Posts Tagged ‘art’

Ten days ago I delivered the finished manuscript of my book, The Last Tree, to the printers and I told myself I would relax. I would finally take the foot off the pedal. That was the plan. It was Monday. Turns out taking the foot off the pedal isn’t as easy as it sounds. On Tuesday, I organized to meet with an old school friend who is a business whiz. She had suggested she might help get more visibility for my books.

It was the first time I’d ever seen her business side, which was very interesting. After chatting for a minute, we sat down and started to talk about my stories.

I thought her first question was brilliant. She said, “What do you want?”

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I said, “When I started out (at seventeen) it was world domination. But it’s not about that or the money anymore. People say when they read my books they’re inspired. I want to share my stories and inspire as many people as possible.”

She asked me, “Do you have an agent?”

“No.”

“Do you have a marketing plan?”

“No.”

“Do you a way of getting your book into bookstores and libraries?”

“No.”

I was feeling like a right duff by this stage! I think my friend was none too impressed. She said two things after that.

“Your problem is no one knows who the heck you are.”

“That’s true.”

And,

“You will have to up your game.”

“Oh.”

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Both these statements struck terror into my heart. Do I commit to this? I prefer low sales and no one knowing my name. I prefer gliding under the radar. I don’t want to get asked to attend ceremonies and speak at venues. I don’t want a full social agenda. I have more than enough to do every day. There is no downtime as it is and as a card-carrying introvert, spending more time with people scares me terribly.

Yet I get the shake up my friend is giving me. She’s saying ‘look what is it you really want?’ And then, naturally, ‘you will have to do more to make that happen.’ And she’s right. I know she is. But can I do it? Can I commit when I’m raising two boys on my own and have a home and a property to manage single-handed?

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Since then, my friend has introduced me to a successful author she knows. We’re meeting at a cafe up north on Monday morning. I’ll take my first two books, The Or’in of Tane Mahuta and The Sasori Empire. What I hope to find out is how to reach more readers, and whether I should submit my books to a publisher. My friend has also introduced me to an author and agent whom I’m meeting soon. I need to ask if she has access to the lucrative movie and gaming market, especially in the U.S. They should be fascinating meetings. The nerves are fraying already just thinking about them.

I have freely admitted in the past to being utterly slack at book marketing. In fact, the article I had included in the Insecure Writer’s Support Group book, The Insecure Writers Support Group Guide to Publishing and Beyond, The Melee of Modern Marketing, was about accepting our limits as Indies and not beating ourselves up when we do not achieve mega book marketing campaigns.

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Between the many responsibilities in my life, I am tired. I don’t know if I have the time or the drive needed to “up my game” with book marketing. It’s a serious concern. Although I respect my friend’s advice enough to take it, I do so with great trepidation.

All I can do is what my hero, Aden Weaver, did throughout The Chronicles of Aden Weaver series, to get through adventure after adventure. Whenever he felt scared, he would keep putting one foot before the other. This would be an apt time for the adage, ‘don’t think, do.’ Then trust the rest will follow. Whew!

Since sending my manuscript to the printers, I’ve done nothing but work. The overgrown garden needed a machete taken to it. I had a big speaking project at Toastmasters, which required a lot of prep. The meetings with these other authors will probably lead to even more work. Rather than taking the foot off the pedal, I’ve been burning rubber.

Relax? Fail. Please tell me how you relax. I need tips!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“We must always change, renew, rejuvenate ourselves; otherwise, we harden,” – Goethe

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There’s something about being a writer where, mostly your stories, your characters live only in your head. They’re yours and yours alone to shape and mould and develop as the story genesis dictates. You get to know the characters so well and yet they remain in your mind’s eye only. Then comes the day where you get to see an artist’s rendition of your creation, and all these beautiful ideas that came from your head suddenly take on a new dimension. They come to life and become available to other people. I remember the first time this happened for me, when my nephew, Si, delivered the image for the first cover in The Chronicles of Aden Weaver series, The Or’in of Tane Mahuta. Here was a character from my imaginary world and it was special and magical and everything I could have asked for. Here was the young hero I’d grown to know so well, Aden Weaver. I couldn’t take my eyes off him.

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I made the picture my screensaver, put it on my website, shared it here on my blog, Facebook, I shared it high and low I was so over the moon. My buddy, Aden, the kid who had grown up through the development and writing of this series over the last fourteen years, had a face! It was extraordinary. I didn’t have to imagine him anymore. I think I smiled the rest of that day. And technically, with the manuscript ready and the cover art in hand, the whole process of publication could begin. That was 2015.

When I saw the interpretation of the villain, Chief Wako, for the cover of the second book, The Sasori Empire, two years later, I was blown away. Somehow Wako had all the presence and the confounding combination of good looks and menace I’d imagined. There’s something very gratifying about having an artist take up your words and turn them into an illustration. You and the artist collaborate to create a third thing that neither of you could have created alone. It’s a rewarding experience.

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I found the artwork fed back into the story because the illustrations had formed the characters’ contours and this altered further dialogue and actions. That was 2017.

Since then, I’ve been working on the third and final book in the series, The Last Tree. During that time, I’ve communicated back and forth with Si about thoughts for the cover art. Now and then he would ask me a specific question. After that I had to leave it up to him. As I’ve slogged through the last few weeks of intense editing, I began to anticipate that the artwork would soon arrive. I couldn’t wait to see what he would come up with. I trust his instincts and have great respect for his talents. His art is visually arresting and expresses his considerable mana, and he has the artist’s eye for composition and scale.

The deadline of sending the material for The Last Tree to the printer by November 4th was looming large, and I still had seen nothing from Si. Then, two days ago, an email arrived from him with an attachment. The cover art had arrived! I took a deep breath and opened it.

The Last Tree, cover art

When I first laid eyes on the image, my heart stood still. I couldn’t take it all in. I found there were no words. I stared at it for a full five minutes, absorbing it. I had given Si a brief on the most dynamic female in the series, the enigmatic Number Three. To my surprise, he’d rendered her from the side, and yet he’d captured her in the most impactful way. And he’d given us a new view of Aden, with emotion in his face. Mid-fight, there is action, there is feeling. There are so many levels to the image I could look at it all day.

He had done it again. Through the cover art, my story, my characters, my world had taken on two dimensions. They had become something almost tangible. They had taken that step outside of my imagination and into the public domain. The whole package goes to the printers in the morning. Exciting times!

What do you think of the cover art? I’d love to hear from you!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Keep your face always toward the sunshine, and shadows will fall behind you. ~ Walt Whitman

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I was thinking today how cool it is being an Indie Publisher. I get to do the labour of the writing and I also get to design the finished product. For instance, with my upcoming release, The Last Tree, I’m in the final stages of preparation. After two years of writing, rewriting, and editing, now I get to put the whole package together.

I will do a few illustrations, organize the formatter, the printer, the ISBN’s, and think about the book launch—you know, the fun stuff. I’m communicating with my nephew, Si, the artist, about the cover art. And I’m dreaming of what it will look like and whether it will mesh well with the first two books in the series.

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I can’t wait to see it and the artwork could arrive at any moment!

This is when you can be as creative as you like. You don’t have to go the full Lemony Snicket, but you can let your imagination run wild in your own way about how your final masterpiece will look. I like the design side of book production. I would find it difficult to hand over the decisions to someone else. I had a picture book accepted once by a Wellington publisher, but they wanted to change the names of every character, so I declined the offer. These stories are my creations. As Martin Baynton said, ‘A book belongs to you. It’s your intellectual property.’

My stories are my intellectual property, and they will live long after I’m gone, therefore I want a true representation left in the world.

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I find the end stages of book production particularly pleasing. There are lots of little details to get done. It’s when the story morphs into something real I can hold in my hand. There are delicious treats to savour ahead like seeing the cover art, when Si will bring one of my characters to life. Then there is that singular moment when I get to see my book cover for the first time. Every published author can attest that there is no greater delight than laying eyes on one’s new novel! After the hours spent nose-to-the-grindstone editing the story, these are the glory days. These are the exciting things every author dreams about.

When I pictured how the finished books in The Chronicles of Aden Weaver series would look, I wanted eye-catching covers, which I created with Si, and the cover designer at BookPrint. And, I wanted a symbol to act as an emblem linking the books together visually on the shelf. So I designed the seal of the Order of the Order of Twenty-four and set that on the spine of the jacket.

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As a child reader, I always appreciated it when the author added their own artwork to their stories, which is why I also include my pen and ink illustrations inside. In last week’s post, I shared how to create a map. This week, I’m sharing how I created the first pen and ink illustration, which I finished on the weekend.

This is how I did it. I drew a rectangular frame within an A4 sheet of paper. Then I chose a scene from the book—a battle between two giants. Breaking away, Ike Lee collected a boulder with his free hand and tossed it. (chap. 63, pg 210)

I drew the scene in pencil within the frame. Once happy with the image, I went over the pencil lines with black ink pens.

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As with making my map, I used a variety of size nibs, and also black water colour paint to fill in the shadows.

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It is fun to fill in the outlines and ‘colour it in’ with ink. I like to experiment with different patterns and textures. I think it’s essential with pen and ink to have some decent areas of black and white, too, as it’s so effective in this medium, creating differentiation, drama, and maximum impact. Then imagination can let fly.

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I built up the layers, lines, dashes and dots. I spent the whole day adding more. I finished with a black key line to frame the image. It was lovely to doodle all day after the hard graft of getting the story written and edited. I always look forward to doing the illustrations as an author’s reward for making it to the final stages of production.

And here’s the finished picture. What do you think? I’d love to hear from you!

The seond illustration, 200 dpi

Talk to you later.

Keep on Creating!

Yvette K. Carol

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A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it. ~ Roald Dahl

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Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

When I first started writing my third book, The Last Tree, I was able to refer to a simple map I’d made. I had sketched a quick idea of what I thought the Land of Fire and Ice looked like when I began writing the series. And I’ve used this as a reference over the last fourteen years I’ve been working on The Chronicles of Aden Weaver series. But a simple sketch would not be enough to accompany the final book in the trilogy. The challenge was to upgrade my rough sketch to something I could put in my book. Last weekend, I turned that rough draft into a map to go inside the front cover.

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This is how I did it. The place I started with this job was probably the first most important stop the author should make, and that is to sit down and read the entire story making sure your map is as accurate as possible. Once I had checked the placement of every element and what each area looked like, I felt confident to go ahead.

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The next step was to take an A4 piece of art paper and draw a rectangular frame in the middle of the page with a ruler.

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Then I transferred the details of the landscape from my sketch onto the art paper as if I were closer and on a lower angle, rather than the flat bird’s-eye view. I added a few more details just to make it interesting, like showing the site where the group first landed and the site of the shrine they visited in Book Two. I added a compass in the top right hand corner, giving the cardinal directions.

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In each book of the chronicles trilogy, I’ve included two of my pen and ink illustrations. The ink pen is a favourite medium of mine. And it’s a traditional medium for illustrations in children’s chapter books, too, which is rather fortunate.

Once you are satisfied with the way the map looks in pencil and that the features are in the right place, you can use ink. This is the truly fun part of creating your own map. Think of all these adult colouring in books you can get these days. I can attest it is way more fun to make your own. And it’s easy.

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Go over your pencil landmarks and features with a selection of black ink pens in varying nib sizes, (available at any art store) to fill in the lines. It really is fun and I take my time to enjoy the process.

To finish the picture, every map needs a sturdy border. I gave my map a thick border as if it was a painting in a frame. I filled the framework in with a leafy motif made more dramatic by silhouetting the leaves with black ink.

The map took me the whole day. And it was a day well spent.

What do you think? It’s simple to create your own map to go with your story. You can do it too, so let me know if you do. I’d love to hear about it!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“Shoot for the moon. Even if you miss it you will land among the stars.” ~ Les Brown

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For the last two years, I’ve been working on my third book, The Last Tree, and I’ve finally gotten it to the point where I would normally go to a professional editor and then a proof-reader. But this time, I thought I would try an online editing service as the price difference was more than three thousand dollars. A friend, who is also an Indie author, recommended a particular service, and I signed up, paying $70 for a year’s worth of “premium service.” After two weeks of fruitless attempts trying to upload my manuscript to their documents file, and many emails back and forth, I am still unable to upload my story and unable to use their editing services.

I think of myself as reasonably intelligent, however I admit to being hopeless with technology. I find dealing with all the in’s and out’s and nooks and crannies of online services mind-boggling. Nothing is ever as straight forward as you’d like it to be. Everything requires a learning manual to figure out how to use the site: ‘Just watch these ten videos to show you how to use all the different aspects of our service.’

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I may have to go back to the original plan of paying a small fortune for professional editors to do the job. I think one of the things about being an Indie writer is that these sorts of delays, the technological misadventures that happen along the way to publishing a book, are things you would normally talk about with other people, but as an Indie, the buck stops with you. The job can feel a little lonely, sometimes, because it doesn’t matter how big the problem is no one else is going to fix it.

When my grandmother was alive, she lived five minutes’ walk up the road from me. I used to visit her every Thursday, and she would have cooked for us the most amazing full three course cooked lunch. We would sit and talk for hours. And she would tell me the family stories. Every time I hugged her and turned to leave, gran would say some special saying to take away, to think about on my walk home. She’d say, “Remember to always look for the silver lining, and you’ll find it” or “Reach for a star and you’ll go far.” So, these days, many years after her death, I hear her wise words and remember them. She would know that any hitch in the proceedings was fine, and all was in order with nothing out of place.

Gran and I

I emailed the online editing service, and said, if we don’t get the issue sorted out this time I’ll get a refund and move on. In the meantime, I’m very happy to have another go at editing the material. You can never edit enough, that’s for sure. So I’ll happily run through The Last Tree two or three times more while I wait.

As I near these final stages of working on this novel, I have to figure out the cover, the illustrations, and the whole presentation. I have included a couple of my own pen and ink illustrations in each volume, so I knew I wanted to do a couple for The Last Tree as well. I hadn’t had a chance to look at them while I was still deeply immersed in the editing. You get onto a track of momentum when you’re editing and you want to see it to the end. I had to complete the polishing edits before I could contemplate art.

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The last two weekends, I’ve spent hours at a time waiting as I tried to get documents to upload to the online editing service, and I spent that time wisely. I picked up my pencil and dusted off my art pad. It felt so liberating to leave the laptop. I sat down and started to draw the illustrations for the third book of the trilogy, The Chronicles of Aden Weaver.

By the end of the weekend, I had a template for two illustrations: one of the hero making a deal with the bird demons, and the other of two giants fighting. I see my given deadline of spring release for The Last Tree slip, slip sliding away. Yet, now, I have some illustrations I can work on during any further delays in production. I think they call that the silver lining. It helps to stay positive, no matter what.

“Remember to always look for the silver lining, and you’ll find it.”

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Staying positive doesn’t mean everything will turn out ok. Rather, it is knowing you will be ok no matter how things turn out. – Unknown

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

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OPTIONAL IWSG Day Question: If you could pick one place in the world to sit and write your next story, where would it be and why?

If I could pick one place in the world to sit and write my next story, it would be the top of the mountain behind my parents’ house, in the Coromandel Peninsula of New Zealand. My connection with the mountain goes way back to my earliest memories. My parents bought the property in 1964, for ‘the equivalent of a whole year’s wages, $900,’ as dad used to say. We went there every school holidays and long weekend from then on. I have fond memories of trekking up the mountain on the old dirt track and racing my brother and sisters down the other side on flattened boxes.

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Every time we arrived at our land for a holiday, our family would play “the 100 stem game” – something mum and dad had concocted – we would start at the bottom of the section and the whole family would work our way up the property in a long line, pulling stems of bracken until we reached a hundred. It was only when we’d pulled out a hundred bracken, we were allowed to run off and explore the forest. We tamed the section of land and the land helped us go a little wild. The countryside was full of wild life, as well as many colourful species of birds: tui, fantail, finches, swifts, wax eyes, kingfishers, pheasants, quail, wood pigeons, hawks, moreporks, kiwi, oyster catchers, sand pipers, herons, and many more. Our holidays there were carefree, swimming, fishing, and exploring the forest and the enigmatic mountain. The 360 degree view of the surrounding area from the top was breathtakingly beautiful.

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Later on, when my parents retired to live on the property permanently, I lived with them on occasion. If I wasn’t living there, I was visiting on a regular basis. Each day, I would walk up the mountain for exercise. I learned to always take a small notebook and a pen in my pocket, because so often, the simple act of walking through the forest, up the sacred way through the trees, would feel like a meditation. This caused lots of ideas to fizz and pop, so I would often have to sit on different boulders here and there along the track, to catch the thoughts in my notebook. Sitting in the shaded stretch of forest, the ideas felt endless.

I’ve told this story many times before, however it’s a precious memory of a really special time in my life. While my parents were still newly retired, they still felt strong and capable and used to do a lot of travelling. I would housesit and pet-sit for them whenever they were away.

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One of the times my parents were away travelling on a five week tour of Australia, I happened to be in the “genesis period” of working on my next book – in other words, I was just starting a new novel. It was astonishing. I found all I needed to do was walk up the mountain each day, then return to my computer and start to write, and the words would flow like a river. I didn’t have to apply any effort to the story at all. It got so that the characters took on a life of their own and for those five weeks, it was as if they hovered somewhere above me, among the exposed wooden beams of the ceiling, as they narrated the story. It was one of the most satisfying creative experiences of my life.

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From that time on, I thought of my parents’ land and their mountain as my ‘creative wellspring.’ That’s the best way I have of describing it. Inspiration fills me every visit, and the mountain gives her blessing. I’m currently nearly finished writing my trilogy, The Chronicles of Aden Weaver. It means it’s nearly time to make the pilgrimage to the family mountain. I need to breathe the fresh air and humbly walk through the forest for another story.

What about you, where would you choose to write your next story, or to create your next work of art?

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Keep Writing!

Yvette K. Carol

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A person is a fool to become a writer. His only compensation is absolute freedom. ~ Roald Dahl

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It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every of every month. Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

OPTIONAL IWSG Day Question: Has your writing ever taken you by surprise? For example, a positive and belated response to a submission you’d forgotten about or an ending you never saw coming?

Writing takes me by surprise all the time, and that’s one of its many charms. It’s a great way to live, trying to catch the muse by the tail as she sails by on the breeze. Then if you’re lucky enough to catch a good story and follow it through into form, you have the joy ‘going along for the ride’ to see where the tale goes.

One thing that never fails to surprise me, is the way story elements you wrote in rough draft six months ago, suddenly make sense when you get to write the end scenes. That’s the fun of being a “pantser” (someone who writes without a plan). You get to feel part of creating something ‘other’ outside of yourself. You are just a cog in the wheel, a part of the story writing process, not the only agent of its creation, and that is a marvellous, magnificent feeling.

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Another great surprise along the way has been the relaxation I always feel in being able to wear my pyjamas all day. I’m a full time mum part time writer. The only time I get to myself is at the weekends – while the boys are at their dad’s – and I use all of that time writing. During the weekend, I will not get out of my pyjamas once. I wrap myself up in a dressing gown, grab a hat and a shawl. Bliss.

It used to be, thirty or so years ago, that I would have hankered to get dressed up and go out somewhere. I would’ve looked forward to wearing my latest gear or hair style, to go out doing things with friends, or going to the movies. I’ve found the older I get the more I adore being at home and not going anywhere. It’s liberating not worrying about how I look. To work from home is relaxing, comforting, and it doesn’t cost very much to do.

Reading an excerpt of The Sasori Empire

On the downside, I’ve been surprised to find that being a writer makes for really awkward social conversations. Being a writer is not a conventional job. Whenever I’m at a party and people say, ‘what do you do?’ and they hear my answer, they invariably ask what do you write? Where do you sell your books? Are you in the library? And so on. When you’re a part time writer and self published as I am, and a relatively long way off being on the library book shelf, it can make sometimes for painful party conversation.

I love the way Alice Munro put it when she said, ‘When you’re a writer, you’re never quite like other people — you’re doing a job that other people don’t know you’re doing and you can’t talk about it, really, and you’re just always finding your way in the secret world and then you’re doing something else in the “normal” world.’

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That’s been the best surprise of all about this business. And I guess it’s what drew me into pursuing this as a ‘path’ over thirty-five years ago. As a seventeen-year-old children’s writer, I became hooked on the sheer joy of story writing. It takes you to great heights and lows, and extraordinary lands in between; you get to chase an idea to see where it takes you and experience the journey the characters take with them, it’s exciting.

Hunter S. Thompson said, ‘every man is the sum total of his reactions to experience. As your experiences differ and multiply, you become a different man and hence your perspective changes.’ I think I’ve grown as an author over the years. I’ve changed a lot. My fiction is no longer a hobby, it’s become a lifestyle. I savour every moment. I still revel in the delicious surprises that are part of the job. It’s a wonderful ride.

Does your writing or art every surprise you?

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Keep Writing!

Yvette K. Carol

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If you follow your bliss, you put yourself on a kind of track that has been there all the while, waiting for you, and the life that you ought to be living is the one you are living. ~ Joseph Campbell, The Power of Myth

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At a get-together with friends recently, I ran into an old buddy from school.

She asked that age old defining question, “What do you do for a living?”

Being a stay-at-home mum and a weekend writer, I feel I do a lot and that my life is interesting, yet, it’s usually not a great conversation starter. I write part time because the kids come first, and raising a child with special needs takes a somewhat longer process than raising my other two boys.

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When you say you write fiction, people often ask awkward questions about marketing, and I have to confess I suck at all that stuff. I do my best. I maintain a social media presence: I have my website, Twitter, Facebook, blog, and newsletter bases covered. However I can’t do that thing artists do now, where they ask for people to like a page, or vote for them at a story competition, or they request for people to review something, or visit a site as often as possible and share it with people to help them tip the numbers in their favour. It makes me uncomfortable to be asked.

You feel as if every person you know has an angle. Everyone is selling you something.

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I do my bit. I have my books on Amazon, do my reviews on Goodreads. I have a digital footprint. But apart from that, I don’t promote my books, (apart from mentioning them in articles). Each publication is put on the figurative and literal shelf, and I work on the next story.

At present, I’m editing ‘The Last Tree,’ number three in the trilogy, The Chronicles of Aden Weaver. I’m mere hours of hard yakka away from seeking the first round of professional help, which will see this manuscript transformed from words on my screen to a living, breathing book.

Being an “Indie,” or Independent Publisher, I get to wear all the hats. It takes a lot of effort to put out a decent novel that you deem worthy of sitting on a library shelf. I find it incredibly rewarding.

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The moment you hold that book in your hands the labour is forgiven, the same way the pain is forgotten the moment you hold your baby in your arms.

Used to be, I thought self publishing was only for those who couldn’t get a traditional publishing contract. I used to look down on it, actually. I was holding out for acceptance by the traditional gatekeepers, the big publishing houses. I waited in vain for thirty-five years. Eventually, I had to admit to myself, that what I was waiting for was not going to happen.

Of course, in thirty-five years, a lot had changed about the world of publishing. What was frowned upon in the 1980’s is accepted as commonplace in 2019. Now self publishing is more or less accepted. There are even lots of success stories about Indies, whose books were picked up by big publishers and turned into global hits. These days, I realize this is a perfectly viable way to put stories out there. Even better, self publishing allows me total control.

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I remember one time, when I did get a book accepted. One of my “early reader” books was accepted by a small Wellington press. They would publish the book they said, but they didn’t like any of the characters’ names and wanted my permission to change them all. I said no and didn’t sign the contract. I realized then and there that I’m the type of person who likes to control the end product, and that I like to produce it my way. Going Indie turned out to be a perfect fit.

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For the Chronicles, I worked with the cover designer at BookPrint for weeks, before I had the book looking the way that felt right for me. I was so pleased with the finished product. I haven’t seen the cover art for ‘The Last Tree,’ yet. My nephew—the artist for the first two volumes—has been charged with the task. I can hardly wait to see what he comes up with. Then I can work with the designer on the third cover. And I can also draw two pen and ink illustrations to go inside. This is the fun part after all the elbow grease and midnight oil.

What do I do for a living? I sometimes produce a precious book.

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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The future belongs to those who believe in the beauty of their dreams. ~ Eleanor Roosevelt

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As I enter the final stages of editing my third book, The Last Tree, I find I’m often asked the question, “What are you going to write next?” The answer is, I don’t know. This is the third and last volume in my middle grade trilogy, The Chronicles of Aden Weaver, and it has so engrossed every moment, I haven’t had the chance to look beyond it.

When I do look beyond it, I feel this irrational fear, which I believe is commonly felt among other writers. Will I ever write another story?

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For the last fourteen years, I’ve been fitting in writing the Chronicles around raising my two youngest sons. As a solo mum, with a house and garden to care for, and elderly parents, I enjoyed every chance I had to escape into my imaginary world on the planet of Chiron, whenever I was writing. It’s hard to imagine moving on. The thought of starting a new plot, a new world, a new dilemma, and new characters terrifies me.

It’s not me who writes the genesis draft anyway. Elizabeth Gilbert calls the process of inspiration, the ‘other’ energy that comes from nowhere and brings the stories with it, the muse; some call it a “genius.” The stories arrive from elsewhere as if they come on the wind. You have to be fleet of mind to grab them when they whistle by or you might miss out.

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I guess that’s part of the fun also of being a writer, living on the knife edge while you wait to be the instrument of the creative ferment. Once you start the process of formulating a story, you open your mind to ideas and wait for lightning to strike.

I haven’t had to do that in a long time. I’m nervous. Last night, I had a few nightmares. Thinking about them upon waking up, I could see the common denominator was fear. I decided, as we approach the winter solstice, that I would let go of all fear around writing the next book.

Every writer goes through this same anxiety at some point. Will I ever write again? Every writer has a different way of handling the period of not knowing that follows finishing a project and before starting the next.

My method is to craft notebooks for each potential project.

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This began back in the 1980’s, when I was writing my series, The Great Adventures of Splat the Wonder Dog. I put effort into creating a notebook of every background detail. The act of crafting images, making lists of story details and background and focusing in on the tale seemed to bring it to life in a whole new way.

The notebook also helped corral my thoughts and world-building.

In 2005, when I started writing The Chronicles of Aden Weaver, my notebook was a pad of old paper on the nightstand, on which I jotted down details of background, history, geography, characters, setting, mythology, religion, and plot each time I passed. There were no sketches or pictures pulled from magazines. I had two sons under the age of ten. I didn’t have time to shower or clip my own fingernails, let alone make works of art. Simple or not, the creative process was still seeded and propagated through the power of that notebook.

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This afternoon, I was doing the housework when an idea for a story setting popped into my head. It was a simple notion about an island I had read about years ago, in one of the old hardbacks in my parents’ home library. A few more ideas flashed by. I grabbed for my trusty moleskin and jotted them down. The muse was in flight.

The next logical step for me is to start collating these ideas into one place – a notebook. It’s so exciting! Whether it turns out to be a series or stand alone novel, that humble repository is where it will come together. While I’m still hard at work on publishing my third novel, the fourth will have time to develop.

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New Zealand author, Joy Cowley, said that she ‘baits the hook, drops it in the water and then waits for three to four years for each story idea to gather more ideas.’

I see my notebook method as being very similar to this analogy. Maybe someday soon, I’ll have an answer to the question, “What are you going to write next?” and it all begins right here with a pen and paper.

I’m ready for a new adventure to begin. Bring it on!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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I have yet to meet a writer who wouldn’t rather peel a banana than apply himself to a pen. – Alice Thomas Ellis

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A good friend said to me a few years ago, that entering one’s “middle years” was like fall, in that ‘things started to drop away from you like leaves from the tree.’ I think that is a handy analogy for this season of life I find myself in. After losing both my parents in the last two years, as well as a good friend, thinking of this time in my life as ‘being like fall’ helps me achieve the right mindset. That way, I accept loss as the natural order of life and the way things go.

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I put this realisation into my work-in-progress, a middle grade fantasy novel called, The Last Tree. Because of the youth of the characters, the realization becomes an initiatory one. I was able to use my recent experience with grief to write more realistically about the grief we feel as kids when we first take those first tentative steps towards adulthood, and we start to leave childhood behind. I can clearly remember being that age of twelve to thirteen and not wanting to grow up.

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Our young hero, Aden Weaver, was eleven in book one of The Chronicles of Aden Weaver series and each book covers the course of a year in his life. The Last Tree, being the third volume in the trilogy, includes the final battles, and the flowering into fullness of the child character/s must transpire.

As Aden Weaver is thirteen in The Last Tree, he is therefore on the cusp of change, walking that fine line of the transition between boyhood and manhood. He would naturally entertain his first thoughts about mortality. I did this through having his beloved mentor start to age rapidly. The thin line I had to walk was to have Aden experience loss while not dwelling on it to the point of being morbid.

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I knew I had to handle everything about the final book with care. In The Last Tree, Aden Weaver says goodbye to people he loves. It is a graduation story after all, and with graduation comes leaving people and places behind, so while there is bliss there is sadness. That’s life. It’s how we handle what happens that defines us.

It’s vital for the reader’s sense of resolution that Aden displays the depth of character at the end of the series absent at the beginning.

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The protagonist must demonstrate a growth arc and become that thing that was promised in book one, the wannabe must become the warrior, the hero, the more evolved, more complete version of themselves.

Aden, must taste the bitter fruit of reality and grow up a little and move on with new maturity. It’s a delicate piece in the mechanism of the coming of age story. However, I don’t prefer writing morbid fiction for children. You can see in the success of series like The Hunger Games that this generation of kids has high tolerance levels for death and violence. I read the Hunger Games trilogy to my boys earlier this year, and I was shocked at the content. It’s that sort of thing I couldn’t do.

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I want to do my story and characters justice in a potent way without the gore.

To me, there should be some reflection of life’s difficulties in our children’s books, and it also needs careful treatment. When you are writing for the 9-13 year-old age group, this acknowledgement of the child grasping the intransience of life needs to be touched on in some way, to be authentic to that stage of life. It’s about our passage over the threshold, from the first phase of life to the next. It can be symbolic, through leaving town, or changing schools. It needs to be present but not at the forefront, and not put in a way that is irresolvable for the immature mind.

Life’s tragedy can be delivered in junior fiction in a way that enriches the story without overwhelming it, if it’s done well. Just think of Charlotte’s Web.

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In writing about loss for young people, you must, also offer hope. Just as we do in real life, seek a counterbalance. The aim is not to leave your young audience devastated. We have a responsibility to reveal the glimmer of light along with the darkness.

At the end of The Last Tree, I sought to redress the balance back into the light. I only wrote the triumphant scenes a couple of months ago, and now they’re among my favourites in the whole book.

Hope is restored, as it should be. Life does go on.

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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‘Good stories are about the getting of wisdom; let your children grow up.’ ~ Jane Yolen

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