Archive for the ‘Indie Authors’ Category

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post on the first Wednesday of every month. Every month, the organizers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!! Let’s rock the neurotic writing world! Our Twitter handle is @TheIWSG, and the hashtag is #IWSG.

August 3 question – When you set out to write a story, do you try to be more original or do you try to give readers what they want?
Whew! Talk about a challenging issue for authors, especially unpublished writers. When you’re starting out and unsure of yourself, you wonder do I follow my ideas or try to write for the bestselling genres? If an author wants a long career, can they afford to ignore the demands of the market? That is the million-dollar question.
When I started writing picture books in the 80s, agents and publishers said you couldn’t write about cats or dogs because they were overdone. Although that didn’t stop everyone else from writing about them. When I started writing children’s chapter books in the 90s, they warned against writing about witches or wizards for the same reason. Since then the Harry Potter phenomenon happened, so, yeah, thanks, guys. Several years ago, everyone was writing about vampires, then it moved on, and everyone wrote about zombies. I didn’t bother. Suffice to say, I stopped worrying about what the market wanted long ago.

I guess I’m fortunate. Being a hobby writer, sales are not my main focus.
I don’t strive for originality, either. Over the years, I’ve learned that the prose has to come through me in whatever state it arrives. Then I enjoy tinkering with the muse’s gift. After all, isn’t most of an author’s time spent on editing rather than the original free writing? It’s up to us how much we change the form.
At the editing stage, I appreciate the input of critique groups. I feel they give insight into how readers might think or feel. My sister always urges me to leave my stories untouched. Her point is that too many cooks can spoil the broth. I get it. However, I value the opinions of my critique group, feeling that at some stage, an author does need to consider their audience, even if they self-publish and their audience is few.

The danger is when you overdo the critique and meddle to the point that the essence of your creative intelligence gets diluted. Was it Terry Pratchett who said if you question the muse too much, you might stuff the whole thing up? I’m paraphrasing. But it was something like that.
Creativity is a divine splash of energy in our brains. My dear elderly friend, Meg, used to call it ‘the inspired whatevers.’ The writer’s task is to watch for when the muse might strike and endeavour to catch ‘the inspired whatevers’ straight off the ether. I remember one writing teacher telling us that we had to ‘grab the first word given, and from there, the rest would come.’ That has been true for me with my fiction. Sometimes, I have failed to catch the first word, which resulted in floundering, unable to get started. But, if I catch that first word, then we are away. The rest of the story tumbles out of the cosmos, ready and willing. That magical feeling occurs when art can happen, that tingling when you capture the spark. We authors act as the conduit for the sublime. As do all artists.

During the editing stage, we turn into alchemists. We try to bash and hammer the divine spark forcing it into a round hole. We take inspiration from the ether and try to make it fit within the standards of storytelling. I remain uncertain about how to get the balance right. How much do you add, and how much do you lose? It’s a constant balancing act.
How about you? Do you strive for originality with your writing? Or do you try to conform to current literary expectations? What do you think?

Keep Writing!
Yvette Carol
*

I’m never truly happy with everything I ever put out. There’s always something I can improve on. Phrase a sentence better. Make the message pop. Not be such a dullard. But facing that doubt is part and parcel of the writing life. ~ Stuart Danker

*

Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line to yvettecarol@hotmail.com
https://www.insecurewriterssupportgroup.com

I have finished reading my twelfth novel for 2022, The Dragon Defenders, Book One, by James Russell. In New Zealand, you can’t move without hearing about this author and this series. Every time you browse through a secondhand bookstore, firsthand bookstore, or library, you are apt to see one or other of the five-volume series pop up. Whether it is Book Two: The Pitbull Returns, Book Three: An Unfamiliar Place, Book Four: All Is Lost, or Book Five: The Grand Opening, The Dragon Defenders series is everywhere. As is the author, the self-published James Russell, who tours Indie fairs and conferences, featuring as a bestselling author. A big fish.
Recently, I picked up the first book in the series and could hardly wait to see what all the fuss was about. I think I started reading The Dragon Defenders the same night I bought it.

The middle-grade novel series follows the adventures of Paddy and Flynn, brothers who live with their parents and little sister Ada on an island populated by dragons. Brought up isolated from technology and today’s world, the boys spend their days honing their bushcraft outside. They are self-trained sharpshooters with their slingshots and bows and arrows. Athletic and strong, the boys have excellent surviving skills. When a group of egg and dragon poachers led by a guy called Pitbull come to the island, Paddy and Flynn must outwit them, aided by their pets – Clappers (their horse), Lightning (their falcon), and Coco (their dog). The boys use a combination of planning and tricks to save the dragons.
There is a lot of action at times. The boys are proactive risk-takers. Nothing is too violent, however, and the author’s message of not taking revenge on one’s enemies makes a timely point of difference. The feature of extra digital content is a bonus, which the reader accesses through a device or smartphone. It’s the sort of multimedia feature that kids love these days. For an old fuddy-duddy like me, it was a novelty to see the maps and videos appear, yet it also felt like a distraction from the more important business of reading. Digital enhancement is not my preferred way of imbibing a book. I prefer the paper versions. I find it hard to get lost in a fantasy world when I’m fumbling with my smartphone.

If you asked me my main takeaway? I’d say too much exposition. In the opening chapters, the author tells us a lot about the characters, setting, etc. ‘They were allowed to explore the natural world, and as little children, they got hurt. A lot. There may never before have been two children with so many bumps and scrapes, bruises, and cuts.’ It’s the sort of thing we get rapped over the knuckles for by modern tutors and critique groups. I recall reading the Harry Potter novels with the same sense of surprise at the amount of exposition. These days the arbiters of style recommend less is more. Yet, J.K.Rowling’s book sales are only rivalled by the Bible, and James Russell is one of New Zealand’s bestselling authors. For some writers, the rules don’t apply. Good on him/them for sailing above the prevalent writing mores. They are staying true to themselves, and we need more people like that in this world.

The only other mark against this book was the inclusion of a swear word. We don’t swear in children’s books, generally speaking.
James Russell is also the author of the best-selling Dragon Brothers Trilogy of picture books (The Dragon Hunters, The Dragon Tamers, and The Dragon Riders). The Kiwi author launched his first book for adults, Mine – A Surfing Odyssey on North Sentinel Island on June 1, 2021. He lives in Auckland with his wife and two young sons.
The Dragon Defenders, Book One, is a gripping adventure for 7 – 12-year-olds. It is a solid start to the series, and I always applaud a happy ending.
My rating: Three stars

Talk to you later.
Keep reading!
Yvette Carol
*


‘As you’ll have realized by now, Paddy and Flynn were born adventurers.’ ~ The Dragon Defenders


*

Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post on the first Wednesday of every month. Every month, the organizers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!! Let’s rock the neurotic writing world! Our Twitter handle is @TheIWSG, and the hashtag is #IWSG.

July 6 question – If you could live in any book world, which one would you choose?
I always try to answer these questions as honestly as possible by going with the first thought that comes to mind. My dad used to say that the gut reaction was always right. My gut feeling when I read this question? I would live in the books I’m writing. It sounds like a self-congratulatory thing to say. But every time I get precious hours to pour into my new story, I dive into this imaginary world and love spending time there. My writing has always been my way of escape and still is.
If you’d asked me this question a few years ago, when I was working on editing my middle-grade series, The Chronicles of Aden Weaver, I would have wanted to go there. The trilogy took me a decade to write. I became so familiar with the environment I had created that I knew every nook and cranny like my own home and garden. The world, and the characters, were like family, a part of my daily reality.

When I started work on my present children’s series, it was a thrill to build a new world and unfurl my wings over unique and unknown landscapes. This year I have had a ball developing the story bible for this series, figuring out the setting, and beginning to picture it clearly in my mind.
They say that writers write for themselves. That is certainly true for me. Often, in my life, and especially in the last two years, I write the sort of world that makes my heart sing. I can’t tell you any more about that world right now, not until the stories are close to finished. Time has taught me not to speak about my stories while they’re in the nascent stages, for fear the muse will exit stage left and leave me cold. Besides, this is the genesis stage and requires nurturing and sustained silence.

When I started writing fiction for children, I was a teenage mum stuck at home with a baby. All my friends were off traveling the planet, having the times of their lives. My only way to escape the humdrum of nappies and housework was to climb out that golden window of my imagination into a better place. Creative writing was my saving grace. Literally.
Neil Gaiman once famously said, ‘I’d like to say a few words on escapism. I hear the term bandied about as if it’s a bad thing. As if “escapist” fiction is a cheap opiate used by the muddled and the foolish and the deluded, and the only fiction that is worthy, for adults or children, is mimetic fiction, mirroring the worst of the world the reader finds themself in.’

Like Neil, I’ve never understood why people look down their noses at escapism through literature. There are far worse things in the world. And considering the state of affairs on the planet at the moment, frankly, we need all the escapism we can get. It’s benign, nourishing, affordable therapy. And it works. As J.R.R. Tolkien reminded us, the only people who warn against escape are the jailers.
I want to provide that escape route for my readers. And I seek the same haven, too. There’s no place in the multiverse I would rather be than living inside my own story worlds. So, yes, please, sign me up.
A close second would be the world of Moomintroll.
Which book world would you escape to and why?

Keep Writing!
Yvette Carol
*

‘Fiction can show you a different world. It can take you somewhere you’ve never been.’ ~ Neil Gaiman

*

Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line to yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post on the first Wednesday of every month. Every month, the organizers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!! Let’s rock the neurotic writing world! Our Twitter handle is @TheIWSG, and the hashtag is #IWSG.

May 4 question – It’s the best of times; it’s the worst of times. What are your writer highs (the good times)? And what are your writer lows (the crappy times)?
Writer highs for me are writing the rough draft. Man, it’s fun. Starting a new middle-grade series has been a total joyride. It has refreshed my awareness of where the true nectar is in this business for me. Prior to that, I had spent ten years editing when I was working on The Chronicles of Aden Weaver. And I had lost touch with the heights of giddy joy attainable when you’re writing a new copy. Truth be told, after ten sallow years of editing I was so sick of the process, I even considered giving up this writing gig altogether. Who would do this s..t? Seriously.

But six months later, once I had recovered from publishing my trilogy and regained the will to live, I sat down with a pen and paper to see if I could still summon something from the ether.
I did a lot of looking at that %$#@ piece of paper. The words did not spring from my pen straight away. I remember thinking at the time maybe my ability to write was like a giant rusted machine with all the parts seized up, in need of an oil and maybe a jumpstart. The only way through it was to do it. I made myself sit and write for ten minutes every morning.

Slowly, the cogs started moving, the wheels turning again. I was off.

To write freely again I felt like a child riding a bike down a hill, with the wind rushing through my hair. The muse was back and we were away and flying over hills and valleys far below, the horizon endless and beckoning with adventure. Riding with the muse in full effect with a book underway is intoxicating and it feels like summer all year round. The problem is the actual writing of the story is only the first and shortest part of the process, swiftly followed by the grueling marathon that is editing.

Suddenly, as you start to read your inspired thoughts and creative witterings, you come face to face with the fact that this really is the “rough” draft. Your brilliance is in need of some elbow grease. An utterly daunting, Everest-sized, a towering mountain of work.

You buckle up your pants and wade into the uncountable writer’s low of editing. The sort of fine focus an author must now bring to bear on the words is akin to the intensity of a laser beam. Each word needs to be examined and proven worthy. Sounds easy. Believe me, it is not. This focus needs to be maintained all day every day. It takes energy and strength of character.

Me, I’m asleep by the third paragraph. The only way to keep myself editing is to put matchsticks under my eyes and prod myself with a stick. Talk about sheer agony. Jumping up to walk outside in the garden, taking refreshment breaks, all sorts of tricks must be employed to edit hour after hour, day after day, week after week, month after month, year after year.
Just thinking about the editing process to come makes my nerves go taut.
I bargain with myself. I kid myself. Maybe I won’t polish this new series. I’ll just finish it, leave it in a mess on the floor and carry on writing the next thing. Yeah, right.

Such is a writer’s life. Yet, I wouldn’t give it up for the world.

What about you. What are your writer highs? And what are your writer lows? Let’s compare notes.

Keep Writing!
Yvette Carol
*

The first step in writing a novel is to accept that you have to get it wrong before you get it right. ~ Jarred McGinnis


*

Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line to yvettecarol@hotmail.com

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post on the first Wednesday of every month. Every month, the organizers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!! Let’s rock the neurotic writing world! Our Twitter handle is @TheIWSG, and the hashtag is #IWSG.

April 6 question – Have any of your books been made into audiobooks? If so, what is the main challenge in producing an audiobook?
Not yet though I have looked at the prospect many times over the years. At first, in the 90s, I contacted a few voice artists here in New Zealand. I was shocked at the cost. Audiobooks were expensive to produce and the province of a select few professionals. I found the experience so intimidating that I gave up.
A few years went past before I revisited the idea. I had heard that it was possible to create your own audiobooks through Amazon and I looked into the ACX division. Although Amazon had done an admirable job of making the production of audiobooks easier, the most important ingredient, the voice talent, was still non-negotiable. I still needed to find someone who could read my books for me.

When I released my trilogy, The Chronicles of Aden Weaver in 2020, I gave a twenty-minute keynote presentation. One friend who is dyslexic said audiobooks were vital to her as reading the books herself would take far too long. She said, “When you talk about your books, you speak with such passion and conviction. Have you ever thought of reading your own audiobooks? I’d be the first to buy them.” That got me thinking for the first time about the possibility of doing the voice work myself. Was it possible? Could I do it?

I began to look into it. I’d say the best guide I found was an extensive set of instructions on eBookIt!

Check out the How To Make An Audio Book: A Do-It-Yourself Guide, which details the most basic kit required:
‘A computer with a USB port
A high-quality microphone with a stand and pop filter (that round cloth thing in front of the mic)
A way to connect the mic to the computer (either directly via USB or through a mixing board)
A recording environment with very little to no background noise and no echo
Recording software
Editing software
Audiobook creation software.’

For distribution, Amazon has the largest share of the market through Audible. ‘The author’s choice, as with ebooks, is whether to receive higher royalties by keeping the audiobook exclusive to Amazon/Audible/iTunes, distributing through ACX, or to earn less but cover multiple retailers by distributing on Amazon/Audible/iTunes AND other retailers, services and libraries like Google Play, Kobo, Nook, Overdrive, and Scribd.’
I guess the long and the short of it is that creating and distributing your own audiobooks is a lot of work, whichever way you go. These things are always toughest on Indies. Narrating and producing my own audiobooks would take time and dedication. It comes down to the bottom line. I nearly always end up with the same question. Do I want to tinker around with audio, considering the returns are unlikely to cover the costs when I could be writing my next book?

The new book wins every time.
What about you. Do you want to publish audiobooks? Do you listen to audiobooks?

Keep Writing!
Yvette Carol
*

Do not be troubled by things that have not yet happened. ~ Anon


*

Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line to yvettecarol@hotmail.com

In 2020, I released my fantasy trilogy, The Chronicles of Aden Weaver. Burned out, I took a writing hiatus that summer to recover. In January of 2021, I started writing another fantasy adventure series for middle-grade readers. For me, the rough draft has to be pen and paper. I sit and write fresh copy in the morning. And, it is a rule that I must type up each day’s copy in the evening. It was a lesson I learned the hard way. When I wrote the original manuscript for all three books in The Chronicles, I elected to leave the typing until the end and gave myself the job of typing out 300,000 words of my tiny handwriting. It was as bad as it sounds, and I made it a rule from then on to type new notes for my stories the same day I write them.

Since the beginning of last year, I have added to the copy for the stories every day and transcribed the notes each evening, including Christmas Day. It has been soothing to my creative soul to write genesis draft material again. I thought the exhaustive editing of The Chronicles for the last few years might have drained my joy in the process. But it hasn’t, thank goodness. Throughout the rollercoaster of the past year, I have cruised through each day, escaping via my writing portal. I have taken daily flights of the imagination and returned from each trip refreshed. These new stories have given me upliftment, comfort, and joy.
Creative outlets are good for us. My firm belief is that every adult needs one.

My father used to tinker away every afternoon building things in the garage. My mother used to knit or crochet her blankets. Throughout every trial and tribulation of our childhood, Ma’s needles would click and whirr most reassuringly. A sort of soft background track to our lives.
My outlet is my writing and new stories are the best. They are my happy place. Coming up with the material is the easy part, and I have loved every minute, enjoying the wild ride of “inspired thoughts,” as my grandmother used to call them. What could be more fun than writing each day to discover where your story is going next? But I write now, in the same way the dog days of summer turn into fall, with a tinge of sadness, knowing the changes to come. The picnic of penning the rough draft is nearly over. That means the unrelenting focus of the editing is about to kick in. Summer ends. Autumn begins. And so will the editing. Soon.

I can’t think about that yet. Right now, the hard graft of editing does not exist. It is just me, the pen and the empty pad of paper, out gamboling through the rosy fields of imagination, reveling in every moment.
*Good news* Drum roll. I am happy to report that my nephew and I are already conjuring up the cover art for the first book. Si was the artistic genius behind the covers for my trilogy. As a busy young working father of two, he needs a year’s grace to work on his art pieces. I told him, take as long as you need. I believe in his artistic ability and will always champion his work. Cover art from Si Kingi is worth the wait.

As a hobby illustrator myself, I have several pieces of artwork for most of the books. Some of them feature on the side panel of this blog. I have enough to put one original illustration into each book but still need to draw a second illustration for each volume. The one character I have not drawn yet is the young 8-year-old protagonist, Emily. I told Si, I look forward to seeing her!
The wait to see Si’s work is full of anticipation.
Vincent Willem van Gogh once said, “…and then, I have nature and art and poetry, and if that is not enough, what is enough?” Exactly. We must have all these things in times such as these to give us the strength to carry on and get through. Nature, art, and poetry are important because they bring us joy. They uplift our spirits. For me, penning new stories is bliss and to be part of the arts coming out now is exciting!
What about you. What are your creative outlets? Or are you yet to discover the right creative outlet for you?

(A pencil test piece Si created with his four-year-old daughter, my grand-niece)
*

Talk to you later.
Keep creating!
Yvette Carol
*


Writing is an important avenue for healing because it gives you the opportunity to define your own reality. – Ellen Bass


*

Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post on the first Wednesday of every month. Every month, the organizers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!! Let’s rock the neurotic writing world! Our Twitter handle is @TheIWSG, and the hashtag is #IWSG.

March 2 question – Have you ever been conflicted about writing a story or adding a scene to a story? How did you decide to write it or not?
Yes, the example that stands out in my mind concerns the first book in my Chronicles of Aden Weaver series. In the first book, The Or’in of Tane, Aden Weaver lives with his grandparents, Nana Jeen and Papa Joe. One night, two assassins attack Aden in the vegetable garden of his grandparents’ house. A big fight ensues between Aden and the two assassins. Nana Jeen and Papa Joe arrive, and the fighting is ferocious. In the first draft of my story, both grandparents are killed in the fight.
My then critique partner, the wonderful author and YouTube queen, Maria Cisneros-Toth, took exception to this version of the book. She cited good reasons: it was too much for child readers to lose both beloved characters so early in the story, it was unnecessary, gratuitous to kill both of them, etc. But what it boiled down to, Maria admitted, was that she did not like the idea of losing both the grandparent characters. Maria pleaded with me to keep them alive and change the storyline.

In the world of writers, there are plotters and there are pantsers. Plotters map out a story in detail first. Think of JK Rowling’s grid pattern story plans which detailed every significant development and turn in the seven-book series. Whereas Pantsers write stories as they come, flying by the seat of their pants. Then they edit for years afterward. I’m a Pantser, and I write all my copy as stream-of-consciousness material coming straight from the muse onto the page. I had set down the content for The Or’in of Tane as faithfully as it came to me. In other words, I felt wedded to the content. That’s one of the things I find most valuable about joining critique groups when I’m working on new material. They offer the dispassionate third-person perspective. They can reflect things the author can’t see. When it comes to editing I can delete an adverb and correct punctuation. But, I find it difficult to question the big things. And this was one of those times. Maria was able to reflect that it was too much to kill the grandparents so early in the series. And, I could hear the truth.

When I thought about it, I felt excited at the thought of them surviving the fight. I couldn’t wait to get started on the changes. And that told me I was going in the right direction. I went back to rewrite. In the new version, Nana Jeen and Papa Joe get badly injured in the fight. It changed many things about the way the rest of the story played out. It was the right thing to do. Furthermore, having the grandparents there in the final scenes of the trilogy, to witness their grandson on his triumphant return, gave an emotional resonance to those end scenes. I never once regretted saving the grandparents and rewriting that scene. I was just glad there was a seasoned eye on hand to guide me on the story development at the right time. Thank you Maria for the advice.

I had written the grandparent characters into the narrative for a reason. As the daughter of immigrants to New Zealand, our little nuclear family grew up without the benefit of extended family. My only experience of grandparents was through letters and those grandparents I saw in the movies or read about in books. My grandmother moved out to New Zealand when she was 79. We had some sweet years getting to know each other before she passed away ten years later.

My siblings and I grew up without grandparents, and for that reason, I revere the elderly and always have to add a grandparent or two into my fiction. I didn’t want to kill off Nana Jeen and Papa Joe. But, I struggle with questioning the muse. Maria more or less gave me permission to throw out something I didn’t feel worked and to replace it with something lighter. The story immediately improved.
Some edits are too scary to make on your own.

Sometimes you need a friend to hold your hand and say, it is okay. You can do this.

Sometimes you need friends.
What about you. Have you joined a critique group? Have you ever been conflicted about writing a story or adding a scene to a story?

Keep Writing!
Yvette Carol
*

“You must do the thing you think you cannot do.” – Eleanor Roosevelt


*

Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line to yvettecarol@hotmail.com

I have finished reading my third novel for 2022, Frankie B – Faerie Lights, by Andie Low. For sure, I am an impulsive shopper. I buy books in several ways: I read the cover blurb, I read the first page, and sometimes, I buy a book on pure impulse after reading the title. Faerie Lights was the latter. This book is a self-published Witch Cozy Mystery from the Marina Witches Mysteries series.

A couple of years ago, I met the author at an event for Indie authors. Andrene inspired me because she’s making a living as an author, creating her empire, writing a library of material with her women’s fiction: That Seventies Series, her paranormal cozies: Marina Witches Mysteries, The Blood Bond Agency, or her romance fiction under the pen name, Hope Malone: The Coogan’s Break Series. Andrene is a marketing ace and works assiduously to build her brand and promote her work.
I bought her book, Frankie B – Faerie Lights. The story follows Frankie B, the young redheaded witch with a spunky attitude. She gets invited to spend the winter solstice with the family of her good friend, Magda Zilonka. No matter that the Zilonkas are vampires or that they have a long-running feud with the Nautilus clan, the family of Frankie’s boyfriend, Zane, a merman. Frankie disguises Zane so he and Frankie can be together for the holidays. The risky part is that his discovery would be fatal. ‘Add to this a stolen relic, newly discovered powers, and a drop-dead gorgeous vampire, and for Frankie, this will be a Winter Solstice to remember. Or forget’ goes the blurb.

Until reading this book, I was unfamiliar with “cozy mysteries” and was unsure what to expect. I did a bit of research and discovered cozy mysteries, also referred to as “cozies,” ‘are a subgenre of crime fiction in which sex and violence occur off stage, the detective is an amateur sleuth, and the crime and detection take place in a small, socially intimate community. The term “cozy” was first coined in the late 20th century when various writers produced work in an attempt to re-create the Golden Age of Detective Fiction.’
The whole tone of Faerie Lights I would describe as light-hearted. It is fiction that never takes itself seriously, which is fitting considering the author, Andrene Low, used to work as a stand-up comic. The Winter Solstice is fast approaching, and Frankie Bonny is desperate to spend it with family. Unfortunately, she’s light on relatives, knowing only three and two of them are jerks. Sometimes humour in fiction is forced and doesn’t work, but humour from a comic is a cut above.

Andrene’s bio is a bit of faff that tells us sweet nothing, apart from the fact that Andie lives in the beautiful Hawke’s Bay region of New Zealand with a tabby cat called Mia. However, it displays more of the trademark tongue-in-cheek. Andrene, or Andie as her cozy mystery readers know her, has a love of writing instilled in her by her mother. Although, if her mum were still alive, she’d be smacking Andrene across the back of the head given the direction some of her writing has taken.
Faerie Lights is not a genre I would usually read, yet at the same time, this sort of lightweight romantic fiction has a definite place. The same way television fills a need, chick-lit fiction is entertaining and relaxing because it does not overtax the brain. Any escapist entertainment is vital these days, and I don’t hate it.
My rating: Two and a half stars.

Talk to you later.
Keep reading!
Yvette Carol
*


“In a time of destruction, create something. A poem. A parade. A community. A school. A vow. A moral principle. One peaceful moment.” ~ –MAXINE HONG KINGSTON


*

Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post on the first Wednesday of every month. Every month, the organizers announce a question that members can answer in their IWSG Day post. Remember, the question is optional!!! Let’s rock the neurotic writing world! Our Twitter handle is @TheIWSG, and the hashtag is #IWSG.

February 2 question – Is there someone who supported or influenced you that perhaps isn’t around anymore? Anyone, you miss?
I miss my parents. They were my biggest supporters, especially my mother. In the early days, as a writer in my teens, I used to edit my stories, then print out several copies, have them spiral bound, and give them to people. I had given my parents many copies over the years. Ma was my biggest fan, and she kept my handmade books on their bookshelf. Anyone who came over their threshold, be it neighbour, friend, or stranger, Ma would bring out one of my stories and read aloud to them. As a younger, more foolish person, I can remember feeling red-faced and embarrassed at having my early stories paraded in public. But after my parents died, I missed Ma’s earnest, innocent, unerring support more than words can say. It struck me that no one (apart from maybe paid professionals) was ever going to sell my stories every chance they got or with such fervour ever again.

I was very close to my parents and was the only one of four siblings to live at home* for long periods in adulthood. (*see, starving writer). When my parents retired, they shifted to live in a log cabin by the seaside for twenty years of bliss. I would travel down from the city to visit them for a three-day weekend every six weeks. Not once did Ma ever fail to ask how my writing was going. Even after the six mini-strokes that slightly addled her brain. She always asked about my stories and – wonderfully – would sit and listen to the answer with rapt attention. Ma genuinely wanted to know what I was writing. She would ask interesting questions and I loved to fill her in.

Every writer knows that the process of submitting work to publishers and competitions is soul-destroying. If I faltered in my self-belief and began to feel I couldn’t send out another manuscript to a publisher, Ma’s enthusiasm and unfailing belief in my ability would keep me going. She loved my stories and was utterly convinced that it was just a matter of time before someone turned them into bestsellers. Her strength kept me aligned due north.

About twenty years ago, I was unpublished and still entering stories into every competition and awards contest. I submitted the first manuscript in my future trilogy, The Chronicles of Aden Weaver, titled The Or’in of Tane, to an international “unpublished manuscript” competition. The first prize was the publication, physical copies, and worldwide distribution of the resulting ebook. It was a pretty awesome prize by anyone’s standards. The publisher would contact the shortlisted authors after they chose the final winner. Everyone else would hear bad news within a few days of submission. A month after the deadline passed, I still had not heard from them. I felt tentatively excited. Publisher silence meant my story still had a chance.
But then another month passed, and I still hadn’t heard. I finally emailed the publisher. I found out my story had arrived a day after the deadline. I realized I had made a simple mistake calculating the difference in time zones. Therefore, they had not even considered my manuscript. After all the years of rejections, to think I had potentially crossed the finish line, only to find out I’d failed again, was too much. I fell into a black hole of depression and stayed in a dark place for an entire week.
At the end of that week, the phone rang. I picked it up. “Hello?”
My mother’s voice. No preamble. She said, “The darkest hour comes before the dawn.”
And with those words offered as a lifeline, she pulled me out. I started to weep. While I bawled my eyes out, I could hear Ma saying positive, encouraging, uplifting things. Then I dried my eyes, and we talked. Later, when I got off the phone, I realized my perspective had shifted, and I could move on with my writing life. Ma always knew when to ride in on the white horse.

Both my parents were avid supporters.
When I finally went the Indie route and self-published The Or’in of Tane, it was September 2015. My mother had died in June of that year. She never got to be at my book launch. But my father was there. At the age of 82, he traveled all the way to the city to attend, and in the speeches, he stood up and started his piece with ‘I’m Dad.” He was proud, and I got to feel my parents’ faith in me was vindicated.
By the time I released the second and third books in the trilogy, my father had passed away, too. There were two empty chairs at the launch, which I allocated to my parents because they would have loved to be there. The dedication I gave them on the front page of The Or’in of Tane read, For my parents, who believed in me, no matter what.
I sure do miss them.
What about you. Is there someone who supported or influenced you that perhaps isn’t around anymore? Anyone, you miss?

Keep Writing!
Yvette Carol
*

The best and most beautiful things in the world cannot be seen or even touched – they must be felt with the heart. ~ Hellen Keller


*

Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line to yvettecarol@hotmail.com

I have finished reading my second novel for 2022, Fire & Shadow, by T.G. Ayer. Tee and I became friends through Facebook years five or six years ago. We both have kids who have undergone open-heart surgery and have Congenital Heart Disorder. We swap tales of our parental fears and woes. My niece is a big fan of T.G. Ayer’s books, and I knew Tee was successful as she is a ‘bestselling USA Today author.’ However, I had not read any of her work. In 2020, I attended an author event and shared a table with Tee. That was the first time we met face-to-face and we had such a fun day, chatting for hours. Tee is as beautiful and engaging as her considerable body of work. I bought the first volume in her Hand of Kali series, Fire & Shadow, and finally got around to reading it. So here we are.

Fire & Shadow is an urban fantasy for the YA market and is the first in a series of seven books. We meet Maya Rao. Our teen protagonist is an average Indian-American teen, balancing the cultural differences between the expectations of her parents and the need to fit in at high school. I found it insightful to the modern dilemma for children of traditional cultures. Maya juggles the beliefs of her Indian family with her modern ideas, and anyone can empathize. While her parents adhere to the old belief systems, Maya doesn’t believe in the Indian pantheon. She wants to forge her path in life. Having grown up in California with a lot of personal freedom, she largely views the tales her parents shared with her of Hindu folklore as nothing more than superstition.

Maya’s parents are relatively easy-going. The difference is that her father teaches martial arts and has taught her to fight. When a boy attacks Maya at a party, she accidentally incinerates him with a stream of fire. This act of self-defense brings her into the world of Indian Mythology and is when the story kicks into high gear. Maya starts to see and smell monsters, or rakshasas. After confessing the incident at home, her parents reveal that she is the reincarnation of a devoted follower of the goddess Kali. Maya is “The Hand of Kali” and can wield fire. It also brings others into her life. For example, Nik, the boy she has had a secret crush on, ‘the forbidden fruit,’ the goddesses Chayya, Kali, and Varuni, as well as the god of the underworld, Yama. The fabulous cast of characters includes Maya’s best friends, Joss and Ria, one a white American neglected by her parents and the other an Indian whose father rules her life with iron discipline.

I liked the heroine and her plausible rebellion against the constraints of her upbringing. I admired her feisty nature, the way Maya pushes the limits with her culture, and with what is expected of her once she discovers she is the Hand of Kali. I also liked the glimpse Fire & Shadow gives us of life inside an Indian household. Fascinating. Reading romance is not my preference. I appreciated that the romance between Maya and Nik only adds to the heroine’s journey, serving to enhance the narrative without ever being at the expense of the story development. The lovey-dovey stuff takes a back seat to the action and the plot. Thank you, Tee.

At the start, I was curious to see how a friend writes, and happily, I was impressed. A natural storyteller, who has a way with words, Tee strikes a balance between the dark content and humour, which had me seesawing from horror to guffaws.
‘I’m so dead when I get home. Maya’s dad had the nostrils of a shark – he could smell lies, fear, and alcohol within a five-mile radius. So dead.’
The book had a solid plot, a sense of steadily building tension. Fire & Shadow is pure entertainment. The descriptions of characters and setting are on point, and you can picture everything. At times genuinely scary, it kept me on the edge of my seat. I learned urban fantasy romance can be a riveting read. Now I understand why my niece is a fan. I admit I found a number of errors that were missed by the editor. I can’t complain though, as a few mistakes slipped through the editing with my trilogy, The Chronicles of Aden Weaver, too. When you are self-published these things happen. No biggie.

According to her bio, T.G. Ayer was born in Durban, South Africa. Having sat and conversed with her, I know that the red tint in her dark hair comes from Irish blood also in her ancestry. Tee started by penning poetry before she moved on to writing fiction. The lightness of touch which comes through Fire & Shadow continues in her bio. Tee tells us her heart is torn in two between her homeland of Africa and New Zealand, so she ‘shall forever remain crosseyed.’ LOL. She lives in Auckland, is an active member and speaker with the Romance Writers of New Zealand, and has two grown-up daughters.
My rating: Four out of five stars.

Talk to you later.
Keep reading!
Yvette Carol
*


Maya drew her fire again. This time it came smoothly, like a silky liquid, summoned with her mind, and conducted through her body. ~ T.G. Ayer, Fire & Shadow


*

Subscribe to my newsletter by emailing me with “Newsletter Subscription” in the subject line