Archive for the ‘childhood’ Category

Being a parent is tough. The other day, we introduced my delightful three-year-old granddaughter to my friend’s granddaughter, Miss two. It was a wonderful day. The girls dashed about from one activity to another like fleas in a fit. At one point we were watching the kids leap on the trampoline in the backyard. I asked Miss Two’s father, “How are you finding parenthood so far?” He got a far-gone look in his eye and said one word, “Relentless.”
You can tell he’s a poet. That one word. So pithy. Perfect.

It was Oprah who famously said there is no harder job on the planet than parenting. Such sayings stick because they are the truth. My eldest son has had his first child, the aforementioned three-year-old, and recently, I asked him if he had ever thought of having more children. He said, “Hell, no! One’s enough!” The early years of your child’s life are brutal.
Just as you surface from the flat-out breakneck marathon of raising kids from 0-to 10 you hit the teenage years. Their earnest, transparent personalities disappear. They suddenly take on exaggerated swagger and posture. There is a new language delivering words you’ve never heard before. A wrinkly brain is smart. A smooth brain is dumb. If something is “pog” it’s cool. Pog champ is really cool. And, of course, Good RNG means good luck. Everybody knows that.

They sing. That surprised me. I thought the singing would be dropped out of shyness or being self-conscious. But no, the youngest son still sings all day long. He and his friends make random sound effects here, there, and everywhere, apparently sampled from favourite songs and clips on tik tok. Life revolves around phones, social media, and online games.
I miss the early years. The simple years. Suddenly, the enormous capacity of children to focus on playing games and having fun switches on a dime to focusing on their friends. The youngest son told me that his large circle of mates are the most important people in his life, after we, his immediate family, of course. Thanks, son. Lucky save.

Teens at the moment are navigating the minefield of the pandemic on top of the usual rush of hormone-driven behaviours. My boys have friends who get sick and vanish from social life for a while, then they recover, and another wave goes down. The constant communication via devices continues uninterrupted, but the occasional parties and get-togethers to cruise the mall or hang out at one another’s houses have to be temporarily shelved. This translates to teens who are grumpy. Cue the big sigh.
Being a parent means getting to bear witness to these kids growing up. A bittersweet process. Now, my boys tease me ruthlessly about “shrinking” (with old age) as they turn into human giraffes.

The youngest is a lot more emotionally needy as a teen. He requires more listening from me and wants me to explain everything at length in five different ways. He speaks so fast that the words run together in mini avalanches. My grandmother always used to say as long as your kids are talking to you, things are okay. I keep that in mind. Although at the teenage stage, sometimes he talks too much. Everything is exaggerated, and sometimes I get overly anxious. I do my best not to panic about all the potential pitfalls out in the world. At this age as with those that came before, kids want clear boundaries. With the rules in place and by setting a good example, I can be a solid foundation in his life. At the end of the day, that’s all you can do, as well as love them.
Love them relentlessly.
Have you survived raising teenagers? Please send notes!

Talk to you later.
Keep creating!
Yvette Carol
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90% of parenting is just thinking about when you can lie down again. ~ Phyllis Diller

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Do you remember turning 16? I do. Like it was yesterday. It was the summer holidays. My friends and I were hitchhiking up north. We stopped at a cafe. There were four of us hunched around a Formica tabletop with sodas, and I remember saying I didn’t want to turn 16 (the next day). Why not? It was too close to 20! Who could imagine being “so ancient?”

Funny how the vantage point of time changes things.

The youngest of my three sons had his sweet sixteenth birthday two weeks ago. He is more mature at this age than I have ever been. I guess for some people it just comes naturally. The other day, he said, “Do you know what I’m looking forward to the most about growing up?”

I said, “No” although I imagined he’d say beer, driving, or possibly not going to school.

He said, “I’m looking forward to having logical, rational conversations.”

Huh? Jaw drops to floor.

We’re definitely different, he and I. At 16 I fretted about getting old, while my youngest son pines for more adult conversation. How shallow was I? He’s already a better human being than I am. Huzzah!

What did the son want to do for the big milestone birthday? After offering him every adventure option or fun experience available, what he most wanted was ‘a cake and to hang out’ with his friends uninterrupted. Could they hang here? Sure, I said, smiling, although I secretly dreaded it. Idiot Trooper that I am, I let him invite all his mates over regardless.

My friends and I at 16 were rebels. No self-respecting adults wanted to be around us.

To my surprise, my son’s friends were delightful. They had the run of one part of the house the entire day, while I kept food and liquid coming. They played online games, outdoor games, jumped on the trampoline, took photos of themselves, played music, and sang in harmony together the entire day. In the afternoon they demolished an entire chocolate cake and then left en masse to buy supplies from the supermarket, returning an hour later to cook a feast. So lively, so fun, were they, I even missed them in their absence.

In the late afternoon, the girls drifted home. Finally, just “Da boys” remained, playing online games into the evening, still singing in beautiful harmony along with their favourite songs. By the time Da boys left, I felt tired but mostly buoyed by the experience.

They’re mature, considerate kids. Who knew?

That said, they’re still only 16. They still like to play games the same way they did when they were little, but with a lot of music, singing, slang and posturing thrown in. The energy levels when these teen buddies get together can ramp up suddenly, get inexplicably loud for a short period—almost explosive—then peter out again and dip so low the kids appear to retreat behind their phone screens for a while to reboot, becoming temporarily tomb-like and silent, before the shrieks and the laughter escalate and they flare into life, noise and energy all over again. To be around them even for a short period is akin to putting one’s finger into an electric socket, recharging every cell in the body and rendering one’s hair into an instant afro. It’s vitalizing and frenetic at the same time.  

The upshot overall was the day was easy, no drama. As their humble servant, I got to witness snippets of their group dynamic, the teen slang, the weird sounds they make when they’re together, which was fun.

I remember the heady freedom of being 16. You’re old enough to do things but young enough to be silly and not care who is watching.

There was one of son’s friends singing that very Michael Jackson, high-pitched, “Hee hee!” so frequently I nearly asked him to stop (although thankfully, I didn’t). One boy hugged his phone and speaker the entire day, constantly scrolling the music selection – he was clearly in charge of the music selection. There was the occasional daring use of a swear word, but not loud enough for me to discern. I turned a blind eye, regardless. As head provider of refreshments, I stayed in my quarters – the perfect excuse to get some writing done – and let the teens have the house for the day. Some freedom was all they wanted. They often burst outside to play Frisbee, badminton, shoot hoops and jump on the trampoline for hours in the afternoon, which rather impressed me.

I think your child’s friends say a lot about who they are and how they’re doing, and I liked the son’s friends a lot. That made me happy.

At sixteen, I was a fool. At the same age, my son is smarter, more mature, and more emotionally intelligent than I am. Maybe there’s hope for the future, yet.

Talk to you later.

Keep creating!

Yvette Carol

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There’s nothing wrong with teenagers that reasoning with them won’t aggravate. ~ Anonymous

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*Tips for parents on Stanford Children’s Health, Understanding the Teen Brain

I’ve finished reading my eleventh novel for 2021, Amelia Dee and the Peacock Lamp, by Odo Hirsch. Whenever I pass a thrift store or a charity shop, I’m compelled to go inside and check out the books. As a writer, I need to read within my genre, which is middle grade fiction. Therefore, I always peruse the children’s section and fantasy sections for new-to-me gems. Amelia Dee and the Peacock Lamp was a recent thrift-store acquisition with an intriguing cover.

I had never heard of the author before. But how can you resist a title like that? Amelia Dee and the Peacock Lamp knocks it out of the ballpark because the reader immediately asks, ‘what is the peacock lamp? Why is it important? What does it do?’ The goal for every author is to get the reader to ask questions and not fully answer them till the end of the story. The all-important title must get them asking questions at the front cover. Mission accomplished on both scores with this book.

An excellent title is everything.

What is the peacock lamp? It’s a rare bronze lamp which hangs outside the bedroom door of Amelia Dee, where she lives in the greenhouse on Marburg Street. Burdened with rather hopeless parents, an eccentric artist mother and father inventor, Amelia’s friend, Mr. Vishwanath provides the stability and the sanity in her young life. Mr. Vishwanath practises yoga downstairs and teaches the formidable Princess Parvin Kha-Douri and… spoiler alert, that’s pretty much it.

I was not sure what to make of this story because while it’s wonderfully written and a nice ride; it had a lot of promise that went under utilized. It’s like taking a ride at a theme park only to travel at walking pace and never leave the ground. The lamp has such allure and promise, the ancient yoga teacher, his equally ancient pupil are fascinating, and you keep reading, keep keeping the faith expecting things to go somewhere. I think this is one of those stories about which they say, it is “not plot-driven.”

Cough. Cough. Not a lot happened.

And being the big kid I am, although I had reached ‘the end’ I was still waiting for something to happen.

Amelia Dee and the Peacock Lamp is not bad though. It’s a quiet story, reminiscent of Antonio S. and Hazel Green, also by the author.

The wise mentor figure portrayed by Mr. Vishwanath provides our protagonist, Amelia Dee, (good name) with considered wisdom, calmness and inner questioning. I think it’s admirable to make such values as expressing yourself, letting go, the fair treatment of others and finding your voice the core of a book. Some people have made the comparison to Jonathan Livingston Seagull for children. Some people have said it’s what the parents who read literary fiction give their kids.

You could ask, are kids really up for reading a very adult kind of story? Do kids read this sort of philosophical fiction? Obviously, the answer is yes. Odo Hirsch was doing something right as he released Amelia Dee and the Peacock Lamp in 2007 and won HONOUR BOOK: CBCA Book of the Year, Younger Readers, in 2008. This is a dear book and I’m glad kids are reading this sort of wholesome fiction.

When I “Googled” the author, as you do these days, I discovered that Odo Hirsch is a popular kids’ author. He was born and grew up in Melbourne, Australia, where he studied medicine and worked as a doctor. Now based in London, Odo continues to write children’s books and they have translated his works into several languages, for the Netherlands, Korea, Germany, and Italy. For more information, please see http://www.answers.com/topic/odo-hirsch 

How refreshing there is a market for such low-key fiction. Reading Amelia Dee and the Peacock Lamp is like taking a holiday in the country to recharge the batteries after the rush and bustle of life in the big city. It’s fiction about those quieter moments that occur between the active times, when there is time to slow down and ponder the deeper things in life.

“When you know you are right, that is the time you can be sure you are wrong,” said Mr. Vishwanath.

Would my boys want to read it? No, but, spoiled by modern technology, what would they know? This book is an experience of softening, like a meditation.

My rating: Two and a half stars.

Talk to you later.

Keep creating!

Yvette Carol

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“It is what it is,” said Mr. Vishwanath. “Everything in life is like this.”

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I’ve finished reading my eighth novel for 2021, I Was a Rat! … or The Scarlet Slippers, by Philip Pullman. This book is one of the author’s shorter works for children which ‘for want of a better term’ he called fairy tales. Although Pullman found these shorter stories very enjoyable, he also admits to finding them ‘immensely difficult to write.’ I’m not surprised, as his books are typically dense with meaning. I was a Rat is multi dimensional with astute observation of people at its core. This small book is such a tidy mouthful I finished it in one sitting. Yet the ripples set in motion by the pebble in the pond continued long afterward. It’s one to get you thinking.

A young boy turns up one night on the doorstep of Bob the cobbler and his wife, Joan, a couple who had always longed for a child. The boy, whom they name Roger, insists he used to be a rat. The couple give him shelter and food. Roger is earnest and confused, unsure how to act like a boy, but every day the couple teach him patiently and Roger tries his best to learn. Bob and Joan go to the police, the hospital, and an orphanage, trying to find a place for Roger, but no one wants him. The old couple next try sending the boy to school, but Roger is not quite tame enough and runs afoul of the teacher. One mishap after another befall poor Roger, who by now is becoming infamous in the village and beyond, as a freak.

Along with the unfolding drama, we get regular updates on the front page of the local newspaper, The Daily Scourge, and the articles continue to pop up throughout the book. Though published in 1999, I Was a Rat is an unblinking meditation on the power of the press (social media) today.

As the innocent Roger becomes demonized by the newspapers, and the public opinion builds around the negative imagery provided, Roger becomes popularly regarded as a monster and they line him up for the death penalty. This reveals the ugly side of the press, bearing parallels with today’s social media trolls and the gang-banging that often happens around those poor souls who fall foul of popular opinion and have the misfortune to become blacklisted. Mob mentality is an almost too real a theme. Yet, the book never really gets bogged down in worthiness or making a point. I Was a Rat can still make us laugh and be funny.

As the story unfolds, we get the twist, the key to understanding our boy who says he was a rat. And we realize how imaginative this tale truly is, being in fact, the follow up to a world famous fairy tale, giving us an alternative view. The story premise is not only intelligent, it’s different. One feels as if the author took a leap out of the box and it paid off.

Philip Pullman was born in England in 1946. A teacher most of his life, he is also the author of twenty books for children. He is best known for the trilogy His Dark Materials, beginning with Northern Lights in 1995, continuing with The Subtle Knife in 1997, and concluding with The Amber Spyglass in 2000. His books have earned Pullman the Carnegie Medal, the Guardian Children’s Book Award, and they gave him the Whitbread Book of the Year Award (the first time in the prize’s history that they gave it to a children’s book). Pullman was the 2002 recipient of the Eleanor Farjeon Award for children’s literature. And in 2005 he won the Astrid Lindgren Award.

Reading I was a Rat was a curious experience for me. While I wasn’t sure what was happening, the quality of the writing sucked me in and kept me turning the pages, anyway. Packed into the light volume are many levels of meaning. It’s one of those books where it is possible to enjoy it at face value and also plumb the depths for more meaning. I loved the subtle morality. “See, I don’t think it’s what you ARE that matters. I think it’s what you DO.” We learn not to “… go by surface appearances. It was what lay underneath that mattered.” In I Was a Rat, Pullman reminds us that, just as with his wonderful stories, beauty is more than skin deep.

My rating: Three and a half stars.

Talk to you later.

Keep creating!

Yvette Carol

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In the pleasures that literature affords us, we may see immediately that tomorrow does not have to be like today. Such immediacy makes free. ~ Charles Hallisey

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I’ve finished reading my sixth novel for 2021, Fifteen by Beverly Cleary. Sad news obviously prompted my choice: the exceptional children’s author, Beverly Cleary, died last week at 104. She still had the look of youth about her. Beverly famously said that whereas other children’s authors sometimes struggled to write from the child’s point of view, she somehow found it easy to recall exactly how it was to be a child. Of her style and genre, Beverly said that as a child growing up she’d wanted to read about other kids like her, ordinary kids and their everyday lives. And because she understood her audience so completely, her stories–about kids like you and me–were incredibly popular with children.

It was the Ramona Quimby books that were the most popular, however I didn’t read Beverly’s stories as a child. I discovered the author because my older sisters, whom I admired and adored, had a small book among the other bigger tomes in their bookcase called Fifteen, by Beverly Cleary. Even as a kid, I thought, how cool to read about a person your age when you are that exact age. So I decided I would save stealing it from the bookshelf until I turned fifteen. And that’s what I did. When I finally turned that magical lovely age, I snuck the slim volume from their shelf. I remember relishing every page. Beverly’s free ability to capture that youthful viewpoint was a gift. She gave me a sweet moment in my youth I’ll always remember.

The book itself especially to me now as an adult reader seems like fast food. You can swallow it in one bite, yet it is so wonderfully delicious. Fifteen is a peek-a-boo window into the 1950s. Published in 1958, it was the era when my parents were young, when girls wore dresses and full skirts to formals or dances, walked to school, and sat in malt shops to drink soda. It’s like entering a time machine to read it now, and something tells me this innocent tale of young love would be a total yawn fest to the modern fifteen-year-old, although possibly still easily consumed by the 9–10-year-old crowds.

The coming-of-age story is about fifteen-year-old Jane Purdy, an average girl with a babysitting job and how she meets the dreamy Stan Crandell, who has a tan, green eyes, brown hair with a dip in it, and a genuine smile. Stan might deliver horsemeat, but he rescues our damsel in distress at the outset and proves himself to be just as nice throughout the story. Jane has never had a boyfriend before. She is the picture of flustered youth. Her awkwardness reaches into the heart of any girl and Beverly renders the angst truthfully and winningly.

While some aspects of Fifteen seem dated now, the themes persist today, underlying this story of a crush, is the story of a young person trying to fit in. Jane looks up to the most popular girl in school and tells a few fibs as she tries to be like her before Jane figures out that Stan likes who she is and wants her to be herself. Aw!

I love that there is this wonderful sense of place in this story. I can clearly remember my fifteen-year-old self feeling as if I were in the Purdy’s comfortable family home or in the quiet house with Jane when she was babysitting and her charge was finally asleep.

An admirable talent, Beverly Cleary was born in McMinnville, Oregon. Her books have earned her many prestigious awards, including the 1984 John Newbery Medal for Dear Mr. Henshaw. They have published her books in twenty-nine languages and her characters, including Henry Huggins, and Ralph S. Mouse, Ribsy, Socks, as well as Beezus and Ramona Quimby, have delighted generations of children.

They celebrated Beverly Cleary’s one hundredth birthday in 2016, by reissuing three of her books with forewords by Judy Blume, Amy Poehler, and Kate DiCamillo. In 2017, they reissued the Henry Huggins books with forewords by Tony DiTerlizzi, Marla Frazee, Tom Angleberger, Jeff Kinney, Jarrett J. Krosoczka, and Cece Bell.

I love Beverly Cleary’s writing. I think it is because she was a luminary in relating what my writing teacher would call ‘the minutiae’ of family life and social life. She was relatable, her stories truthful, pure. What a legacy she has left the world. Beverly Cleary, you will be missed.

My rating: Five stars.

Talk to you later.

Keep creating!

Yvette Carol

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“I don’t think anything takes the place of reading.” ~ Beverly Cleary

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I wouldn’t go back to being a teenager for all the money in the world. What a roller coaster. My youngest son is at the tender age of fifteen, when his body’s morphing at a gallop and his view of himself and the world is in constant flux. He’s growing taller every week, he’s either a bundle of energy or catatonic on the couch, and he has to question everything. The emotions rocket from simmering to sky-high in an instant. As a parent, I’m used to ongoing frustration with both my younger boys, and feeling peeved when they haven’t done what I’ve asked, and so on. Now every time a flicker of annoyance crosses my brow, I’ve hurt my teenager’s feelings. We’ve been doing a lot of talking, in consequence.

It’s a minefield, I tell you.

The youngest son is morphing in so many ways it’s hard for me to keep up. Not only is he evolving in ever-increasing height and girth, the tone of his voice and his new dialect of teenage slang keeps changing. He’s altered likewise in his preoccupations. Friends used to call him ‘the dancer’ because whenever he had to wait he would dance on the spot. At home he would break into dance between games. Then he turned fifteen… and stopped dancing.

He disappeared into his phone.

As a drummer, he used to tap a rhythm with his feet constantly. You knew where he was in the house by the sound of his drumming feet. It was like living with a tap dancer. He filled our days with the sound. When he turned fifteen, he stopped tapping.

He started playing more Xbox.

It’s official. The youngest son is going through the teenage ya-ya’s. As an adult, I process life using the pre-frontal cortex, the brain’s rational part, whereas at fifteen, he’s still processing stimuli using the amygdale, the emotional part. The connections between his amygdale and the rational part develop at different rates. He literally is feeling things more than he’s thinking about them.

The rational part of his brain won’t fully develop until after the age of 25, so I have to be patient and be the adult for both of us.

I set rules and limits, and we negotiate the parameters as an ongoing process. He’s expected to do chores and make some of his own meals. He’s on breakfast and lunch, I handle dinner. I feel sorry for the teen angst he’s going through. As a Gemini, when he was little, the boy could talk the hind legs off a donkey. These days he’s tongue-tied. He says he can’t make conversation, he doesn’t know the right thing to say and that he stuffs a conversation up.

He’s painfully self-conscious and self judgemental.

Two weeks ago, the youngest became nervous about going back to school, and the week before first term began, he fretted over distinct possibilities for disaster every night. He ‘wouldn’t know what to say,’ he’d be taller than his height-challenged friends again, (as happened last summer), or he’d have no friends in his classes, and the subjects he’d chosen would be the wrong choices.

Every night I was putting out fires.

Each day his anxieties rise and fall. Yet the glorious thing about kids is they’re indefatigable. Alongside the self doubt, there is an inextinguishable bravado. If I question whether the youngest should walk to school before daybreak, he tells me he’s ‘big and strong.’ If I query whether he should take on more at school, he tells me he’s so far ahead of the other kids in his class; he teaches them the subjects when they get confused, that he’s ‘got it sussed.’ If I worry about him getting home late from school, he rolls his eyes and tells me he knows what he’s doing. No matter what it is, he assures me he has it under control and I should stop worrying.

I’m your mother, dude, I never stop worrying.

I counsel myself that the only things I can do as the parent is:

*To check in with him when he talks, about whether he wants me to find solutions or just listen

*Make him aware of the consequences of his actions and help him link his thinking with the facts

*Remind him of the tough times he’s dreaded and gotten through in the past and that he is resilient enough to get through anything

*Pay attention to him and listen when he talks, even if it’s about the anime shows he’s watching or what happened the last time he played Minecraft or Rocket League.

I need to do all this, while still running the household and writing books. I’m just sayin’.

Have you survived raising teenagers? All tips welcome!

Talk to you later.

Keep creating!

Yvette Carol

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Insanity is hereditary; you get it from your children. ~ Sam Levinson

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*Tips for parents from Stanford Children’s Health, Understanding the Teen Brain

I’ve finished reading my third novel for 2021, Just End It by Donna Blaber. Third novel already, I’m caning it! Donna is a friend, a fellow Kiwi Indie author, and she also edited the books in my Chronicles of Aden Weaver trilogy. An award-winning author of over forty books, she has worked as a magazine journalist, freelance feature writer, copywriter, proofreader, travel editor, lifestyle editor, and as the managing editor in three magazines. In 2016 Donna completed an MA in Creative Writing, graduating with First Class Honours, receiving the Dean’s Award for Excellence in Postgraduate Study.

This was my first chance to read one of Donna’s books. When I realized the topic was bullying and cyber bullying for teens, I wasn’t sure what to expect. It intrigued me. The author takes on a freighted subject, yet she makes it seem easy. The story leads us naturally into a believable situation where a teen’s world gets turned upside down when she’s bullied after the new girl arrives at school. As Jessie’s life unravels, a twin strand of story runs alongside about the obsidian rock she found on the beach, which seems to have stories to tell and adds mystery. There is a wonderful supernatural type element introduced with the rock, or ‘cobble’ (complete rounded stones) as used by the ancient Moa hunters. Our heroine Jessie found the rock on the beach. Then she dreams of a young Maori girl who also had the rock, but in ancient times. She learns the rock has special significance to the Maori people.

It would be so easy with a subject like this to set a foot wrong. The author’s grasp of the young girl’s perspective is on point, and Jessie comes across as a real teen. When the bullying escalates into hateful on-screen messages telling her she should end it, Jessie learns to rely on her own judgement and cultivates her real friends like Mia and Reuben. The lesson of speaking up comes across strong. Because Jessie shares about the bullying with those around her, the unbearable pressures on her ease and the solutions and answers then flow in. There’s some nice character development as Jessie moves through the pain and sadness. She rises, gradually gaining strength to tell her parents the truth and builds self belief, until Jessie knows who she is, that she’s a good person trying her best. She knows who her friends are and which friends to avoid. In the end she has this well rounded actual strength which we find utterly plausible. Well done, Donna!

I thought the story played out the way it should, nothing missing, every necessary corner traversed. Nothing was forced. They say a story should be told in a way that each scene feels inevitable. That’s the way it is with this book. Just End It. Donna Blaber handled the subject of bullying in a practical, no-nonsense way, with the solutions meted out and the consequences playing out as they should. She answered every question raised. There were subtle lessons about the value of communication and transparency, being judicious with your friends and standing up for yourself.

Being a Kiwi, I particularly enjoyed the strongly evoked New Zealand setting. The author has taken the time to do the research, giving us the correct Maori spelling for place names, the names of flora and fauna, the stories of the Moa Hunters and the Maori in the past, the way Whakatane got its name, etc. These delightful details add depth, setting the story in its unique environment using all the senses.

What a great story! There were solid characters to hold on to and the conversations flowed at all times. It was easy to become invested in the protagonist Jessie, she’s a fleshed out character with coherent thoughts and feelings. I liked the bringing in of the different generations of family members, who came on stage with enough gaps between them I could remember who they were. She described family members so I could picture each of them in my head. I was part of the whanau (family) too. Donna Blaber has done an outstanding job with this book. Just End It is a tough subject tackled exceptionally well. She’s given us a warm, uplifting story of triumph through adversity and reminded us of the resilient power of the human spirit.

My rating: Four and a half out of five stars.

Talk to you later.

Keep creating!

Yvette Carol

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She’d had enough of being a tag-along, she enjoyed being an equal too much ~ Just End It.

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Being a parent is hard at the best of times. When you’re working as well you divide your energy between their needs and your own. And my kids are at the most dreaded age of them all. No, not the terrible two’s but the terrifying teenage years. You always hear parents complaining about their teens and I used to think, no, nothing is as hard as raising little kids. But now that I’m here, man, this is parenting on a whole new level. It’s not just about feeding, clothing, housing and nurturing them anymore, it’s also about a whole raft of complex emotional counselling to keep them on an even keel. It’s about offering day-by-day guidance as they navigate the choppy waters of hormones and the realities of impending adulthood.

The middle son has his trials but being special needs he mostly cruises through life enjoying himself immensely or sleeping. The youngest son is on a rollercoaster of a lifetime. He’s a cauldron of emotions and intense reactions and feels burdened by being the smartest person in the room. There is a continuous thread of school drama going on in the background and he suffers deeply over things that happen between his large group of friends. Every night he regales me with whom’s not talking to who, who has acted strange, who he hates, who said this, that and the other thing. He talks about interactions with teachers where they have treated him unfairly, where none of the teachers appreciate him, and no one understands him. He says he lost respect for them because he asks questions and they don’t have the answers. He says they can’t think out of the box.

The youngest son has what they call “an old head on young shoulders.” He craves adulthood for want of a decent conversation. Teenagers are terrible conversationalists, he says. Teens mostly talk about recounts of their gaming exploits and what they’re watching online. They bore the youngest, and he gets all fidgety.

Being fifteen, he’s living through the most phenomenal rush of growth hormones he’ll ever experience, and I swear he’s taller every week. He’s growing at an exponential rate. Poor thing, he doesn’t know whether he’s a boy or a man. His brain is trying to catch up with him. He looks all awkward and gangly. He’s long limbed and cack-kneed, like a newborn giraffe. He bursts through the front door after school, lopes into the house, flops on the couch, or sprawls in a chair. He is energy at 110% or he’s nearly catatonic and falls asleep.

His voice has changed completely, too. Isn’t it funny how you get what you wish for? The dear boy had wanted a deep voice for years. In fact, I overheard him several times at fourteen-years-old, when playing on his X-box, pretending his voice was deeper than it was. Now his voice has broken it’s taken a lower timbre than any of his friends and he gets teased about it constantly. Now he wishes it wasn’t as deep as it is. Dude, decide!

The ever flowing, evolving form of his language changes like a chameleon. As he and his mates game together online, I hear the interchange of effortless “teen speak.” His tactics were ‘soft’ or ‘stale’ and if he’s doing badly in the game, he’s ‘choking.’ When luck is on his side, he’s ‘clipped it’ or ‘smacked them,’ in which case that was ‘cracked’ (truly awesome). And the favourite way of swearing without swearing is to put ‘frickin’ before everything.

The youngest son is a marvel. He has three modes: talking, gaming, or staring at his phone. Don’t get me started on the phone! What sort of monster did we create? I can remember his father and I discussing whether he was ready for his own phone at eleven. We bought him his first mobile at twelve. Cut to three years later and it’s permanently in front of his face. Their father took the boys to the South Island at Christmas and he confiscated the youngest son’s phone several times just to get him to look at the majestic scenery and take part in the family outdoor vacation. Otherwise the phone remains attached to one’s hand, or occasionally stuck in one’s waistband so one can stay plugged in to friends’ conversations while gaming.

I definitely underestimated how difficult parenting teens can sometimes be. I stand corrected.

Have you survived raising teenagers? Please send notes!

Talk to you later.

Keep creating!

Yvette Carol

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90% of parenting is just thinking about when you can lie down again. ~ Phyllis Diller

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The unthinkable has happened in my world. The family has sold my parents’ home, the land we’ve owned, worked on, developed and made our little slice of paradise in the Coromandel Peninsula- my father’s log cabin by the sea. They have sold this plot we have tended and populated during the happiest days of our lives, the “creative wellspring” where I have gone seeking inspiration for my stories. Mum’s and dad’s home by the sea has featured repeatedly on this blog over the years. After my mother’s death in 2015, I wrote posts about the “boys’ trips” my brother and I took with our sons to visit dad every school holidays, A Visit to Grandpa, A Boys’ Trip! A Winter Trip, and so on.

Growing up, I didn’t know how lucky we were.

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Mum and dad bought the section in 1963. Dad told us the story many times, about how he had sold his bread business and the buyer could only afford to pay  £20 a week, “So I said to Shirley, we could put the money in our back pocket and carry on living high on the hog, or we could invest the money in a section for a bach.” The trip to the little Coromandel township on partly gravel roads over perilous mountains took my parents four and a half hours in a little old Ford with four kids. But as soon as they drove down out of the hills and saw the seaside town laid out before them, “it looked like paradise and mum said, this looks more like it.”

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They bought the section for the equivalent of a year’s wages, £900.

Growing up, we would start every vacation there with “the hundred bracken” game, we spread out in a line as a family across the property and we moved up the slope pulling bracken out stem-by-stem. Once we reached a hundred stems, we were let off the hook and could play. We developed the section slowly over many years from a bare plot of earth on a slope into a lovely retirement home for the last twenty years for mum and dad.

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There were views of the entire district from the peak behind their house, there was forest walks, fishing, rock-pooling, swimming at the surf beach and off the wharves, there was a grassy reserve below the house, there were playgrounds and basketball courts, a great little community with facilities and our favourite cafe where my family has gathered to dine for years.

The place had everything a child could want.

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I spent my childhood in kiddie heaven. In our holidays we could go wild, running free, riding down hillsides on cardboard boxes, jumping in the long grass, making tunnels through the bracken, taking off into the bush, exploring, climbing, trekking, and bird watching. In the early days, there was no electricity or running water.

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We had to take everything with us in our caravan. We cooked over an open fire, went digging for pipis to bait our fishing rods, we fished off the beach or the wharf and then cooked our fish on the fire, boiling the remaining pipis to eat on thick buttered crackers called cabin bread. We couldn’t all fit in the caravan. I loved sleeping under the awning. My brother and I would lie in sleeping bags on stretcher beds. We’d peek out the awning flaps at the moon shining on the black ocean and the immense vista of stars and talk for hours into the night.

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My sons and I went there to say goodbye over the weekend, along with other family members.

We pored over mum’s and dad’s memorabilia, photos and records. Dad had kept all his scouting books, and his scouting achievements, just as my mother had kept her dancing certificates, charting her childhood progress in dance class. Dad’s rise from apprentice to 1st mate in the merchant navy, recorded in his “Seamen’s Record” book, noted that Terence stood 5 foot 9, had brown eyes, brown hair and that his complexion was “fresh.”

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His marks were always “very good” and every year he achieved “very good” in “sobriety.” It was a little window into my father’s life. He had kept every letter of commendation received on his rise through the navy, even the epaulets from his uniform.

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We walked up the mountain; we played basketball, and we ate at our cafe. Then we packed up and shed many tears saying goodbye for the last time.

Farewell creative wellspring, farewell to our little slice of paradise. We remind ourselves we will get through this together. How about you, how are you doing? Any major changes in your world?

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Talk to you later.

Keep creating!

Yvette K. Carol

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The darkest night is often the bridge to the brightest tomorrow. – Jonathan Lockwood Huie

I’ve finished reading my third novel for 2020, Child Power. I like a story set in ancient history and Book two of The Amazon Series by Kiwi writer, Raewyn Dawson, takes place in c.300 BC.  Raewyn set her debut novel, Slave Power, in the area around the Black Sea, introducing Melo, a fifteen-year-old rider of the Amazonian Wild Horse Tribe, pitched against slave traders who tyrannise The Plains.

A story of slaves triumphing over oppression is a rousing theme.

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Book two, Child Power, picks up with a sixteen-year-old Melo, who is now a leader in the combined tribes of the Wild Eagle Horse Tribe. There is friction for the newly formed tribes people. To assist her people with all the changes, Melo helps the unruly children of the tribe by letting them take on leadership roles. Melo’s friend, the young Atalanta is abducted and taken to work as a slave with many other mistreated child slaves at a pig farm. Atty becomes a leader among the slaves and teaches them the methods of inner resilience of those who follow “the Peace Way,” which translates as shedding as little blood as in resolving conflict. The children learn how to work together as a team and look out for one another, in the process gaining the strength they need to fight for freedom.

It’s a story of child empowerment which is a cool idea. Nice one, Raewyn. *High five.

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Christchurch based author, Raewyn Dawson, teaches Classics and plays piano. Born in Wellington, she lives with her three daughters and her husband. Of her novel, Child Power, Dawson said, ‘The second book was about how young people too can work together with real success despite hardship.’

As a poet, I think Dawson writes fiction with a poet’s touch, with rhythm and rich descriptions, and she definitely is a great storyteller. I look forward to the release of the third book. There’s a lot to like about Child Power. I like the fresh ideas. The novel and pleasing notion of “the Peace Way” is such a soothing balm in these fretful times. I also appreciated reading the female protagonists. It’s nice to hear from the girls.

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There were only two little niggles for me with this book. First, was the style used of inserting pieces of narration by a “voice of God” type character, His feeling was mistaken, which come across as a little old-fashioned. I sometimes found the narration intrusive. Personally, I’d rather not have a warning, preferring to read the action as it unfolds.

Also, one antagonist, Mithrida, who had been a total bad-ass character through both volumes, and had prepared for revenge (like Linda Hamilton’s character training in The Terminator sequel to be a warrior) throughout Child Power, gets a mosquito bite towards the end which slows her down just as she would have her revenge. While it’s not responsible for a resolution of the story, it puts a dent in bad guy’s stride, and for me, the device grazed the area of Deus Ex Machina. It seemed a little too convenient.

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The head hopping I’ve already mentioned in my review of book one, Slave Power. Yet, given that she head hops, Raewyn has done an exceptional job in Child Power and Slave Power, of juggling such a large cast of characters. With this second book I felt like I was getting to know all these different characters and they became more real for me. So that’s proof that the author had developed the cast well and there was growth and development whether good or bad for most of them.

It’s an able piece of storytelling. I liked Child Power and the chance to go back in time to a fascinating era. I thought it was lovely, Raewyn letting the youngest character, Atty, be the one who took the lead role in this book, gaining more prominence over Melo. So this series has an excellent setting and a new voice to offer to the Young Adult genre, and it’s done well. Good job, Raewyn Dawson.

My rating: three out of five stars.

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Talk to you later.

Keep creating!

Yvette K. Carol

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Cadence is the difference between a piece that simply ‘works’ and one that doesn’t. The professional and the novice. So treat your piece like its poetry. Read it out loud. Do you stumble? Does something seem off? Clunky? That’s the cadence right there. The rhythm of a piece, the beat. The play on syllables, the alliteration. ~ Shreya Vikram

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