-written work has a positive effect on one’s own writing. Observing the various styles of other authors, journalists, poets and writers will eventually be reflected in your own writing style.”

I believe that to be true. I see my style changing. I notice that when I’m thinking on my feet as well, for instance in Toastmasters, I have more words available than I used to. It’s wonderful.

I like to hear also, how reading influences other artists, because the impact crosses all forms. I had the great pleasure of hearing artist/author Shaun Tan speak at one of New Zealand’s Storylines Children’s Literature festivals, a few years ago. He’s such a genius.

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Of reading, Shaun said, “As well as visual sources, many ideas for the illustrations emerged from my reading history. I’m often thinking of different things I’ve read, or particular words, while I draw and paint which best express the poetry of colour, line and form I’m after.”

I found that thought uplifting.

Reading a great story is universally beneficial. How cool is that.

I aim to continue to read my way through my library of novels and when the time comes, I shall take great pleasure in starting to frequent my own local library again. I can’t wait.

What about you, do you read books? Have you been to your local library lately?

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Talk to you later.

Keep on Reading!

Yvette K. Carol

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“The greatest part of a writer’s time is spent in reading in order to write.” ~ Samuel Johnson

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

This week, at Toastmasters, I attempted to pull off my first ever roast. ‘A roast’ is a speech that relies on wit, humour and satire to ‘poke fun at a person in a good natured way.’ Can you imagine? I can’t think of too many speeches that would be harder to pull off. However, in the Toastmasters system, you choose your projects and most come in bundled sets, so when you take on a certain manual or a pathway you take on every challenge in that bundle. I chose Special Occasions Speeches (from the old paper manual system), not realizing that one of the projects therein was “The Roast.”

I have a terrible track record with humorous speeches, having bombed abominably once or twice.

In conversation, I can raise a laugh, but I still don’t know how to use humour in speeches. In my nervousness, I over do it. I’m just not that funny. So, I avoid the humorous speech contests each year like the plague, and I never attempt comedic speeches. I know my strengths and humour is definitely not one of them.

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When I discovered there was a roast among the projects in Special Occasions, I was quaking in my boots. I wanted to put the manual back, but it was too late, I was already three speeches in. So I’m going to tell you a little secret. I repeated project 2, five times over a period of five months. I couldn’t bear to do the roast. So I put it off by repeating the project I preferred, “Speaking in Praise.”  At first, I wondered if I could get away with it, because surely people would notice I was doing the same project.

Strangest thing. No one noticed.

I spoke in praise of Charlotte’s Stitches, I spoke in praise of my father, I spoke in praise of Korucare New Zealand, I spoke in praise of Sam (my son with Downs’ syndrome), and I spoke in praise of my grandmother. No one said a thing!

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I could have gotten away with it longer probably, but I made the mistake of mentioning to one of the other members, last week, that I was scared of doing the roast.

He said, “You can’t not do a project just because it’s hard. You’ve got to do it anyway!”

The gauntlet was down. I was determined I was going to write a funny speech. I would ‘do it anyway!’ I determined that this week, I would roast our most senior member and club treasurer, at our Toastmasters’ meeting.

Did I roast him? Yes. Was I successful? I don’t know. I can’t seem to do funny conversational. I go immediately to clown and cartoon, and it often falls flat. My first two jokes didn’t get much of a response and I already had that sinking feeling. Various audience members told me afterwards they enjoyed my roast. I did raise a few laughs, but not anywhere near what I’d expected. Now, I know for sure that I’m not that funny.

However, what I do know is that I am brave.

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I am so proud of myself for doing that roast.

That’s a good feeling to have about yourself.

I don’t like to stretch my neck out any more than the next person, but I notice that when I do take a risk sometimes it reaps dividends. So, accepting a challenge is worth the effort, once in a while.

I was petrified of trying to roast someone. I did not want to do it. I would have procrastinated forever, if I hadn’t been hustled out of my cave. Roasting someone was something so far out of my comfort zone it was a new frontier. Yet, I accepted the challenge and went and did it anyway. Sure it wasn’t perfect. Sure, I didn’t captivate everyone, one guy looked down the whole time I was speaking and didn’t look up till the end. Sure, I didn’t bring the house down. But I did go out on the “stage,” into the bright lights, and deliver a bloody roast.

I think that’s pretty cool.

What about you? Have you ever thought of joining Toastmasters, or some other club? Have you stepped outside of your comfort zones lately?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Failures I consider valuable negative information – Dr. Goddard

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: Whose perspective do you like to write from best, the hero (protagonist) or the villain (antagonist)? And why?

When I started writing my present series, The Chronicles of Aden Weaver, prior to 2008, I had only penned the protagonist’s story. Then, I took a writing course with New Zealand writer, Lindsey Dawson. I stayed behind after class one day. Lindsey drew a diagram of a single vertical line. “This is the main thread of your story, the protagonist’s point of view.” Then, she drew a number of other lines snaking up around the vertical line, spiralling around it and crossing back and forth. “These are your antagonistic forces. Sometimes they cross and create havoc. You need all these elements to write a story.”

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I had never thought about writing the antagonist’s story before then. Lindsey’s words opened my eyes. The more I looked at rogues in fiction and in film, the more I realized how vital it is to portray them convincingly. In fact, you could go so far as to argue, that crafting a credible, powerful enough villain is the most important part of crafting a narrative.

Alfred Hitchcock once said, “The more successful the villain, the more successful the picture.”

The idea of fleshing out the antagonist gave me licence to explore what was going on in the bad guys’ camp. And, when I finally did put out the first book in the chronicles, The Or’in of Tane Mahuta, it was presented from both Aden’s and Chief Wako’s point of view, and sometimes with Wako’s henchmen taking over the bad guys’ point of view.

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Which did I enjoy writing more? Writing Aden’s story was fun, however writing about the bad guys was much more fun. Why? I think it’s because Wako could do and say whatever the hell he liked, pardon my French. Antagonists do not have to tiptoe around the “P.C. brigade,” by definition they don’t care whether they’ve said the wrong thing or offended anyone. Antagonists don’t need to think of the repercussions. They can act first think later because they don’t care about the consequences of their actions. They’re rebels, they don’t need to play by the rules.

It reminds me of actors/actresses saying they like the bad guy roles best because they get to really go wild. Similarly, in writing the antagonistic elements of my story, I could let my imagination run rampant, conjuring Chief Wako and his evil minions, imagining what over-the-top thing he was going to say or do next.

It was a liberating feeling. Whenever I wrote the bad guys parts, I felt so free. So energized. Antagonists are famous for not following the norms of society or adhering to the moral codes that bind the rest of us. It was nice to take a break from the sanctioned code of conduct and ride along with a character who makes up his own rules.

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Bad guys are typically self-serving. We’re taught from a very young age to share, and that being selfish is the worst thing you can do. When I write the baddies, I can be as selfish as the little kid in me always wanted to be! Whoopee. That’s satisfying, let me tell you.

Although my rogue was a nasty guy at times, I grew to love him, because he was bold and brave, and an iconoclast. In fact, it was so much fun writing Chief Wako’s part that I had to tone it down at times for fear he would outshine the hero.

For the subsequent books, I followed the advice of my critique group and changed the books to a single point of view. I stopped writing the bad guys because I was advised that young readers find head hopping very hard to follow.

I missed writing the bad guys so much that I think in the next story I write, I’ll revert to multiple points of view again. I miss the villain too much.

Which do you prefer to write, hero or villain?

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Keep Writing!

Yvette K. Carol

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‘Nothing that happens to a writer – however happy, however tragic – is ever wasted.’ ~ PD James

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

Last year, I finished one round of editing my book, The Last Tree, with the help of my critique group, the Gang of Four. This year, I am working with the same group on the final edit of the material.

As the Gang of Four has kindly agreed to critique four chapters a week, I will hopefully be able to achieve my goal of completing the polishing process by the middle of the year.

The goal at this stage is to self publish The Last Tree, third book in The Chronicles of Aden Weaver in spring.

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However, due to finances going in other directions, this year (namely, painting the house and things for the kids), I won’t be able to throw money at my product, this time. So, instead of lavishing $5000 upon my creation, I will be tapping the same resources my nephew uses to publish his books at University, and I will put The Last Tree out “on the cheap.” Most people buy e-books anyway, so as long as the formatting and layout is professional, it’ll be fine.

I feel ready to finish writing this series, now. I began this epic adventure, writing rough draft in 2005, and I’ve loved every minute. Writing has given me a much needed escape from the humdrum of my life and duties as single parent to two young boys. Now, fourteen years later, the kids are teenagers, and The Chronicles of Aden Weaver are nearing completion. I want to wrap the series up. It’s time to move onto fresh pastures and see what wants to be written.

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People often ask me, “What are you going to write next?” “What’s the next project?” Truthfully, I don’t know. I’m neither a plotter nor a planner. I feel I’m not the one in charge of the creative inspirational thought. I’m one of those pantser types, who sits on the edge of their chair hoping the muse will strike. I pace the house quite a lot in between bouts of “corpse pose” (yoga pose that requires lying flat and peaceful) on the floor. I do relaxation methods to unhinge myself enough from the rush of daily life, so that I can be receptive to the inspired thoughts. I never know ‘what’s next’ until I get there.

For now, I’m driven to round off this trilogy to the best of my ability and put a suitably satisfying conclusion to my debut as a published author.

I’m glad I bit the bullet and decided to go Indie. However, it is challenging. I’ve found it takes a lot of courage it takes to self publish. The self doubt I have experienced since publishing my books has been enormous to the point of being overwhelming at times.

People already can buy and read my stories. I’m exposed. I’m out there on the page. And, I have to learn to be okay with that.

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I guess this is all part of the process of being a published author – learning to present your work and then, more importantly, to stand by it.

The next task is to put pen to paper (fingers to keys) and start a new story.

At present, I’m approaching the halfway mark editing The Last Tree. The inner writing voices that had been nagging me about structure and plot have gone silent. I feel the story is cohesive now, and all the story threads have been tied off, the questions have been answered. If we keep going at this rate, we’ll conclude the editing stage in late April.

After that, the hard graft of the self publishing mill – the slog that stands between the polished manuscript and the novel – shall begin in earnest.

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The jobs for an Indie seem deceptively simple: proofreading, copyediting, layout, book design, cover, blurbs, promos and accompanying launch material. ‘It’ll only take a few weeks,’ I used to naively think.

But no, it takes months of sustained effort. I’ve been there twice before, and at this stage, I’m under no illusions about the labour that lies ahead.

Similarly, I also know that it can be done. The Herculean tasks can be fulfilled and in the end we get to do a victory dance.

The triumph one feels on the day of the book launch is euphoric.

So that’s the carrot I dangle at the end of the pole before me as I start the march into the final stretch: I tell myself, you can do it, just keep going. Wish me luck!

 

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Talk to you later,

Keep Creating!

Yvette Carol

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Choose a job you love, and you will never have to work a day in your life. ~ Confucius

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: Besides writing, what other creative outlets do you have?

I’ve had many creative outlets over the years: photography, dress design, and dance, however, I would say art has been the most constant. In fact, I started out writing for children as an author/illustrator. In the margins of the first fictional story I wrote, as a seventeen-year-old, I doodled what the characters would look like. That set the stage for illustrating my own picture books, a time when I juggled the jobs of developing the pictures and writing the story.

Then, in 2005, a pivotal moment happened in my life.

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I went to a children’s writing workshop, with the award-winning author, and teacher, Kate de Goldi. After showing her one of my picture book manuscripts, Kate said, it was good, however, she felt I needed to focus on either writing or the illustrating.

I took the advice to heart. About half a year after taking the course, I finished illustrating my story, and I packed the paints and brushes away into the cupboard. Within another year, I was writing up a storm.

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Kate’s sage advice helped me to funnel all my energy into my writing and from there, wonderful things began to happen. Coincidentally, this lesson about focus became one of the story themes in the resulting trilogy, The Chronicles of Aden Weaver. The hero, Aden, is taught by his wise mentor, Geo, to focus in order to prevail. It’s a lovely full circle moment.

By focusing on the writing, I became more productive:

I found my genre, middle grade (or junior fiction).

I wrote a middle grade trilogy, The Chronicles of Aden Weaver. I went “Indie” and self-published my first two books, The Or’in of Tane Mahuta and The Sasori Empire.

I had an essay included in a book for writers. I also self published a short story, along with a group of authors, in a children’s anthology titled Kissed By An Angel.

I built a mailing list and started a monthly newsletter.

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In both The Or’in of Tane Mahuta, and The Sasori Empire, I included two of my own pen and ink illustrations.

Art and writing have gone naturally hand in hand for me, however, I feel like I’ve found a way to make them complement one another.

I still enjoy drawing to bring my own characters to life. I also do illustrations upon request for certain projects. I painted the cover art as well as the colour illustration to go with my story, Grandpa and Loor, for Kissed By An Angel. The difference is, instead of the art absorbing all of my days, now with small art projects, I’m more in control of my time.

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The thing about painting – and probably any kind of art – is that it’s a time suck.

I remember an old landlord, Arthur, when he saw me at work on one of my illustrations, said, ‘Ah, painting, the thing that sucks time into it like a black hole.’ It’s true. It’s the kind of hobby you do, that you look up and realize its dark, and you wonder where the day went. I loved it, but once I was raising my two younger two boys and writing, there wasn’t time left in the day for art.

Being able to surrender my illustrator’s hat has been a significant improvement in my life. These days, I do what I love to do most, which is to write. Then I dabble at my art when I have the time and the inclination. It works.

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(artwork by Si Kingi)

I’m also more productive. This year, I intend to self publish the third book in The Chronicles of Aden Weaver, The Last Tree. I’ll need to figure out which drawings I’m going to do for it within the next few months and get them done before then. But, that’s okay. When art isn’t asking for every spare minute, you feel you can relish getting little jobs done like that.

A life in balance, between my writing, art, and the rest of my life, that’s my ultimate goal for 2019!

What about you? What are your creative outlets?

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Keep Writing!

Yvette K. Carol

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A painting is never finished – it simply stops in interesting places. ~ Paul Gardner

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. I usually start my posts apologizing for being a day late. This month, I apologize for being a week late. Sorry! I’m putting it down to the holidaze.

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: What are your favorite and least favorite questions people ask you about your writing?

Oh, this is a good one. Believe it or not, I’m most often asked about my income. I don’t know why, but people seem to think its okay to ask writers about their pay rates when it’s not a question normally asked of other professions. I guess people are fascinated by the idea of writing books. I’ve heard many authors say, that in making school visits, the question they get asked the most often is, ‘How much money do you make?’

I think of Jack Nicholson’s famous movie rant, “You can’t handle the truth!”

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People imagine they will be the next J.K. Rowling or Stephanie Meyers. People see the blinding success stories of people who write a book and sell millions and become famous. Whereas the truth is those elite writers who make the most money are in the top 5%. The rest of us need to keep our day jobs.

Whenever I talk about authors and making money on social media, I drag out a beloved quote by one of my fellow authors on the children’s collaboration, Kissed By An Angel. Ellen Warach Leventhal said her favourite response from a fourth grader was, “You work hard, you don’t know if you’ll ever get paid for it, and you aren’t rich? Man, not sure I want to do that.”

That’s right. The reality is not very romantic.

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In essence, that’s why millions of people try their hand at penning their first novel every year and why only a small percentage of them will ever attempt a second. They quickly realize the truth all long time writers know; there is no money in it. Think of an author as like being a musician or an artist, or an actor. You do the work for the love of it, because you can’t NOT do it, despite the fact the recompense is uncertain. You supplement your income with other things. You find ingenious ways to save your pennies, you grow your own fruit and vegetables, you shop at thrift stores, you recycle things, and you make life work.

You don’t do this job for the money.

When people ask what my yearly income looks like, I go pink. I can’t answer the question in any way that comes off making me look good. I can’t say, ‘I don’t make very much money from my books, and yet, I keep publishing them,’ or I’d look like a prize idiot. It’s hard to reply to this question in social settings. It’s a lose-lose situation, folks, so please don’t ask authors this question.

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My discomfort with this stinker is swiftly followed in second place by those who ask, ‘How many books have you sold?’

Now, come on people, do I ask you how much product you moved today? Do I ask you, how many lives you’ve changed? Or anything remotely in that vicinity. This question always makes me feel like being grilled on a hot plate. Just back away, now.

However, if we’re talking about my favourite questions to be asked, they would definitely be, ‘What inspired you to write your book?’ with ‘What’s your book about?’ Because then I’m being asked about my inner process and the creative life, which is my passion and my bliss. I can soar away into these higher thoughts and let my imaginative life come to the fore.

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Chasing the muse is always exhilarating to think about. I feel this sort of information is far more valuable to share, and is of greater service, because those who are truly called to write will take positive juice from it and use that to fuel their own writing endeavours. Then, one feels one is being of service. I would far rather speak to that than the money, because the only answer I have is, ‘I write for the love of it and make income in other ways.’ Hardly motivating.

What about you? What are your favourite and least favourite questions?

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Keep Writing!

Yvette K. Carol

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There is no other feeling like that.
you will be alone with the gods
and the nights will flame with
fire. Charles Bukowski

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

At this time of year, it’s the homemade touches I relish.

Every year at the beginning of December, I always make our own greeting cards. They are a firm favourite with friends and family, and I always get requests for more. I’ve shared my creative process here before, but for those who are new to the blog, here’s how you can make your own greeting cards the old fashioned way for next to nothing. And, it’s fun!

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I love any excuse for crafting. In early December, I usually work on getting the kids to dress up in festive wear, and I take a ‘cover photo.’ This year, I asked my two youngest sons to pose with my granddaughter for the cover image. At the same time, I also got a photo of all the kids in the family for the inside flap.

Method:

Start by printing out your chosen photographs in miniature. Why so small you ask? Because they’re cute. If you prefer full size cards, you can still use the same technique.

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Next, cut up your cards. I buy a big pack of greeting cards from the Salvation Army shop for two dollars and cut them down to size, making sure to include the message inside.

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For the cover, I create a layered effect. I make up a few standard cardboard guides to keep the layers consistent and to make the scale of the decorative layers progressively get smaller to the photo image on the top. You can add as many layers as you like of contrasting patterns and colours. I like to do two.

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For the first layer, I cut up interesting festive paper to the largest size of the cardboard guides.

Each year, I recycle wrapping paper. I like to sit down on Boxing Day and cut all the relatively flat, usable pieces from the discarded wrapping paper of the day before. I save the ‘good bits’ in a cellophane folder and then reuse them for wrapping stocking gifts and for making greeting cards the following year. Waste not, want not, as my father always used to say.

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For the second layer of my card, I cut out the photos, using the smaller size guide. Last but not least, I snip up a few squares of glittery stuff. You can use tinsel or whatever you have. I make my own glittery sheets of “hot fuzz” by ironing synthetic fibres between paper. Then I divide the sheets into segments and use them to add a glint of light to the cover. These are the elements. All you need is craft glue and a few books or something weighty for ‘flattening.’

Now comes the fun part, when you get to put the whole thing together.

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I glue the first layer – the wrapping paper pieces – onto the outer cover. You need to be quick, because paper likes to bulge and ripple when adhesive is applied. So glue the paper on, and then put the card directly beneath a sheet of paper and something weighty to flatten it. Continue until they’re all done. Once they’ve dried somewhat, you can add the next part.

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The cover photo goes on top. Make sure to sandwich a wedge of glitter stuff in between the layers so it protrudes into the air like a glam flag. Again, as with the first sheets of paper, you need to act fast and weight each one down immediately that it’s glued, to attain a flat, polished looking finish. Also, be careful when dealing with glue and your cover image. I’ve made the mistake before of getting it near the underside of the faces – it completely ruins the photo. So your cover photo must have the people centrally placed to keep their faces clear of the adhesive around the edges.

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I attach the portrait of the children in our family onto the inside page. And because I’m a big kid myself at this time of year and love to collect all things to do with crafting, I have lots of holiday themed stickers and embellishments which I liberally apply in to the cover and the interior at this stage. I add my initials on the back cover, with the words, ‘homemade with love.’

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I bought a pack of old fashioned gift tags at the Hospice shop for one dollar and included a few tags in each envelope as a gift. And there you have it, a creative way to personalize your greeting cards!

Have you ever tried making your own? If so, please share! 

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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The more man meditates upon good thoughts, the better will be his world and the world at large. ~ Confucius

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: What are five objects we’d find in your writing space?

Optional IWSG Day Answer: A laptop, a pad of paper and a pen, a Penguin Pocket Thesaurus, and a small lamp.

A laptop

I used to say, back in the day, that I’d never write a story on a keyboard. I was a purist about the old fashioned way of writing on paper, as it had a feeling to it, and there was less interruption between my brain and the page. But, then, I finished writing a 300,000 word story longhand, and there were a heck of a lot of words to be transcribed into digital form.

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In fact, the job exhausted me, my sister, my friend’s daughter and my sister-in-law as well, before we finally got the behemoth manuscript typed out. And, after that experience, I swore I’d never write the old-fashioned way again. Far better, to just get over myself and put thoughts straight into digital form – to get over all the clanking technology between me and the words and simply concentrate on putting them on the page.

A pen and a pad of paper

That doesn’t mean, however, that I’ve given up on my beloved pen  and paper. It’s just they’ve taken second place in the hierarchy of things. I still work out all my plot steps and character niggles on a pad of paper with a pen, as well as my shopping lists and to-do lists. I don’t like gadgets too much. I distrust them somehow. I don’t do apps or smartphones, and I just don’t want to spend my life staring at my phone. I keep things simple as possible. And that’s where I function best.

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When I’m writing, I hop up every now and then to consult my pen and paper, as to what I intend to get done that day. As I go through the edits submitted by my critique buddies, I’ll jot down any comments made about overall story issues on another pad. These sorts of notes I keep close by the computer, and I’ll refer to them as I’m editing.

A Penguin Pocket Thesaurus

Again, I prefer the paper over the digital versions. Over the years, I’ve bought myself many different kinds of Thesaurus, as other writers will attest. These days, you can buy versions for writing every genre and even for all the emotions as well. I’ve bought myself some whopping Thesaurus/Dictionary tomes too, thinking ‘the more words the better.’ Yet, it never seemed to matter how much money I spent or how big and glossy the books were, I’d always end up reaching for the Penguin. I guess it comes down to being creatures of habit, and this works best for me.

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My Penguin Pocket Thesaurus is getting pretty yellowed and we’ll ‘thumbed’ now. And no matter how often I think ‘it’s probably not worth looking for a better verb,’ every time I look it up in the Thesaurus, I’ll always find a better choice. It helps keep my language lively and interesting, less repetitive.

A small lamp

I thought I was smart getting the latest LED lights put in throughout our old ’60’s style house. Very attractive and modern, I thought. Then, a few months ago, I read a scientific article put up on social media, by a very well respected friend of mine, that LED lighting is actually bad for your health in a number of ways.

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It instantly reminded me of my grandmother, who said, ‘they’re always saying something new gives you cancer. I say all things in moderation.’ Well, that’s as maybe, but I still don’t want to sit under an LED light the entire weekend that I’m working on my book. So, I bought a $10 lamp at the local shop which takes an incandescent light bulb, and I use that at the weekends instead.

Those are five things that are in my writing space.

What about you? What are your five objects?

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Keep Writing!

Yvette K. Carol

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We need to embody our inner awareness. To walk them out into the world. Express them through our choices and through our actions. – Terri Morehu

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: How has your creativity in life evolved since you began writing?

I was seventeen when I began writing. Fresh out of school, I was a teenage mum with a newborn baby to care for. My boyfriend and I had moved out of home, away from our families into the city. In the early eighties, the days before personal cell phones and computers, this meant being totally isolated. It’s hard to imagine, now, isn’t it. But, we were on our own in the big, bad world. I studied for my bursary year by correspondence, while washing forty nappies every day by hand in the bathtub. As my boyfriend was in his first year as an apprentice photolithographer, he only made $96 a week and that was all we had. I bought bulk packs of macaroni and different powdered flavouring and made macaroni cheese with a different flavour added each night. We had one car, and we lived in a dingy apartment building. Our flat was infested with cockroaches, and at the front and back of the building it was nothing but tarmac, there was no view, no garden or green area of our own.

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That scenario was the perfect breeding ground for the artist to come forth. I had to escape somehow. The cheapest, simplest way to escape my life circumstances was to pick up a pen and write.

When my son was sleeping, I wrote children’s stories and let my imagination go wild. I didn’t ‘know how to write’ and the stories were pretty bad, looking back. I remember a well-known writer saying once, ‘Every writer has those first manuscripts lying in a bottom drawer that should never see the light of day.’ The writing was crap, and yet, I was trapped in a poor, isolated and uninspiring life, and writing stories gave me the hope I needed. It was like self therapy. Every day, I expressed myself creatively through the written word and by doing so experienced that new, more inspiring reality. This became my outlet, my sunlit garden, and the saving of me.

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Every day, whenever I got the chance, I’d pick up the story and write a little more. I’d climb through the green window into the meadow beyond, and there I’d be free.

As my son grew up, our life circumstances began to improve and have their own flowering.

My writing changed too. With each writing workshop, course, conference and lecture I attended, my understanding of the craft developed. My work gained more structure, more form and substance.

My first born son became an adult, and suddenly, I became more independent, I had more freedom. By the nineties, I had a job. I had money, and I was still writing in my spare time. There was the beautiful fruit of my stories developing into purer forms.

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Every day, whenever I got the chance, I’d pick up the story and write a little more. I was still drawing and painting my characters in tandem with writing the prose.

I remarried and had two more sons. We had a home with a lovely garden. As my life circumstances and finances settled, I didn’t have a desperate desire to escape my world anymore. In order to continue to work at a steady pace on my stories, I had to learn discipline. Just as I had to attend to the grown-up business of marriage, house maintenance and child-rearing, I also had to learn B.I.C. Butt In Chair is hard to do as it takes immense concentration. I accepted the challenge.

Every day, I’d sit and write a little more. I decided to stop drawing my own illustrations, and I focussed on the words.

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I gravitated to writing middle grade fiction twelve years ago, and it felt like I’d found my niche.

Writing has become an integral part of my life. I have come to love every step of the novel writing process. I don’t have an agent or a publisher. I’m my own boss and in the last three years, I’ve self published two books and had two short works included in two others.

My creativity in life has definitely evolved since I started writing? How about you, has yours?

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Keep Writing!

Yvette K. Carol

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“Tell me, what is it you plan to do / with your one wild and precious life?” Mary Oliver

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com