It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

insecurewriterssupportgroup

June Question: Did you ever say “I quit”? If so, what happened to make you come back to writing?

I’d say the closest I’ve ever come to quitting happened in the last week.

I began working with Createspace to produce Book Two in the Chronicles of Aden Weaver series in April. As ‘The Sasori Empire’ had been through three rounds of critique, professional editing and had subsequently been vetted by a professional proof-reader, I knew the copy was clean and ready to format. Yet even so, a few minor errors were found in the process of designing the interior of the book. That’s par-for-the-course.

However, I wasn’t prepared for how long each editing change would take to effect. I had to organize, postpone and reorganize the book launch two times. I came close to the point of quitting because the long delays meant a huge amount of extra work for me. When I realized last weekend, that the books were not going to be here in time for the second attempt at a launch, I felt gutted. I didn’t know where I’d get the energy from to start the engine a third time.

PSA re Book Two

This called a great many things into question in my mind. It was just one of those moments in a writer’s life where you question, is it all worth it? All the sacrifice, all the money and time poured in so liberally when time for everything else is so squeezed and for a short while, I wondered if writing was worth the blood of my life.

I don’t usually ever question it. I’ve always had a facility for story ever since I was a small child, and I enjoy writing, however, I wondered for the first time, maybe my path is not writing books? Maybe I was purely put here to be a mother to three children.

I questioned, is fiction where I should be aiming my efforts? I felt, it’s taking me a long time to master this craft! Maybe I’ll never get there. And so the doubts went on.

Then I saw Kristen Lamb, who is such a warrior writer, was going through publishing woes of her own, and she was taking them in stride.

I read her blog post, Reality vs. Expectations—Remaining Calm When it ALL Goes Pear-Shaped (http://authorkristenlamb.com/2017/06/reality-vs-expectations-remaining-calm-when-it-all-goes-pear-shaped/) and was inspired. Kristen said, “If we never fail, we never learn. Show me a person who never fails and I’ll show you someone who’s never done anything interesting.”

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Why does trying to publish our books cause so much anguish?

“Publishing involves…humans,” said Kristen. “Humans who screw up, make mistakes, etc. Even better? Now that we’re in the digital age? Humans can screw up much FASTER and INSTANTLY.”

Yes. This is the thing, these days, every step you take and every stumble is public property.

“If we allow ourselves to be at the mercy of circumstances? We’re going to be miserable and we’ll never finish the blog or the book. We’ll give up, tap out and take every carb in the house down with us,” she wrote. “One thing we must learn to be successful in this profession (or any other) is to forbid outside circumstances to own, control or derail us.”

I took heart. I began to feel the love of writing fiction return. I felt that I was not alone (!) and it didn’t hurt that Kristen finished the post with this kick ass Teddy Roosevelt quote, “It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming.”

Yeah!

It’s good to be back! Have you ever quit something and returned stronger?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“Loss is hard and we must grieve but then we must write a new story, with better ending.”  © 2017 LEAH WHITEHORSE  

 

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

As a parent, your children pass so many milestones which at the time seem incredible and wondrous: their first tooth, their first smile, first step, first day at school, first night away from home, passing the double digits, and so on. As a parent of a child with CHD, Congenital Heart Disorder, you have additional, special milestones. Surviving the surgery is the first one.

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And it’s not a given. You come face to face with this brutal reality the first day you arrive in the Children’s Heart Ward for your child’s procedure. The specialists sit you down to explain the risks of open heart surgery. The real danger lies in what they call the “bypass.” The surgeons must stop the heart beating, and divert the blood, passing it through a machine while they work on the heart. This creates the threat of blood clotting. They tell you, your child may be permanently brain damaged or die. You have to sign a waiver at this point which basically says you agree to take these risks.

Next, the psychologist shows you a book of the photos of the surgery and graphic detail of the children’s chests afterwards. This is tough love; they say the preparation is necessary because otherwise, the shock for the parents is too great.

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By this stage, you’re quaking in your boots, trying to look strong and brave for your child. You have to be the parent, even though you wish you could run home to your own.

Therefore, surviving the surgery is the first milestone.

My son was an unusual case, and patching the ASD (Atrial Septal defect) did not entirely fix the problem. When they took him off bypass the first time, and closed him, the surgeons saw the blood coming out was still blue instead of red. Something was still wrong. They had to open the heart again, stop the heart and put him on bypass for a second time.

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They discovered an “anomalous” vein going down to the liver. This defect was “unique to him.” They replaced the patch so it covered the hole and the unusual vein. This time his blood ran red. My five year old had survived a double bypass.

He made it through that terrible first day in the Pediatric Intensive Care Unit. “OW! Mama it hurts!” were his first crying words. The second day, he said, “I need to get well!” He made it through the first few days in the High Dependency Unit, and taking his first painful steps walking in the ward. Surviving week one in recovery is the second milestone.

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Then we went home and he managed the first six weeks at home when CHD children must not fall over or take a blow to the torso and getting comfortable enough to sleep every night is the tricky part. Third milestone, ticked!

It typically takes CHD children twelve months to regain normal energy levels. My son had only just started at school when he had to have his surgery. When he returned to school a month later, he could only do half days and I had to give him a piggyback home every day, because he was too tired to walk. A year later, he was at school doing full days and walking both ways. Fourth milestone!

In 2011, we returned to the Children’s Heart Clinic for a check up. Most patients get “discharged” at this point. 95% of cases survive into adulthood which is a good success rate. However my son had been added to the “unusual case book,” and as such, the surgeons asked us to return in five years, so they could check on him again.

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This week, we went back for our second check-up. Returning to the ward brought all the memories back. We peeped in down the hallways. My son remembered that when I’d placed him on the metal bed in the operating theatre, he’d worried that the blanket wasn’t thick enough to keep him warm!

The nurse gave son a check up. We filled out a questionnaire. Yes, he still gets tight-chested sometimes when he runs, yes, he gets blue lips when he does a lot of exercise, and yet, that doesn’t stop him. He plays golf and soccer, he’s learning to play the drums, and he runs around as much as the other kids. He’s fit and healthy.

The nurse gave him an E.C.G. and then an ultra-sound. The heart surgeons conferred and finally announced he was officially “discharged.”

Son and I “high-fived” on the way to the car. Yes. He made the fifth milestone. “Onwards and upwards from here,” as my father would say.

What milestone has made your heart sing lately?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“It doesn’t hurt to be optimistic. You can always cry later.”

— Lucimar Santos de Lima

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

“The essence of all beautiful art, all great art, is gratitude.” ~ Friedrich Nietzsche.

I missed the mark with a speech at Toastmasters this week. With a topic I knew well: writing, and raising children. I flubbed a few lines, got some words mixed up and forgot a key point, and felt it was an overall disappointment.

It was another one of those notches in the belt of life’s defeats, which turn into teachable moments only in hindsight.

I knew I hadn’t hit the mark even at the time I was speaking. I could feel the audience’s attention slipping. I didn’t have them in the palm of my hand, the way I do when I’m in the zone.

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After the meeting, instead of shaking my hand warmly, there was some avoidance. I came home and watched the video back. I saw that I started the speech with a sigh, which is never a good thing. I used the wrong word in a couple of places without realizing, and that had changed the message. I waffled on at the end. It was a disaster. No wonder people avoided me afterwards.

I felt disappointed. “You picked the wrong word,” I said to myself, watching the footage. “If only you’d stopped and taken a silent breath.”

I berated myself on and off for about half a day. After that, it wasn’t that I felt bad, I felt nothing. I was blank.

Which brings me to the point, how useful are the things we say to ourselves? What effect are they having on our lives?

In my case, I went to that giant therapist in the sky, Facebook, and shared via status update.

Normally, my posts about stuff on Facebook might garner six or so “likes.” When I went back online the next day, I saw that my post had 22 “likes” and there were comments: beautiful, heart-felt encouragement.

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Friends had taken the time to remind me of the steps forward I have taken. The words melted my heart. I sat there and wept into my keyboard like a baby, until my tea went cold.

Later, I dried my face, made a fresh cup of tea, and I could feel the difference within. The veil had lifted. The blankness was gone. I could feel again, I could smile again. I was free. Wow. What a revelation about the power of the right words and a good cry. Thank you again to all my beloved friends.

By sharing with others, by caring about others, and by practising the mindfulness of saying loving words to ourselves and those around us, all manner of ills in this world can be healed.

The right words at the right time can be good medicine.

I remember back in the day, about twenty-five years ago, I read a small, life-changing book called “Creative Visualization” by Australian author, Shakti Gawain. https://www.amazon.com/Creative-Visualization-Meditations-Imagination-Create/dp/1511326948

That was when I became introduced to this idea of the manifestational juju of the words we say to ourselves. I learned we can radically alter the experience we have by changing our inner dialogue. Gawain taught about the benefits of saying positive statements to ourselves, which she called daily affirmations.

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In essence: we can aid and sustain ourselves by saying the right words.

Here’s a good example. About the FB post on the “failure” of my recent speech, friend Sharon Hinckley said wisely, “Could you lose those ‘high expectations’ and just go out there and have fun?” She altered my perception and let in the light by using the right words.

The right phrase can alter the atmosphere of our lives and elevate the tone.

The truth is, our inner dialogue is always going on anyway, and so we might as well use it to our advantage. The first step is to come up with some phrases which work for us. The next step is to remember to say them to ourselves a few times daily. *Tip: try making it part of the daily routine so they end up becoming automatic. *Tip Two: try thinking of three things each day you are grateful for.

To return to the question I started with: how useful are the things we say to ourselves? They’re potentially life-changing, if we use the right words. What we say matters.

Have you ever tried doing affirmations? Do share…

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“To transform your life, you must find a way of being grateful for what you have now.” ~ Rhonda Byrne

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

There is something you find interesting, for a reason hard to explain. –Annie Dillard

Book shelf real estate is tiny. It pays to remember that our book will only occupy a small amount of territory on that prized book or library shelf (if it gets there at all!) so we need to stand out. A number of years ago, I read a magazine article about small business start-ups creating their own symbolism, just the same way big companies choose logos. I wondered, why shouldn’t Indie writers also utilise this tool and create their own logos?

*Reason One: Our brains remember images before facts.

It’s a well-known fact that symbols work on our subconscious, and we humans respond to visual clues. There’s a reason all the major brands always build their businesses around a symbol. Once they establish a logo, the emblem then becomes synonymous with their name.

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*Reason Two: A symbol is a reminder. Logos help readers remember you.

The same way our ancestors carved runes into rocks or hieroglyphs into stone, we can use symbols, as a bridge, an illustrative shorthand, in order to convey our message to the world. An image can say so much more than a word. ‘If you let go of your idea of what you are looking at in the symbol, it will reveal itself as information in the form of knowledge that cannot be read in books. It is a direct knowledge,’ said Gurudev Hamsah Nandatha, in his book, In the Presence of Truth. ‘It is because the symbol, it could be a painting or a spiritual symbol, has an impact on your mind. It’s a reminder.’

*Reason Three: Logos help readers to quickly “recognize you” on the book shelf. They give you visibility.

As an Indie writer, I’m seeking two things: to create good content and to build myself as a brand a reader can trust to deliver a good read. A symbol helps readers young and old remember the story and who delivered it.

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*How to Create Your Symbol

One: Find a relevant form.

When I went Indie to publish my first book, The Or’in of Tane Mahuta (http://amzn.com/B015K1KF0I), I wanted to start using my own logo. The Chronicles of Aden Weaver series is about shape shifters who morph from insect to human. I studied insects and looked at dragonfly wings. Then, I sketched and painted three possible options for a symbol to suit.

*Two: Enlist your readers in helping you choose.

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Others see things differently and can provide a valuable resource for feedback. I started a competition for the people on my mailing list. In the newsletter, I gave readers three options to choose from. I asked them to vote on the best. Each vote was counted as an entry, with the winner getting a free signed copy of the book.

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*Next Step: Stake your claim. Make the symbol your own, by stamping it on your books, your cards, your website, and your blog.

The winner by a majority was this one. I finally had a suitable symbol for my brand.

*Hot Tip: Make sure your logo goes on the spine of your book, where it will be seen.

You can see when I line my novel up with others, the way the publishing houses logos establish turf. At a glance, we know who they are. This is the same connectivity you want to happen in the reader’s brain with your brand when they see your masterpiece.

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I’m publishing my second book through CreateSpace. On the first proof for ‘The Sasori Empire,’ I discovered my logo was missing from the spine. Although I had originally submitted the symbol with the file, it’s possible I may have sent it to the wrong place. When you go through an online publishing service, you must read every instruction minutely, because if your work is not submitted to the company’s specific guidelines, it’s not “received” at all. Therefore, the error lies with you. And, every editing change you make will cost money.

I re-submitted the image via the correct channel and made sure my logo is featured in the correct spot on the cover. I’m saying to the world through my symbol, “I’m here.” This puts a smile on my face.

As an Indie, it’s vital to be happy with how your book is going to look sitting on the shelf, as well as how it reads inside. That way the whole package becomes authentic to you.

Are you smiling about the final look of your book? Ever thought of designing your own logo? 

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Talk to you later.

Keep Writing!

Yvette K. Carol

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There is something you find interesting, for a reason hard to explain. –Annie Dillard

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

insecurewriterssupportgroup

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

May Question: What is the weirdest/coolest thing you ever had to research for your story?

A colleague from Toastmasters referred to the series I’m writing as “magical realism” the other day, which I thought was a good description. I like to write of other worlds which are nevertheless based on Earth. For the upper middle grade series I’m writing currently, the Chronicles of Aden Weaver, the characters are shape shifting insects. For this, I did research on the insect world, read up on some Maori and Japanese myths, and I read about Albatrosses, and I loved every minute of it.

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When I first started out as a young writer, I used to be embarrassed of my “talking animals stories” because most people, especially publishers at the time, disregarded them. However, the popularity of fantasies about animals can be traced back to Aesop’s fables and beyond. Our fascination with them goes through Greek literature and can be seen echoed in fables from other cultures such as India, through the “beasts as spokespeople” of medieval writers, to Lewis Carroll’s Alice in Wonderland, to The Jungle Book and The Wind in the Willows. It’s a “live” sub-genre of fantasy.

“As a critical term, ‘fantasy’ has been applied rather indiscriminately to any literature which does not give priority to realistic representation: myths, legends, folk and fairy tales, utopian allegories, dream visions, surrealist texts, science fiction horror stories…” ~ Rosemary Jackson, Fantasy, The Literature of Subversion

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As they say in The Ultimate Encyclopaedia of Fantasy, “One of the problems in any discussion of fantasy is to decide just where ‘realistic’ ends and fantasy begins.” In the “variously fashionable sub-type” of magical realism, which is the strange grayish area of literature I inhabit, the realistic aspect of the story is balanced by the fantastical.

English comedian and writer, David Walliams said, “The only limits in a children’s book are your imagination.” This is exactly what I love about writing for children and the magical realism genre; they’re both about that freedom of spirit. I feel the sky’s the limit and that’s the way I want to feel when I write.

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To achieve “realism,” I always do a bit of research for every book. So for this story about insect shape shifters, I read books, articles, watched documentaries about insects. My dragonfly characters have six legs and four wings. I feel that being able to include the facts gives credibility to the world we’re creating for our readers. Realism adds depth and complexity. It locks the reader in so that they can fly with us on our leaps of imagination. They feels safe with us to explore further.

Once your reader knows the facts, you can then build on that basis to amp up the tension when the norm breaks down.

For instance, there are albatross in this series. The albatross is a sea bird and I discovered it nests right on the coast when it comes ashore at all. Armed with this information, I was able to use this one simple fact to anchor and skew part of the story.

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Because I write for children, who may not be aware of certain things, I needed to drop in a line of dialogue or two prior to this scene, to clue the young reader in to the way things should be, e.g. “Albatross should never nest far from the sea.” Then, by placing the enemy chief’s colony of albatross deep inland, far from water, this one simple anomaly gave the enemy compound an eerie, other-worldly, slightly “off-kilter” ambience that permeates the reader’s perception of the place from then on.

Without a doubt, the coolest thing about research so far has been the research itself, learning new things and supplying good sturdy foundations to the fantasy stories I write. It’s part of the work of being a writer and it’s fun!

How about you, what is your favourite part of what you do?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Fantasy is the fiction of the heart’s desire. ~ Unknown

 

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

This week, I took the boys down country and met my brother with his son. We stayed with grandpa for four days, as we do each school break.

Here’s the thing about visiting parents when they’re aging, there’s always a slight tension that never quite goes away. It’s like the prickle in your finger you can’t stop thinking about.

In between our visits, I worry about my father. He’s on his own now, mum having died nearly two years ago. I love his independence. He’s a potter-er. He has his aches and pains but he soldiers on. He makes his own meals and does his own laundry. I know he can take care of himself. I know he’s happy. I know he has a good life between his church, friends, bowls, volunteer work, clubs, and meetings.

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The last few get-togethers dad started complaining of memory loss. The last holiday or two, we have noticed changes. Some little instances of his not recognizing people he should have known, and so on. Since then, the normal mild tension one feels with a parent in their 80’s, became greater concern for his well-being. We’ve been keeping an eye on him. And now, each time we go, I’m hyped with stress, how is he going to be this time? Is he going to be worse? Will the decline be slow or steep?

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This visit was a relief for my brother and I because dad was fine. He showed no displays of memory loss beyond the ordinary things you or I would do. He was great. However, he is still different, more turned inward. When we saw a family friend on the last day, she asked my brother and I, how was your trip, and we both replied, “Interesting” in the same breath.

This holiday, dad, who is famous for his telling of jokes, and the offer of “a story,” had been silent. He didn’t tell a single joke in four days. That, in itself, set the tone for the difference. Dad also has his favourite things he likes to say, like how he was blessed with a lovely wife, a happy family and finding the land he lives on, and the story of how he found it. None of these stones were touched upon. And, that was unsettling.

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In the evenings, the boys would be playing cards (and dad joined in on many games), Sam would be playing his psp, and I’d be writing. I’d look up at dad and think, why isn’t he talking? He was busy with his Sudoku or he was working on his crossword, or he was reading the paper. If I asked a question, he’d answer and then go back to his crossword. He seemed deeply intensely absorbed in his routines and his things he likes to do.

Then on the last day we were there, I thought, I need to have a talk with dad.

I got up early. The instant I heard a footstep above, I rushed upstairs. I caught him before he could get started on his paper and I started him talking.

I engaged him, told him things about us and asked him questions. We had a conversation.

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He said, “I’ve been blessed with…” and I can’t tell you the relief I felt as he told me his familiar saying. He said, “And this place had only been open for development five days when we first saw it. I’ve told you the story, have I?” I said, “Yes, but tell me again!” I was so overjoyed he was back. There you are, dad. Whew!

Dad is simply aging naturally and as well as you can. He’s at the age and stage in life where he’s becoming more introverted. He’s looking inward which is the normal thing to do in the final stage of life. He’s got his routines and his set ways of doing things and he concentrates on them more so now than he did before as is natural. All is well with grandpa.

Yet, still I worry.

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The kids love to visit. My son with Downs’ syndrome loves grandpa, and Sam did spend a fair bit of time just staring at his face. Bless him, dad didn’t react but carried on as usual. I treasured him more than ever. I came home happy to report to the rest of the family (and Facebook!) that grandpa is going strong.

Now, how to manage the stress of worrying about him. What do you do?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“If you’re distressed by anything external, the pain is not due to the thing itself, but to your estimate of it; and this you have the power to revoke at any moment.” – M. Aurelius

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

Or, Editing Woes Noone Warned you About ~

The word “edit” in the dictionary means “to prepare for publication.”

For the author in the last stages of editing their book, the sheer hours spent bum-in-chair can become numbing at both ends of the spectrum.

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You see, no one tells you the truth about the writer’s life, either at school or in the way it’s rendered via popular media. As a kind of public service announcement, I’m happy to give you a “heads up” about the possible woes that lie ahead, if you’re thinking of turning that story in the bottom drawer into a viable commodity.

Here’s what to expect:

Editing Woes #1: Temporary Blindness

Stephen King once said, “Write with the door closed, rewrite with the door open.” There’s a good reason for keeping that office door open. Besides getting other people’s eyes upon your fiction, you need ventilation. You can succumb to writer’s fatigue. After sitting in a room on your own, staring at those dark marching ants across the screen for hours, you stop seeing the words.

Cure: Get some oxygen, head outdoors, look at nature.

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Editing Woes #2: Temporary Book Hate

“The first draft of everything is shit,” so said Ernest Hemmingway. However, given enough exposure to your own work, every other draft of your own precious story will start to annoy you, too. This is a temporary phase.

Top tip: Try not to throw the entire file in the rubbish bin.

Cure: Keep going. Do not give up!

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Editing Woes #3: Temporary Loss of Will to Live

There comes a moment, when you’ve just finished your hundredth edit of your story, and you realize you’re going to have to go back to the beginning and start again, that the apple begins to slide off the cherry.

I had a deadline to reach this weekend, my book needed to be submitted to createspace by April 15th. The material had been worked over so many times, but it still wasn’t done. When I found myself at 6.30 in the evening yesterday, and it wasn’t finished and I still I had to keep editing, I felt weak with stress.

The last yards to publication when you’re an Indie are soul destroying. Every time you think you’ve carved off the last word and discovered the last ill-placed comma, you find yet another error.

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On the fifth “final edit” I just wanted to put down the laptop lid, walk away and pretend none of it ever happened. I felt I could not read those words again.

Top Tip: This is normal. You will want to give up. You will want to curl in the fetal position. Don’t worry; it happens to all of us. It’s like childbirth or passing a kidney stone, it doesn’t matter how bad it becomes, you will get through it.

Cure: Eat treats. I took “feijoa breaks.”

Editing Woes #4: Temporarily Losing Touch with Reality

Yes, this is a common problem they don’t warn you about in writing class. When those sixth and seventh “final edits” take place, usually late at night, and you’re keeping yourself going by drinking coffee and eating sweets, the hours start to blend. One friend said, “it’s like a black hole that sucks time into it.”

This is true. The further you dive into your nitty-gritty polishes, the more hours disappear. When I finally lifted my head last night, I looked around and it was dark outside. The whole day had vanished. I was blinking like a mole, saying, where is everyone?

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Cure: Go be with human people. Exercise. Eat. Drink. Sleep.

The reward is that this really is the last hurdle.

Top Tip: just as with childbirth, it’s all worth it in the end. When the proud author gets to see their story presented in book form for the first time, it makes all the pain of editing worthwhile. The secret is to keep going through the gnarly last part!

At midnight, I had the manuscript, the cover art, a professional headshot, the back cover blurb and three great peer reviews ready to go, and I submitted the whole package to Createspace. I felt immediate relief and joy. Now, I await the first “proof” which is exciting.

But here’s the thing, no work of art is ever truly finished.

As Oscar Wilde said, “Books are never finished, they are merely abandoned.”

I had to choose the point at which to let go. When do you let go? When do you say enough’s enough?

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Talk to you later.

Keep Writing!

Yvette K. Carol

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“This morning I took out a comma, and this afternoon I put it back again.” ~ Oscar Wilde

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

insecurewriterssupportgroup

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

April IWSG Day Question: Have you taken advantage of the annual A to Z Challenge in terms of marketing, networking, publicity for your book? What were the results?

Answer: No.

Truth is, I suck at marketing. I remember scoffing a few years back over a writer’s comment on LinkedIn, when he said he wouldn’t be doing any of his own marketing, he was ‘the talent.’ But, since then, I’ve barely done any marketing myself, so who am I to talk? It’s a big failing so I am outing myself, right here.

The reality for all of us as writers in today’s world is that more people are writing and publishing books than ever before in history, and fewer people are reading them. This from John Sargent, CEO of Macmillan: “There are fewer and fewer newspapers out there, and their audiences are shrinking. Discovery is an ever-growing problem. Big titles get bigger, and everything else gets harder and harder to find and sells fewer and fewer copies.”

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Every writer, actor, model, artist, dancer, and musician in the current environment has to sell themselves through social media. We understand how it works and we do our bit to tweet things and share for our friends. Yet, I still have a visceral reaction when someone I’ve been talking to on sm for a while turns around and asks me to buy their book. Just this week, a friend I’ve been talking to and liking posts with, etc, for a year sent me a private message on Facebook asking me to buy her book, and help her book get off the ground by participating in a thunderclap campaign. There’s a part of me that wants to help her as a good person should, and there’s a part of me that’s pissed off with her now. It’s like; she’s betrayed my trust, so I won’t view her connection with me the same way again. I can’t quite get over that feeling of betrayal, and I don’t want to do it to other people.

It’s not that I haven’t tried to tackle marketing.

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Five years ago, I read books on how to market myself as a new author. I started the blog. Tick. I set up my own website. Tick. I joined a bunch of social media sites and started chatting. Tick. I started compiling an email list and writing a regular newsletter. Tick. I made friends with everyone I met and traded details. Tick.

Yet, when my first book, ‘The Or’in of Tane Mahuta’ came out in 2015, not only did I not ask my friends to buy my book, I actually bought sixty copies and gave the books away. I posted packages to the really special friends I’d made on the net, all around the world. I thought I’m not going to make a penny out of this. And, I didn’t.

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*This is not something I would advocate for those writers starting out, who are hoping to make a living out of their work, by the way.

This trait means I can’t quite seem to get over the hump between me as the writer and the speed bump of selling my book to my friends. Lucky for me, profit is not as high on my list of priorities. I go by the adage, when you realize you have enough there’s always plenty. I run a tight ship and I have enough so I don’t need more. I like to measure my success by my personal growth and the good friendships I have made along the way. The online writers community is amazing. My friends are so sustaining and caring. Right now, that’s more important.

I love this life of being a writer, and creating books. I’m editing my second book, ‘The Sasori Empire,’ and the message that comes through towards the end is how important his friendships are becoming to the hero, Aden. Interesting how life and one’s fiction often parallels, isn’t it?

How about you, what marketing do you do?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“If you don’t make mistakes you won’t make anything.” ~ Anon

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It means that you must set your standards high and create what I call a grinder. You must set up a system that holds your writing feet to the fire, and makes you get better at your craft. ~ James Scott Bell

The journey of a book, from genesis to garden of inspiration takes us through the valley of many sorrows, aka the editing. The time spent refining and rewriting our original work is a long, seemingly never-ending road. As an author friend said the other day, with her work-in-progress, it took her two months to write it and so far, it’s taken her nine months to edit, and she’s ‘still not finished.’

As the famous meme which went around Facebook showed, as new authors, we start out imagining ourselves spending our days in throes of inspirational wonder, running through fields of daisies with stories in our heads. However, the reality is we spend 15% of our time writing genesis draft and the rest of our time editing the beast, trying to tame this monster we’ve created into something presentable we can show the world.

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Stephen King said, ‘what separates the talented from the successful is a lot of hard work.’

Writers need to be prepared to a) get the copy written, and b) amend and polish their words until they can see their faces in them.

I recently finished working on my work-in-progress, ‘The Sasori Empire.’ My critique partners and I had done all that we could do. I sent the story to editor, Donna Blaber, of Lighthouse Media Group (info@LMG.co.nz). I had worked with Donna on my first book, ‘The Or’in of Tane Mahuta,’ in 2015 * http://amzn.com/B015K1KF0I, and knew she was quick and on top of her game. Nine days later, Donna had sent the fully edited paper version of the manuscript back. It really did feel joyous to work with professional tweaks and changes.

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Over the following few days, I transcribed the edits into the manuscript. I liked that sometimes instead of taking words out, Donna had linked sentences together and made them longer. Using James Scott Bell’s analogy of critique being “the grinder,” these edits were buffing those last few rough edges off.

The next step in the process, I sent the new version of ‘The Sasori Empire’ to the proof-reader.

This last round of professional editing will take a few weeks. When I have transcribed those edits, it will be time to submit to Createspace for book design, production and printing.

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But, in the meantime, at this stage in the journey of a book, the work of organizing the launch needs to be done. Peer reviews need to come in for inclusion on the back cover, the artwork finalised, the publishing/printing and cover design lined up. A media page is helpful and can be used across platforms to update all social media sites. For the launch party, there’s the venue, the helpers, the speech, catering, the invitation, and the guest list to organize. This stuff can be a lot of fun, and also a lot of work!

One bit of advice I’d give after having published one book, is to be humble enough to ask for feedback on a sample of your work, tapping into the wisdom of friends who are successful authors.

Prior to launching my first book, last year, I asked a friend who is an established author, if he would read the first page and give me honest feedback. He did. Just those few words from a seasoned author’s perspective helped so much. I made a couple of subtle changes that altered the tone and set the first chapter of my debut novel over the edge.

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I wanted to touch the lucky stone again, as it were. I asked, would you read the first page? He very kindly said, send the first chapter. His response came in this morning; again he made a couple of on point suggestions. He said I was giving too much information too soon, and suggested I let the reader get closer to the hero, Aden. I made a couple of tweaks along these lines and voila, it has transformed the all-important opening chapter to a shade above the level it was on before.

They say it takes many a village to raise a child, well, it takes a small town to produce a good book. My advice?

In the final stages of preparing your baby for the world, get as many eyes upon it and voices involved as you possibly can. It makes a world of difference. Good luck!

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Talk to you later.

Keep Writing!

Yvette K. Carol

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Writing is always this: an adaptation of the sacred into smut. Dragging the divine out of his Sky Chariot and into the human dirt. ~ Chuck Wendig

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

Kids are visual creatures. They like to be entertained in every respect. As a child, I loved books with illustrations. When I morphed into reading chapter books as a young person I wanted the more complex stories, but I still wanted the imagery. I can remember really appreciating the authors who put ink illustrations in their chapter books. I have fond memories of poring over the minute squiggles and flourishes on the pages of Tove Jansson’s books.

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Last year, I prepared to release my first book, my novel, ‘The Or’in of Tane Mahuta.’ The first book from The Chronicles of Aden Weaver. I realized there was no way the budget would stretch to illustrations, so I came up with an easy solution.

Here’s  a guide to creating your own pen and ink book illustrations:

Step One: Start with your characters.

First, you must have some form of cover art for your book which you have either paid for or otherwise have liberty to use. For my debut novel, I had the two main characters rendered artistically in digital form by my nephew.

I simply copied the character with a pencil.

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Second attempt on Aden, for b&w illustration0002I wanted to introduce a new face. I took a photo of a statue of a giant which I found in a 1970’s magazine and copied the basic outline.

*Hot Tip: I use an automatic pencil, as they have the super fine leads. You want to do all the early stages on tracing paper.

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I already had my protagonist, Aden Weaver, rendered in pencil from last year, but I needed to change his position for this book so I lifted him into the air. This gave me a new image to work with. As I pinned down the character’s positions, I switched from pencil to a fine permanent marker pen.

*Hot Tip: You’ll need to see every line. A fine nib is necessary. I use a Staedtler “Triplus fineliner.” Every line needs to be carefully but clearly distinct.

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Step Two: Create the background and foreground

For this image, I decided to use one of a few special backdrops. A dear friend, Lyall Gardiner, had gifted me four of his ink/colour pencil backdrops before he passed. In A3, they’re enormous, so I selected elements from one image, the moon and wispy clouds and some of the looming shapes and traced them onto a more compacted A4 page.

You could use whatever you have to hand, interesting segments of your kids’ artwork, pieces of your own from childhood, or you could go wild and cut segments of out-of-date magazine pictures to create a montage/mosaic effect, etc. Use your imagination.

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*Hot Tip: Take care not to tread on rights to intellectual property.

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Step Three: Combine and Trace

The next part is to employ your artistic eye with placement. Arrange your characters on the background in a way that fits the “story” you want to tell. The great thing about using tracing paper is you can flip the characters over. I decided to “tell the story” of the Oni looming. However, I needed to flip our hero to have him face the giant. To do this, I simply turned the paper over and re-defined all the lines with pen on the reverse of the paper!

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Step Four: Fill it in!

I took my taped-together tracing paper image and copied it onto thick art paper. I used permanent markers and filled in the picture. I thought in terms of light and shadow, silhouette, of how things look in the dark, not drawing to be realistic but to create pattern – effect through contrast. I left certain patches: one or two to be left white and at least a few to be painted black. They added impact.

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The resulting image will be one of the two illustration plates for inside ‘The Sasori Empire.’ On Facebook, I shared it with the caption, ‘The horned face of the Oni appeared in the trunk, even more hideous than before, and a head of bark grew.’

Step Five: Copyright!

Make sure to add your name the copyright symbol and the year somewhere on your picture.

With a bit of effort, anyone can create at least a couple of illustrations to go inside their own book. These simple pen and inks are relatively easy, quick, and they’re super fun to do. You have the satisfaction of having made it yourself.

Have you ever tried your hand at your own illustrations?

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Talk to you later

Keep on Creating!

Yvette K. Carol

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The Holy Grail is to spend less time making the picture than it takes people to look at it. ~ Banksy

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com