I saw a picture on Facebook the other day of Neil Gaiman. After a Nick Cave concert, the author was sitting in his chair scribbling in a notebook. And, the image really captured my imagination.


The accompanying article was about creating healthy limits in order to get the writing done, Embrace Your Boundaries


Author Dan Blank, says, ‘I want to share what I have experienced recently in allowing boundaries to be a part of my own creative work. How boundaries have helped the work, instead of hindering it.’

That’s exactly where my thoughts have been. As a writer, I simply wasn’t producing enough copy. In these times of distraction, we have to carve out our own cave.

Towards the end of January, after blogging non-stop for a few years, I took a writer’s hiatus. It really worked for me. I took a break from my blog, Newsletter, and every form of social media (except for a tiny bit of stalking Facebook). I was immediately productive, at least doubling, if not tripling my former output. On the very first weekend I stopped social media, I completely finished an exhaustive edit. I then finished transcribing the edits of my editor and critique partner, Maria Cisneros-Toth.

In fact, it was so successful, I’ve decided to experiment from now on with blogging and putting out the Newsletter less often. I’ll try blogging fortnightly and putting out the Newsletter monthly. We’ll see how that goes.

Maria said at this stage with her books, she always reads them in different media, on her phone, her ipad and so on. Then, she prints out a copy and reads it on paper.

She said, “You’ll pick up lots of errors you hadn’t seen that way.” The funny thing is, in my thirty five years of writing, I’ve never allowed myself luxuries like spending $20 on a copy of a book just to edit it one time. So, this was a complete novelty to me.


Do you know what? Printing it out was a time saver. It brought many inconsistencies to the surface. That one edit on paper probably saved me three edits on the computer.

It seems everything becomes clear when you read a story on paper. It’s as if the brain processes the material in a different way. I easily noticed repeated words, favoured ways of saying things and errors in sequence of logic.


Reading aloud is another effective tool in the editing kit.

With my first book, ‘The Or’in of Tane Mahuta,’ (http://amzn.com/B015K1KF0I) I recorded myself reading to camera. I knew that listening to the prose was a step not to be missed.

For this story, I used a hand-held Sony IC recorder. I read the entire book over three days.

What an incredible tool for editing! It really shows you what’s working and what’s not.

For instance, with dialogue tags, the general rule-of-thumb is you can use ‘said, asked, whispered,’ and, sometimes, ‘added.’ In a number of places in my second book, ‘The Sasori Empire,’ my young hero, Aden ‘added’ something to a conversation. It looked fine on paper, but what a tongue-twister to read! So, if you haven’t read your story aloud yet, you must do so.

When you think about it, this is the litmus test of a story, if you can’t read a story to someone, you’ve failed out of the starting gate.


At this point, I’d edited the book eight times, Maria, once. Yet, after going through the wringer of printing out and reading aloud, the pages of my paper manuscript were covered in red pen. I was floored by how many changes needed to be made.


Next job was to sit at the computer and transcribe the changes into Word.


I had the stack of 227 pages of my corrections as well as a rather wonderful list, ‘things to watch for’ about general issues raised. It helped me ensure I had introduced certain characters properly and had events happening in the right order.


It requires attention to detail and many hours of dedication to create a book!


Meanwhile, I’d sounded out my sister, Jag, about being my first beta reader. She agreed, and bless her, two days later the manuscript was returned. This weekend, my job is to transcribe Jag’s edits into the book.

After that, I get to send it to the second beta reader. And so, the process goes on.

I’m more productive by creating social media limits. How about you? Any experiences or advice to share?


Talk to you later.

Keep on Creating!

Yvette K. Carol


‘Don’t worry about genius and don’t worry about not being clever. Trust rather to hard work, perseverance, and determination.’ ~ Sir Frederick Treves, 1903



Subscribe to my Newsletter by emailing me with “Newsletter Subscription” in the subject line to: yvettecarol@hotmail.com

  1. emaginette says:

    I’m glad it’s working for you. Keep it up. 🙂

    Liked by 1 person

    • yvettecarol says:

      Thanks, Anna! Whew, I’m just getting back into that hard yakka you have to do towards the end of a book when you’re an Indie. I’m sure you remember from your first novel! It becomes endless. I kept editing each day until my eyes blurred and every cell in my body was vibrating. But, it has to be done. That sort of drilling down to reach as close to perfection as you’re ever going to get! 🙂

      Liked by 1 person

  2. Jenny Hansen says:

    I take a social media hiatus every weekend, and many days during the week because it’s too easy for time to slip away. Go, Yvette!!! Congratulations on all your productivity. 🙂

    Liked by 1 person

  3. So glad it worked for you, Yvette!

    Liked by 1 person

    • yvettecarol says:

      Me, too. I didn’t really expect much because my pace had been so slow until then. I can’t believe I’m already sounding out proof-readers and such!
      Hey, Catherine, thank you for the idea to blog fortnightly and do the newsletter monthly (you suggested it after one other post, in which I had posited the idea of having to take another “writer’s hiatus” in future). I hadn’t thought of simply doing some things less often. Now, that I’ve made the push to finish Book Two earlier rather than later, I can begin with these routines and not feel overwhelmed at the idea of keeping up with my former output! 🙂

      Liked by 1 person

  4. Bun Karyudo says:

    I have to agree about the value of printing out a hard copy of anything important that we write. Even with short essays or documents for work, I’ll usually try to edit a paper copy because I do a better job that way. It must be the same situation x1000 for a novel.

    Liked by 1 person

    • yvettecarol says:

      Wow, that’s a really interesting thing to know, Bun, that it’s the same in the microcosm as the macro. Whether you’re working booksize material or a poem, it pays to see it on paper. Why is that I wonder? It’s fascinating to me. 🙂

      Liked by 1 person

  5. Yvette, You have done a miraculous job of balancing! I, too am in the middle of that whole editing process and I’m definitely following your lead and printing out the book this week to look over carefully. Knowing someone else is going through the same process is a bit comforting, though, Take care and keep at it. Clare

    Liked by 1 person

    • yvettecarol says:

      Hi, Clare. Yes, great move to print it out. I was a bit surprised at the differences. It shows up all sorts of issues. The one thing I haven’t done though, which I’m assured is also key, is to read my story on different devices. I don’t have any other devices – no smartphone, or kindle, or ipad or anything other than my laptop, so I’m a bit hampered there. However, if you do have one or more of those, I’d recommend reading it on them also. Good luck with your editing! 🙂

      Liked by 1 person

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