Posts Tagged ‘art’

At this time of year, it’s the homemade touches I relish.

Every year at the beginning of December, I always make our own greeting cards. They are a firm favourite with friends and family, and I always get requests for more. I’ve shared my creative process here before, but for those who are new to the blog, here’s how you can make your own greeting cards the old fashioned way for next to nothing. And, it’s fun!

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I love any excuse for crafting. In early December, I usually work on getting the kids to dress up in festive wear, and I take a ‘cover photo.’ This year, I asked my two youngest sons to pose with my granddaughter for the cover image. At the same time, I also got a photo of all the kids in the family for the inside flap.

Method:

Start by printing out your chosen photographs in miniature. Why so small you ask? Because they’re cute. If you prefer full size cards, you can still use the same technique.

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Next, cut up your cards. I buy a big pack of greeting cards from the Salvation Army shop for two dollars and cut them down to size, making sure to include the message inside.

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For the cover, I create a layered effect. I make up a few standard cardboard guides to keep the layers consistent and to make the scale of the decorative layers progressively get smaller to the photo image on the top. You can add as many layers as you like of contrasting patterns and colours. I like to do two.

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For the first layer, I cut up interesting festive paper to the largest size of the cardboard guides.

Each year, I recycle wrapping paper. I like to sit down on Boxing Day and cut all the relatively flat, usable pieces from the discarded wrapping paper of the day before. I save the ‘good bits’ in a cellophane folder and then reuse them for wrapping stocking gifts and for making greeting cards the following year. Waste not, want not, as my father always used to say.

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For the second layer of my card, I cut out the photos, using the smaller size guide. Last but not least, I snip up a few squares of glittery stuff. You can use tinsel or whatever you have. I make my own glittery sheets of “hot fuzz” by ironing synthetic fibres between paper. Then I divide the sheets into segments and use them to add a glint of light to the cover. These are the elements. All you need is craft glue and a few books or something weighty for ‘flattening.’

Now comes the fun part, when you get to put the whole thing together.

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I glue the first layer – the wrapping paper pieces – onto the outer cover. You need to be quick, because paper likes to bulge and ripple when adhesive is applied. So glue the paper on, and then put the card directly beneath a sheet of paper and something weighty to flatten it. Continue until they’re all done. Once they’ve dried somewhat, you can add the next part.

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The cover photo goes on top. Make sure to sandwich a wedge of glitter stuff in between the layers so it protrudes into the air like a glam flag. Again, as with the first sheets of paper, you need to act fast and weight each one down immediately that it’s glued, to attain a flat, polished looking finish. Also, be careful when dealing with glue and your cover image. I’ve made the mistake before of getting it near the underside of the faces – it completely ruins the photo. So your cover photo must have the people centrally placed to keep their faces clear of the adhesive around the edges.

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I attach the portrait of the children in our family onto the inside page. And because I’m a big kid myself at this time of year and love to collect all things to do with crafting, I have lots of holiday themed stickers and embellishments which I liberally apply in to the cover and the interior at this stage. I add my initials on the back cover, with the words, ‘homemade with love.’

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I bought a pack of old fashioned gift tags at the Hospice shop for one dollar and included a few tags in each envelope as a gift. And there you have it, a creative way to personalize your greeting cards!

Have you ever tried making your own? If so, please share! 

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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The more man meditates upon good thoughts, the better will be his world and the world at large. ~ Confucius

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

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It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: What are five objects we’d find in your writing space?

Optional IWSG Day Answer: A laptop, a pad of paper and a pen, a Penguin Pocket Thesaurus, and a small lamp.

A laptop

I used to say, back in the day, that I’d never write a story on a keyboard. I was a purist about the old fashioned way of writing on paper, as it had a feeling to it, and there was less interruption between my brain and the page. But, then, I finished writing a 300,000 word story longhand, and there were a heck of a lot of words to be transcribed into digital form.

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In fact, the job exhausted me, my sister, my friend’s daughter and my sister-in-law as well, before we finally got the behemoth manuscript typed out. And, after that experience, I swore I’d never write the old-fashioned way again. Far better, to just get over myself and put thoughts straight into digital form – to get over all the clanking technology between me and the words and simply concentrate on putting them on the page.

A pen and a pad of paper

That doesn’t mean, however, that I’ve given up on my beloved pen  and paper. It’s just they’ve taken second place in the hierarchy of things. I still work out all my plot steps and character niggles on a pad of paper with a pen, as well as my shopping lists and to-do lists. I don’t like gadgets too much. I distrust them somehow. I don’t do apps or smartphones, and I just don’t want to spend my life staring at my phone. I keep things simple as possible. And that’s where I function best.

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When I’m writing, I hop up every now and then to consult my pen and paper, as to what I intend to get done that day. As I go through the edits submitted by my critique buddies, I’ll jot down any comments made about overall story issues on another pad. These sorts of notes I keep close by the computer, and I’ll refer to them as I’m editing.

A Penguin Pocket Thesaurus

Again, I prefer the paper over the digital versions. Over the years, I’ve bought myself many different kinds of Thesaurus, as other writers will attest. These days, you can buy versions for writing every genre and even for all the emotions as well. I’ve bought myself some whopping Thesaurus/Dictionary tomes too, thinking ‘the more words the better.’ Yet, it never seemed to matter how much money I spent or how big and glossy the books were, I’d always end up reaching for the Penguin. I guess it comes down to being creatures of habit, and this works best for me.

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My Penguin Pocket Thesaurus is getting pretty yellowed and we’ll ‘thumbed’ now. And no matter how often I think ‘it’s probably not worth looking for a better verb,’ every time I look it up in the Thesaurus, I’ll always find a better choice. It helps keep my language lively and interesting, less repetitive.

A small lamp

I thought I was smart getting the latest LED lights put in throughout our old ’60’s style house. Very attractive and modern, I thought. Then, a few months ago, I read a scientific article put up on social media, by a very well respected friend of mine, that LED lighting is actually bad for your health in a number of ways.

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It instantly reminded me of my grandmother, who said, ‘they’re always saying something new gives you cancer. I say all things in moderation.’ Well, that’s as maybe, but I still don’t want to sit under an LED light the entire weekend that I’m working on my book. So, I bought a $10 lamp at the local shop which takes an incandescent light bulb, and I use that at the weekends instead.

Those are five things that are in my writing space.

What about you? What are your five objects?

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Keep Writing!

Yvette K. Carol

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We need to embody our inner awareness. To walk them out into the world. Express them through our choices and through our actions. – Terri Morehu

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: How has your creativity in life evolved since you began writing?

I was seventeen when I began writing. Fresh out of school, I was a teenage mum with a newborn baby to care for. My boyfriend and I had moved out of home, away from our families into the city. In the early eighties, the days before personal cell phones and computers, this meant being totally isolated. It’s hard to imagine, now, isn’t it. But, we were on our own in the big, bad world. I studied for my bursary year by correspondence, while washing forty nappies every day by hand in the bathtub. As my boyfriend was in his first year as an apprentice photolithographer, he only made $96 a week and that was all we had. I bought bulk packs of macaroni and different powdered flavouring and made macaroni cheese with a different flavour added each night. We had one car, and we lived in a dingy apartment building. Our flat was infested with cockroaches, and at the front and back of the building it was nothing but tarmac, there was no view, no garden or green area of our own.

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That scenario was the perfect breeding ground for the artist to come forth. I had to escape somehow. The cheapest, simplest way to escape my life circumstances was to pick up a pen and write.

When my son was sleeping, I wrote children’s stories and let my imagination go wild. I didn’t ‘know how to write’ and the stories were pretty bad, looking back. I remember a well-known writer saying once, ‘Every writer has those first manuscripts lying in a bottom drawer that should never see the light of day.’ The writing was crap, and yet, I was trapped in a poor, isolated and uninspiring life, and writing stories gave me the hope I needed. It was like self therapy. Every day, I expressed myself creatively through the written word and by doing so experienced that new, more inspiring reality. This became my outlet, my sunlit garden, and the saving of me.

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Every day, whenever I got the chance, I’d pick up the story and write a little more. I’d climb through the green window into the meadow beyond, and there I’d be free.

As my son grew up, our life circumstances began to improve and have their own flowering.

My writing changed too. With each writing workshop, course, conference and lecture I attended, my understanding of the craft developed. My work gained more structure, more form and substance.

My first born son became an adult, and suddenly, I became more independent, I had more freedom. By the nineties, I had a job. I had money, and I was still writing in my spare time. There was the beautiful fruit of my stories developing into purer forms.

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Every day, whenever I got the chance, I’d pick up the story and write a little more. I was still drawing and painting my characters in tandem with writing the prose.

I remarried and had two more sons. We had a home with a lovely garden. As my life circumstances and finances settled, I didn’t have a desperate desire to escape my world anymore. In order to continue to work at a steady pace on my stories, I had to learn discipline. Just as I had to attend to the grown-up business of marriage, house maintenance and child-rearing, I also had to learn B.I.C. Butt In Chair is hard to do as it takes immense concentration. I accepted the challenge.

Every day, I’d sit and write a little more. I decided to stop drawing my own illustrations, and I focussed on the words.

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I gravitated to writing middle grade fiction twelve years ago, and it felt like I’d found my niche.

Writing has become an integral part of my life. I have come to love every step of the novel writing process. I don’t have an agent or a publisher. I’m my own boss and in the last three years, I’ve self published two books and had two short works included in two others.

My creativity in life has definitely evolved since I started writing? How about you, has yours?

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Keep Writing!

Yvette K. Carol

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“Tell me, what is it you plan to do / with your one wild and precious life?” Mary Oliver

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit st a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

This month’s co-hosts:  Dolorah @ Book Lover, Christopher D. Votey, Tanya Miranda, andChemist Ken!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: How do major life events affect your writing? Has writing ever helped you through something?

There was a time, not too long ago, when I wasn’t drawn to the idea of the optional IWSG Day Question. I preferred to write what I wanted to write instead. Then, one day I was stuck for ideas, so I turned to the question offered. And, I’ve been a convert ever since. I’ve only missed one month and that was because I couldn’t come up with an answer! But, apart from that, I’ve come to relish the Question – even looking forward to it – to see what the clever upper-ups at IWSG Headquarters have come up with next.

I love the October Question!

 

11717197_10152841846311744_1745896926_nWriting has helped me through every hard time and helped me to get through every trial I’ve experienced. There have been times, after the losses of family members, when I’ve stopped writing altogether. Dried up and couldn’t write, at the same time I didn’t want to be near anything about the online world, at all. There have been times when I’ve needed to retreat in silence and stillness and be with the grief.

After hard times, writing was my way back into the world of people, and into the fray via the internet. Sometimes, I would resist for longer than others. But, eventually, every time I suffered a blow and was devastated, I returned to my normal life by sitting and translating what I had been through into words. Writing blog posts, writing for my monthly newsletter, writing fiction.

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Writing always provided the catalyst for my positive evolution, through the sadness and out onto the other side, of having grown through the experience.

In that place, I could contribute again and be of service through writing my stories, and other stuff, along the way.

My father died in February of this year. Within about three hours of getting the news he had passed, I was off the grid. I’d sorted out what needed to be done for the household to run and for the world to excuse the boys and I for a week. Then, we were on the road for my parents’ seaside town. I stayed off line and away from my cell phone, feeling  I needed all my energy and attention on the unfolding events as we laid dad to rest.

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We returned home, and I was a different person. I could feel it, I knew it. You are so changed when you lose someone important in your life. I’d always suspected losing dad would be the most painful, and so it was. I couldn’t face writing or any sort of social media. I remained in this “other” space for weeks. I’d cried so much over the week of sitting with his body and then burying him that I was completely dry of tears. I had wept until I couldn’t shed anymore. So, I did my daily exercises and tended to the kids, ran the household, and went to Toastmasters, gave speeches, without really being there.

I was on automatic without being fully engaged in my life.

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One of my fellow Toastmasters said I had lost weight that she could see it in my face, and she expressed worry about me, which really touched my heart.

One day, I opened my computer and I made myself open my work-in-progress. I sat in front of my laptop, and I started editing and rewriting and the energy started to flow again. I felt myself literally coming to life, through the passion I have for my stories. My writing ushered me up from the void into the land of the living again. I was once again able to engage with my children and others in my life fully and I was working on my book.

I felt such deep gratitude!

Has writing ever helped you?

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Keep Writing!

Yvette K. Carol

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I put things down on sheets of paper and stuff them in my pockets. When I have enough, I have a book. ~ John Lennon

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

Beware the dreaded terror that is the read-aloud edit! Everything they say about it being a back-breaking labour is true. These days, you often hear the advice to read your own work aloud. This is primarily because, no matter how obvious it seems, the fact remains that stories were made to be told, to be heard by the reader’s inner ear, and to be shared with others. If a piece of prose can’t pass the read-aloud test, it’s dead in the water. And yet, reading aloud your own story, especially if it’s a full length novel, will crush your soul beneath its heel.

I’m currently three quarters of the way through a read-aloud edit of my next middle grade novel, and I cannot tell you how many times I’ve wanted to give up. Labours of Hercules, on steroids.

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You see, three weeks ago, after having edited my work-in-progress, The Last Tree, a gazillion times, I decided it was time to do the dreaded read aloud edit. By the end of the first hour of recording myself, I was drained of all energy and, by the end of the first day, the will to live.

Each weekend, that I’ve gotten to work on it again, I’ve been surprised afresh by how it makes me want to claw my own hair out by the roots. It’s tedious, arduous and gruelling. No part of reading aloud 67,634 words comes easy. In fact, I have discovered a whole new appreciation for voice artists and especially those who do the audio novels. It takes power and endurance and patience. You read page after page until you think you’re going to go mad. And, then you find you’ve only read one chapter and there are still fifty more ahead.

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The reason you keep going through this undeniable hard slog, is that there’s such a big payoff. You get this incredible transformation that starts to come over the work that no other editing technique can touch.

The reason you keep going despite the mental and physical anguish is that when you read aloud, you hear your story anew. When you listen to the recording to edit the story, you hear the prose in a new way again. This effectively brings to light every flaw. It is quite special and unique in its singular transparency.

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The reason you keep going is because you discover where the story doesn’t flow as well as it should, and you swiftly knock a lot of the bumps out.

The eleven rewards I’ve identified so far in reading aloud your own work:

  1. You notice extraneous words, when sentences are too long
  2. You hear the repetitions, the favoured ways of saying things, favoured words or ‘tics’
  3. You hear where the dialogue is popping and where it falls flat
  4. You hear where you need to name who is doing what to prevent the reader getting lost37536386_10155480627157212_1260027620918034432_n
  5. It shows up flaws in rhythm, words that when spoken in sequence trip up the tongue
  6. You become aware of leaps in states of consciousness, where you as the writer have made assumptions things are clear, yet you have failed to fill in the gaps. You see the spots where there are not enough words to paint the scene
  7. It brings out patterns in actions (like ‘nodded’ and ‘shook their head’ or ‘rolled their eyes’)
  8. You see where some parts of the story have heft, they’re meatier, while other parts are weaker and the material too thin
  9. You discover where you’ve put the cart before the horse and you have things out of sequence, so you have stated the decision first and the options and problem solving second40661154_1781118765330897_3490029191380860928_n
  10. You’ll hear where too many words have been used in a sentence. You’ll discover sentences so long and convoluted you can’t breathe, and they’ll make you hate your own writing with a passion
  11. You can feel the drag where some parts of the story are boring, or could be worded better, and sometimes, you can even hear where punctuation is missing

As you can see, it is well worth the sweat, blood and toil, as well as the inevitable midnight oil. Despite the fact it has been a painful, torturous process, so far, reading my book aloud has also been the most effective editing I’ve done. I might even be tempted to do it again, even though I quail at the thought!

Am I crazy? Yes, possibly.

What about you, have you ever tried the dreaded read aloud edit? Did you live to tell the tale?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“May your dreams be larger than mountains and may you have the courage to scale their summits.” -Harley King

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: What publishing path are you considering/did you take, and why?

I’m going to answer both parts of that question. When I put out The Last Tree, the third book of the Chronicles of Aden Weaver, in 2019, I aim to self publish. But, that’s not to say going Indie is an easy option. I self published The Or’in of Tane Mahuta in 2015 and The Sasori Empire in 2017, and both journeys were equally back breaking.

Going Indie is a bit like having babies: the agony and hardship and gruelling aspect of self publishing your stories is epic. As you sweat your way through the nightmare of endless editing hell and the 101 jobs that need doing, you swear with a fist raised to the sky that once you’ve got this book out, that’s it, you’re done with going Indie.

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In more sober moments, you tell friends that the next time you publish a book you’ll get someone else to do the donkey work. You’re totally willing to go out on the streets to knock on the doors and basically stalk the gatekeepers again, submitting your manuscripts to editor after editor. You’re convinced you’d rather trudge the rounds of submission forever, than tackle self publishing again.

Then, your beautiful baby is born. You have the party, you hold your novel in your hands, sniff it, and you look at it adoringly. Sometime later, after the glow has worn off and a bit more time has gone past, you realize you want to do it all over again.

You dive back into being an Indie with your next work because:

 

  1. Despite the backbreaking hours of hard work, it’s really rewarding.
  2. Every single decision is in your hands which is overwhelming, yet you have control over the look of the whole package, which is exhilarating (hee hee, ha ha!)
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  4. Every single cent ever made goes to you.
  5. I once turned down a publishing offer because they wanted to change the name of the characters! As an Indie, you get to be the boss, and say how the story goes and no one else.
  6. Because you have to do the book launches and marketing yourself, it drives you to learn new skills and expand your repertoire.
  7. You have more to offer in terms of advice and knowhow when young authors come asking. I’ve been surprised in the last ten years how many up and coming writers have asked me questions. It’s helpful in those situations to have a clue.
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  9. For me, one of the big reasons for self publishing is no one wanted to publish my stories the way I wanted to read them. So, in order for me to put out my anthropomorphic fantasy adventure fiction for the upper middle grade market (9-13-year-olds), I had to do it myself. Sometimes, when the slice of the market you’re aiming at is so small, it just isn’t economically viable for a traditional publishing house to invest in a niche with such low returns. So, in order to stay true to the material, I had to produce it myself.

For me, this is vitally important, because my entire life is a quest for truth, for honesty, the essence of things. I aim to cleave to the material the muse gives me.

For me, the gut feeling is this: that my only job as the author is to produce the copy, buff and polish it with editing, and do my utmost not to wreck the original inspiration.

If the gatekeepers can’t get behind my vision or this particular creation, then so be it. I get to say, no matter, I’m publishing it anyway. And, I love that!

8. Ultimately, it feels good because it feels like investing in myself.

What about you, what publishing path will you take?

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Keep Writing!

Yvette K. Carol

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Nothing great was ever achieved without enthusiasm. ~ Ralph Waldo Emerson

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

I’ve been working on book three, The Last Tree, in my series, The Chronicles of Aden Weaver, for ten months. In the last two weeks, I have made some huge strides forward, which have entailed two joyous editing experiences, one weekend after another. It put me in mind of the fact that a lot of times, we writers hear about mistakes and pitfalls to avoid. I thought I’d like to share two of the delights of editing a novel.

I like to keep record of how many times I’ve done something—it’s the dad in me, what can I say?—so that’s how I know, I was on the twenty-ninth edit of The Last Tree, when I experienced that holy of holies, the ‘change of mind.’

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This mythical creature, the change of mind, or change of heart, is what happens when you disengage from your normal way of looking at your writing, and you get what is akin to a third-person perspective. It’s the moment when, if you’re lucky, as the writer you get to see and experience your work as if you were the reader. I had been editing for ten months and had done twenty-nine rounds of the material before I had my lightning strike and was able to read the copy in a whole new way.

Jimmy Braun, photo

Jimmy Braun, photo

That was two weeks ago. I really did feel lucky. I was changing swathes of the story from the second half to the end. I had been steadily bringing the word count down all year, from the overblown 90,845 I started with, to a neater 67,000 words. But that weekend, I was scything out pages of text, losing two whole chapters between Friday and Sunday. Then, at the same time, I couldn’t help myself adding new words, as I saw gaps that needed closing, so the copy ballooned again to over 68,000. And overarching it all was this brilliant feeling of being able to see clearly to the heart of the story, and really see what needed to be changed. The whole weekend was infused with creative imagination.

Then a week ago, when I went back to editing The Last Tree, the experience was completely different.

Last weekend, I’d hoped to taste that particular joy again, that elusive ethereal moment of magic. Every writer or artist knows this; it’s been called being touched by ‘the muse.’ There is an element to it of ‘otherness,’ when you’re immersed in your craft, of these magic moments, of being suspended from earth, of being delivered the ideas and words, of being able to weave worlds.

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But, last weekend it wasn’t to be. I could feel the difference as soon as I started working. This wasn’t about inspiration it was about the building blocks. The second half of The Last Tree had bothered me all year, yet, I just couldn’t seem to get my head around it. I knew something needed fixing. I had tried a few solutions: chopping the prose up a few times, rearranging the order, I took out scenes and added new ones, however a niggling feeling – “the little writer’s voice” – kept nagging me it still wasn’t right.

Last weekend, it was about getting the structure of these final scenes figured out, nailing down the nuts and bolts of the climactic scenes and the resolution of all the story threads. On the Friday night, I sat with a list of the marks I needed to hit, with regards structure, on one side of my computer, and a list of the general editing changes I needed to make, on the other side of my computer.

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By Sunday night, I had re-engineered the final acts of the story. I had welded and hammered them into a new shape. I had rebuilt it better than before. It was a thing of beauty. And, I knew that it was right this time, because of how I felt in my gut and the fact that the little writer’s voice had been silenced.

Only in the nick of time too, as my critique group, The Gang of Four, were nipping at my heels. The girls and I have been swapping chapters since February. Little did they know, I’d been sweating it all year because I knew the end scenes weren’t finalised. So I’m doubly glad to have had a couple of weekends like these, where the flow picked me up and carried me to the finish.

Yeeha! The old adage of B.I.C (Butt In Chair) really works.

Have you had any joyous writing experiences you want to share?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Haruki Murakami says, ‘The good thing about writing books is that you can dream while you are awake.’

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I’m not on the bestseller list. Yet, as a friend and I were saying in a podcast the other day, it’s not ultimately about having to “sell” our artworks, it’s about having a form of creative expression and how vital it is to our health and well being to express ourselves in creative ways. The crazier the world gets, the more we need to ground ourselves through creative expression, whether that be through art, writing, dance, drama, cooking, music, gardening, or whatever form it takes. It’s a way to be happy and build happy memories which helps us to be healthy.

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I’ve been lucky enough to pursue art and writing throughout my adult life. These things have given me a release valve for the stress and have given me great joy. At the same time, my creative hobbies have given me a solid base in life and a means of transforming energy into something new. Art keeps me on an even keel, and, telling stories is satisfying on a deep level.

Did you know that storytelling is the second oldest profession in the world? ‘Storytelling has a shape. It dominates the way all stories are told and can be traced back not just to the Renaissance, but to the very beginning of the recorded word,’ wrote John Yorke. And, so it does.

John Yorke

Humankind has always sought to communicate what has yet to be expressed. Since we first developed ways of communicating 150,000 years ago, artistic expression has separated us from the animal kingdom. As author, Terry Pratchett said, ‘Lots of animals are bright, but as far as we can tell they’ve never come up with any ideas about who makes the thunder.’

Our creative pursuits, since earliest times, have defined and refined humanity.

‘Before you can change the world you have to be able to form a picture of the world being other than it appears.’ Humankind’s development comes down to having used our imaginations and creating new things that had never been seen or done before. Our very survival as a species may depend on inventions yet to exist.

Thomas M Madsen, visual artist

Thomas M Madsen, visual artist

I believe for this and many other reasons, it’s necessary to foster the arts. It’s vital we encourage ourselves and one another and our children and grandchildren to express themselves. I say this not only in favour of humankind’s continued evolution, but also, because I came so close to stifling my own child’s creativity.

For about three years, I had resisted the youngest son’s desire to play drums. I made him take piano. At the start of last year, I said to the youngest son, “Shall we sign you up for piano lessons, again?”

He said, “Okay…I will, but only because music lessons make you smarter. What I really want to learn is drums.”

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For the first time, I really heard him, and I realized I have to let him do this. No matter how uncomfortable it may be for us, no matter how big the potential financial input needed, I have to let him have a go at learning drums.

I gave him one term of lessons to see if he liked it. He was a natural and took to it like a duck to water. Within six months of weekly half hour lessons, my son took his first drum exam and passed it ‘with distinction.’ Now, in 2018, he’s just passed second grade, again ‘with distinction.’ He tells me the exhilaration he feels when a piece becomes natural is unlike any other. What a blessing.

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It surprises me, looking back. I saw that even someone like myself, who truly values the arts in every way, had still come close to stifling my son’s artistic outlet, simply because I was on auto-pilot around what I thought he “should” be doing. The only difference – the key that turned it around – was that I listened to him. I think that’s the best thing we can do for our children and young people, is to really listen when they speak.  When I saw what I was doing, I took the youngest out of the piano lessons, started him with drum lessons, invested in a nice drum kit, and he was away.

In the mid-year report, his teacher wrote: ‘His natural talent is showing through, he seems to have an aptitude for picking up drum pieces very quickly, by using his ear, and reading at the same time.’

Of course he does! And last month, he joined the school band for the first time. I’m so glad I opened my ears.

What about you, what is your creative outlet?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Our ability to create other worlds made us humans. ~ Terry Pratchett

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It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: What pitfalls would you warn other writers to avoid on their publication journey?

Interesting question. The first thing that comes to mind is not to fall into the trap of spending all your time marketing your first book. Yes, marketing for an Indie is an absolute essential. Yes, there’s a lot that needs to be done, but it also can get mesmerising in itself, becoming about chasing the dollar and readers and the dream of being a household name.

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Writer and blogger, Anne R. Allen said, ‘We writers tend to be a delusional lot. Most of us know the average writer doesn’t make a bunch of money, but we secretly believe our own efforts will bring us fabulous fame and fortune. Or at least pay the rent. When we start out, we’re certain our books will leapfrog over all the usual obstacles, and in record time, we will land on the NYT  bestseller list and the cover of Time. Don’t be embarrassed. The delusions are necessary.’

It’s so easy when we start out to imagine if we just try a bit harder we’ll crack that ceiling. It’s perfectly fine to dream. We just need to know when to put the marketer’s hat aside and go back to the page.

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Jane Yolen once said, “When I finish something, I always promise myself to play for a while–see a movie, go to dinner with friends, go for a walk outside with my field glasses. But since something is always percolating, the only person I’m fooling is myself. My friends and family get it. My mind is often off going walkabout in the next book.”

And so it should be, this is who we are – writers – we should be jumping into the next story, the next book, the next world.

They say that it’s usually by the third or fourth book that an author starts to get into their stride. We need to keep producing new material to hit that mark.

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To me, there is nothing more important than the work itself. It’s the reason for my being here, apart from my children, of course. Writing is what I’ve done since the age of five, and it’s what I love the most. Upon releasing each of my books, I’ve covered every marketing base I needed to as an Indie, I watched all the YouTube videos and read the blog posts and articles and did what I needed to do. Then, I cut it back to the basic ongoing marketing for each book, and returned to my writing desk.

And, take care of your own voice. I’d say that it gets easy for the new writer to feel overwhelmed these days, because there’s simply so much advice. Every blogger’s an expert, and a glaze comes over the eyes as we hit overload trying to take it all in.

When I was starting out with critique groups years ago, I was trying to please everyone. I took on board everyone’s criticism, and I amended my work whether I agreed with the changes or not. I ended up with work that was inauthentic to me. I had butchered my sentences up to such a degree that a later critique partner commented my story sounded like a horse clip clopping over cobblestones. It had lost its mojo.

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I had to learn to only use critique I agree will improve the story and not change what is actually integral to the piece. There is a real discernment required of a new writer. It’s about staying true to your inner core and guidance system because then our prose comes from that which is intrinsically real and ‘us.’

As Cecelia Ahern said, the most important thing for new writers to do is ‘find your voice. Don’t emulate other writers because it’s your own unique and distinctive voice that your reader will like.’ Exactly.

What would you say were the main pitfalls for writers to watch out for? It gets you thinking doesn’t it?

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Keep Writing!

Yvette K. Carol

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Whether the readers remember me is not important, but if they remember the story, I am graven in stone. ~ Jane Yolen

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

 

It’s time for this month’s group posting with the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. your words might be the encouragement someone needs.

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: What are your ultimate writing goals, and how have they changed over time (if at all)?

That’s a brilliant question because it really made me sit back and think. My goals have changed a lot. When I started penning kids’ fiction as a seventeen-year-old, I was far removed from the reality of being an author.

Believe it or not, when I started out, personal computers were not yet a thing. Although some people had them, no one I knew owned one. And the internet was just a twinkle in the eye of a brainiac, somewhere. I spent the first decade writing the good old fashioned way, with a pen and paper. I was a teenager, starting out in the 1980’s, just following the thread of what interested me in terms of subject matter and genre.

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I worked a string of other jobs and often second jobs as well. Writing stories was what I did in my spare time, and it still is.

When I started out at seventeen, I wasn’t thinking of publication. I was impelled to share my creativity through children’s stories, so I followed it. It took me another ten years to start submitting to publishers. My ultimate writing goal at the age of twenty-seven was simple, to get published and make money.

I have an old book of ‘Intentions,’ which I write up each year like resolutions. I discovered that by the age of thirty my ultimate writing goal had morphed into: “I want my books to be a huge success like Harry Potter.”

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Wow, I sure didn’t aim low in those days. I was quite surprised by the audacity of my intention.

I admit I’ve reduced my ultimate writing goals as I’ve gone along. Which I think boils down to figuring out what you really want to do with your time. As you grow older, time becomes more precious. The entry for 2017 reads: I raise people’s awareness and bring joy, inspire and make people feel better through the power of story.

And with age, you get more realistic. I might not be the next J. K. Rowling.

These days, I’m a stay-at-home mum and caregiver to my thirteen-year-old and my middle son who has Downs’ syndrome. I write part-time. I have two stories published and two books which I self published. My wish list these days tends to focus on more meaningful things like wanting joy, and a sense of fulfilment.

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These days my ultimate writing goal is to write more of what I love.  However, the series I’m writing is anthropomorphic fantasy fiction about insects. It gets some strange reactions at times.

I’ll never forget the response of one assessor to my book,  The Or’in of Tane Mahuta. She said, “Great story, but lose the insects!” I couldn’t lose the insects, they were an integral part of the machine of the story.

One day, I will move on to new fields in fiction. For now, I want to see this series out and do the best I possibly can.

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One of the authors I like is Lee Child, author of the Jack Reacher novels. He’s a real storyteller. Asked to give a tip recently for writers, he said, “Ignore all the tips. It’s got to be 100% your own product. As soon as you start thinking about what you should do, there’s a compromise and the spark goes. You’ve got to do what you want to do.”

Child really gets it. He’s talking about listening to the gut and the heart of the story. I love it. I’m ignoring all the tips. It’s 100% my anthropomorphic fantasy fiction about insects. If I want little critters creeping and flying and turning into human hybrids, I must write them. You’ve got to do what you want to do, right?

I wonder what my intention for 2019 will be? I think it’s going to be something along the lines of ‘I just want to be myself and enjoy the process!’

What about you? What are your Ultimate Writing Goals for 2018? Have you met them yet?

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Keep Writing!

Yvette K. Carol

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In a totally sane society, madness is the only freedom. ~ J. G. Ballard

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