Archive for the ‘The Chronicles of Aden Weaver’ Category

Or, Editing Woes Noone Warned you About ~

The word “edit” in the dictionary means “to prepare for publication.”

For the author in the last stages of editing their book, the sheer hours spent bum-in-chair can become numbing at both ends of the spectrum.

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You see, no one tells you the truth about the writer’s life, either at school or in the way it’s rendered via popular media. As a kind of public service announcement, I’m happy to give you a “heads up” about the possible woes that lie ahead, if you’re thinking of turning that story in the bottom drawer into a viable commodity.

Here’s what to expect:

Editing Woes #1: Temporary Blindness

Stephen King once said, “Write with the door closed, rewrite with the door open.” There’s a good reason for keeping that office door open. Besides getting other people’s eyes upon your fiction, you need ventilation. You can succumb to writer’s fatigue. After sitting in a room on your own, staring at those dark marching ants across the screen for hours, you stop seeing the words.

Cure: Get some oxygen, head outdoors, look at nature.

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Editing Woes #2: Temporary Book Hate

“The first draft of everything is shit,” so said Ernest Hemmingway. However, given enough exposure to your own work, every other draft of your own precious story will start to annoy you, too. This is a temporary phase.

Top tip: Try not to throw the entire file in the rubbish bin.

Cure: Keep going. Do not give up!

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Editing Woes #3: Temporary Loss of Will to Live

There comes a moment, when you’ve just finished your hundredth edit of your story, and you realize you’re going to have to go back to the beginning and start again, that the apple begins to slide off the cherry.

I had a deadline to reach this weekend, my book needed to be submitted to createspace by April 15th. The material had been worked over so many times, but it still wasn’t done. When I found myself at 6.30 in the evening yesterday, and it wasn’t finished and I still I had to keep editing, I felt weak with stress.

The last yards to publication when you’re an Indie are soul destroying. Every time you think you’ve carved off the last word and discovered the last ill-placed comma, you find yet another error.

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On the fifth “final edit” I just wanted to put down the laptop lid, walk away and pretend none of it ever happened. I felt I could not read those words again.

Top Tip: This is normal. You will want to give up. You will want to curl in the fetal position. Don’t worry; it happens to all of us. It’s like childbirth or passing a kidney stone, it doesn’t matter how bad it becomes, you will get through it.

Cure: Eat treats. I took “feijoa breaks.”

Editing Woes #4: Temporarily Losing Touch with Reality

Yes, this is a common problem they don’t warn you about in writing class. When those sixth and seventh “final edits” take place, usually late at night, and you’re keeping yourself going by drinking coffee and eating sweets, the hours start to blend. One friend said, “it’s like a black hole that sucks time into it.”

This is true. The further you dive into your nitty-gritty polishes, the more hours disappear. When I finally lifted my head last night, I looked around and it was dark outside. The whole day had vanished. I was blinking like a mole, saying, where is everyone?

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Cure: Go be with human people. Exercise. Eat. Drink. Sleep.

The reward is that this really is the last hurdle.

Top Tip: just as with childbirth, it’s all worth it in the end. When the proud author gets to see their story presented in book form for the first time, it makes all the pain of editing worthwhile. The secret is to keep going through the gnarly last part!

At midnight, I had the manuscript, the cover art, a professional headshot, the back cover blurb and three great peer reviews ready to go, and I submitted the whole package to Createspace. I felt immediate relief and joy. Now, I await the first “proof” which is exciting.

But here’s the thing, no work of art is ever truly finished.

As Oscar Wilde said, “Books are never finished, they are merely abandoned.”

I had to choose the point at which to let go. When do you let go? When do you say enough’s enough?

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Talk to you later.

Keep Writing!

Yvette K. Carol

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“This morning I took out a comma, and this afternoon I put it back again.” ~ Oscar Wilde

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

It means that you must set your standards high and create what I call a grinder. You must set up a system that holds your writing feet to the fire, and makes you get better at your craft. ~ James Scott Bell

The journey of a book, from genesis to garden of inspiration takes us through the valley of many sorrows, aka the editing. The time spent refining and rewriting our original work is a long, seemingly never-ending road. As an author friend said the other day, with her work-in-progress, it took her two months to write it and so far, it’s taken her nine months to edit, and she’s ‘still not finished.’

As the famous meme which went around Facebook showed, as new authors, we start out imagining ourselves spending our days in throes of inspirational wonder, running through fields of daisies with stories in our heads. However, the reality is we spend 15% of our time writing genesis draft and the rest of our time editing the beast, trying to tame this monster we’ve created into something presentable we can show the world.

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Stephen King said, ‘what separates the talented from the successful is a lot of hard work.’

Writers need to be prepared to a) get the copy written, and b) amend and polish their words until they can see their faces in them.

I recently finished working on my work-in-progress, ‘The Sasori Empire.’ My critique partners and I had done all that we could do. I sent the story to editor, Donna Blaber, of Lighthouse Media Group (info@LMG.co.nz). I had worked with Donna on my first book, ‘The Or’in of Tane Mahuta,’ in 2015 * http://amzn.com/B015K1KF0I, and knew she was quick and on top of her game. Nine days later, Donna had sent the fully edited paper version of the manuscript back. It really did feel joyous to work with professional tweaks and changes.

Donna Blaber

Over the following few days, I transcribed the edits into the manuscript. I liked that sometimes instead of taking words out, Donna had linked sentences together and made them longer. Using James Scott Bell’s analogy of critique being “the grinder,” these edits were buffing those last few rough edges off.

The next step in the process, I sent the new version of ‘The Sasori Empire’ to the proof-reader.

This last round of professional editing will take a few weeks. When I have transcribed those edits, it will be time to submit to Createspace for book design, production and printing.

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But, in the meantime, at this stage in the journey of a book, the work of organizing the launch needs to be done. Peer reviews need to come in for inclusion on the back cover, the artwork finalised, the publishing/printing and cover design lined up. A media page is helpful and can be used across platforms to update all social media sites. For the launch party, there’s the venue, the helpers, the speech, catering, the invitation, and the guest list to organize. This stuff can be a lot of fun, and also a lot of work!

One bit of advice I’d give after having published one book, is to be humble enough to ask for feedback on a sample of your work, tapping into the wisdom of friends who are successful authors.

Prior to launching my first book, last year, I asked a friend who is an established author, if he would read the first page and give me honest feedback. He did. Just those few words from a seasoned author’s perspective helped so much. I made a couple of subtle changes that altered the tone and set the first chapter of my debut novel over the edge.

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I wanted to touch the lucky stone again, as it were. I asked, would you read the first page? He very kindly said, send the first chapter. His response came in this morning; again he made a couple of on point suggestions. He said I was giving too much information too soon, and suggested I let the reader get closer to the hero, Aden. I made a couple of tweaks along these lines and voila, it has transformed the all-important opening chapter to a shade above the level it was on before.

They say it takes many a village to raise a child, well, it takes a small town to produce a good book. My advice?

In the final stages of preparing your baby for the world, get as many eyes upon it and voices involved as you possibly can. It makes a world of difference. Good luck!

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Talk to you later.

Keep Writing!

Yvette K. Carol

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Writing is always this: an adaptation of the sacred into smut. Dragging the divine out of his Sky Chariot and into the human dirt. ~ Chuck Wendig

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

Kids are visual creatures. They like to be entertained in every respect. As a child, I loved books with illustrations. When I morphed into reading chapter books as a young person I wanted the more complex stories, but I still wanted the imagery. I can remember really appreciating the authors who put ink illustrations in their chapter books. I have fond memories of poring over the minute squiggles and flourishes on the pages of Tove Jansson’s books.

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Last year, I prepared to release my first book, my novel, ‘The Or’in of Tane Mahuta.’ The first book from The Chronicles of Aden Weaver. I realized there was no way the budget would stretch to illustrations, so I came up with an easy solution.

Here’s  a guide to creating your own pen and ink book illustrations:

Step One: Start with your characters.

First, you must have some form of cover art for your book which you have either paid for or otherwise have liberty to use. For my debut novel, I had the two main characters rendered artistically in digital form by my nephew.

I simply copied the character with a pencil.

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Second attempt on Aden, for b&w illustration0002I wanted to introduce a new face. I took a photo of a statue of a giant which I found in a 1970’s magazine and copied the basic outline.

*Hot Tip: I use an automatic pencil, as they have the super fine leads. You want to do all the early stages on tracing paper.

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I already had my protagonist, Aden Weaver, rendered in pencil from last year, but I needed to change his position for this book so I lifted him into the air. This gave me a new image to work with. As I pinned down the character’s positions, I switched from pencil to a fine permanent marker pen.

*Hot Tip: You’ll need to see every line. A fine nib is necessary. I use a Staedtler “Triplus fineliner.” Every line needs to be carefully but clearly distinct.

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Step Two: Create the background and foreground

For this image, I decided to use one of a few special backdrops. A dear friend, Lyall Gardiner, had gifted me four of his ink/colour pencil backdrops before he passed. In A3, they’re enormous, so I selected elements from one image, the moon and wispy clouds and some of the looming shapes and traced them onto a more compacted A4 page.

You could use whatever you have to hand, interesting segments of your kids’ artwork, pieces of your own from childhood, or you could go wild and cut segments of out-of-date magazine pictures to create a montage/mosaic effect, etc. Use your imagination.

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*Hot Tip: Take care not to tread on rights to intellectual property.

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Step Three: Combine and Trace

The next part is to employ your artistic eye with placement. Arrange your characters on the background in a way that fits the “story” you want to tell. The great thing about using tracing paper is you can flip the characters over. I decided to “tell the story” of the Oni looming. However, I needed to flip our hero to have him face the giant. To do this, I simply turned the paper over and re-defined all the lines with pen on the reverse of the paper!

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Step Four: Fill it in!

I took my taped-together tracing paper image and copied it onto thick art paper. I used permanent markers and filled in the picture. I thought in terms of light and shadow, silhouette, of how things look in the dark, not drawing to be realistic but to create pattern – effect through contrast. I left certain patches: one or two to be left white and at least a few to be painted black. They added impact.

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The resulting image will be one of the two illustration plates for inside ‘The Sasori Empire.’ On Facebook, I shared it with the caption, ‘The horned face of the Oni appeared in the trunk, even more hideous than before, and a head of bark grew.’

Step Five: Copyright!

Make sure to add your name the copyright symbol and the year somewhere on your picture.

With a bit of effort, anyone can create at least a couple of illustrations to go inside their own book. These simple pen and inks are relatively easy, quick, and they’re super fun to do. You have the satisfaction of having made it yourself.

Have you ever tried your hand at your own illustrations?

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Talk to you later

Keep on Creating!

Yvette K. Carol

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The Holy Grail is to spend less time making the picture than it takes people to look at it. ~ Banksy

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

Stories have to be told or they die, and when they die, we can’t remember who we are or why we’re here. ~ Sue Monk Kidd

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In the last week, I’ve had a revelation, thanks to a little help from a dear friend. I realised I’m spending way too much time on social media, at the expense of my writing.

I started out with the internet and social media about five years ago. At first, I had it all in balance, but somewhere along the line, the balance started to shift.

My friend pointed out that while I’ve been able to keep my blog and newsletter and Facebook and YouTube updated regularly  -‘You’re everywhere’ – I failed to finish and produce my second book, ‘The Sasori Empire,’ as I’d promised readers, last year.

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Self-defence is the knee-jerk. I explained I’ve long adhered to Kristen Lamb’s excellent social media advice for writers. I was under the impression keeping up with the social media gambit was a necessity for all artists these days.

Yet, when I really looked hard at myself and my output, I knew my friend was right. I’ve maintained social media religiously, and let the writing of my sequel to *’The Or’in of Tane Mahuta’ slide. *http://amzn.com/B015K1KF0I

I really do appreciate my subscribers!

While I feel an obligation to continue to provide output, I also have had to admit that if I continue at this rate, I’m not going to produce ‘The Sasori Empire’ this year, either. There simply aren’t enough hours in the day. I spend a day at a time writing and producing my blog posts. I spend at least three days, even longer sometimes, writing and collating my fortnightly newsletter.

My friend said, ‘You do all of your social media well. Now imagine if you put more of that time into this book instead of rushing through it.’

Yes. Imagine!

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Between raising my two youngest boys, and being on the committee of two different groups, something’s gotta give. Therefore, I’ve decided to take at least a month’s hiatus from social media (although I may pop onto Facie in the mornings while I have my first cup of tea).

My ultimate dream would be to publish ‘The Sasori Empire’ this winter and make a start on the third book in The Chronicles of Aden Weaver series in time for spring in the southern hemisphere. But, to do that will require a lot of work.

Therefore, I’ll be taking a writer’s hiatus for a month, or so.

After I have put nose-to-the-grindstone, I shall return! Hopefully, with the second book well in hand. Sometimes you’ve got to make the hard calls, and this is one of those times.

Thanks, for your patience!

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Talk to you later.

Meantime, keep on Creating!

Yvette K. Carol

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A young writer is an explorer. She knows she wants to get somewhere, but she doesn’t even know if the somewhere even exists yet. It is there to be created. In the process of creating it we find out how varied and complex we are. ~ Colum McCann

 

 

 

 

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

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When the upper-ups at IWSG headquarters decided to bring in the Question of the Month, earlier this year, I admit to not exactly clapping my hands with glee. I opted out at first.

You see, I like to write every post from the point of view of sharing either what’s been going on for me, or what I’ve been thinking, or doing creatively, or experiencing through my kids and my family. As ‘the Question’ was only a suggestion, not a given, I decided to make my own choice as to this blog’s content.

I wanted to remain true to my ideals. Yet, as the year went on, I noticed other #IWSG bloggers I visited always answered the Question. I began to feel like the only kid on the playground, while all the other kids are jostling for elbow-room in the sandpit.

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Long story, short, last month I answered the Question. It was fun. I imagined myself one of the big gun authors being asked a question about my writing career by a newspaper reporter.

December 7, the IWSG Question of the month – In terms of your writing career, where do you see yourself five years from now, and what’s your plan to get there?

Great question!

I see myself with the series, The Chronicles of Aden Weaver, finished and published. I see spin-offs from the series, evolving naturally. I can see the books being made into some sort of local production, either theatre or movie, or maybe artwork springing from it, or the series being made into some sort of video game.

I see myself blissful at work on the next book/s.

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Have you heard of making a “vision board?” I saw the idea on an Oprah show back in the day. You create a pictorial poster of what you hope to achieve. I preferred writing down my dreams. I call mine a “wish list.” Each year, on my birthday (which was the day before yesterday) I update my wish list for future dreams and goals. For more than ten years now, at the bottom of each list, I’ve written the same line. “Peter Jackson turns my books into movies.” That’s a big dream, however if we’re talking about what I really want to achieve in five years, then!

My plan to get there is to keep on writing. Write. Write and learn. Learn and write.

I shall also keep on networking, which is a necessity these days, to be active on social media and create an active digital footprint. I’ll carry on blogging, tweeting, putting content on my YouTube channel, and pinning on Pinterest. I’ll keep on building my email list for my *Newsletter and putting out quality content.

(*For Newsletter, e me at yvettecarol@hotmail.com put “Subscribe” in subject line, you will automatically be added to the family!)

I think it’s important now that I have overcome my fear of public speaking to keep up the public speaking to improve my self-confidence levels.

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Then, we come to the most important thing I intend to keep on doing. Those who have known me on the ether for a while will have heard this story before, however, I always find its worth repeating. Back when I was into multi-level marketing, our very wealthy, mega-successful, charismatic leader took me aside one time, to pass on a gem of her wisdom. I remember we were standing in the car-park, after an evening meeting.

She said, she was going to pass on the single most important thing I had to do.

‘I don’t mean just in business, I mean in life. Forget about the money, building a business is not about that. You must think one way and one way only. There is only one thing you need to do. And that is, Spread the Love. Everything you do, everything you say, every action every day, you Spread the Love. That’s all you need to do.’

I really took the message to heart. I went away from that night and I have applied that principle to everything I’ve done since. It works for me.

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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‘New Zealanders by nature of our isolation just go ahead and do things our own way. That’s the New Zealand spirit.’ ~ Peter Jackson

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

You just have to accept that it takes a phenomenal amount of perseverance. —J. K. Rowling

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*Feel Resistance

Back in 2015, I projected I’d have the second book in my Chronicles of Aden Weaver series, out by Christmas, 2016.

By mid-September of this year, I began to worry. ‘The Sasori Empire’ would not be ready for Christmas. I knew I hadn’t sweated over the story enough, yet. It hadn’t caused me to lose a few pounds in sheer, gruelling, nose-to-the-grindstone, all-hours-of-the-day-and-night hardship, yet.

The story still had a long way to go.

‘The Sasori Empire’ needed to continue to battle through the torture chamber of editing at my kitchen table, and to undergo at least one or two more journeys through “the grinder” of critique.

At first, I felt intense resistance to the thought of admitting defeat, if I delayed publication. Essentially, it meant I’d have to admit I was wrong. The ego resists being diminished like the dickens.

*Step Back, Breathe

Looking back, I realize, my head must have gotten a bit swelled over self-publishing my first book, ‘The Or’in of Tane Mahuta.’ After thirty years of writing fiction and ten years creating this series, it’s not so surprising. In my enthusiasm at becoming a published writer, I imagined my pace of production would somehow magically increase. I’d be pumping out the novels at the rate of one a year, like the greats. But, no.

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http://amzn.com/B015K1KF0I

 I had to eat a dose of humble pie and admit that the sequel would not be out in time for Christmas. Using the initial artwork supplied by my nephew, Si, I made up a poster to announce the delayed date for publication, on social media.

*The Theory of Randomness

Recently, a friend drew my attention to quotes from The Drunkard’s Walk, a book by Leonard Mlodinow. The wonderful quotes reminded me to look at the bigger picture.

‘There exists a vast gulf of randomness and uncertainty between the creation of a great novel and the presence of huge stacks of that novel at the front of thousands of retail outlets (paraphrased). A lot of what happens to us – success in our careers, in our investments, and in our life decisions both major and minor – is as much the result of random factors as the result of skill, preparedness, and hard work.’

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https://www.goodreads.com/work/quotes/2278900

This theory reminded me that there is no need to rush anywhere with my writing and my stories. Hard work alone, will not influence the outcome. I should savour the scenery along the way. It helped me to take the foot off the accelerator.

*Release

Once I decided to let go of this year’s publication date, I felt better. It was like a weight lifted off my shoulders. I knew that in terms of well-being, it was the best thing I could have done. I was ‘back on track’ with my own timing again. Whew.

I settled back into more reasonable writing hours. I began to sleep better. I was “nice mama” again, and able to be pleasant to other shoppers at the supermarket.

It was as simple as giving myself permission to quit pursuing an unrealistic goal. Despite my initial resistance, I embraced a new goal. I can do the work that needs to be done, on my own terms, in my own timing, while enjoying life along the way. Imagine that!

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(Me, with cover artist, SK)

*The “Mission Statement”

One of my writing mentors, Jill Mitchell, is a big fan of “mission statements” for staying on track with our goals.

This is mine:

I always strive to create story in some form. I flow with life as much as possible – therefore, I can change, my goals can change. However, I’m essentially always moving forward with my evolution, learning my craft, becoming a better writer, delivering a better story experience, and as long as I stay true to the creative muse flowing through my fingertips, I’m on track. I am successful.

*Persist!

My goal of putting out the second book in the series will happen, when the time is right. The goal is still there, it’s just farther in the distance. That’s okay.

Leonard Mlodinow posits that random factors act in our lives. ‘That’s why successful people are almost universally members of a certain set – the set of people who don’t give up.’

This adds weight to the wisdom in the idea of persistence.

I persist. What a great mantra – I’m adding that to the list.

When your goal’s a moving target, the best thing you can do is stay the course! 

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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To write simply is as difficult as to be good. – W. Somerset Maugham

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

 

 

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insecurewriterssupportgroup

Wednesday is time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

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The wonderful writer and the guy behind the successful blog, The Write Practice, Joe Bunting said, ‘No one is born a writer. You must become a writer. In fact, you never cease becoming, because you never stop learning how to write. Even now, I am becoming a writer. And so are you.’

Three chapters from the book I’m working on, had come back from critique, and one comment in particular came up again and again. Show it. Don’t tell it. This is basic, fiction writing 101. Yet, this is what the process of critique is for. By showing your prose to third parties for evaluation; you discover blind-spots. In my case, there have been seemingly endless ways and times in which I have told when I should have shown.

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I haven’t abandoned my earlier stance, my stated belief in the value of a good “tell.” I still feel the same way. Telling gets such a bad rap these days. I still align myself with the bestselling author, Lee Child, who once famously said, “I’m a storyteller, not a storyshower.” Me, too, Lee!

In her essay, ‘On Rules of Writing, or, Riffing on Rechy’, popular author Ursula Le Guin cautioned against the commonplace writing advice, ‘show, don’t tell.’ Says Le Guin: ‘Thanks to “show, don’t tell,” I find writers in my workshops who think exposition is wicked. They’re afraid to describe the world they’ve invented.’

However, too much exposition is like pepper in a meal, too much will spoil the dish.

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‘Adjectives and adverbs are rich and good and fattening. The main thing is not to overindulge.’ Says Le Guin. So, while telling is vital, the technique must also be leavened by lots of hearty showing.

I found a number of places in my story, ‘The Sasori Empire,’ where judicious tweaks along these lines elevated the material by miles.

Here’s an example:

On the long walk from the HAFH library back to their quarters, Aden pondered the news of the Forbidden Time.

I rewrote the opening paragraph:

On the long walk from the HAFH library back to their quarters, Aden recalled how they’d managed to get into the library. In his mind’s picture, he again stood peering at the framed page, which proclaimed the news of the Forbidden Time. His heart beat faster.

It’s a slight tweak and yet, it improves the whole flavor. Truth to tell, I’m constantly surprised and delighted by the power of the show.

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I’m editing my novel, The Sasori Empire, and yet rather than cutting words out, I’m adding words in. We coined a new term for it, “aditing.”

The thing is, we all know we have to show not tell most of the time and yet, for some reason perversely, it’s quite hard to do. Maybe we could work an 80/20 ratio on this.

Having acknowledged I needed to show more areas of the book, I have continued to wade through each chapter, like a “tell” seeking missile. I locate static areas on each page to break down and expose.

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These areas of telling are really just momentary lapses of attention on my part, when I was originally writing the rough copy. With the help of my critique partners, we find more dark corners like this in my story all the time, areas badly in need of illumination.

The best ways to “show” parts of your story is to think as if you’re in a movie and tease apart all the elements that make up a scene, action, dialogue, and rendered thought.

Herein lays the real value of showing. It gives us detail, context, a sense of place. These things influence our sense of the stakes, whether we care about the story and the characters enough to keep reading.

How about you? Are you creating something? Editing? Writing? Aditing? Let us know, and share the pain!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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“Now let’s write our brains out passionately and with minimal reference to grids and rules. Let’s write from a love of the art and the heart of fiction.” ~ PJ Reece

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

On Wednesday of this week, it was time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

InsecureWritersSupportGroup

What am I feeling insecure about? Being stuck in the “aditing” phase with my book.

I tend to get asked this question a lot these days, ‘How’s the new book going?’ My standard answer has been to say that I’m still editing. However, as I was confessing to a friend, at Toastmasters this week, I’ve been going through my manuscript adding more words than I’ve taken out. She coined the perfect word for it, which I immediately purloined, “ad-iting.”

I thought, wow, this is the perfect word for a stage in the writing process which is necessary and also, annoying. The “aditing.”

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The other day, I celebrated having edited the entire manuscript the whole way through five times. Here I am, studiously taking words out of my tome of 60,000 words. Yet, by a process of diligent aditing, I’ve also managed to get the word count on ‘The Sasori Empire’ up to 63,760 words!

How? Answer: because I’m temporarily stuck in the stage of “aditing,” which is strictly speaking the opposite of editing. It is nevertheless, a valid part of the creative process of creating fiction. For any writer, especially those who are just starting out, this can be the most frustrating stage of our job. This is what happens naturally, when each time you go through your prose, you find more and more gaps which need filling, more questions which need answering, or where there needs to be more description, more context, and more depth in general.

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These are the tough yet vital moments in the development process of a good story. This is when you have to examine what’s there and what needs to be there to add texture and context. It’s vital to the enrichment and vibrancy of our fiction.

A few years ago, I entered a short story into a contest held over on LinkedIn. On the forum boards, members of the group wrote in with their feedback on the entries. A lovely old Indian writer, who I was friends with, gave me some very valuable insight on my piece, which I’ve never forgotten. He said, “Nice story, but not enough furniture.”

His wise words made me wake up. I had an epiphany. I realized that in my slavish abeyance to the modern rules of writing fiction, I’d stripped my writing nearly bare. This is the danger today. There are rules for everything! The danger is that we polish a story to the stage where it’s too sanitised. We might get an “A” from the “Was Police,” but no one else wants to read it because the story is also sans voice, sans colour, and sans energy. It’s boring!

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When I began work on this series, The Chronicles of Aden Weaver, a decade ago, I set out as we all do, into the fun, easy “Genesis project” stage of writing a book, when you’re gushing the rough copy into words.

Once I had the substance of the overall trilogy, I started editing Book One, ‘The Or’in of Tane Mahuta.’ However, I cut out all the flavour. In my nodding to every literary more, I’d whittled my story down to the bare bones. I ended up having to do some serious aditing, before it ended up feeling like a fully realised story.

Therefore, with the sequel, I didn’t want to leave the bones bare. This is when the aptly named, “aditing” came into play; the vital time spent adding furniture to the rooms of the house. Then, adding the decorations.

The award-winning author and teacher, Kate de Goldi said, ‘I think current stories are lacking in complex structure, nuance. Kids need more than a limited diction, and a palette of Smarties.’

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It’s in the visceral detail that brings the scenes alive and makes the characters more real.

I commenced working on Book Two in September.

Within the process of editing, I have had to re-learn how to accommodate prolonged periods of aditing. I’m here to report, it can be done. One must keep a stoic face. And, not worry or think of it as a waste of energy. Allow the words to flow to fill the gaps. You can always take half those words out again later. The important thing is to let them flow. This is that point of manuscript development about which Oscar Wilde famously said, ‘This morning I took out a comma, and this afternoon I put it back again.’

This admittedly requires a lot of patience. But then, what part of writing does not?

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Keep Creating!

Yvette K. Carol

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Books are never finished, they are merely abandoned. ~ Oscar Wilde

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“I’m late. Again. Yesterday, it was time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

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Can there be any more hideous experience than talking about your own book in conversation?

I should know by now, not to get drawn in by that most delicious and tempting of all questions.

Yet, my brother, Al, asked me, ‘how’s your book going?’ and I succumbed.

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I told my brother, ‘The Sasori Empire’ was based on mythology, with alternate versions of Maori legends and Japanese mythology.

To me, the world I’ve created through the Chronicles of Aden Weaver series is perfectly logical.

Yet, it’s only when I try to describe the plot to other people that I seem to come unstuck.

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I heard myself telling my brother, Al, in avid detail, as you do when you’re a writer, all about ‘The Sasori Empire.’ I said, it’s set on the planet Chiron (an actual recently discovered planet in our solar system). The setting though is an alter-earth. As other authors have done, I swapped out the first letters of countries to make them recognizable and yet also, ‘somewhere else.’

Al was blinking at me owlishly.

Yet, we writers, when asked about our babies, cannot stop talking even when our listener’s eyes have glazed over.

I told Al that book two mostly moves between the Lost Island, set off-shore from the west coast of an alternate New Zealand, and the Land of Fire and Ice which is set in an alternate imagining of Japan.

Al may have started snoring at this point.

About mythology, the famous writer, Joseph Campbell said, ‘The standard path of the mythological adventure of the hero is a magnification of the formula represented in the rites of passage: separation—initiation—return: which might be named the nuclear unit of the monomyth.’

I explained to my brother, that in these books I explore the traditional heroic arc, through the medium of fantasy and insect shape-shifters. Only in neither book two, nor its companion, book two: part two, do the hero or his heroic band get to “return.”

That was it. My brother wasn’t even looking in my direction anymore. I knew we’d officially reached his limit. At that point, I petered out.

I read somewhere recently, if we feel the urge to share what our book’s about with others, we should lock the urge up and throw away the key.

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Sharing only seems to water the impact down. Yes, I know we have to be able to précis the book to compose the synopsis, blurb, and elevator pitch, all the way down to the logline. But that’s different, that’s the business side. Even writing a speech about your book is acceptable. But talking about the story with people in regular old conversation, I find, goes nowhere fast. It never works.

Why is that?

The fact is, no one, not even one’s own sibling, wants to hear an author “selling their own book.” Especially at length!

How do I stop myself from “sharing” again? Have you ever had a hideous experience of talking about your own book?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Lord, make my words sweet and reasonable; some day I may have to eat them.~ Paddy Ashdown

‘The word ‘Legend’ comes from Latin legenda, ‘things to be read’. Originally, legends were the hand-written biographies of saints and martyrs, which were read daily, at MATINS, and after dinner at monastic refectories. In these accounts, such a love for exaggeration, the fantastic and wonderful predominated that the word, legend, came to signify a traditional story, a fable, or myth.’ ~ Brewers Dictionary of Phrase & Fable

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I’ve committed the big “no-no” – multiple viewpoints in junior fiction.

I didn’t start out wanting to break the rules, it just happened. I’ve always written stories for children. I’ve always written them from the traditional single point of view. No dreaded head-hopping for the younger reader here.

Everyone’s heard the horror stories of authors who wrote books for young readers with dual points of view, being cited for their foolishness in the media. I remember reading an article in a children’s literature magazine a couple of years ago, where the critic said it was a pity the story was written from two different viewpoints, because this had “alienated potential readers.”

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The general attitude towards head hopping junior fiction is roundly and rightly frowned upon.

I had no intention of deviating from this rule. Why risk dividing the small number of readers I might be fortunate enough to attract?

Then, in 2005, after attending a couple of weekend workshops with Kate de Goldi I started writing an epic-length story, the Chronicles of Aden Weaver,

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A few years after this, I went to a writer’s class led by the wonderful author and columnist, Lindsey Dawson. One afternoon, I stayed behind after the session. I told Lindsey the essential elements of my story and asked her opinion on how to improve it.

Lindsey went up to the whiteboard. She drew an image which she said had “just come to her.” There were three different strands of helix spiralling up around a central column. Lindsey said that the central column was the plot and the strands circling it were the different characters’ story threads. And she encouraged me to think about the lives of the secondary characters.

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I went home that night, I picked up my pen and started writing. To my surprise, the stories rushed out. Almost as if the other characters had been bursting to tell their sides of the tale.

Then, I wove the new story threads in and out of the old story thread, and it came together in a unique and interesting way. Did I dare show this mutant baby to the rest of the world? I knew they would come out and beat it to death with sticks and clubs.

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When I worked on the first book in the series, ‘The Or’in of Tane Mahuta,’ my critique partners made it clear they did not believe head-hopping worked in junior fiction. I agreed, but what could I do?

Hoping for reprieve, I asked another friend who is an author for his opinion. He said, ‘Shifting POV is generally frowned upon, since the last thing we want is a confused reader.’

Although I wished to be able to adhere to the principle of single pov, I simply felt compelled to stick to at least two ‘heads’ for Book one. I couldn’t make the complex tale work otherwise. I knew I was treading on dangerous ground. Yet, I published my book anyway. And I expect to be lambasted for it at some stage if anyone beyond the circle of my friends ever reads it.

Currently, I’m writing the follow up in the series, ‘The Sasori Empire.’

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At the outset, one of my critique friends suggested that I try writing the sequel from Aden’s point of view. ‘It’s much better because you allow the reader to have the experience of reading the story through Aden’s eyes. There will be more tension and surprises this way especially for your younger target audience.’

I agreed a hundred percent. So with the rough, raw material for book two, I went through the entire manuscript and changed it to a single ‘head.’ Only problem was, I felt as if all the life had been sucked out of the material.

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Deflated, I went to my friend, kiwi author, Donna Blaber, to ask her opinion. Donna is a traditionally published author with 30 books to her credit. She knows her stuff. And she’s familiar with this series, having helped me out by being a beta reader with book one. I told her what I had done with changing everything in book two over to Aden’s pov. And I sent her (on her request) two chapters illustrating the changes.

I waited anxiously for her response.

Two days later, Donna emailed. ‘My thoughts are that the second book should follow in the same vein as the first book, otherwise I think it will be confusing. Save the different style for your next story/series. I (sometimes) give little regard for the so-called ‘rules’ because I believe they are there to be broken. However, in saying that, I think consistency in a series is important.’

I cannot even tell you the relief! This is what my gut instinct was trying to tell me. And don’t you love that freeing type of thinking? I was inspired.

It’s hard to explain. Even though I personally would prefer not to be the author of this Frankenstein: this multiple pov, anthropomorphic, fantasy fiction for ‘tweens, I am. It’s what the story wants. I shall have to take my lashings as they come.

What story wants, it gets. The dreaded, hoary-breathed, two-headed gargoyle of multiple viewpoints is what this story demands. That’s all I can tell you!

Has your story ever taken you where you didn’t want to go? Ever taken a risk and gone against conventions?

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Keep on creating!

See you in the funny papers,

Yvette K. Carol

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Your intuition knows what to write so get out of the way. ~ Ray Bradbury

The one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write, and draw, and build and play and dance and live as only you can. ~ Neil Gaiman

Ultimately, you have to be your own North Star. – James Preller