Archive for the ‘art’ Category

Over the festive period and summer holidays this year, I’ve been getting out more socially. My oldest friends finally managed to prise me out of my writer’s cave. I get so intense about my work, that it’s actually quite a relief to take a minute off and be reminded to cut loose again. When a girlfriend I hadn’t seen in thirty-five years, turned to greet the rest of us old high school mates, as we arrived in the bar last night with, “Right ladies, it’s time for cocktails,” you know it’s time to party.

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Now that my friends and I are into our fifties, the conversation topics will always include stories of our children and aging parents. Romy Halliwell put it best when she said; Middle age is that time in life when children and parents cause you equal amounts of worry.

Yet, there is great comfort and surcease to be had by sharing these stories of anxiety. We hear tips, we gain new ideas for how to do things.

Each event has been a lot of fun! It’s nice to see everyone again and catch up.

At the same time, I approach social events a little differently to other people. As a writer, I absorb lots of details, and a party is like being bombarded with information. Israeli author, David Grossman, once said, ‘Telling your secrets to an author is very much like hugging a pickpocket.’ That’s a great analogy. I come home from social events loaded with ideas and voices and colours, enriched with the minutiae of people’s lives.

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The conversations have covered all the important bases, too: we’ve discovered one another’s current home locations, marital status, and career situations.

There is one subject however, which I try to avoid at all costs. Money. The stark reality for the majority of authors, is that they will never recoup the production costs, let alone make a living out of writing fiction.

From what I understand, very few fiction authors do.

When talking about the subject of money, I always think of a friend who collaborated with us on the Kissed by an Angel anthology. Ellen Warach Leventhal. Ellen said that, during an author visit to an Elementary School in the States, this was her favourite response from a fourth grader: “You work hard, you don’t know if you’ll ever get paid for it, and you aren’t rich? Man, not sure I want to do that.”

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Or, I remember picture book creator, Don Tate’s recent Facebook post, which said, ‘Book birthdays are exciting but, let’s face it, they’re quiet. After many years of hard work, a book is finally available for sale. There are no trumpets. There is no confetti. Heck, there ain’t even no money. So, I like to make my book birthday’s as special as possible.’

Good on him, for throwing a big shindig to celebrate every book, and for being honest about this business.

A top tier of authors do make a fantastic living, and there is good money to be made. The rest of us have to slog it out for the sales. Like most authors and artists I know, I have to maintain a whole variety of other income streams, in order to survive.

Therefore, when I go out socially, and I’m making conversation with old mates, it gets awkward when everyone is comparing “what are you doing now” stories.

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My tale of hard won self-published books comes across sounding pretty weak, even to my ears, alongside the dizzying career heights of my professional female friends.

After listening to their stellar achievements I heard myself saying, “Producing a book is a lot of hard work.” “I need to sell a hundred books to get my first royalty cheque.” Somehow, it didn’t sound quite as glamorous!

Then, I thought of the letter left by Holly Butcher, the twenty-seven-year-old with cancer, which I read on Facebook today. She said of our worries, I swear you will not be thinking of those things when it is your turn to go.

This reminded me about to get real about what matters.

Last night, instead of trying to compete with success stories, I concentrated on sharing with my friends how much fun and fulfilment I get from writing fiction for children. Do what makes your heart sing, right? In the end, that’s what really matters.

Is your profession your passion in 2018?

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Talk to you later.

Keep Creating!

Yvette K. Carol

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‘I’d rather sing one wild song and burst my heart with it, than live a thousand years watching my digestion and being afraid of the wet.’ ~ Jack London

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

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I have talked about my homemade festive cards in previous posts, however, since there have been lots of new subscribers to this blog in 2017, in the spirit of the season, I’d like to welcome everyone aboard and share the idea again.

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I make a festive card featuring my kids each year. The tradition began with the birth of my middle child, Samuel in 2002, and continued when the youngest was born three years later, featuring both the youngest boys on the cover.

In one little festive-themed image, I could instantly update friends and family about the kids’ progress, and using cards recycled from the year before. It was a win-win situation. The homemade card is easy, super cheap being made out of mostly recycled materials, and most importantly, it’s fun to do.

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Every year, towards the end of November, I make my kids sit and pose for the Xmas photo. There’s always a lot of moaning and groaning. But, eventually they cooperate, and we always get a good picture. Sometimes they help with the crafting of the cards, yet even if they don’t, that really is the fun part, crafting the end result.

So, if you’d like to start a new family tradition and try making the card yourself, here’s the process:

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Start by taking your chosen photo and reducing the size to fit your choice of card size. I like to do miniatures so the pictures are small and dinky. I am able to get eight miniatures onto an A4 page. Once you’ve set them out on the page the way you want it print as many pages as needed. I usually limit it to sixteen cards in total, as they do take a bit of time and one has to divide one’s time between a lot of activities at Christmas.

Next, cut out the pictures.

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I make templates for the size of the card and the layer of decorative paper in between, and the photo, so a bit of the decorative paper and a border of the card itself will show around the image, in other words, each is progressively larger. Using a template keeps things uniform and pleasing to the eye, and saves time each year.

For the cardboard, I buy cheap bulk packs of old Christmas cards from charity shops. Sometimes, I save the cards we’ve received from the year before and recycle them by pasting white paper over the writing inside.

Either way, cut out sixteen pieces of cardboard to the size of the first template.

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Cut out sixteen pieces of festive themed paper, to the next size template.

Glue the paper onto the front of the card. Don’t worry about whether the patterns match or if you’ve got the layers running in different directions. This is art. Be funky and wild and have fun with it. Go crazy, man!

Then, trim your photo to the size of the picture template.

Choose your bling. I use a type of synthetic crafting fibre which my mother bought for me at a crafting fair many moons ago, which forms a sheet of shimmery stuff. With names like Cotton Candy and Lemon Sparkle you can’t go wrong. I take a clump of that, and iron it flat, then I cut the sheet into small strips or rectangles to add a touch of shimmer. You could also cut up cellophane or tinsel. Alternatively, you could use good old glitter.

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Paste your family photo on top of this background decorative paper, trapping the synthetic fiber, tinsel or cellophane in between.

Decorate! Let ‘er rip and have fun embellishing the fronts of the cards. Sometimes I use glitter, beads and doodads. But, this year, I just added stickers, using up all the kids’ festive themed stickers. Double bonus!

Write a personal message inside each card and send them snail mail to friends and family.

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Fifteen years later and the satisfaction hasn’t waned. I’ve just mailed fourteen handmade cards to friends and family and it feels lovely.

I always make sure there are two cards left over, one for me, as a keepsake, and one “spare.” The funny thing is, every year without fail, I get asked by a random person whether they could receive one of our cards, and I say, ‘yes, I happen to have one left over.’ The spare always finds a home! Last year, the spare went to Paeroa, New Zealand, and this year, it went to Istanbul, Turkey!

We get a terrific response to our cards. Let us know if you do, too!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Blessed is the season which engages the whole world in a conspiracy of love. ~ Hamilton Wright Mabie

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

A story comes alive in the reader’s mind. You use the sole medium of the word to get the story from your mind to the reader’s. It is the wonder of writing to create something out of nothing. Every story started with just an idea in someone’s head. Isn’t that a fantastic concept? ~ Bob Mayer

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Yes, it’s a great concept. Yet, how do you bring a story to life?

I’d like to share a technique which has helped me.

Whenever I start working on a new story or writing project, I always feel as if the prose is “dead on the ground.” It is cold and lifeless. Nothing about the piece makes me want to pick it up. In fact, I make excuses not to work on it.

But, I don’t take no for an answer. I’m a beast of a taskmaster. I force my butt back in the chair and make myself work whether I like it or not. When you’re an Indie the buck stops here. Even if I’m only sitting at my kitchen table wearing trackies and slippers, I must knuckle down and put in the hours and hours and hours of effort at the computer. Period. Or a book will not result.

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Producing a novel is like giving birth. My friends and I laugh about the analogy at Toastmasters, and I even gave a speech about my fourth baby (being my first book). Yet, the analogy is more than apt. It perfectly illuminates the process of creating art.

I have to put in the grunt work. I spend hours at the computer hacking away paragraphs, shooting lurking “little darlings” (or favourite bits). I endure the Herculean labours of editing and refining words. I start to shape the miasma of words into something resembling a reasonable story. I add and subtract. I constantly have to add fresh words in order to have to have stuff to take away again. It’s a gentle and sometimes not so gentle method of agitation similar to the way an oyster grows a pearl.

Then, comes the magical part, where the action of writing fresh copy slowly brings the prose to life and animates it.

About five years ago, my good friend, writing buddy and editor, Maria Cisneros-Toth, and I started working together on my first book, The Or’in of Tane Mahuta. Maria has taught me a lot about the craft. I remember she would stop me at certain times and ask me to go back and rewrite a scene with a view to slowing the pace. This is one of the best bits of writing advice I’ve ever received.

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Maria’s advice: ‘Take the exciting, pivotal scenes. Slow the pace. Tease out what happens, moment-by-moment, really let us experience everything.’

When I re-read my book now, the slow scenes are the standouts. This has proved a real turning point for me as a writer, because I understand the visceral impact we can achieve, just by altering the tempo of the way the tale is told.

When I started working on the third book in my series, The Chronicles of Aden Weaver a few months ago, I felt as though the rough draft was “dead on the ground.” It was cold and inert. Nothing about the piece made me want to pick it up. I made a couple of obligatory rounds of editing, but, my heart wasn’t in it. I was merely “doing the rounds.”

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Two weeks ago, I began the process of teasing out the key scenes. I once again accepted Maria’s original challenge. I began to take the most dramatic parts of the novel and slowed the pace right down to include the minutiae.

To my delight, before my eyes, the copy began to perk up and come to life. The prose became warm and vibrant. There was energy there. The characters came alive in my imagination. I now find myself in the happy place of being drawn irresistibly back to work on the story. That’s when I know we’re on the right track.

I must continue the good work and edit the copy until the story is fully grown, matured and strong enough to hold its own in the world. What an honour! What a privilege to be a writer parent.

What about you? How do you bring your worlds to life?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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Storytelling is really one of the most wonderful things about human beings. And some of us get to be lucky enough to also be the storytellers. ~ Bryan Cranston

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

Are you a Pantser? An author who writes by the seat of her pants? If you are, then you’ll be familiar with the process I’m currently stuck in as a writer. I am on the third pass of editing the raw material for my third book. I am therefore stuck in a phase of self loathing and hate of the material. It seems nothing works, nothing is making sense. I just have a jumble of words—pretty good words—some of them pertaining to my characters, some of which resolve the storyline, however the plot is a mess.

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I remember with books one and two going through this same stage. It’s an utter headache. You waste a lot of time feeling badly about the story and thinking, I’ll never get the structure sorted out. You know the dynamics of structure in your head as well as the back of your hand and yet, somehow it still remains elusive. It’s like trying to overlay the blueprint after the building is erected: it seems too large, too big of a job; you feel you’ll never be able to do it.

The only cure? I reassure myself as I pace the hall at night, that I went through this nasty valley of shadows before and survived. I’ve weathered this doubting dark night of the soul before and ended up nutting out killer plots. “You can do this,” I tell myself.

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As it was with the last two books, it will be the same with the third. It is the pantser process of editing and the attrition of editing over months of time, which moulds the material into something that works so well it surprises you. You discover little gems of clues of events to come which had been foreshadowed in the genesis draft you didn’t even realize were there, that only make sense once you reach the final stages of development. That’s when the delightful prickle of hairs goes up on your arms and you realize you’re dealing with ordinary magic. It’s part of our job as authors. It’s almost like a trade secret among artists. There is this ephemeral joy of joining forces with the Divine that is like sweetest nectar. Nothing else can touch this secret garden. It is nirvana, the wordless ecstasy of inspired endeavour.

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I’ve long said, “Everyone needs a creative outlet.”

I truly believe this with every atom of my being. Criminals in prison, sick people in hospitals, people with depression and other anxious disorders, everyone should be given the opportunity at least once to discover the creative outlet which fits with them. Given tools and time to develop their creativity, a lot of people flourish. A friend who works with a tetraplegic said she was a sad case and yet, once the girl in the wheelchair started going to a weekly art class, her life changed for the better.

When you create something from nothing, you feel yourself part of the miracle of life. It gives your life the inner compass of purpose.

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As a writer, the alchemy of the words you choose serves to clothe the divine impulse and give it form. These scratchy black and white marks convey the universe, a word at a time. And then all the perspiration, anguish, questioning, tears and sheer graft that also goes along with the creative process is worthwhile.

Yesterday at Toastmasters, the question asked in Table Topics (speakers are given a topic and asked to speak spontaneously for one minute) was “If you had not been born, what would be missing from the world?”

If I had been chosen to answer that question, I would have answered, ‘my three sons and my books.’ All of these beings are my legacy and will live on long after I’m gone, doing good in the world. What a wonderful, marvellous, blessed thing.

Do you have your creative outlet up and running yet? If not, why not?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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I believe that people who are attracted to a life of writing have an incredible opportunity to transform and transcend the events of our lives, finding a resonance of grace simply by writing something just right. ~ Sage Cohen

 

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~ I’m afraid of losing my obscurity. Genuineness only thrives in the dark. Like celery. ~ Aldous Huxley

When I started writing fiction as an adult thirty-five years ago, I did so for the love of it. I wrote because creativity wanted to pour out of me that way. My “certain set of skills” happened to lie with prose and that’s where I ran wild with the giddy rush of youth. I was not preoccupied or clouded by the need for publication. I wrote to explore the parameters of my imagination, to see where I could go, to travel to far-flung places and report back. The possibilities and the horizon were equally endless.

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Five years ago, when I began my first steps into the world online and social media, I set up author pages, started making friends and finding out more about the online writing community. It wasn’t long before I felt the pressure to have something to show for my years of writing effort. I needed something to hang my shingle on. In 2015, I made the death-defying leap from unpublished to Indie author.

What I didn’t know then is that once you pass over that threshold, you leave innocence at the door. After that, the gloves are off; you have entered the arena of life. And life is brutal. It wants to eat you. Every move you make as an author or artist these days is public and hung out to dry in the open marketplace. Whether you make it or break it is global, everyone’s going to know. As the Indie author, you have become your own middle man; you manage everything from advertising copy, to every aspect of book production, to hawking copies at book fairs. The marketing machine never stops and you can never feed it enough.

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If you’re a savvy Indie, every step you make after that has an angle. Every friend you make is a prospective customer. Every post, every tweet, every conversation is another way to sell your product.

What this does to my creative soul is like toxic gas, it slowly poisons the ground.

Author and teacher, Lan Samantha Chang, addressed this phenomena in her speech, Writers, Protect Your Inner Life*. ‘We are taught to believe that the publication of a book is the happy ending to a long journey of working and striving, but according to many new authors with whom I have spoken, publishing is only the beginning of the journey of learning to navigate the world as a public writer, which is the opposite of making art, and it requires learning to protect that inner self from which the art emerged in the first place.’

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This is something I’ve really been thinking about a lot lately, is how to preserve and keep alight this flame of purity inside me.

How do I protect my dignity, my artistic integrity?

How do I maintain my ability to enter the shaded places of childhood, the secret inner recesses of my soul, in order to write the rough draft?

It pained me that in my reaching for public attention, I had forgotten the innocent joy of writing for the sake of writing, not for the buck. Not for the fan. Not for the “likes” on Facebook. Not for the bestseller list. Not for status updates. In my struggle to be heard, in my fight to get my book on the front shelf to be seen, I had lost sight of what was really important. Or why I started this journey in the first place, to ‘live with hysteria, and out of it make fine stories,’ as Ray Bradbury put it so eloquently in his day.

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Like the celery that only grows in the dark, the artist, the creative soul requires time in stillness and solitude and retreat in order to gestate.

I have learned the only way to preserve and protect my inner life as a writer is to carve out regular prolonged time away from marketing and (if possible) social media. I call them ‘net breaks,’ and they’ve become as necessary to my creative spirit, as walks outdoors or glasses of water are necessary to my health.

Sometimes I need to turn off all my devices and get out into nature. I need to forget about the end point of the sale and refocus on the love of writing – that eternal spark. Only then, can I truly re-enter my own private Eden from which I can create worlds.

How do you protect your inner world?

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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‘Cherish yourself and wall off an interior room where you’re allowed to forget your published life as a writer. There’s a hushed, glowing sound, like the sound coming from the inside of a shell,’ said writer Lan Samantha Chang

*http://lithub.com/writers-protect-your-inner-life/

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

 

 

There is something you find interesting, for a reason hard to explain. –Annie Dillard

Book shelf real estate is tiny. It pays to remember that our book will only occupy a small amount of territory on that prized book or library shelf (if it gets there at all!) so we need to stand out. A number of years ago, I read a magazine article about small business start-ups creating their own symbolism, just the same way big companies choose logos. I wondered, why shouldn’t Indie writers also utilise this tool and create their own logos?

*Reason One: Our brains remember images before facts.

It’s a well-known fact that symbols work on our subconscious, and we humans respond to visual clues. There’s a reason all the major brands always build their businesses around a symbol. Once they establish a logo, the emblem then becomes synonymous with their name.

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*Reason Two: A symbol is a reminder. Logos help readers remember you.

The same way our ancestors carved runes into rocks or hieroglyphs into stone, we can use symbols, as a bridge, an illustrative shorthand, in order to convey our message to the world. An image can say so much more than a word. ‘If you let go of your idea of what you are looking at in the symbol, it will reveal itself as information in the form of knowledge that cannot be read in books. It is a direct knowledge,’ said Gurudev Hamsah Nandatha, in his book, In the Presence of Truth. ‘It is because the symbol, it could be a painting or a spiritual symbol, has an impact on your mind. It’s a reminder.’

*Reason Three: Logos help readers to quickly “recognize you” on the book shelf. They give you visibility.

As an Indie writer, I’m seeking two things: to create good content and to build myself as a brand a reader can trust to deliver a good read. A symbol helps readers young and old remember the story and who delivered it.

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*How to Create Your Symbol

One: Find a relevant form.

When I went Indie to publish my first book, The Or’in of Tane Mahuta (http://amzn.com/B015K1KF0I), I wanted to start using my own logo. The Chronicles of Aden Weaver series is about shape shifters who morph from insect to human. I studied insects and looked at dragonfly wings. Then, I sketched and painted three possible options for a symbol to suit.

*Two: Enlist your readers in helping you choose.

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Others see things differently and can provide a valuable resource for feedback. I started a competition for the people on my mailing list. In the newsletter, I gave readers three options to choose from. I asked them to vote on the best. Each vote was counted as an entry, with the winner getting a free signed copy of the book.

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*Next Step: Stake your claim. Make the symbol your own, by stamping it on your books, your cards, your website, and your blog.

The winner by a majority was this one. I finally had a suitable symbol for my brand.

*Hot Tip: Make sure your logo goes on the spine of your book, where it will be seen.

You can see when I line my novel up with others, the way the publishing houses logos establish turf. At a glance, we know who they are. This is the same connectivity you want to happen in the reader’s brain with your brand when they see your masterpiece.

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I’m publishing my second book through CreateSpace. On the first proof for ‘The Sasori Empire,’ I discovered my logo was missing from the spine. Although I had originally submitted the symbol with the file, it’s possible I may have sent it to the wrong place. When you go through an online publishing service, you must read every instruction minutely, because if your work is not submitted to the company’s specific guidelines, it’s not “received” at all. Therefore, the error lies with you. And, every editing change you make will cost money.

I re-submitted the image via the correct channel and made sure my logo is featured in the correct spot on the cover. I’m saying to the world through my symbol, “I’m here.” This puts a smile on my face.

As an Indie, it’s vital to be happy with how your book is going to look sitting on the shelf, as well as how it reads inside. That way the whole package becomes authentic to you.

Are you smiling about the final look of your book? Ever thought of designing your own logo? 

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Talk to you later.

Keep Writing!

Yvette K. Carol

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There is something you find interesting, for a reason hard to explain. –Annie Dillard

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

 

Kids are visual creatures. They like to be entertained in every respect. As a child, I loved books with illustrations. When I morphed into reading chapter books as a young person I wanted the more complex stories, but I still wanted the imagery. I can remember really appreciating the authors who put ink illustrations in their chapter books. I have fond memories of poring over the minute squiggles and flourishes on the pages of Tove Jansson’s books.

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Last year, I prepared to release my first book, my novel, ‘The Or’in of Tane Mahuta.’ The first book from The Chronicles of Aden Weaver. I realized there was no way the budget would stretch to illustrations, so I came up with an easy solution.

Here’s  a guide to creating your own pen and ink book illustrations:

Step One: Start with your characters.

First, you must have some form of cover art for your book which you have either paid for or otherwise have liberty to use. For my debut novel, I had the two main characters rendered artistically in digital form by my nephew.

I simply copied the character with a pencil.

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Second attempt on Aden, for b&w illustration0002I wanted to introduce a new face. I took a photo of a statue of a giant which I found in a 1970’s magazine and copied the basic outline.

*Hot Tip: I use an automatic pencil, as they have the super fine leads. You want to do all the early stages on tracing paper.

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I already had my protagonist, Aden Weaver, rendered in pencil from last year, but I needed to change his position for this book so I lifted him into the air. This gave me a new image to work with. As I pinned down the character’s positions, I switched from pencil to a fine permanent marker pen.

*Hot Tip: You’ll need to see every line. A fine nib is necessary. I use a Staedtler “Triplus fineliner.” Every line needs to be carefully but clearly distinct.

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Step Two: Create the background and foreground

For this image, I decided to use one of a few special backdrops. A dear friend, Lyall Gardiner, had gifted me four of his ink/colour pencil backdrops before he passed. In A3, they’re enormous, so I selected elements from one image, the moon and wispy clouds and some of the looming shapes and traced them onto a more compacted A4 page.

You could use whatever you have to hand, interesting segments of your kids’ artwork, pieces of your own from childhood, or you could go wild and cut segments of out-of-date magazine pictures to create a montage/mosaic effect, etc. Use your imagination.

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*Hot Tip: Take care not to tread on rights to intellectual property.

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Step Three: Combine and Trace

The next part is to employ your artistic eye with placement. Arrange your characters on the background in a way that fits the “story” you want to tell. The great thing about using tracing paper is you can flip the characters over. I decided to “tell the story” of the Oni looming. However, I needed to flip our hero to have him face the giant. To do this, I simply turned the paper over and re-defined all the lines with pen on the reverse of the paper!

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Step Four: Fill it in!

I took my taped-together tracing paper image and copied it onto thick art paper. I used permanent markers and filled in the picture. I thought in terms of light and shadow, silhouette, of how things look in the dark, not drawing to be realistic but to create pattern – effect through contrast. I left certain patches: one or two to be left white and at least a few to be painted black. They added impact.

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The resulting image will be one of the two illustration plates for inside ‘The Sasori Empire.’ On Facebook, I shared it with the caption, ‘The horned face of the Oni appeared in the trunk, even more hideous than before, and a head of bark grew.’

Step Five: Copyright!

Make sure to add your name the copyright symbol and the year somewhere on your picture.

With a bit of effort, anyone can create at least a couple of illustrations to go inside their own book. These simple pen and inks are relatively easy, quick, and they’re super fun to do. You have the satisfaction of having made it yourself.

Have you ever tried your hand at your own illustrations?

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Talk to you later

Keep on Creating!

Yvette K. Carol

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The Holy Grail is to spend less time making the picture than it takes people to look at it. ~ Banksy

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Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

 

Stories have to be told or they die, and when they die, we can’t remember who we are or why we’re here. ~ Sue Monk Kidd

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In the last week, I’ve had a revelation, thanks to a little help from a dear friend. I realised I’m spending way too much time on social media, at the expense of my writing.

I started out with the internet and social media about five years ago. At first, I had it all in balance, but somewhere along the line, the balance started to shift.

My friend pointed out that while I’ve been able to keep my blog and newsletter and Facebook and YouTube updated regularly  -‘You’re everywhere’ – I failed to finish and produce my second book, ‘The Sasori Empire,’ as I’d promised readers, last year.

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Self-defence is the knee-jerk. I explained I’ve long adhered to Kristen Lamb’s excellent social media advice for writers. I was under the impression keeping up with the social media gambit was a necessity for all artists these days.

Yet, when I really looked hard at myself and my output, I knew my friend was right. I’ve maintained social media religiously, and let the writing of my sequel to *’The Or’in of Tane Mahuta’ slide. *http://amzn.com/B015K1KF0I

I really do appreciate my subscribers!

While I feel an obligation to continue to provide output, I also have had to admit that if I continue at this rate, I’m not going to produce ‘The Sasori Empire’ this year, either. There simply aren’t enough hours in the day. I spend a day at a time writing and producing my blog posts. I spend at least three days, even longer sometimes, writing and collating my fortnightly newsletter.

My friend said, ‘You do all of your social media well. Now imagine if you put more of that time into this book instead of rushing through it.’

Yes. Imagine!

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Between raising my two youngest boys, and being on the committee of two different groups, something’s gotta give. Therefore, I’ve decided to take at least a month’s hiatus from social media (although I may pop onto Facie in the mornings while I have my first cup of tea).

My ultimate dream would be to publish ‘The Sasori Empire’ this winter and make a start on the third book in The Chronicles of Aden Weaver series in time for spring in the southern hemisphere. But, to do that will require a lot of work.

Therefore, I’ll be taking a writer’s hiatus for a month, or so.

After I have put nose-to-the-grindstone, I shall return! Hopefully, with the second book well in hand. Sometimes you’ve got to make the hard calls, and this is one of those times.

Thanks, for your patience!

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Talk to you later.

Meantime, keep on Creating!

Yvette K. Carol

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A young writer is an explorer. She knows she wants to get somewhere, but she doesn’t even know if the somewhere even exists yet. It is there to be created. In the process of creating it we find out how varied and complex we are. ~ Colum McCann

 

 

 

 

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Ever since the first year my son Sam-the-man was able to sit unaided, I have photographed him and made a Christmas card for our family.

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Sam was born with Down’s syndrome. The card began as a way of celebrating him and his achievements. It created a small yet meaningful tradition for our family. Once his little brother came along, the card featured the two boys and it became another way to chronicle their lives.

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I think people gravitate towards things which are home-made. Those are always the favourite gifts from the kids. I send a parcel to the boys’ grandfather every year at this time. I send him gifts and the boys’ artwork, their calendars, stories they’ve written, as well as our Xmas card.  This is what the older generation, grandparents especially, live for.

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The card is simple, easy to make, creative, fun.

The Photo:

Any parent can tell you, the first and hardest step in any Xmas photo is the child-wrangling.

*Tip: Don’t leave it till December. Try to get the photo taken before the festive season.

I aim to get the photo taken in the last couple of weeks of November, as this gives me a leeway of time up my sleeve if the boys prove resistant to having their photo taken. Ha ha. *evil laugh, rubs hands together!*

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Once I’ve managed to coral them into one room with the box of Christmas get-up, then they must be persuaded with promises of treats, to dress up. After that, I snap as many shots as I can take before they start begging to be let out.

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The boys are fourteen and eleven respectively, this year, and it’s getting harder and harder to coerce them into the festive shoot. You’d think it’d be getting easier, but, no!

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The Construction:

Picture chosen, print up a dozen pictures at 10 cm x 7 cm, and trim them. I like to keep them to a small size because some people like to hang the cards on their tree.

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Then, I choose which cardboard to use. Originally, I used to recycle old cardboard. We have a saying in New Zealand, ‘reduce, re-use, recycle,’ which we try to adhere to as much as possible. Some years, I cut old Christmas cards down to size. This year, however, I sourced a small box from the Hospice shop which were the right size which was a great option as they came supplied with their own envelopes.

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Glue a sheet of paper cut to a couple of centimetres shorter than the card to the front of the card stock. This will form an edging like a frame for the picture. Don’t worry about getting it perfect. I like to see a little of the construction in crafts.

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*Tip: Every year, on Boxing Day, I do a ritual of taking the discarded gift-wrap and cutting up the beautiful or unusual wrap into small, clean pieces for later craft projects. In this case, I have some rather special rescued reindeer, snowflake, and red-chequered print paper.

My mother used to buy me a crafting material called “Hot Fuzz,” coloured synthetic fibres which bond together under the heat of a warm iron (through paper). I cut a dozen rectangular wedges of a sheet of Hot Fuzz, for the dazzle. You could use holographic cellophane just as well for this.

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Stick the photograph on top of the recycled paper, trapping a wedge of Hot Fuzz/cellophane between the layers.

*Tip: use a glue stick as “wet” glue can stain the paper. Press the cards under something flat and heavy between each glued layer as it creates a flatter, more pleasing finish. Make sure each layer is fully dry before you add another.

This year, I bought a “Card Kit” of decorations at the Hospice Shop. It included diamante leaves, silver stars, silver bows and transparent beads. I also sourced some finer glitter.

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*Tip: When you add the glitter, make sure to place the card on a small tray as it’s really hard to collect and re-use the left-over sparkles otherwise.

On top of the photo, in the same corner as the Hot Fuzz, apply embellishment, be it a delicate bow or a star. In the lower right corner, on a sweep of glue, drizzle more glitter and add beads or stickers.

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The last step is to write a personal message inside. Then, post it, yes, via snail mail. It still exists.

I posted ours to the lucky recipients. One Facebook friend – who had requested a card – responded, she ‘couldn’t take her eyes off it.’ Yay!

A Christmas craft project completed feels wonderful. This year, I even had enough left to put one on our own shelf. Joy.

Do you have a festive family tradition? Do you enjoy crafting? Do share in the comments below!

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Talk to you later.

Keep on Creating!

Yvette K. Carol

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I have no special talent. I am only passionately curious. ~ Albert Einstein

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After rashly deciding to join in with writing pals, Teresa Robeson http://teresarobeson.wordpress.com/ and Catherine Johnson http://www.catherinejohnson.com/ on the SelfieArt Day challenge seven months ago, I now find myself part of a regular artistic quest to capture one’s own features. An elusive, multi-fold quest.

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For September’s SelfieArt, I used the photograph taken yesterday of my sister and myself, at my nephew’s 21st party.

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I started with a faint pencil outline of my face.

I know – yawn! I admit it. I got started on the SelfieArt challenge, imagining I’d be stomping about in a different medium each month, going buck wild in there. But, something tells me I’m a bit more staid these days than my imagination likes to think I am. I see myself, in my mind’s eye, as a Poppy-Longstockings-Pocahontas, whereas in reality, I’m a mature stay-at-home mama with a slight touch of OCD.

I find myself drawing my SelfieArt each month in plain old HB pencil. Nothing less, nothing more, and going, “That’ll do.” Oh, the complacency of age!

You can see how the challenge of the SelfieArt challenge is multi-fold, because the process continues to be self-revelatory.

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#SelfieArt for September

Done, baby!

Keep on Creating!

Yvette K. Carol

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‘Art is essential to life, it feeds the eyes with the aspirations of life.’ ~ David Prosser

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