Archive for the ‘The Sasori Empire’ Category

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

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OPTIONAL IWSG Day Question: What publishing path are you considering/did you take, and why?

I’m going to answer both parts of that question. When I put out The Last Tree, the third book of the Chronicles of Aden Weaver, in 2019, I aim to self publish. But, that’s not to say going Indie is an easy option. I self published The Or’in of Tane Mahuta in 2015 and The Sasori Empire in 2017, and both journeys were equally back breaking.

Going Indie is a bit like having babies: the agony and hardship and gruelling aspect of self publishing your stories is epic. As you sweat your way through the nightmare of endless editing hell and the 101 jobs that need doing, you swear with a fist raised to the sky that once you’ve got this book out, that’s it, you’re done with going Indie.

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In more sober moments, you tell friends that the next time you publish a book you’ll get someone else to do the donkey work. You’re totally willing to go out on the streets to knock on the doors and basically stalk the gatekeepers again, submitting your manuscripts to editor after editor. You’re convinced you’d rather trudge the rounds of submission forever, than tackle self publishing again.

Then, your beautiful baby is born. You have the party, you hold your novel in your hands, sniff it, and you look at it adoringly. Sometime later, after the glow has worn off and a bit more time has gone past, you realize you want to do it all over again.

You dive back into being an Indie with your next work because:

 

  1. Despite the backbreaking hours of hard work, it’s really rewarding.
  2. Every single decision is in your hands which is overwhelming, yet you have control over the look of the whole package, which is exhilarating (hee hee, ha ha!)
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  4. Every single cent ever made goes to you.
  5. I once turned down a publishing offer because they wanted to change the name of the characters! As an Indie, you get to be the boss, and say how the story goes and no one else.
  6. Because you have to do the book launches and marketing yourself, it drives you to learn new skills and expand your repertoire.
  7. You have more to offer in terms of advice and knowhow when young authors come asking. I’ve been surprised in the last ten years how many up and coming writers have asked me questions. It’s helpful in those situations to have a clue.
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  9. For me, one of the big reasons for self publishing is no one wanted to publish my stories the way I wanted to read them. So, in order for me to put out my anthropomorphic fantasy adventure fiction for the upper middle grade market (9-13-year-olds), I had to do it myself. Sometimes, when the slice of the market you’re aiming at is so small, it just isn’t economically viable for a traditional publishing house to invest in a niche with such low returns. So, in order to stay true to the material, I had to produce it myself.

For me, this is vitally important, because my entire life is a quest for truth, for honesty, the essence of things. I aim to cleave to the material the muse gives me.

For me, the gut feeling is this: that my only job as the author is to produce the copy, buff and polish it with editing, and do my utmost not to wreck the original inspiration.

If the gatekeepers can’t get behind my vision or this particular creation, then so be it. I get to say, no matter, I’m publishing it anyway. And, I love that!

8. Ultimately, it feels good because it feels like investing in myself.

What about you, what publishing path will you take?

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Keep Writing!

Yvette K. Carol

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Nothing great was ever achieved without enthusiasm. ~ Ralph Waldo Emerson

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

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I totally missed this month’s group posting with the Insecure Writer’s Support Group! I temporarily was without a phone service for one very frustrating week. No phone, no WordPress password, no blog post. However, I thought the “Question of the Month” for June was particularly interesting so I’m going to post my answer anyway.

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OPTIONAL IWSG Day Question: What’s harder for you to come up with, book titles or character names? 

I find both equally as hard. I would say the only time in the last thirty-five years that a book title came easily was The Sasori Empire. It’s Book Two in The Chronicles of Aden Weaver series I’m currently working on. How did I come up with it? Sasori is Japanese for scorpion. The baddie of the series is a scorpion shapeshifter, and the title for his association needed an epic name. This led me in a very organic way to the Sasori Empire for the bad guys. Straight away, I knew it would make a great book title, too. Still, to this day, it is the favourite of all my story titles.

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The character name which came the most easily was Sun, the child slave who enters the story in Book Two. Her name was just ‘there,’ fully formed straight away. I didn’t have to effort or chase, or change it five times in writing the prose. “Sun” is like a haiku. It’s short and quintessentially her. It’s one of my favourite character names for its simplicity.

To me, naming your pieces is important. It’s part of the ritual, of drawing inspiration out of the ether and giving it form.

And it’s a significant step in writing the true story which wants to be written. If the name of a character or a story does not ring true for me as the reader, I’m turned away. And the same happens for me as the writer. I can’t get to know and understand my characters, and therefore do them justice, without their real names.

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My current series evolved out of picture books I wrote and illustrated twenty years ago. Names which were appropriate for pre-schoolers were not appropriate for upper middle grade readers, so they needed to be changed.

It took me a year to get them right. I changed the side-kick’s name three times and yet, I still wasn’t happy. Then, I heard my sister-in-law say, that she’d always thought if she had a baby girl she’d call her Te Maia. I loved the name immediately. When I paired it with the surname I already had, Te Maia Wilde, a feisty sidekick was born.

I find the protagonist’s name much harder to choose, because there’s so much riding on it. A main character’s name has to hit it out of the ball park. It has to be easy to say and easy to remember. It has to paint a picture in as few words as possible. Can you imagine Star Wars without Luke Skywalker? Or The Hobbit without Bilbo Baggins? Or The Hunger Games without Katniss Everdeen? These are solid names to hang a heart on.

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With my current protagonist, I couldn’t get anything to fit. He needed a strong, stable name with potential hero in it. I tried Franklin, Benjamin, Sage, and many more monikers. Nothing ‘felt’ like the kid I knew so well in my head. He needed depiction through his name, but no matter how I chased, it remained elusive. Like the white stag in the distance, I could glimpse the form but never catch up.

It required patience. Staying the course.

Four years after starting the rewrite, I happened to read a blog about the success of the Harry Potter series. One of the important factors in the success, so the journalist proposed, was the fact that the hero’s name was ‘relatable.’ The name Potter is taken from those who used to make their humble living in days gone by sculpting clay, and people responded to that sense of familiarity, so he surmised.

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I thought about this, and considered the different professions which were common to most societies and times, and the name “Weaver” popped into my head. I had the surname.

The first name came much later, from a project my youngest was involved in at school, and one of the boys listed in his class was called Aden. I paired this with Weaver in my head. And, I finally had my protagonist. We could sail!

These days, I keep notebooks and jot down great words and names so I have plenty on file. It’s still torture though.

How about you?

How do you figure out your names and titles?

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Keep Writing!

Yvette K. Carol

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“If you don’t ask, you don’t get.”~ Stevie Wonder

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup

I’m reminding myself the “IWSG Day Question” is optional. This week I wanted to write about something which has been on my mind lately re my writing. And that is, the transformational power of a good critique group.

It was writer John_Yeoman who said, ‘There are no great writers, only great editors.’ Everyone writes a rough first draft. Our work has to be edited until we’re blind. And then we need a second pair of eyes to look at it, and to look at other people’s stories as well, to refresh the mental palate. I remember when I first joined kiwiwrite4kidz, in 2004. One of the organisers and authors, Maria Gill, said, the best advice she could give me was that I should join a critique group.

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I ran scared from that advice, in truth, for years. I had been tinkering on children’s stories in my spare time. I’d been quietly attending workshops and conferences, stalking the literary scene. I preferred being on the outside looking in. An introvert and a loner, I also didn’t feel ready to share my work. I was scared it wasn’t good enough.

Who was I to say I was a writer, and could bump shoulders with other literati?

It was an intimidating process, at first. It took me a long time to get past the initial stage of paralysis. Years later, I tried an in-person critique group. I was so awkward and self conscious and uncomfortable in those social situations, that I felt it simply wasn’t for me.

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I started the online group ‘Writing for Children’ in 2014, on the awesome Kristen Lamb’s Wanatribe site. I met other writers there, and quite naturally, I began swapping chapters with one of the writers, the wonderful Maria Cisneros-Toth, for critique. It was the first time I had shown the upper middle grade story I’d been working on, The Or’in of Tane Mahuta, to anyone.

It was my first real experience of a ‘critique group’ situation, where you’re submitting your chapters each week and getting feedback to work on, and simultaneously reading another person’s chapters and giving feedback on them. It revolutionised my work.

My book began its transformational journey from seed to plant.

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After that, I joined the group, The Magnificent Five, and The Creative Collective, and last year formed another ‘group of two,’ The Two Amigos.

Through that time, I finished and published the Or’in of Tane Mahuta, and edited and published the second volume, The Sasori Empire.

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This year, I’m working on my third book, The Last Tree, with a group I call ‘The Gang of Four,’ (because I like the band!). Four is an effective working number to my mind, because you get a broad range of feedback and yet, there’s still a manageable work load. With two kids still at home, I have to be careful how I manage my time.

It does take energy and commitment, yet it’s worth every minute because critique stimulates and prospers the work and the authors. You get instant insight as to whether an idea has worked, whether your story is making sense and where more or less is needed.

Critique groups provide a fertile laboratory for testing our creativity.

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Sometimes you’re too close to the story to recognize the issues for yourself. One of the things that never fails to amaze me, is that I can see clearly the things which need changing in someone else’s work far more easily than I can in my own. Why is that?

I don’t know.

This give-and-take process of feedback creates a positive force that generates evolution in the work.

We may not love our stories when we first write them, but it’s how we feel about them at the end that counts. And a good critique circle can facilitate great work.

What about you? Have you found yourself a writing critique group, yet?

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Keep Writing!

Yvette K. Carol

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 “Write with the door closed, rewrite with the door open.” ~ Stephen King

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Any book that helps a child to form the habit of reading, to make reading one of his deep and continuing needs, is good for him. ~ Maya Angelou

When I was small, our father used to read us a bedtime story every night. My brother and I would lie in our beds after all the bedtime rituals had been done. We’d yell, “Ready!” and dad would come down to sit in our room and read us the next precious pages in whatever book we were reading. He read us the classics, Wind in the Willows, The Water Babies, The Jungle Book, Treasure Island, and Robinson Crusoe. We grew up with a love for stories.

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It is as writer, Sage Cohen said, that we ‘come into this world hard-wired for the repetition of sound, rhythm and pattern in language. Before we can even speak, we delight in recognizing our own experience and learning about those unlike ours through the stories we are told.’ There is a primordial response of satisfaction to hear a good story, and for the writer it is the same joy to write one.

When you start out as a book lover who turns into a children’s writer you are deeply connected to the meaning and purpose of fiction. Michael Morpurgo said, ‘It’s not about testing and reading schemes, but about loving stories and passing on that passion to our children.’ We write because that love still lives and resonates inside us. Writers'_Week_Kate_de_Goldi_Adelaide_Festival_medium

We can still remember the special hushed feeling, like we had entered a cathedral, which we had as a young person every time we opened a book and stepped inside another world. We can still remember some of the tales and how we felt.

As author, Kate de Goldi once said, ‘We still remember readings that acted like transformations’.

I took a couple of writing for children courses with Kate de Goldi. I was struck when she said that she ‘never writes about or for children. I write for the once and always child in myself.’

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I related to that idea and I let rip, writing what the wild little girl inside wanted to say.

The danger for me, as an introvert, is that I can go far into my own world and lose contact with people. It’s easy to become distanced from the reading audience.

Yesterday, I was pried out of my bunker by well-meaning friends and forced to go to a Christmas party. I trooped along with an eye on the clock. Yet, the most extraordinary thing happened. I had the experience of meeting my first “fan.” Blake is the 8-year-old grandson of a friend. He happens to be a voracious reader, bless his soul, who ‘devours books’ as his grandmother put it.

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Blake had read my first book, The Or’in of Tane Mahuta, and had been waiting for the sequel. When I gave him The Sasori Empire, he carried it with both hands, staring all the while at the cover. He walked straight to a chair, sat down and started reading. When I left the party two hours later, Blake was still reading.

I could have wept. This experience was revelatory for me. I saw with my own eyes, a child who loves to read, diving headfirst into my world. A child who was engrossed in my story.

This simple situation took me out of my “shoes” as the author and put me into the shoes of the “reader.” I felt the responsibility to do justice to the world I’ve created, and to honour the needs of the reader, to deliver the best story I can.

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It had the singular effect of realigning me with my writer’s oath. I was reminded that once one has taken the reader on a journey, the responsible author ushers them safely home to a satisfactory conclusion. I recalled the pinkie swear to resolve all the questions and storylines raised.

Seeing that precious beautiful young reader deep into his book, (my book!), reminded me that my pen is a direct conduit to young readers’ hearts and minds. I have a duty to him and to all young readers to do the best I can. These years of reading literature will be some of the best and most exhilarating of their lives. I have to raise my game to be worthy of the challenge.

What a gift. And, just in time for Christmas.

That’s the New Year’s resolution sorted! Have you ever had a situation which made you remember your reader?

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Talk to you later.

Happy Holidays!

Yvette K. Carol

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‘The poet’s, the writer’s, duty is to write about these things. It is his privilege to help man endure by lifting his heart.’ ~ E.B.White

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

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It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!!

InsecureWritersSupportGroup.jpg

OPTIONAL IWSG Day Question: As you look back on 2017, with all its successes and failures, if you could backtrack, what would you do differently?

What a great question! This is the perfect time of year for reflection. Yet, I’ve been so busy, I haven’t had time to look back at all or get any perspective. November was a rush from start to finish, and so I’m going to post the December question early  and get a head start. I appreciate the prompt to pause, take a minute and think about it.

Things lately have been great, but the start of the year was rocky and hard going. I went through a self-publisher’s nightmare.

I went Indie in 2015, publishing my first book, ‘The Or’in of Tane Mahuta.’ The first volume in the Chronicles of Aden Weaver series was relatively painless, using the services of a local company, BookPrint. They did all the layout and formatting and cover design for me and being local, it was easy to work together.

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At the beginning of this year, for the second volume in the Chronicles of Aden Weaver series, ‘The Sasori Empire,’ I decided to try a new route and use Createspace services. Everyone had spoken highly of them, and I thought they would be a viable alternative, as well as being more cost effective.

It ended up turning into a six month comedy of errors. It ended up costing me double when I had to withdraw my book from Createspace and get BookPrint to finish the job. It ended up making me ill with stress and worry.

I wrote a blog past during that time, ‘Quit or Stay’ post, and Kristen Lamb responded, ‘Life knocks us down, but that’s just life. The getting up? All on us.’

It encouraged me to hear from my idol. I remember I took great heart from the stirring poem Kristen put me onto in her response, How Did You Die? By Edmund Vance Cooke:

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The harder you’re thrown, why the higher you bounce;

Be proud of your blackened eye!

It isn’t the fact that you’re licked that counts, its how did you fight — and why?

Death comes with a crawl, or comes with a pounce,

And whether he’s slow or spry,

It isn’t the fact that you’re dead that counts,

But only how did you die?

The warrior girl in me cried, HUZZAH!

I knew Kristen was right. You have to have skin in the game. And you have to be cool when you get popped in the nose. Emboldened, I fought on. I finally triumphed, and five months later than scheduled, in collaboration with BookPrint, I produced a truly beautiful tome.

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Looking back, what I would done differently in 2017 is listen to my gut. Early on in the piece, I began to get the feeling that this was hopeless. Early on, I had feelings of dread. I didn’t listen to them.

Looking back, what I would done differently in 2017 is listen to the little inner voice, which was saying, ‘don’t spend anymore.’ I didn’t listen. I told myself I’d already committed to online publishing and there was nothing I could do, which was ridiculous, because in the end it cost me twice as much as book one.

Looking back, I think, If only I had listened to myself and honoured those instincts at the start, I could have saved myself a lot of grief.

Once I took the project to BookPrint, everything began to take off from there. The book launch was a success. We celebrated and toasted ‘The Sasori Empire’ and I really did feel triumphant. I guess there’s always that. A victory hard won is all the sweeter.

Looking forward to 2018, I intend to honour my instincts a lot more. I intend to listen to my little inner voice. I intend to pay heed to my gut. That’s the New Year’s Resolutions sorted!

What would you have done differently looking back on 2017?

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Talk to you later…

Keep Writing!

Yvette K. Carol

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 Oh, a trouble’s a ton, or a trouble’s an ounce, Or a trouble is what you make it, And it isn’t the fact that you’re hurt that counts, But only how did you take it? ~ Edmund Vance Cooke

 

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‘For me and most of the other writers I know, writing is not rapturous. In fact, the only way I can get anything written at all is to write really, really shitty first drafts.’

– Anne Lammott

Once the initial edits of your ‘shitty first drafts’ have been done, you get into a deeper level. For me, this is when hope starts to form that all is not lost, or as author, Tee G. Ayer put it, ‘Me while writing: This is drivel. What am I thinking? It’s worse that horse poo. Me while revising: This is surprisingly good. Better than I thought it would be.’

Once you wade into the revision, you start to see the potential.

At this stage in the editing, it can feel like weaving the words. One goes from the beginning to the end of the story, and then back to the beginning again over and over. The task for the writer is tightening the strands: to link thought processes, plot and sub-plots, deepen the characters, flesh out the scenes. As you go through to the end and then back to page one again, the picture slowly forms. The content draws together and takes shape.

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Last weekend, I finished the fourth pass of my book, ‘The Last Tree,’ which is the final book in the Chronicles of Aden Weaver series, and the analogy of the weaver above came to my mind. It reminded me of one of my early illustrations in which I depicted a character I called ‘The Woman at the End of the World,’ who knits the planet the characters lived on. As a writer, I feel I am doing this same function; I knit the words, one after the other, they take on a newer denser mass and richer substance, they start to form a living, breathing world.

I showed chapter one of my book, ‘The Sasori Empire,’ to good friend, author, James Preller. It’s a chapter in which Aden’s stone is tested and proved fake. In his reply, James gave me some terrific advice which is also helping me with writing the next book. He helped me understand why we elaborate for the reader. It’s something I alluded to in the previous post, Breathing Life into your Story, that thing of teasing out the scenes moment by moment, for the maximum impact. Here is an excerpt:

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You could slow down, spend a little more time. It’s not enough to just name names. So the stone moves. Was that the extent of the test? A little anti-climactic, because I’m not sure what’s at stake? I guess my point is that with all the mythology here, is that if you move too quickly my mind gets muddled. By bringing us closer to Aden, by having his thoughts help us understand what’s happening, we learn.

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My mind is the type of thought processor which likes to know the why of things. Knowing that as I develop the material, I’m seeking to elucidate context and the stakes, and help the reader get inside the characters’ heads serves to guide me.

I work at my loom spending more time, giving more detail, and all these things have the effect of bringing the reader closer to the hero, which is the ultimate goal.

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One has to be prepared to put in the hours. I heard myself telling my nephew this week, “When you sit writing from 6 a.m. till midnight, you need to take breaks.” And I thought, wow, this is really hard work. I do have to take regular breaks for my eyes from the computer as most people recommend, to prevent eye strain.

Yet, when you have a passion for something, you are driven to go far beyond what is normally possible. There is extra energy available. Or as Charles Bukowski put it, there is no other feeling like that. you will be alone with the gods and the nights will flame with fire.

My weekend always starts here, with my blog post first. Then, will come the long hours aforementioned, for two days I’m ‘alone with the gods,’ until my children return home again, when my creative powers become dormant for the week and go into raising my boys instead. My time off, my respite, is spent writing every minute I can squeeze into the days. It is such a joy, writing refills my cup until it runneth over.

How about you, what are you creating? Have you ever felt you were weaving your story?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“A reader lives a thousand lives before he dies,” said Jojen. “The man who never reads lives only one.” ~ George R. R. Martin. A Dance with Dragons

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For me, the truly hardest part of being a modern author is the marketing.

How do you cover your bases as an Indie with limited time and budget?

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For a start, you must do every job you can do, yourself. You hear seasoned authors warn debut novelists, ‘the effort is only just beginning.’ For good reason. Be prepared to dig deep.

On September 20th of this year, I self published, The Sasori Empire. I’ve poured hours into the marketing. Yet, there’s a seemingly endless list of more to be done. I feel the constant pressure like hot breath on my neck, the inner voice reminding me of the countless avenues of marketing which I have yet to employ. There are the latest marketing books to read, and videos to watch on YouTube, social media sites to join, bloggers to visit and palms to grease.

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Paul Rand, president of a major marketing firm in Chicago, said, “Word of mouth is the fastest growing sector in all of advertising.”

How does the stay-at-home mum and Indie author harness the power of “word of mouth” advertising?

There is no sure-fire way of generating “word of mouth” advertising other than doing your part to create a large enough digital footprint and amp up your EP (or digital Extended Presence).

Build a website. Start a blog. Create profiles in the usual places: Goodreads, Twitter, Facebook, LinkedIn, Snapchat, Instagram, Pinterest, YouTube and Slideshare.

Do the usual rounds of guest blog posts, school visits, author talks, YouTube videos, book reviews, tweets, and book trailers. Additionally, marketing can involve speaking at conferences, book tours and running workshops. You can start a critique group, join a book club, write a newspaper or magazine column, contribute to community blogs or groups (like those over on Wanatribe), join writers organisations, or participate in interviews.

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Some Indie writers have found fame by tapping into the market for short fiction, and releasing their work in serial form, drip feeding a chapter at a time on their blog or website. This week, a local Kiwi writer sold the movie rights to her debut novel, after gaining popularity through the serial fiction platform Wattpad.

It’s necessary to build a community of friends online, email lists, and connections. It can be worthwhile networking by haunting the chat forums on LinkedIn and Google circles.

Primarily it’s vital to tinker with the SEO of your book, check and double check the marketing copy that goes with your book. Make sure it’s doing the job. Test and tweak how everything is performing by monitoring your status as some experts do, by keeping tabs on your conversion rates on Amazon.chrismcmullen

How does the Indie author do it all?

An Indie author wears all the hats, and the stress of promoting your work is white noise in the background which never fully goes away.

While life goes on: the next book needs to be written, the children raised, the work done, the garden/property maintained and at least a little reading is necessary.

What I do is compromise. I set aside time to write, time to promote, and I also let myself have time to play on Pinterest or Facebook. Everyone needs to goof off now and again in order to keep working. Also, if you can, delegate jobs where possible.

It’s a balancing act every day.

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How does the Indie stay sane?

This week, my critique partner, Maria Cisneros-Toth said adding her YouTube videos to her website had attracted more traffic. I thought, I’ll add videos to mine. Another friend said he was adding a “Facebook shop” to his author page. I thought, I’d better set up an author page too. There is always more graft to be done when feeding the maw of book marketing.

But, you know what, it’s doable. I’ve learned I can live with watching less television during the week in order to tick more jobs off my list. I make more meals at home. I can do at least one thing a day to promote my book.

The other day, friend, author and artist, Teresa Robeson, sagely said, ‘Just rest assured that no matter what you decide, it’s okay. It’s not a matter of life and death. It will all work out either way.’

True. Sometimes you need a reminder from a friend to chill.

Equilibrium is the right attitude to cultivate. A calm mindset is paramount. It’s vital to get the work done while also remembering to savour the in-between! Work is work. Yet, it’s the lulls between the waves, the quiet moments, the soft silence in the sun of an afternoon, these are what make the business of life worth living.

How do you handle marketing your work? Any tips?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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But, you are marketing by word of mouth every time someone reads your post. You’ve got about 5 seconds (or 140 characters) to capture attention. Make sure each message you send builds your credibility. ~ Gina Burgess, Author’s Community

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

For he does his work alone and if he is a good enough writer he must face eternity, or the lack of it, each day. ~ Ernest Hemmingway

When you are “post book,” you exist in this strange no-man’s land where you’re not sure what should happen next, but in your secret heart-of-hearts, you’re hoping for applause in some form, hopefully financial.

What nobody can really prepare you for, when you start out as an author is the great echoing silence of self publishing.

A novel requires burning the midnight oil writing the story, and questioning every word, every sentence. After having put “bum-in-chair” for days upon weeks, after suffering the agonies of self-publishing, and the indignities of self marketing, to cross the finish line and release your fiction upon the world, it’s natural to expect reward. It’s natural to want to hear some noise in response.

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There are more books being published every day now than at any other time in our history.

To gain traction, many motivated Indies will ask their “street teams” and friends to share about their release, to write reviews, to generate buzz in various ways. If you don’t dance up a storm, your books don’t sell, you might not be paid. Apart from that self-generated sound, however, there is nothing.

When I put out my first book in 2015, there were some lovely messages on social media from friends and well wishers. Apart from that there was…s i l e n c e. A great white-washed, sound proofed wall of nothingness.

Silence is something we’re not used to these days. In our hyper-connected present, we expect reactions to our every move. We wait with our self worth balanced on likes, loves and comments and shares. We’re conditioned to feedback.

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As yoga-teacher and author, Claudia Altucher said, I find that ultimately there is a little side of me that still clings to the idea of being “chosen” (by a publishing house).

Any writer can relate. With the first book, there’s this great hope of being “discovered.”

“How are things going with your book?” asked well-meaning friends. “Have you sold many?” The mythology goes, all you need do is release work in order to get paid, to get recognition. The truth is the majority of self-published authors will sell less than a hundred copies.

Few authors write a second novel and even fewer a third once the fiscal realities become apparent. After an author visit to an Elementary School in the States, author, Ellen Warach Leventhal, said her favorite response from a fourth grader was, ‘You work hard, you don’t know if you’ll ever get paid for it, and you aren’t rich? Man, not sure I want to do that.’

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The first book is like a trial by fire. If you walk through that flaming doorway without getting burnt, then you carry on writing but as a cleansed, reduced version of oneself with revised expectation.

Nick Ripatrazone’s sage advice to the author is, Share your work, but don’t wait for likes and retweets and mentions. Get off your phone. Get back to your desk.

I read somewhere, the traditional reaction to a book being published at any other time in history has typically been little to none. Authors wrote and released books and went on with their writing. They didn’t expect a parade.

In our digital present, it is easy to forget that silence has always been the most common response to literature and art. ~ Nick Ripatrazone

After I published my debut novel, ‘The Or’in of Tane Mahuta,’ (http://amzn.com/B015K1KF0I), I started developing the next story in the Chronicles of Aden Weaver. The narrative unfolded and it drew me into another world, where I got lost in the creativity. The firestorm was therapeutic. I remembered the most important thing was the art itself.

I understand now why authors advise to get on with writing the next book.

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I published ‘The Sasori Empire,’ (http://amzn.com/B075PMTN2H) last week. This time round, I experienced it differently, with more realism. I didn’t expect mega stardom or even a conversation.

I was ready for the normal silence that surrounds any newly-released work.

I discovered it takes a certain amount of surrender. And, faith, that I can survive the fall. I was prepared for the sudden drop-off of adrenalin and commitment that follows on the heels of each book birth. I’d already bought the chocolate bars. I pampered myself with treats.

My process seems to have settled into a pattern of write-edit-publish-rest-repeat. I relaxed for two days after the book launch. I listened to music, weeded the garden, and I did some baking. For a minute, I thought, I’m free!

Now, I’m writing book three, the final book in the series, ‘The Last Tree.’

How do you handle the silence post-book?

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Keep on Creating!

Yvette K. Carol

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Cherish yourself and wall off an interior room where you’re allowed to forget your published life as a writer. ~ Lan Samantha Chang

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The Or’in of Tane Mahuta

Book One, the Chronicles of Aden Weaver http://amzn.com/B015K1KF0I

The Sasori Empire

Book Two, the Chronicles of Aden Weaver http://amzn.com/B075PMTN2

Launching your first book is like delivering your first baby. There is great cause for much celebration and rightly so, as no one knows other than other authors and publishers, the extent of effort, money and concentration it takes to deliver a fully-formed book into the world. You cross that finish line as a debut author and you throw a party with catered food, fancy decorating and elephants, and you dance till dawn.

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The second book, like the second baby, tends to be a quieter affair. You’re more tired this time round. Your hands are fuller. You take fewer pictures. You have two novels to be responsible for and yet, there is also the third story to write.

At the same time there are the same rounds of media sites which need updating, interviews, and online conversations to be had and bells to ring in order to publicise your new creation to the world. The dreaded self-marketing engine that the Indie author needs to kick into overdrive must work overtime now on promoting that book to the world.

And, sometimes, this conflict of interests can call for new solutions. Enter, the mini-launch. I don’t know if this is a “thing” already, but if not, I’m making it one.

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For the celebration of The Sasori Empire (http://amzn.com/B075PMTN2H), the second novel in my upper middle grade series, the Chronicles of Aden Weaver, I wanted to commemorate the moment and have a party.

The trouble was, I had expended so much time and energy on producing the little dickens that I had nothing left to give. All I wanted to do was recline on a beach in Fiji and sip a cocktail, there was no way I was going to rev up the engines for a massive party as well. So, I hatched the idea of the “mini-launch,” essentially the smallest version of a book party you can have.

~ Here’s how ~

Venue: The first thing is where and when. I simply requested to add the launch of book two into the mix of a get-together I already go to each week, in this case, my local Toastmaster’s meeting. Cost: $0. (Apart from the annual fee, which I would pay anyway).

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Invite list: That way, I didn’t have to worry about people turning up. I knew the crowd of people would be there and they were my friends. You could do the same with your book club or critique group. I also invited one or two other people as guests.

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Catering: I paid a friend who is a baker to make two dozen mini cupcakes. Cost: $20. I bought a bottle of bubbles and a bottle of freshly-squeezed orange juice. Cost: $24.

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Decoration: VistaPrint helped me create two personalized signs. They have the same legend on both sides and plastic stands and only cost $50. A friend donated the dragonfly tablecloth.

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Agenda: When you make your book launch part of an established club meeting, you don’t have to worry about figuring out an agenda or writing the script. All I needed to focus on was writing and learning my speech. At the end of the meeting, the Toastmaster announced that I would be signing books and we broke open the bubbly at that point. I signed and sold my first box of books, and had interesting conversations with would-be authors.

 

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Photos/video: I took along my own camera and tripod. I shoulder-tapped a friend on the day and asked if she would press the record button when I started speaking. And I did the same with the camera after the meeting, getting various folks to take photos. I got a very serviceable video of my speech and some nice pictures of the occasion. The whole thing took an hour and a half. It cost under $100. Whereas my first book launch cost me three times that amount and took double the time.

I’m here to say the mini book launch works. It announces a worthwhile achievement. It sets the book off on its own course in the world with minimum fuss or cost, which is not to say that next time I won’t throw a huge party, it is to say, sometimes when means are limited, there are other ways of commemorating the moment that won’t break the bank.

If you do try your own mini launch, let me know how you go. I want photos!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“It does not matter how slowly you go as long as you do not stop.” ~ Confucius

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

 

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

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Every month, the organisers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!! 

July’s Question: What is one valuable lesson you’ve learned since you started writing?

The most valuable so far came from the award-winning author, Alexandria laFaye, http://www.alafaye.com, during 2014, when we were both in the same critique group. I had submitted a chapter from ‘The Or’in of Tane Mahuta’ (my first book in the Chronicles of Aden Weaver series: http://amzn.com/B015K1KF0I ) to our online critique group, The Creative Collective.

I got various responses from the group noting grammar and word usage and so forth. However, there was one answer in particular, which revolutionized me.

Alexandria wrote back, ‘The writing is good; however there is far too much exposition.’

I was afraid to admit I didn’t know what exposition was.

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Luckily Alexandria also teaches writing and so, she went on to offer examples showing that exposition is another word for explanation. In other words, exposition is when the author is telling the reader everything.

Alexandria said, our task as the writer is to give the reader an experience, as if the readers themselves are experiencing and seeing what’s taking place.

This is how you get the reader immersed. Exposition holds the reader at arm’s length.

It was amazing. A whole new world I hadn’t thought about that until that moment opened up. That one piece of advice helped my writing evolve. I was grateful to Alexandria for her wisdom.

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I’ve worked on this ever since. These days, I find it helps me to think about it this way: instead of being behind a camera observing the action, I think of myself as behind my character’s eyes looking at and experiencing what happens. Then I can inhabit the scene. I have to use all the senses, act out scenes (holler, @TiffanyLawson-Inman!) and speak the dialogue out loud. I have to tease out some scenes and tighten others and think, what does this feel like, what would be going on in the background? I have to look around the whole room and put myself in my hero’s shoes.

This approach makes it a more 3-D experience in the writing process as well.

Then, earlier this year, adding to the concept of reader immersion, my writing pal, James Preller, offered another nugget of advice. He talked about the need for the reader to empathise with the protagonist.

James PrellerJames said, ‘Most importantly, I think you need to hone tight into Aden and his thoughts, feelings, perceptions. I think you could go deeper, bring us closer.’

I went back to my rewriting. I gave my hero, Aden, more time and attention in this second book and even I, as the author, felt I drew closer to him.

Good advice. Thanks, Jimmy, you’re a pal. If there’s one thing the generosity of the author’s community has taught me, it’s that it’s nice to share. So it has been a pleasure to pass these gems on for other writers.

Good ‘question of the month,’ IWSG!

One of my favourite quotes at the moment is “The wisdom acquired with the passage of time is a useless gift unless you share it!” by E. Williams. Try these techniques for yourself and why not share them with others.

How about you, what is the most valuable lesson you’ve learned in recent times?

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Talk to you later…

Keep Writing!

Yvette K. Carol

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If you have done well, it’s your duty to send the elevator back down. ~ Kevin Spacey

 

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com